Category Archives: Murals

Murals, New Painting Post, Washington State Parks, Wildlife

More New Mount St. Helens Paintings

These are some of the other new paintings for the Mount St Helens Visitor Center at Silver Lake, Washington. Commissioned by Washington State Parks, they are part of the interior exhibit plan and it’s complicated enough that I’ll just let the art speak for itself. There’s more than this, and the last post I published, but you’ll get the idea.

I wanted to explain the newspaper at the top. When I started painting these a few months ago, I opened one of my file cabinets to find maybe a map of the park, and this thing jumped out at me. It’s been sitting here now for 43 years, as I bought it for $2 right after the eruption – and I imagined it saying “me, me, I’m finally here to help”. And it did, as several of these paintings are direct results of the photos in this yellowing magazine. Serendipity, I think the word is.

This painting deserves a bit of explanation. Left side, immediately after the blast, right side might be today, 43 years after the blast. The elk returned immediately, and in their footsteps in the ash, water gathered and supported many critters as they expanded back into the ash zone.

And below is the mountain today (or, two summers ago when we hiked there). It’s recovering nicely and it’s always fun to see how nature finds a way to cover every inch of ground, even after it’s been blown to smithereens.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Commissioned paintings, Jigsaw Puzzles, Murals, Nancy Cherry Eifert, New Painting Post, Washington State Parks, Wildlife

The Mount St Helens project

I’ve been working on this project since May, but the painting didn’t really start until August. I’ll bet over a million brush strokes! I’m close to finishing painting 24 images for the big revamping of the Washington State Park’s visitor center at Mt St Helens National Monument. I’m told it’s one of the biggest interpretive projects ever for Washington State Parks.

I’ve already made some art for this fantastic park before, but that was a series of outside wayside panels for the US Forest Service placed around the mountain, plus a big painting that we eventually made into a puzzle. This current effort is at Silver Lake on the park’s west side, a big visitor center built right after the eruption in 1980. I’m working with EDX in Seattle who did the designs and asked me to do the art. Sure glad they did – it’s been interesting.

For this post, I’ll focus on just the wetlands tabletop, 17 feet long and 4 feet wide, it’s one of the most complex visitor center exhibits I’ve painted. Other parts of the project will be posted soon.

I have few finished photos of this, but I did get the tabletop main painting scanned – a whopping 4.5 gigabits of data that will be printed on aluminum (I think).

Drawing and the beginnings of the painted art.
Final painting for the tabletop, about 17′ wide.
Part of the left side of the tabletop.

The tabletop has all sorts of lift lids showing hidden critters beneath them. There are spinners that show the eruption, another with the evolution of Silver Lake. It’s a very busy thing and I’m hoping kids will love it.

On my next post, I’ll get into the smaller pieces of art, then the second wall (an entirely different theme and painting 14′ long).

Nancy on the boardwalk at Silver Lake. Enough wood here to build several houses, and it’s in good shape – goes on for half a mile. The volcano is straight ahead but still 25m away.

In case you don’t remember what the mountain looks like, here’s a puzzle we did some years ago for it.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Murals, National Park Service, New Painting Post, Waysides, Wildlife

I’m free: 540 days of Everglades paintings

I started this project June 29th, 2021. That’s 542 days start to finish. It took that long to complete 24 paintings for Everglades National Park, but the painting part only took a fraction of that! Meetings, waiting, more meetings. So, here’s the last one, 108″ x 48″ that will be installed along along the Anhinga Trail Boardwalk in the Royal Palms area. It’ll  have text tastefully spread across it, two languages both English and Spanish. All these photos should enlarge in your browser.

  • No, these paintings are not the only stuff I’ve painted in 542 days.
  • Yes, I also painted dozens of other images for state parks, national parks, a bunch of salmon recovery groups.
  • Yes, these will all be reproduced in aluminum with steel frames around them.
  • Yes, it’s not only me doing this, as I’m part of a team from EDX in Seattle and they are doing many more wayside panels than just mine.
  • One trip there was with EDX. A second trip was just Nancy and I this last spring to pick up more material I needed.

There is already another painting here, one that’s 30 years old, so my new painting will be replacing it. What’s the difference, besides age? Times change. Today, the alien snakes, pythons and Anacondas people have released into the Everglades have killed off many of the species that were in that old painting! Pretty much gone are the raccoons and otters, the ecosystem is changing. So, I’m just upgrading this to the current and future world.


And here’s the scene from the boardwalk. I think I got it fairly well.

And sitting on the railing throughout my first recon photo session, this immature cormorant just sat there as he got his clothes straightened out. I could walk right up to him.

And of course, this guy was hanging out under the pilings.  The Anhinga Trail is truly one of the best places in Everglades National Park to see wildlife, almost guaranteed.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service, People Paintings, Wildlife

Installation Photos San Juan Island murals

Panorama of my 35′ x 17′ tribal wall. Possibly the biggest painting in the Pacific Northwest about prehistoric Indian life before European contact.

While the furniture and other exhibits aren’t installed yet by the good folks at Capitol Museum Services from Manassas, VA, I received these photos from the Park Superintendent, Elexis Fredy, and they’re good enough to pass around. This is at American Camp, San Juan Island National Historical Park in Washington State. Thanks, Lexi, for sending these. I thought I’d show them here because I rarely get to show actual installation shots of the process. I paint this stuff, go home and start the next one.  I know, you’ve seen these paintings before on my blog, but not in the actual space they were designed for. The back wall is 35 feet across, 17 feet high, the prairie mural is 7 feet across. My part of this is finished, and I’m currently working through 35 new paintings for other parks.

This secondary mural is 7 feet wide and shows today’s prairie, which is most of American Camp’s landscape. It will have a reader rail with an additional 5 paintings of mine along the bottom.  

I painted my first visitor center exhibit 60 years ago! Not a typo. It wasn’t exactly good, but it was my start, and later I figured I’d not improve much if I went to art school and learned to paint like everyone else – so instead, I just got to work. It’s been a long and most interesting path, to put it mildly. It used to be that I’d travel to the site, get a room to live in or camp, and start painting. Sometimes it’d take weeks, a couple of projects took more than a month. The food was generally awful, and it wasn’t easy, living out of a suitcase. One, a huge project in the Denver International Airport, meant I had to clear security each day, have ALL the materials xrayed, get crazy badges and walk to work going beneath 747’s that had just landed from Germany.

Today, this has all evolved to a much more civilized process. I get to paint in my studio at a smaller size, send a digital file that is then printed on vinyl and actually looks better than the original. The installation in this new building will show off my stuff for many decades, probably upwards of a half a century and be seen by people long after I’m gone. If the place burns to the ground thanks to domestic terrorists, they’ll just put up a new version in the new building (hear that, Bundy Clan). If someone throws acid on it, they can just change out a panel instead of the entire wall.

And here’s the installation crew getting things ready. Better them than me, I’ll say that without hesitation.

A little back story on the art. In 2020, I was commissioned by EDX Exhibits in Seattle to design this wall, and the only real guidelines given were that it should show the real location at South Beach on San Juan Island. I lived on my boat in the 80’s near here, so I already knew the place – and that was of great help). I set the scene of a summer tribal salmon camp, where for centuries families would come to fish and dry salmon – and pick and process camas bulbs that were the two main staples of their diet. It’s a pre-contact scene without iron or steel tools, so it might be any moment in time between 8,000 years ago to about 1700 A.D.

How Did The Process Start?

It was great fun for me to research this, and I’m thankful they gave me almost complete freedom to do what I wanted. It took dozens of site photos, Google Earth views and every Edward Curtis photo I could find to do this. The web has many helpful photos, but some were completely unreliable. The park and tribes checked accuracies of hundreds of details, but not the overall design of people working and meeting on the prairie where the park is today. For example, they had Wool Dogs, a now-extinct breed of canine that were both pets, babysitters and wool sources they trimmed clothing with. There are several in the painting.

The visitor center will open at the end of June 2022 – come out and see it.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service, New Painting Post

San Juan Island NHP – the final story

I wanted to post this since I’m almost at the end of this long-running project. This is being installed shortly in the new visitor center, San Juan Island National Historical Park, Washington State. Two murals and 18 other pieces of art, this was all started in November 2020, 530 days ago as of April 14. These things take time, patience and ‘keep smiling, this can’t go on forever’. (all images should enlarge in your browser, and you’ll  need that for a 35-feet painting. 

Above is my original concept sketch, drawn on a piece of writing paper and placed in the plans (that weren’t even finished yet). This was for EDX, the designer and a wonderful company in Seattle I truly enjoy working with.  Below, you can see the expanded version, bigger paper, more details I researched using Edward Curtis historic photos for references.

You can see how these things progress, adding detail at each stage.

Then we realized a wall with my second mural would block the left side, so I moved things around. Same content, just in different places.

And then, just like that I painted it. The fabrication contract was won by Capitol Museum Services near Washington DC, and I was on the bid as the artist that would, in effect, finish the same project I had started months before! The park would have preferred color references first for the painting, but I just went for it.  I painted it half size, cut it in pieces so I could scan it, which was done in 110 individual scans on my flat-bed, then pieced together on my computer.  I wonder how many artists in this country could have done all this ‘in house’?

And below is the wall it’s going on in the new visitor center, 35 feet wide by 17 feet tall. My second mural of the prairie is going on the wall to the left.

And here’s the other mural, a current scene of the park’s prairie.

A long and winding road, isn’t that what life should be. This one made me thankful I’m still doing this, a straight and narrow path of painting American nature at its best.

More soon. Stay tuned. Feel free to pass this around. People seem to enjoy seeing my process.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service, People Paintings, Wildlife

Prairie Mural – San Juan Island National Historical Park


I finished my prairie mural for the San Juan Islands National  Historical Park a few days ago. So, I thought I’d pass it around here where I reliably get some feedback – good or bad. A very solitary live I have, painting and just sending this stuff out to wait for time to happen. I think I nailed the landscape well, but I won’t know for awhile. Below are some portions of it, left and right sides.

And below is the sketch. This place is very complex when you actually get down on your knees and look at it. VERY complex. As in, how the heck do I paint THIS? And the real physical place is much more detailed than I attempted.

I wrote this about my project here a few months ago: I have a long history with the San Juan Islands of Washington State. In the 80’s and on my own restored boat, I summered here while I learned to paint (heck, I’m still learning to paint). And now I’m back there making some rather large murals for the new visitor center at the American Camp unit of the National Historical Park down at the island’s south end at Cattle Point and South Beach. Nancy and I went there a few weeks ago, a FOUR ferry ride for us up and back!

This will be printed (the original won’t be on the wall in case the terrorists burn it down) and will be 6′ wide x 5′ high. Surrounding the visitor center is open prairie stuck out on a point with water on both sides – and one of the most beautiful places in the Salish Sea.

I cropped out some detailed sections so you could see the drawing better, but even so it’s a fairly complex bunch of lines. There are glacial erratic boulders that have some strange mossy adaptions, a butterfly only found here, voles and snails, birds and invasive rabbits. Red foxes that are Cascade dark phase colors, lots of black-tailed deer and meadowlarks (a bird we’ve never seen here at home just 30m south) We saw almost everything going in the painting on the site visit.

Here are my drawings for the bottom section. See how much more open it is so it’s understandable. In the color phase it got much more detailed. Truly fun to paint.

Here’s the empty building waiting for these two paintings, plus another dozen smaller ones. Getting the first one finished helps me understand how I’ll handle the color and detail on the others. The big wall is next, 38 feet of it. Thanks, Joe, Sara and Lex at the park for making this a fun and interesting project.

This view of the prairie and Strait shows scenery, but it also has lots of my paintings if you know where to look. From Mount Rainier NP in the very distant background 100 miles away, to state parks and land trust installations in between, I think I probably have 100 paintings in various exhibits and waysides in view here. But who’s counting.

And here’s the 38′ wall with my concept sketch for the next painting. How the heck I show a 38′ wall in a dinky blog post, I’m not even going to try to do. So stay tuned.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service, New Painting Post

Glacier Park sloppy mural details

I posted about this painting of Glacier National Park recently, and now I’ve scanned it for the next step in becoming the back of the park map. As I was scanning and then cleaning up the file in Photoshop, I was struck with how loose and abstract my stuff gets when you zoom in on it. Brush strokes, smudges, finger prints, cat hair, my hair (what’s left of it) is all in here, stuck down forever. I think it’s a good view of my painting process, so here are some samples I screen-grabbed as I went.

This first one is the ptarmigan chicks in the center foreground. Notice the while lines around the heads to help bring that out from the background. And the vague indication of the rocks that are only a few brush strokes building from dark to light.  Not detailed at all, none of it, but it still suffices to tell the story. Click on all these to see larger versions in your browser. It helps understand what I’m showing.

And here is the ram’s head on the painting’s right. In the closeup details on the second image, you can see it’s really just a gauzy overlay of white that makes for the final presentation, and you can see again that this entire animal was initially painted dark umber to begin with.

Lower left corner with the snowshoe hare and butterfly, it all works pretty well at this resolution, but blow it up so you can actually see the brush strokes and it’s pretty darned abstract.

And finally, the area around the elk, flowers and sedges, alpine landscape with the stream. It looks okay at this normal resolution.

But as I zoom in on it, the thing falls apart fairly quickly.

If I presented this in a gallery situation, would it work? Probably, because people will buy anything = witness the last presidency. But there’s not much fine detail here except some dabs and dashes of paint. What I’m trying to get across here is that big paintings are really just that, dabs and dashes. I get questions about my process and I’d have to say here that it’s all just dabbing and dashing, splashing paint on a flat surface and standing back every few minutes to see how it’s going. In the end, it’s a huge finished thing that looks okay, but every moment is just abstract art in each very tiny area – then repeat over and over.

What IS this, anyway? What an abstract or maybe even non-objective piece of art.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Jigsaw Puzzles, Murals, National Park Service

Crater Lake National Park – New Jigsaw Puzzle

Another jigsaw puzzle arrived –  Crater Lake National Park. 500 pieces, a reference poster inside, new smaller box. We printed this one a very long time ago and I’ve always liked it. So popular we’ve decided to bring it back.  Now, we’ve put it in a new smaller box (easy storage and shipping), added a reference poster and on the design I scanned a piece of my hiking bandana for the bottom border.

Originally, this painting was all about those beautiful yet stark pines around the Caldera Rim. Those are whitebark pines, a  high-altitude keystone species that is now about to be listed as a threatened tree. And so, we’re highlighting that event here with a new edition of the lake and whitebark pines are in peril!

These puzzles are available for $18.95 each in our web store here. Just click this link.   Shipping is only $5 per destination, no matter how many different puzzles you buy, and now we have six new ones in the past couple of months.

So what’s the deal about whitebark pines? Why are these iconic and painterly trees in trouble? It’s a tragic combination of events that have come together in a perfect storm. An introduced fungal disease called white pine blister rust, Climate Change that has stressed the trees and allowed bark beetles to access the inner bark. Put the three factors together and it trouble for these trees. Whitebark pine has the largest distribution of any five-needle white pine in North America, but the whitebark pine’s health is deteriorating rapidly across its range, particularly in the Rocky Mountains, Pacific Northwest, and northern Sierra Nevada. In short, the forests I’ve loved my entire life are changing beyond measure and will effect not just the trees, but an entire ecosystem.

Like to read more, go to my friends at the Whitebark Pine Ecosystem Foundation.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service

Ending 2020 – Glacier National Park final

2020 seems to have been all the things I said yes to. Yes, of course I’ll do this painting for the new Glacier National Park map, even if we can’t even get to the park because Covid caused the Blackfeet Tribe to shut the entire eastern side of the park and close access to Glacier and Waterton Lake National Parks. Yes, close it for the entire year. Yes, I could paint it anyway – I know Glacier well enough, having painted and hiked there many times. They seemed unsure. And so off I went into some crazy zone of figuring out  how to fit 50,000 square miles into one little painting.  They wanted an alpine landscape, critters and flower, a glacier upclose, all the park features such as Lake St Mary, McDonald Lake, Waterton Lake, the Continental Divide, Going-to-the-Sun Road and some others. Sure, I can do that!!

Here’s a little trip journal of “going to Glacier in Montana without really traveling”.  The evolution of a mural.

I haven’t gotten final approval yet, but I think we’re close. Here’s how it will look once the map is printed – and millions of eyeballs will see it for longer than I’ll probably be here to smile about me saying yes.

And so ends 2020, one of the strangest years any of us have ever lived through. I’m just grateful to be in a town that believes in masking up and collectively staying safe. We said yes to moving here decades ago – we’re still smiling about that every day.

Yes! It takes lots of people saying yes to make it possible for me do what I do for decades and decades. Committees, sponsors, clients, governments, non-profits, customers who buy our stuff, but most importantly, an amazing partner, a woman who keeps it going. An artist simply cannot do all this singularly. Nancy’s a very skilled painter and photographer, but she also says yes in helping me every day to keep our little creative ship afloat.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Jigsaw Puzzles, Murals, Wildlife

Great Salt Lake – a new jigsaw puzzle

A pallet full of new jigsaw puzzles arrived yesterday. This painting was commissioned by The Nature Conservancy for the Great Salt Lake Shorelands Preserve in Utah, and now we’ve partnered with them to produce a puzzle of the image. The finished puzzle above is the very first one put together by Kody in Salt Lake City and the printing looks very good indeed.

Below is the box back has a species key like all the rest of our puzzles, and now there’s a reference poster inside the box. These are the new smaller boxes for easy storage and shipping.

This is the fifth new puzzle for us in the past few months, a serious leap of faith of the future. We could have bought a new car, but what the heck! We’re investing in us instead.

Thanks for reading.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.