All posts by Brush Man

With more art in America's National Parks than any other artist.

The Neighborhood – a new painting

2023-3-11 “The Neighborhood” is an acrylic painting on canvas, 30″ x 40″. It’s a little story about the communities of wildlife on the Olympic Peninsula where we live – paint. This has been on my easel for awhile, changing and evolving, sort of like the critters, themselves. We’ve seen over 90 different species here in our forest, but so far not a single elk.

No preliminary sketches were made for this painting – it was laid out as I went along, placing the elk’s nose right in the center-of-interest and everyone else radiated out from there. I set the stage for a place a bit more wet than here in dry-Port Townsend, a rainforest commonly seen just west of here.

Below are some closeup shots of the details.

I made a funny little video of my process with this painting – it’s up now on my YouTube Channel. I think it’s important to be able to laugh at yourself and this one brought tears. Damned easel. I didn’t do much editing to preserve the absurdity of it.

I go into this in my video on my channel here. There are others, too.

Or here: https://youtu.be/Dj3gCVx2U6A

This painting started out as a deer painting, then it quickly evolved into an elk and after remembering the giant bull elk (two of them) I almost ran into last summer not 2 miles from here. It grew into a full-blown ecosystem effort with many critters, all of which are here in our forest – except the spotted owl. That bird has been replaced by a similar character (barred owl) that might take my head off any minute.

Below: besides the elk, there’s a Pacific wren, two black-headed grosbeaks (they nest here in the forest), a downy woodpecker and snowshoe hare.

This painting is 30″ x 40″ acrylic on canvas and is available for sale. Email me at larry@larryeifert.com for information. Framed as you see it here, I’m asking $2300 framed, normal price for this size. No gallery fees.

And we also have this darker frame. Shipping is extra, but we have the crate ready to go.

I also did some still photography of the studio recently for my videos. Here’s a fun shot of the interior where I spend many hours of my life. It should enlarge with a click.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

I’ve been adding new videos to my YouTube Channel here. Most are about my painting process, shot in my studio.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Pitch Ring Around the Hole

This painting is for sale, so drop me a note at larryeifert@gmail.com if you’re interested. Click the image and it should enlarge in your browser.

This is an original acrylic painting on canvas, 18″ x 24″.  A Certificate of Authentication is included. Outside dimensions with the frame is about 25″ x 31″ The framed painting is $1300. Frame options are available. Shipping is a bit extra, but we have good crates ready to go. This frame is one influenced by the Taos School solid wood frames that I’ve been using recently. Really suits the painting and brings it back to the 1940’s.

This painting was influenced by the red-breasted nuthatch family that lives next to the studio, the most friendly bunch of birds I know. When I was building the design of this new painting, I remembered that they tend to bring fir resin to plaster a white ring around the nest cavity hole, ensuring no predictors can make it past the sticky gate. I did a video of my process, and also tell this story in my new YouTube Video, seen here with the others I’ve created. 

Here’s the original concept sketch. It shows the tree hole, parents gathered around tending to the ‘kids’. The design stayed pretty much the same to completion, which is often the case. What initially feels right to me, stays put in my mind. At this stage, I don’t think I remembered the pitch hole idea. That happened as the painting proceeded.

 

My models right outside our dining room window. Parents trying to teach the kids how to do it.

The story of birds using fir pitch on the nest entrance is well-known and even studied. I go into this in my video on my channel here.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

I’ve been adding new videos to my YouTube Channel here. Most are about my painting process, shot in my studio.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Similk Bay Beach Restoration Art

I’ve painted many pieces of art for the Northwest Straits Foundation. They’re the shoreline restoration folks in Bellingham, WA that coordinates the restoration funding with actually getting the job done. And, they often come to me for the final, interpretive panel that explains what they did.

This time it was for Similk Bay along the eastern side of Whidbey Island, just northeast of Deception Pass in Washington State. It’s a very shallow bay, full of critically important eelgrass, but at low tides you could actually drive on it – it was that shallow. And people did drive on it! For years they used a small launch ramp right here, running over the eelgrass with its crabs, young salmon, forage fish, all manner of fragile aquatic life. Then: why are the crabs gone? Where are the fish?

There were people disgruntled to loose their launch pad, but sometimes progress backward is good. Below was my five-minute concept sketch. I put it in the design program to see how it fit with some text. Pretty well, I thought.

Below is my refined sketch. You can see how it’s basically it’s the same drawing, but all the details are now worked out. It still changed a lot before the final color version. All of this, including the final painting, took less than a month.

And here it is in the design program. It fits pretty well. I wrote the text, as I often do, but it was altered many times as all good writing is a collaboration before it’s final publication.

And below is the site where this printed panel will live. Cars drove right down here past the driftwood to launch their boats. The final panel below.


Here’s a sample of the beach, part of my process is to take lots of reference photos. I needed this in the studio later to figure out how the beach and bay bottom might look.

And my house model. The old launch ramp is right next to the house. I really enjoy these projects because it allows me to place art where you’d never expect to find it – ON A BEACH SAVING AN ECOSYSTEM! My paintings end up on people’s walls, but they also end up in place like this.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com. 

And thanks, Lisa, at Northwest Straits Foundation for continuing to support this guy, one man with a brush.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Ruddy Turnstones – Spring Migration

This painting is for sale, so drop me a note at larryeifert@gmail.com if you’re interested. Click the image and it should enlarge in your browser.

This is an original acrylic painting on canvas, 30″ x 40″.  $3600 framed. A Certificate of Authentication is included. Outside dimensions with the frame is about 36″ x 46″ and it’s not going to be framed in a cheapy frame, but one suitable for galleries. Frame options are available. We have a double-boxed professional box for this to ship with and shipping will be charged at cost.

I like to tell stories in my paintings. This one started that process when I walked out to the end of the local marina’s commercial dock and was greeted by almost 100 chattering little birds, turnstones, resting from days of migration. They fly at night for safety, rest and gossip during the day. But, I also saw them a year before on an April backpack around the Ozette Triangle Trail in Olympic National Park. I saw many sandpipers on the low-tide beach rocks just at dusk – just before they all took off in a whoosh and headed north. Sorting through photos, I ran across these trip photos and found this one, which became the rocks in the painting. It was all I needed to get the project going.

Here’s my little talk about making this painting.  It’s on my YouTube Channel along with several others.

My first-draft concept sketch. I put the grid lines in to help redraw it on the canvas.

And I’m currently putting this white-silver frame on it, but we have other styles available.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Owls in The Alder

This painting is for sale, so drop me a note at larryeifert@gmail.com if you’re interested. Click the image and it should enlarge in your browser.

This is an original acrylic painting on canvas, 18″ x 24″.  A Certificate of Authentication is included. Outside dimensions with the frame is about 25″ x 31″ The framed painting is $1300. Frame options are available. We have a double-boxed professional box for this to ship in, and it has moulded styroform forms inside for protection.

This painting is about the barred owls that have moved into our little patch of forest. We used to have great-horned owls, saw-whet and western screech owls, but these interlopers have run them off. I’m not sure where the nest is, but it’s close, and we occasionally have these guys on our tray feeder, or attacking our windows when they see their reflections. They can’t seem to get along with anyone, even themselves.

Here’s the presketch I did for the design. You can see my idea of lining up the heads in the upper center-of-interest area, then bringing the alder trunk down into the foreground.

This is a very old alder and it’s right outside the window, so my model is close. I very picturesque tree, don’t you think?

I put together my usual video talking about the painting on YouTube, which is here on my channel. If you want to listen to me yack about this painting, just click:

And below is a previous version. Close – I didn’t feel it was quite right yet. I’ll  leave  it to you to figure out what’s changed.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Cloud of Chickadees

This painting has sold. It’s still good reading and the video is a hoot.

This painting is for sale, so drop me a note at larryeifert@gmail.com if you’re interested. Click the image and it should enlarge in your browser. This is an original acrylic painting on canvas, 18″ x 24″. A Certificate of Authentication is included, but I’m not broadcasting the price so I can show this on Youtube and Facebook. Frame options are available, and I’ll ship it in a double-boxed crate.

Below is a short video with me talking about this painting and the process.

This painting is an appreciation to a chestnut-backed chickadee family that has kept us company here for many years. They’re not the same birds, of course, but each year a few new ones appear, the ‘cast’ evolves – but it’s still about a half a dozen that hang together as one flock. They spend their time poking around for seeds and bugs, staying together for safety, but each morning after I fill the tray feeder they’re on it instantly, dodging squirrels and the bigger varied thrushes. This painting is sort of a snapshot, a moment in time as I saw it in February, with early miner’s lettuce leaves just beginning to come up through last fall’s alder and cherry leaves.

Here’s the log model I worked from.

Below are some enlargements of the painting, mainly for phone viewing.

 

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Using Art for Historic Fort Flagler

On top of everything else, I somehow fit these two paintings into 2022, a  year of many paintings. This park, Fort Flagler State Park, is on Washington’s Marrowstone Island, only 4 air-miles from our place near Port Townsend. It’s so close, how could I say no to learn more about my ‘hood’?

It’s a place that has relics from WW1, WW2, and many other improvements that have come along during the years – including after it became a state park. Sorting all that out was monumental, but thanks to Kelsey at State Parks, we figured out what to paint and what to leave out.  The above painting is about the fort and Admiralty Inlet, the waterway the fort is guarding.

The panel below is the same fort, but the housing area during WW2, an amazing ‘town’ of high-end barracks and homes, the power plant, stores and social buildings, parade grounds, the hospital and all the rest that was required when this was basically wilderness. No driving over to  the Food Co-op for kale, but the fort had huge gardens and probably acres of greens. I left out the Chinese laundry that was on the beach – imagine, all the wash was done using hot salt water!

Besides maps, I used my own site photos to figure all this out. I pieced it together, one building at a time, one street after the other. It wasn’t easy, but that’s why this stuff is still fun for me. I DID grow up in a museum. It’s in my blood.

Oh, and thanks to Sam W at state parks who keeps giving me these fun projects, who was also a great help dodging the gun-guys and their overly picky changes.

Above are my sketches with changes the historians came up with.  It’s just part of the process: I toss it out there as best I can, they all mutter and say “nice try, but”. As you can see, these finished panels are now installed and have become another part of the history of this place. It’s not just some of the best beaches and forest trails, but a really historic landscape.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

I’m free: 540 days of Everglades paintings

I started this project June 29th, 2021. That’s 542 days start to finish. It took that long to complete 24 paintings for Everglades National Park, but the painting part only took a fraction of that! Meetings, waiting, more meetings. So, here’s the last one, 108″ x 48″ that will be installed along along the Anhinga Trail Boardwalk in the Royal Palms area. It’ll  have text tastefully spread across it, two languages both English and Spanish. All these photos should enlarge in your browser.

  • No, these paintings are not the only stuff I’ve painted in 542 days.
  • Yes, I also painted dozens of other images for state parks, national parks, a bunch of salmon recovery groups.
  • Yes, these will all be reproduced in aluminum with steel frames around them.
  • Yes, it’s not only me doing this, as I’m part of a team from EDX in Seattle and they are doing many more wayside panels than just mine.
  • One trip there was with EDX. A second trip was just Nancy and I this last spring to pick up more material I needed.


There is already another painting here, one that’s 30 years old, so my new painting will be replacing it. What’s the difference, besides age? Times change. Today, the alien snakes, pythons and Anacondas people have released into the Everglades have killed off many of the species that were in that old painting! Pretty much gone are the raccoons and otters, the ecosystem is changing. So, I’m just upgrading this to the current and future world.


And here’s the scene from the boardwalk. I think I got it fairly well.

And sitting on the railing throughout my first recon photo session, this immature cormorant just sat there as he got his clothes straightened out. I could walk right up to him.

And of course, this guy was hanging out under the pilings.  The Anhinga Trail is truly one of the best places in Everglades National Park to see wildlife, almost guaranteed.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Everglades National Park – Plentiful Fish wayside

I’m now finishing up all 24 paintings for Everglades National Park. I went there twice in the past 2 years to get it all straight in my head, and now the final paintings are coming together. Here’s number 19, a story about fish. Putting art with words, I’ve become better at it, but it’s still much more difficult than when I just painted landscapes.

I have a little note on my website (larryeifert.com)  that asks to see old paintings if you have them.  I get some interesting submissions, and this one just arrived from John Van Spyk who said he inherited this. Dated 1989, it’s now 33 years old. I painted hundreds of these small landscapes back then, taking my painting kit out along roadsides and going to work. I could do several of these a day and sold them in the Eifert Gallery in the little town of Ferndale. Here’s another one I recently received from Judy Salter. Both of these are watercolors, and I think they’ve stood the text of time pretty well.

But now I’m into much more complicated efforts – and still enjoy it. Here’s the evolution of the fish painting: the original concept sketch, then the beginning of the colored chapter, and finally again the final. It didn’t change all that much, did it?

Location photos for the painting during a Florida rainly day. There’s Sherry, part of the design and production team.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Sand Verbena Moth

I went on vacation – from making art.  It’s been years since I did that, maybe never. I’ve been a working artist for over half a century and I can’t remember ever just, well, stopping – I worried I’d forget how to do it.

I’m now back in the saddle and painting from a long list of patient people waiting – and this wayside panel is soon going to my local park, Fort Worden State Park in Port Townsend, Washington. Here’s the original concept sketch.

This park is a beautiful place, but all is not paradise here – alien plants are everywhere. European dune grass and Scotch broom have infiltrated all over the dunes, choking out natives like the yellow sand verbena that needs shifting dunes to live.  This plant actually has it’s own pollinator. The sand verbena moth was just  discovered in 1995, and it turns out this new-to-us fuzzy creature needs this plant to live, and only this plant. There are only 6 locations in Washington State where it still survives. The moth uses the verbena for everything, from eating flower nectar, to laying its eggs in the same flowers, to the larvae eating the flowers and leaves. The plant, in turn, uses the moth to pollinate it – a symbiotic love affair.

Here’s the sand verbena moth.

The area where the dune restoration is progressing will soon have this wayside sign installed to tell this story, and help keep people off these dunes – and off the verbena and moths. It doesn’t look like an endangered habitat, but it is.

This is, in a nutshell, what I do – I make art to educate and help people to understand their roles in helping nature. I’ve always thought it’s a good reason to make paintings.

And here are my little inset paintings for the lower left area. Fun little studies by themselves.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.