Progress on the Bristlecone Pine mural
I sent out the pencil sketch for this painting on September 8. and now, after several review comments and changes only a dendrologist (tree scientist) would recognise, I’m moving along pretty well on the final. Many large-scale painters do a complete smaller image first, then recreate it in the larger final version. I’ve never been comfortable with that process because it seems like I’d just be painting something twice. It’d be like remarrying the same person you’ve already divorced – all those little issues you hated the first time ’round are still lurking there. Nancy and I have done several 90′ paintings without a finished ‘baby’ painting and it was truly exciting – for both us and the clients that were scared numb. Nancy once stated: “we are in SERIOUS trouble here” but we still pulled it off nicely. Next week I hope this’ll be close to finished and I’ll send another update.

But that’s not all:

Stream Stones

This is another painting from our recent alpine excursions. If you know your Pacific Northwest geology, you’d pick up that these stones are from the North Cascades and not the Olympics. Cascade stones are very much more diverse in color and texture – brownish iron oxides and lots of gray speckled granites. If you see these stones around the Olympic Mountain edges, they undoubtedly came there from scraped streambeds in the Cascades by way of the mile-high Cordilleran Ice Sheet 80 centuries ago, and they match pebbles you’d find in any Cascade river today.

You might think 80 centuries is awhile ago, but consider this: there are bristlecone pines in the White Mountains and Nevada that approach 50 centuries. And that’s the way I tie the top part of this entry with the bottom part of.