Tag Archives: Exhibits

New Painting Post

NEW: Secrets of the Old-growth Forest Poster

A new Larry Eifert poster is now available, an 18″ x 24″ companion piece to the Old-growth Forests poster I recently blogged about. While we’ve printed a jigsaw puzzle of this image before, there was never a poster. The best part of this is that we had the printer roll them – yes, ROLL THEM (how modern can we get) so we didn’t have to do that. Yes, the warehouse is somewhat stuffed at the moment, so help us out.

The poster back is sectioned off into four areas that can easily be photocopied by teachers to develop a lesson plan. We encourage this as it makes for a really good teaching tool. So, help us pay this stupid printing bill: You can buy this poster here.

The original painting is installed in the Prairie Creek museum in Redwood National Park near Orick, California. Next time you’re there to see one of the truly great forests on the planet, stop by and see the painting. Redwood NP has many Eiferts, including three murals and something like forty other paintings scattered around on exhibit panels and waysides. It’s like a big art gallery in the forest.

The forest at Prairie Creek: it has 10 times the biomass of a typical tropical rain forest, and holds the most living or once-living organic matter of any forest on Earth. No wonder I like it, no wonder it’s a park.

Thanks for reading this week.
Larry Eifert

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Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

New Painting Post

Theodore Roosevelt NP finally gets an Eifert

Now I ask you: how many artists can say they have public art on display in North Dakota?

 

 

I keep painting away at this – and sooner or later I hope to have some bit of my work in most every Western national park. Theodore Roosevelt National Park is in North Dakota, a fairly remote landscape of over 100 square miles in size and it’s just the sort of beautiful and relatively pristine place I love to paint. But because it IS remote, it’s not so well funded and commissioning an Eifert mural isn’t easy. So, it was nice to get a request from them to use some existing work, a large visitor center mural I did for Badlands National Park in South Dakota. The image seems to fit nicely for what they had in mind, and really could be North Dakota, and so this exhibit panel will be installed in the park this summer.

I’m always asked how the heck I got into the somewhat rarefied line of art, and so here it is in as few words as I can make it. 50 years ago I asked my mom the same thing. Who does someone publish 20 books and write a magazine for over 300 issues? When I was young, it simply all seemed overwhelming. Since my family made it abundantly clear that I was to be an artist, and an artist of nature, I had to figure out what to paint and how to sell it. I gravitated to national parks and wilderness areas simply because I thought, and still do, that these are by far the best places in America – the best of what’s left. I backpacked, climbed, sailed (to Alaska and Mexico), and through it all I painted what I saw. Then someone asked me why I painted and left? Why not keep the paintings where they were created and belonged, in the parks they were painted in? So, I did. And, so, decades later there are Eiferts in a whole BUNCH of parks, from Alaska to Florida, the Mojave Desert to Wisconsin, Mount Rainier to Yosemite. I get it now. It’s not an issue of creating a huge body of work, but creating them one at a time. One at a time. As Henri said: “It takes 1000 paintings to become a painter. So get to work.”

And I’m not going to stop until I drop dead!

 

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

New Painting Post

Closing In – Point Reyes National Seashore

I’m about 80% finished with my current painting for Point Reyes National Seashore. I blogged about the start two weeks ago, and now I’m closing in on completion. There are still many details that need tightening up, filling in, straightening out, smoothing over, brightened or softened, fixed, repainted, moved – but I still call that ‘closing in.’ You can see it’s not finished by the black holes, unpainted treetops, critters just blocked out.

The original painting is going in the Bear Valley Visitor Center at the park, northwest of San Francisco, but it’s also going to be used on their new park map. One entire side of it is the park map, I get the other side. I needed to see how it’s all going to fit that critical space, so Jane at Harper’s Ferry Center in West Virginia (the National Park Service’s interpretive center) popped my painting into the design. The red lines are fold lines.

And here’s that first post so you can see how it’s been developing. The painting is 48″ x 63″. I sort of hit it all over the place to develop a ‘feeling’, which is much different than getting it just ‘painted’. When I look at this progress photo today, I think it’s a bit of history – something no one will ever see again (because it’s painted over). We were at Point Reyes last October for the field research, and it was really flat, dried-up and burnt out colors of nature was getting ready for winter. But Point Reyes has a singular lush greenness that I find very rare and beautiful, and that I’ve brought into the distance. I can’t use the word “unique” because that would mean that no other place on the planet is like it, but let’s just say it’s a ‘singular’ place. It’s a very beautiful landscape to paint.

Thanks for reading this week. I have one more of Virginia’s books up, and a third is almost there. I’ll tell you about them next week unless another painting gets in the way.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

24′-wide Digital Scan of My Portland Mural

 I wrote about this painting when it was about 80% completed on November 18th, 2012. Here’s the finished version, and now, thanks to Carl Beebe at ColorOne in Seattle (a very cool guy who’s been in his business as long as I’ve been in mine), the final scan is now finished and now ready to be printed and installed on the wall of the new Powell Butte Visitor Center in Portland, Oregon.

Short explanation: that sheared-off section on top is where the ceiling goes – and the brown box on the bottom is a 30″ tall cabinet. Chick on the picture and it should enlarge so you can see some details, such as downtown (a really challenging mess of buildings) and how the heck you go about painting suburbia from 16,000 feet, or 3 miles up. If you live in Portland, tell me if I got your street in the right place and your house color is correct.

And here it is in the building design plan. It covers one entire end of the place.

This is a fairly new way of creating wall murals. For decades I would go on location and work for weeks at painting it right on the wall. A lot of work, a lot of expense in travel time, room and board. Now, with the advent of really good color scanners and high-end digital printing, this has all changed. It allows me to paint these things in smaller sizes, like 50% of the final size so that it gets it down to a painting I don’t have to live on a ladder to create. I have a die-sublimation sample next to me here on a piece of polyester cloth that is a sample of one of these, and they tell me it can actually be tossed in the washing machine and slapped back on the wall. Amazing technology – and so many light-years from the old way of creating art that I sometimes wonder if I’ve lived too long. On the other hand, because I have these old-time painting skills, a little drawing ability and a high degree of computer skills, I seem to continue to get these amazing jobs.

Thanks for reading this week. And thanks everyone for keeping us going on a long and most-interesting path – and this one was sure that! Now it’s up to the amazing designers, Linda and Peter at SeaReach in Sheridan Oregon to finish it off.

Check out what Carl does at: coloroneinc.com. Linda and Peter are at seareach.com.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. I now have some more giclee prints in the web store.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Another Painting for Powell Butte, Portland Oregon

Big paintings: that seems to be my life these days. No complaints!

 

I posted another painting from this project a few weeks ago – a giant 24-foot wall mural of Portland from three miles up for a new visitor center in Portland, Oregon. This one is this week’s effort and is a 9-foot wide painting for an interpretive panel in the same visitor center atop Powell Butte (shown perched atop the butte on the right side of the painting). This is actually the bottom 2/3 of the panel, which I edited to show better in this post. It goes up another few feet. Great design by Linda Repplinger of SeaReach in Sheridan, Oregon, don’t you think? (click the images and they should enlarge)

This was a sort of history painting and it was fun to figure out. Notice that over the top of the dairy farm in the middle rises Mount St. Helens before it blew in 1981. Mt. Rainier is farther away and behind it to the right. Thanks, Linda, for pointing out that it would be the ‘old’ mountain and not the sheared off one of today.

 

Left side: Native Americans lived in the Portland area for thousands of years, burning the forests and creating lush open grassland forests that sustained their culture. It was a garden – but it also demanded a bunch of work to keep it that way.

 

Middle: white guys arrived and realized this really was a garden, kicked out the very people that made it that way and put in dairy farms, roads and railways. Mount St. Helens was many decades from blowing it’s top.

 

Right side: today, the old railroad is now a bike/hike path, the old volcanic butte is now hollowed out (I’m not kidding) and holds a soon-to-be-finished 100 million gallon underground water cisterns the size of TWO football stadiums and covered over with dirt with a new visitor center perched on top – and a couple of Eifert paintings installed in it as well.

Amazing!

Thanks for reading this week.
Larry Eifert

I’m currently in the middle of another project, that of digitizing all 20+ books from my mom’s out-of-print catalog. Virginia Eifert will soon rise again on Amazon.com, so stay tuned. It’s getting wild around here.

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

A Portland Challange

I left this image fairly large on the web server, so if you click it you can see some details.

For the past few weeks I’ve been plodding along with this painting on the same studio wall right next to the Florida mural. That’s my home these days, second floor of Union Bank in Port Townsend. Now, with the Florida-thing more or less finished, I’m on to this like our Harry Cat is on bonito flakes – and I’m closing in.

This painting is far enough along that I thought I could put a photo of it in the plan specs to see how it might look. The building is 24′ wide, 12′ high. The blue lines below represent where a glass cabinet will go, which might show you how big this thing will be when it’s installed.

The scene is Portland Oregon looking east from about 3 miles up. That’s downtown right in the middle, the Columbia Gorge on the left, Willamette River snaking across from the right. When finished, this will be printed on high-pressure laminate panels and installed in a new visitor center at Powell Butte (right in the middle of the painting) where a big water-works project is taking shape. I’m working with Sea Reach from Sheridan on this, the same good folks I did the Mt Saint Helens paintings for two years ago. The idea is to show the Bull Run watershed near Mt Hood where Portland gets its water – with a delightful airplane view of the entire area. It’s been a challenge to figure out – to say the least. What DOES this place look like from 3 miles up? I’ve flown over it enough on commercial jets to sort of know how it might ‘feel’, but it’s still been tough to figure out. And this IS a painting, afterall, and not a photograph, so I’ve had to understand how reality translates into little dabs and dashes of paint. Am I getting it? Stay tuned for the final edition and I’ll let you know what they say.

Here’s my preliminary sketch. Sure looks different from how it’s looking now, don’t you think?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Florida Mural Progress Report

This week it’s just a post about my progress on the central Florida mural. We’re getting there! I posted the initial beginnings a few weeks ago here (September 29) and here (September 9), then we were off on a field trip to Point Reyes so things ground to a halt. Now I’m back in the downtown studio going at it.

 

 

Someone emailed and asked what I used for a palette. Here it is! It’s pretty simple, only about a dozen colors and I use Nova Color exclusively, a special small-company hand-mixed mural acrylic that’s like a milkshake (tube paint is much more paste-like). After I discovered Nova about 20 years ago, I’ve used nothing else and it’s a pleasure to paint with on everything from the biggest cinder block walls to tiny paintings on paper.  You can’t buy this stuff in stores – only online, but I’ve had them ship to me in the field and they’re wonderfully helpful.

 

Here’s the rest of my ‘kit’. A tablet for reference photos (and a few printed out paper references too), dirty paint jar of water, a squirt bottle to keep the paint fluid, and, of course an iced latee from Mean Bean down the street (or Better Living Through Coffee, or Starbucks, or… this town doesn’t lack for Washington’s state drink). And that’s a full-sized paper copy of the sketch in the background so I can figure out what to paint.

Thanks for reading this week. Stay tuned for more.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Historic Photo Exhibit for Port Angeles WA

Historic, maybe because it took over a year to get this installed on the Port Angeles, Washington waterfront! I’m not complaining at all – because for me it was fun and meaningful. I learned a lot.

So, with a bit of funding from Olympic National Park and guidance and direction from the Feiro Marine Life Center – text by Deborah Moriarty and Betsy Wharton, photos from a bunch of dead photographers plus two that are still alive, and this all came together nicely.

While the only thing I PAINTED was those two little black bands on the wall, I spent some considerable time in the Port Angeles Historical Society with my flatbed scanner. Most of the photos were very old and only 8″x10″ or less. Technology went to work when I clicked the button, and what seemed like hours later I had some pretty amazingly scans. While that was going on, I had the rest of the collection to myself – oh boy! One of the scans was 8 feet long, and most were more than 36″ on the long side, so, that’s when the work began for me. Back in my studio, I spent many hours (I should underline MANY) going back and forth across these old scratched up images removing hairs, cuts, thumbprints (whose we’ll never know), tears, frayed edges, bug squashes – and in the end I think the results looked like they were taken last week with the highest quality camera.

(Here’s a tourist immediately enthralled by the quality and detail of these old images.) After fretting over the text, Deb and Betsy refined it to a very high degree of quality – and that’s from me who does this stuff daily. This is good – and they should be proud!

Oh, but I didn’t tell you the photo’s story. The Elwha Dams have now been torn down on the biggest river on the Olympic Peninsula. These dams have been here almost a century and provided electricity that made Port Angeles a real city, lighting houses, stores and powering mills. But with the dams the salmon runs ended, and so now with the dams gone, the salmon are IMMEDIATELY coming back. Only a few months after the lower dam’s removal, King Salmon are already back above the old dam site. This wheel I’m holding is the same wheel that first turned the power ON almost a century ago, and just a few months ago turned it OFF.

As an artist and naturalist my entire life, I feel so honored to have been apart of this event, the largest dam removal in American history. I consider it part of my legacy. For the dams, park and salmon, I’m nothing but a guy with some skills, but for me – I was there!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Glacier Bay National Park Forest Trail

 

 Seems like this took forever, but when I’m painting it in Port Townsend, sending the files to West Virginia, getting approvals from Alaska – well, it just takes some time.

So, this was a bit of a challange. Without seeing the darned place, my task was to paint a place in Glacier Bay National Park. I thought that would have been easy. But then there were three of them, and the first (left side) was to show it as it was when the glacier was receding (at the fastest recorded pace) just a century ago. This thing shrank 65 miles back up the valley in less than a century! You can see it in the distance. Then the middle panel shows the plants – mosses, wildflowers and willows colonizing the barren gravel, ground is greening up, even the islands in Bartlett Cove are covered with young trees. Finally, the right painting shows what it looks like today – a young forest with deep moss and mature trees. I had some photos taken last winter in deep snow as the only reference, plus a couple of Google Earth images, buy my real references were an entire lifetime of boulder-hopping glacier rubble. This is Melanie, Chief of Interpretation last spring showing me the eratic-specimen. She’s now guiding tours in the Antarctic – lucky woman. If you look, you’ll see two glacial erratic boulders in each of the three paintings to show that it’s one place in three time periods.

 

 I know some of you will ask if I also did the map. I’ve done my share of these, but the real heavily lifting with design and map fell to Chad Beale at Harpers Ferry Center in West Virginia. So that makes this somewhat of a collaboration with Harpers Ferry Center (2300 miles from me) and Glacier Bay National Park (2800 miles from him).

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Glacier Bay National Park aquatic painting

Images should enlarge if you click on it.

Here is the second painting for Glacier Bay National Park. Two weeks ago I posted the first one showing an above the bay – below the bay painting of the same ecosystem. Both paintings will be made into outdoor panels and installed on the dock at Bartlett Cover in the Park.

Both of these have been fun and interesting for me, because there are great similarities as well as great differences between Glacier Bay’s aquatic landscape and ours right here in Port Townsend a thousand miles to the south. Some of the critters on these pilings are much bigger, some are smaller, and some are different colors and shapes. It takes some close study to figure it out, learning about one species at a time.

And here’s the preliminary sketch. I get a lot of mail about seeing the evolution of these paintings from concept to sketch to final painting. This one started out with a dock and gull, railing and all sorts of stuff hanging underneath. They even found the blueprints for the dock so I could see what it looks like underneath, but in the end all that was nixed for a cleaner design. What a difference, don’t you think?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She now has more sea otter pup images posted.