A National Treasure- Sol Duc Valley in Olympic National Park

National_Treasure

I ran across this post I had originally written last year, but somehow it was never published. I probably had a bunch of posts and this one didn’t make the cut, but it’s never too late for good art, right?

As one drives up the Sol Duc Valley, on the northwest side of Olympic National Park west of Seattle, there are lots of pull-outs with overlooks to the river or trails leading to some of the best forests I know. This isn’t quite temperate rain forest, but it’s close. It truly is a National Treasure, and it’s a big thanks to the folks at Olympic N.P. who continue to allow me to paint my “backyard”.

Readers seem interested in the artistic processes that go into these more complex paintings. It’s one thing to paint a fine-art image of an old-growth forest. I can just be, well, “artistic” and I paint what I see or what I like, but these complex collages with lots of species are a different beast. Not only do I have to paint the bear, but it has to at least appear to be very accurate. It has to be sized properly with reference to dozens of other critters, and it has to be animated and not stiff. I can’t place, say, a bobcat right next to a rabbit, or a shady plant out in the open. Sometimes it’s a real challenge.

Here’s the fourth draft of the initial sketch.

Wayside UniGuide Grid v. 2.0 (September 2006)
Wayside UniGuide Grid v. 2.0 (September 2006)

As you can see, the finished painting ended up being wildly different than this sketch. Critters appeared, then disappeared, then arrived in other locations. (Sort of like the squirrels that continually try to break into our barn. I chased one out today that was attempting to hide in the Fiberglas insulation over my workbench.) I also had to figure out what to paint behind the text, so this painting could also be used for other things such as park publications and exhibits maybe without the text – or maybe even a future jigsaw puzzle.

And you thought being an artist was easy! Well, maybe not easy, but after 40 years it’s still a lot of fun. It’s often said that being a painter is an old-man’s game. I’m starting to believe it.

Thanks for reading this week.
Larry Eifert

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