Tag Archives: Parks

New Painting Post

First Serious Snow – Olympics

Fresh-Snow-Oly-framed

Click the image to see a larger version.

Boy, we’ve had some weather lately. Going into town yesterday, the eastern Olympics showed their best with fresh snow. Strong westerly winds were blowing it off Mount Townsend in great banners, and the clouds were alive. Mile-high Hurricane Ridge was supposed to have gotten 18″, and you can see this for yourselves here at the park web cam mounted on the visitor center roof. The camera lens is currently 90% plastered with snow and you could barely see anything. At night, even on a cloudy evening, you can still see the unearthly glow of the snow, but seeing it on a normal clear day (without the snow on the lens), the view of Mt. Olympus is stunning. The little thumbnail next to the web cam is what you’d see in the summer. This is only about 45 air miles from here and we go there often. And with the web cam, now so can you. Check back to see it ‘unclogged’.

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $120 unframed.
The gold frame makes it a total of $145 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

To check availability of the other small originals I’ve blogged about the past few weeks, check the blog here.

Thanks for reading this time.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

New Painting Post

Late Afternoon – Lillian Ridge Trail

Lillian-Ridge

SOLD
Obstruction Point area, Olympic National Park.
Acrylic on linen canvas – a small easel painting this time.

This trail is a favorite – I can’t paint it enough. It’s about 35 miles, as the eagle flies, west of our studio in the eastern Olympic Mountains – a serious set of rocks. I painted another version this last spring and posted it here in March. It’s not the amazing scenery or that it’s an almost level trail (well, that might be part of it), but it’s also the fact that, at over 6000′, it’s above any glaciation that’s ever occurred there. To walk here is to trod on the exact same stones and sit on the very same overlook that the mammoth hunters did during the last Ice Age. The shattered shale that crunches under my boots is unchanged, and I could very probably be the very NEXT person since that Pliocene hunter to sit on that rock and look for Olympic marmots, those alpine animals that are only found here. The only difference might be that it would have been the hunter’s dinner and not mine.

For an artist that wishes nature were a bit less mild these days, that wishes he were born a few years earlier so he could have seen more of our now-vanished legacy, this is heady stuff.

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $170 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Still working on the bristlecone painting, but painting in the boatyard (our boat) has gotten in the way.

Thanks for reading this week. For new readers, I try to alternate between park interpretive stuff and easel paintings, but they’re all about nature. It’s what I’ve done for over 40 years.

Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive art and other stuff.

Click here to check out what Nancy’s currently doing with her photography.

Or, send us an email to opt in or out of these emails – or just ‘talk’ with us.

You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

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Murals, New Painting Post

Stream Stones and Bristlecones


Progress on the Bristlecone Pine mural
I sent out the pencil sketch for this painting on September 8. and now, after several review comments and changes only a dendrologist (tree scientist) would recognise, I’m moving along pretty well on the final. Many large-scale painters do a complete smaller image first, then recreate it in the larger final version. I’ve never been comfortable with that process because it seems like I’d just be painting something twice. It’d be like remarrying the same person you’ve already divorced – all those little issues you hated the first time ’round are still lurking there. Nancy and I have done several 90′ paintings without a finished ‘baby’ painting and it was truly exciting – for both us and the clients that were scared numb. Nancy once stated: “we are in SERIOUS trouble here” but we still pulled it off nicely. Next week I hope this’ll be close to finished and I’ll send another update.

But that’s not all:

Stream Stones

This is another painting from our recent alpine excursions. If you know your Pacific Northwest geology, you’d pick up that these stones are from the North Cascades and not the Olympics. Cascade stones are very much more diverse in color and texture – brownish iron oxides and lots of gray speckled granites. If you see these stones around the Olympic Mountain edges, they undoubtedly came there from scraped streambeds in the Cascades by way of the mile-high Cordilleran Ice Sheet 80 centuries ago, and they match pebbles you’d find in any Cascade river today.

You might think 80 centuries is awhile ago, but consider this: there are bristlecone pines in the White Mountains and Nevada that approach 50 centuries. And that’s the way I tie the top part of this entry with the bottom part of.

New Painting Post

Elwha River at the old Humes Ranch

I’ve painted two large murals of the Elwha River for Olympic National Park, and so in the interest of science, art and fun, of course we had to hike up the river to check it out. We’ve backpacked up this valley several times in the last two seasons. The Humes Ranch area is only a few miles from the trailhead, but its scenic beauty would be worth miles more. As someone said, this is a big messy river, with snags and piles of old-growth trees strewn along its shores. We’ve camped here several times, right on the grassy knoll above the rocks here, taking in the vastness of this place as the sun sets behind the peaks. This is what Western National Parks are all about, experiencing wildness that used to be taken for granted, but isn’t any more.

Oh, and Humes Ranch used to be here prior to the park’s creation. In fact, the oldest building in the park, the old ranch house, was just restored just up the slope. The only livestock left today are the bears, deer and elk.

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

To check availability of the other small originals I’ve blogged about the past few weeks, check the blog here.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Murals

Artist’s Sketch – Bristlecone Pine mural sketch #2

Ancient Bristlecone Pines
This is straight from the artist’s studio.
You’re receiving this weekly email blog because a friend or associate thought you’d like these occasional postings. This is from Larry Eifert, long-time artist and writer, the guy who has more art in America’s National Parks than any other. These postings show some of the personal inner workings of an artist creating everything from large wall murals to smaller easel canvases. All are about America’s Nature. To not receive these emails any more, simply hit reply and write “unsubscribe” in the subject line.

Bristlecone-sketch

If you click on the image, it should enlarge. If not, go to the blog here.

And so: For years, I’ve wanted to paint the ancient bristlecones of the high and dry western desert mountains. Thought I had it at Wheeler Peak, Great Basin National Park (where I experienced as close to a spiritual moment as I’ve ever had), then later at Utah’s Bryce Canyon, but budget problems or scheduling always got in the way. Now, thanks to a nut (and NOT a pine nut) burning down the visitor center in the Shulman Grove of California’s White Mountains just east of the High Sierra, and the generosity of the Crater Lake Institute that is spearheading a high-elevation pine interpretive program, I’m having a go at the most iconic and picturesque grove of them all.

Here’s an updated version of the initial sketch that has changes from comments from all the bristlecone-pros.

This image shows two ancient trees, both possibly 4500 years of age and living at 10,000 feet of elevation in a super-dry limestone mountain landscape. The bits of dead trees strewn around the ground could be thousands of years older still. Birds and animals shown all live here, at least during the warmer months, bringing the only other sounds to this stark and beautiful landscape besides the singing winds through branches and past needles. It’s quite a place.

As I did with the similar whitebark pine painting last year, I’ll send an update on the progress of this one next week. This is going to be fun.

Thanks for reading. If you’re received this in error, we apologize.
Larry

We have posters and jigsaw puzzles of the last “High-Five” painting (whitebark pine = five-needled high-mountain pine).
Posters are here.
Jigsaw Puzzles are here:

The main website at LarryEifert.com is here.
Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

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New Painting Post

Bagley Creek Meadows


Bagley Creek is what you’d call the perfect “river runs through it” stream. It meanders out of a high alpine lake and into this narrow glaciated valley past basaltic cliffs and meadows. Our trail was along the west bank – the morning sun casting long shadows on the far cliffs. Nanc and I could have sat in these meadows for hours, listening to the bumblebees making slow passes on September pearly everlastings and watching a northern harrier canvas the grass for mice. On the slopes above these meadows, blueberries were everywhere, and with the warming sun each one turned into a little berry tart.

There’s a favorite essay of mine by Virginia Eifert (yah, mom) who wrote “I stand by the river and I know that it has been here yesterday and will be here tomorrow and that therefore, since I am part of its pattern today, I also belong to all its yesterdays and will be part of all its tomorrows. This is a kind of earthly immortality, a kinship with rivers and hills and rocks, with all things and all creatures that have ever lived or ever will live or have their being on the earth. It is my assurance of an orderly continuity in the great design of the universe.”

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed. If you’d like to add the gold frame, that makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame.
Sonja (who bought one of these small paintings) says I need to say this: This is an original painting, NOT a print. Email us for details. To check availability of the other small originals I’ve blogged about the past few weeks, check the blog here.

SOLD

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

New Painting Post

Easy Trail

Easy-Trail-framed

SOLD

Level, easy and hopefully endless. Now, that’s my idea of a trail. It meandered through ferns for awhile, then came out into this glade filled with false lily-of-the-valley and scattered trillium. All these flowers had long faded, but no matter, it was just a nice place to be. Filtered sunlight came through the upper canopy, casting strong shadows behind the tree trunks. And, as usual for me, I thought this seemed like a good place for a painting.

So here it is – the Easy Trail. It’s always my hope that paintings, like photography, can bring something fresh to eyes that will never see it. It’s my joy to say that, indeed, I saw, and now you have too.

This original painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed. This is an original, not a print.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame.
Email us for details.

This one, like several others this month, won’t be listed on the main website, but will be only on the blog.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

 

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Waysides

Angel Island State Park and the Marin Conservation League

MCL-blog

Sorry to say I somehow hit the “send” button instead of the “save” button. I just had ‘words’ with my computer!

So, here’s the rest of the story.

The Marin Conservation League is celebrating their 75th anniversary, and they wanted me to create a 24″ x 36″ panel on Angel Island commemorating this. Angel Island State Park is on the north side of San Francisco Bay. I once anchored there and walked the trails. It’s a great place, and thanks to the foresight of Caroline Livermore and others, I got to do that.

And now, almost 30 years later, I was able to tell that story of how the park came to be.

The back story is another matter. Since I couldn’t actually go to the location, I had to cook up a bit of art for this, using web photos and some artistic license. That’s the bottom piece of art that’s 36″ wide. The photo of Caroline Livermore was another issue. The only photo provided was a blurry low resolution black and white snapshot. I took this into Photoshop, blew it up, printed it out and then painted it with colored pencils. Who knows what color that dress actually was, but now it’s red. I think it works pretty well.

Sorry you got two of these emails. Technology runamuck!
Thanks for reading this week.
Larry Eifert

Click here to see a bunch of other outside exhibit panels.

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

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New Painting Post, Wildlife

American Fishers return to Olympic National Park and make whoopy!

Our web host has been messing with our shopping cart this last week. You’d think a company the size of France could figure this out, but not these days. And, I admit it, painted this image last year, but I just had to put a blog entry about it now because the Olympic Peninsula recently got a bit more crowded.

Fishers had been extinct on the Olympic Peninsula for decades, having been trapped out of the entire state of Washington for their plush fir. Last year, Olympic National Park commissioned this painting to coincide with the release of the first groups of fishers seen around here in 80 years, animals the Park resource people brought down from Vancouver Island. The painting was used for a bunch of interpretation, educating everyone about the event. It was fun to attempt to paint something I knew little about. This house cat-sized critter is between 2 and 4 feet in length including a giant tail. All four feet have five toes with retractable claws, and because they can rotate their hind paws 180 degrees, they can grasp limbs and climb down trees head first. So, unlike similar martens or weasels, this allows them to hunt birds in trees.

Disregard the arrow! It was a proofing issue.

So, it’s one thing to reintroduce animals into the wild, but it’s another to keep them there. It appears to be happening. The park set up an automatic camera in the backcountry near a female fisher’s den in the Elwha Valley. It showed the mother taking four babies, known as kits, out of the den, which is located fairly high up in a rotting snag. The animal appears to be moving her young to a new den, presumably closer to the ground so the kits won’t have far to fall as they grow.

I really hope that in a few years there might be fishers all over the Olympic Peninsula, maybe even passing through my backyard (but that’s a stretch).

Currently you’ll have to email if you want something, but we now have museum-quality prints available of the fisher painting available here of three sizes for between $39.95 matted and $239.95 fully framed.

Or, you can go to our Giclee Print Index here

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

New Painting Post

The Chattering Winter Wren

I’m attempting a new and “improved” emailer and I’m a bit worried to hit the send button. If it’s botched, don’t give up on me.

Several have asked if I’m still painting wildlife as stand-alone images. Of course! I’m still hooked on doing these single-focus themes – sort of a wildlife moment.

Here’s a new effort along those lines. This little winter wren and its stump are soon to be on an interpretive panel for Olympic National Park. We have these little birds right here in the meadow below my studio, so studying the real deal was pretty easy. So was the stump. I used a broken and leaning mossy log down by the compost pile as the model.

Winter wrens are about the size of my big toe. They have amazing courage (or stupidity) and come boldly out of the ferns to confront you trespassing in their territory. They’ll let go a stream of sizzling, bubbling chatter that goes on for ten seconds or so, possibly a rapid series of threats in wren-lingo. Recently, I had one fly from a nearby fern frond and land on the brim of my cap. As it landed I could hear the flutter of its little wings, like the sound of a deck of cards being shuffled. To them, that must sound very loud, like an airplane propeller.

Sorry, but this painting already belongs to the National Park Service who commissioned me for it.

Link here to many other wildlife prints on our website.

Or, you can go to our Giclee Print Index here

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Thanks for reading, now I’m going to start painting.
Larry