I’ve come up for air just long enough to post this – sorry for the big blank spot in my blog. Click the images and they should expand.
When I was growing up, my babysitters at the Illinois State Museum were staff artists and curators, professionals that were the best in the business. They came to work in pristine studios and took months and months to paint stuff just like this. Me, decades later? I do this in a low-ceiling studio and only have 6 weeks. Don’t get me wrong, I’m just happy that I get to do this – a giant four walls with six paintings in one of my favorite places on Earth. And it’s pretty much a completely fictitious scene. There are 3-d branches and models of birds, moles and others that all have to be connected somehow to my paintings. It’s been interesting!
Nancy joined me early on with this and is now pushing paint as fast as I am. How wonderful to have someone to talk to in the studio. And she sounds like she’s maybe going to make this a habit, at which I’m thrilled.
The facts: this is going in a room at the visitor center with a big opening, so there are four sides. I’m painting it in acrylic on Yupo poly paper at 70% size – the reason is I can’t get it bigger and it speeds things up. It’ll be scanned and printed so when the place burns down, another copy can be put up. The bottom two sections, the dirt and forest floor, are being painted at 85% because eyeballs will be closer. The bottom dirt section will be printed on aluminum to withstand the three million people with six million hands that come here each year. I’ll have more soon!
Thanks for reading this week.
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