All posts by Wilderness Walker

New Painting Post

Necedah murals – Day 20

 He looks grumpy, but it’s just concentration flowing to that little tiny brush tip!

Click here for a much larger view on the website. 

Far left side still isn’t finished, but we’re getting close. From right edge to the big tree is about 40 feet on the final 3x enlargement. I’m now beginning an entirely new painting equally as long while this section flies to Georgia today for scanning. After that it’ll return for me to finish the left side for that final 24 feet. We were fading a few days ago, but good friend Jan dropped by twice for some professional arm-twisting and muscle rubbing. I felt like a new man!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Day 12 – Necedah Refuge murals

Here’s the next installment of the progress on the two murals for Necedah National Wildlife Refuge in Wisconsin. This photo represents about a tenth of the entire project. On the final installation, the image you’re looking at will be about 10 feet tall and 25 feet wide. Click the image and it should enlarge.

 This area is pretty much finished (the color’s a bit off since I photographed it under evening lights – sorry).  As a studio visitor said when I was working away on another section “while you paint, you don’t ever want to glance left or right down that long expanse of canvas, do you?” Right! Way too depressing – like I’m painting the Great Wall of China. Nancy’s been a true painter-partner on this project, doing the thankless duty of painting base textures and background – like millions of blades of grass. It truly steps up the pace – hear that, Michael? These big paintings, at least for me, are all about texture – fuzzy, messy and subtle colors that start from a very dark and stack up to a final highlight on top. Lots of layers! As it goes on, there becomes a mysterious point when it almost becomes a real place when you’re standing right on top of it.

Thanks for reading this week. Stay tuned for more progress.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Day 2-4 Necedah National Wildlife Refuge Murals

After a  bunch of round-and-round about sizes, measurements and materials, I’ve now begun two larger paintings for the Necedah National Wildlife Refuge in Wisconsin. Stay tuned for progress reports. These two shots are Days 2-4 on the first painting.

Here’s the deal. It’s a new visitor center at the refuge in central Wisconsin. There are 130 feet of walls that need to show, in an artisitic way, five habitats all woven together, from prairie wetlands to sedge meadows, uplands prairie to oak savanna and finally pine forest. Tallest wall is about 12 feet. Normally, I’d do these on theater canvas and they’d be glued up, but we’re trying something technologically new (at least for me). We’re painting these at 30% of final size on Yupo plastic paper, an ultra smooth surface that’s good for high detail. When finished, they’ll be digitally scanned and blown up 300%. So far, the printed samples look pretty good, and it allows me to paint in a much smaller room, and much quicker – and if the visitor center burns down (which has happened), they can put up a fresh copy.

Thanks so much to Port Townsend’s Union Bank for giving me studio space in a community room. They’ve done this before on large projects and have really helped my painting process. While these two paintings are 30% of final size, I still need much bigger walls than I have here in my studio. Nancy’s down there painting away with me, and she’s helping to speed the process up. So far it’s been fun. The story of Necedah and how it relates to my past is an interesting one, but we’ll save that for another post.

Stay tuned for more soon. Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Meadows

 

Late winter and all this is under gobs of snow right now, but one of the nice things about being a painter is that I can create a moment in time, even if it’s a fantasy. Each day I receive a bunch of blogs from artist friends around the country, and lately they have been full of wistful wishes of warm beaches, rocky summer coastlines, even one from a desert island. So I created my idea of a bit of summer heaven too.

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $120 unframed.
We can also frame this if you’d like. Ask us about details. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

I Get Some Nice Press – American Forests Magazine

 

* You can check the spelling (or just read the entire story) by clicking here to the website.
I just received an advance copy of this very nice feature article about your-truly. It’s not the cover of the Rolling Stone (thank goodness), but for an artist that’s painted nature forever, I think a two-pager in American Forests magazine is about as good as it gets.

I’ve read the work of this group my entire life. American Forests is America’s oldest nonprofit conservation organization, and has been an influential voice for conservation and the environment since its founding in 1875. I haven’t known about it for that long, but I sure have enjoyed their publications – and now, as they say, I are one. Thanks, Michelle. Decades ago when I was painting in the California redwoods and under the threat of timber company boycotts and watch groups against me and my gallery, I used the information AF published to help me defend myself against cutting those giant trees. It’s a nice circle for me that I am now, myself, in this same publication.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here and tell me if you don’t want to receive any more of these.

New Painting Post

Three Blind Mice

I’ve been working on three projects at once, some of them fairly large, so keeping it all straight has been interesting. Oh yeah, then there’s this blog-thing.

Here’s the setup: Imagine you’re a little mouse family living on the north side of Mount St Helens 30 years ago. Meta Lake is just downhill, still snow covered even though it’s May. Life is good, you’ve been asleep all winter, waking occasionally but certainly not leaving your cozy little mouse den. Your little clan found this neat little hole a mole had dug, and in a little side room you set up shop for the winter. It’s May, still a month from being able to leave for a brief summer of munching and gaining back the weight you lost over winter, when you awake to hear what sounds like a 1000 jet planes landing right on top of you. Well, whatever it was, it passes by.

Well, whatever it was – turned out to be the eruption of Mount St. Helens, and because this little family was underground, it survived the almost supersonic blast. After the snow melts, rich ash and a destroyed forest will make for a rich succession of plants with lots of seeds and grasses. And, unlike the elk and deer in the blast zone, the mouse family will survive.

Such is the job of a naturalist-artist. This little painting will be an inset to a much larger painting showing the snow-covered forest and that big ugly blast cloud just arriving. Fun stuff to figure out.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Don’t want this stuff anymore? Email me and just say Unsubscribe.

New Painting Post

Necedah Refuge Mural Sketches

This week it’s another sketch for the Necedah National Wildlife Refuge in Wisconsin. (this image should blow up larger if you click it) I begin the painting on this next week, and I’ll make sure I send some in-progress images as things progress. I must be getting better with my habitat knowledge, because of the entire 140 feet of sketches (no, I didn’t do them full-sized), I only had a half-dozen things that needed fixing.

That’s a lot of critters! I loved doing these drawings – it’s art that really can’t be sold very easily, but I sure like to do it. It’s also a skill that’s critical to all else that follows, like the painting itself. Without a good foundation sketch, the painting would fail, or at least take much longer as I fumble around with it.

This is a landscape I know pretty well. I grow up just a few hundred miles south of here, and my family often went north past here to the boreal forest of bogs, lakes and pines, the closest really good “nature” to the kingdom of central Illinois. It’s a wonderful transition zone of grasslands, marshes, uplands prairies and open softwood forests. It’s a mix I enjoy painting, because there are few broad-leaved trees. South from here you leave the pines behind and get into all those broadleafed oaks and open prairies -which means TOO many leaves and TOO many blades of grass to paint.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

New Painting Post

Magnificent Frigatebirds

This time it’s another graphite and watercolor illustration for John Vigor’s article in Good Old Boat magazine. Magnificent Frigatebirds aren’t new to us, but I never get to paint them – and they sure aren’t around Port Townsend. We’ve seen them while we were camping on the beaches in Mexico, we saw them often while we sailed Ave Mariadown the Baja Coast and up into the Sea of Cortez. Just last year we saw them at Everglades National Park, soaring over the mosquitoes at Flamingo.

These birds are real aerial pirates that never, I mean never, land on water. They soar endlessly along oceanic coastlines even as they sleep. In fact, the only other bird species known to spend days AND nights in flight is the common swift. But being amazingly good at one thing usually means we’re goofy at anything else, and so the frigatebird cannot walk, swim or take off from a flat surface (we’re talking about jumping off a cliff ). Frigatebirds sport a very wicked upper bill that angles down like a fish hook, enabling the birds to latch onto morsels as they fly by, or, they steal it from other birds (chicks in nests included). At 90 inches, frigatebirds have the longest wingspan relative to weight of any bird on the planet. The reddish throat pouch-thingy on males inflates during courtship or while the male is nest-sitting, giving them a rather bizarre look. When I saw a kid (centuries ago) I remember they were called “Man O’war” after the old frigates, which the big birds use to follow for food scrapes.

And you all thought I was just a painter.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

New Painting Post

Painting Some Interesting Wildlife

These past few days I’ve been doing some interesting illustrations for Good Old Boat magazine. Graphite and watercolor, not what I normally do – and that made it all the more fun. Author John Vigor provided an interesting article about sailboat cruising and the birds he’s seen from Western Canada to the South Atlantic and beyond. I know, it’s a fairly broad subject, eh? I was given a pretty broad list of choices to illustrate, so I picked the most interesting birds to me. Above are a pair of tufted puffins, local guys for sure – in fact, this pair could be within five miles of our place.

Next on the list was this little guy:

This is a St. Helena wirebird. St. Helena, if you remember, is in the southern Atlantic and is one of the most remote places on the planet. It’s where they put Napoleon after they named an ice cream for him – and maybe also because he started a war (George, the house is now vacant). The wirebird is the island’s only surviving endemic bird, and having never painted it, I just had to do some research (which is the real fun part of this stuff) and try it out. It’s a killdeer-like plover that does a broken wing act just like our local birds here.

There were more, but you’ll have to wait for the May issue to see them – which I’ll post here if I can remember. It was a most interesting project, for no other reason than in one day I got to paint birds from opposite ends of the planet.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s website is currently down while we remodel it. Stay tuned.

New Painting Post

New Mural – Exploring the Nearshore

Nearshore of the Elwha River

For the past few months I’ve been working on some projects centering around the dam removals on the Olympic Peninsula’s Elwha River – located about an hour west of here. This painting has just been finished, so I thought I’d pass it around. You and the clients are both seeing it for the first time! It shows the shoreline, Olympic National Park behind, the Elwha River delta on the right – and of course the critters and plants that call this place home.

This is a collaboration between Olympic National Park and Feiro Marine Life Center in Port Angeles, just to the east of where this scene is. One of the big beneficiaries of freeing the Elwha will be the unrestricted flow of nutrients, sediments and drift material from the river into the ocean and then along this shoreline. The river has been blocked for almost a century and this beach is pretty starved, not only because of the dams but also because the shore is ‘armored’ with boulders (read: very bad for critters). In this scene, I’ve hopefully given you an idea of how dynamic and complex this place should be. The painting is destined for the Feiro Center, along with other panels that will tell the story of this, the largest dam removal project in our history. I’m pleased and proud to be part of this forward-thinking environmental project.

These big paintings are always fun for me. I just never get tired of figuring out how to somehow ‘build’ all these 3-D plants and critters into a somewhat realistic and complex world of only two dimensions. It’s a real puzzle. If I continued working on this painting, it would become a very tight and almost photographic work, but I’ve always thought they should be more an “impression” of a scene, and so I try to paint them that way – in an impressionistic style. While it might look realistic on your screen, it’s actually fairly loose in technique.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to. If you know others that might enjoy my musings, they can sign up on the blog page – or by sending me an email.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.