All posts by Wilderness Walker

Happy Solstice from Larry, Nancy – and Virginia

Here’s a little solstice story to read while you’re awaiting the big eclipse tonight. If you miss it or it’s cloudy, there’s another one in 2094.

Each Christmas between about 1940 until her death in 1966, my mom, Virginia, would hand-paint Christmas cards. A lucky hundred people would received these little watercolor and ink gems with her poetry inside. Each was slightly different, each a gift from someone who really couldn’t spare a moment of her short life. Books and articles waited, speaking engagements waited, her family waited – buying MY Christmas goodies waited – while she lined the cards up in rows on her painting table. I did the same thing too, until a few decades ago I realized I just couldn’t paint 100 of the same anything.

I occasionally hear from someone who still has a few of these – the most ancient would now be 70 years old. Sometimes they’re framed and hanging like a real painting – which, of course, they are. I think she would be amazed at that, because, for Virginia, they were just little Christmas expressions of her love for nature and her friends. For me, they’ve always been an example of how to be an artist. Here’s a link to a few more of her cards.

And here’s one of the verses, our Winter Solstice message for you.

How shall I wish you strength?
A trees says “strength” so silently.
How shall I wish you joy?
A bird sings joy and needs no words.
How shall I wish you peace,
When snow breathes peace so perfectly?
Yet these are the gifts I wish to you
At Christmas time.
And in the year to come.

Thanks for reading this week.

Larry and Nancy Cherry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Paintings for Mount St Helens

I haven’t posted anything for a few weeks because this has been a stretch of sketching and preparing for lots of new paintings – but they’re all in progress. Then we took a week to drive down to San Diego, but now I’m finally back in the thick of it and wanted to pass along some of the sketches I’m doing.

This is a first-round draft of one of the wayside paintings I’m doing for Mount St Helens Volcanic National Monument. It’s going to show something that no photographer could show (or wouldn’t want to have tried 30 years ago). Meta Lake is a few miles north of the volcano, and this shows the eruption blast cloud just coming over the hill on the left – wind hundreds of miles an hour cutting down this old-growth forest like it was dried grass. The lake was still frozen then as it was May, and critters were still asleep in their burrows below the snow. It was this cover that helped nature return very quickly here, and that’s what this piece of art will hopefully show. We came here for field research back in October, and the scene is now very forested like the photo at the lower right. It’s a lovely place that is difficult to imagine as a wrecked volcanic blast zone.

I love doing these projects, because we get to learn all this new stuff – and that’s what life is all about – it’s it?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Calm Corner of the Hoh

Forgot to post this when I painted it – but it’s never too late for new art, right? This little painting was created with me in the camp chair, paints balanced on my knee – glass of wine nearby. Life was good.

On the Olympic’s west side, the Hoh River is a pretty messy place. Just below our campsite was this little backwater. Big water from the rainiest mountains in the United States tear out enormous trees and drag them along, crashing into the shore and causing all sorts of mayhem. A tree could be dragged along in periodic storms for decades until they finally come to rest in places like this, backwaters that stack up the 8′ diameter trees like cordwood. For the next hundred years or more they’ll slowly decompose, create rich habitat for all sorts of birds and animals, and shelter young salmon. Without these big trees in this wild river, the Hoh wouldn’t be as ecologically healthy as it is. It’s quite a place – to put it mildly.

This original painting is watercolor and ink on paper, 9″ x 12″ and $125 unframed.
If you’re interested in a frame, we can do that too. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Oh yeah, American Forests Magazine

About eight months ago, American Forests organization in Washington DC, who publishes American Forests Magazine, contacted me about using my mural of whitebark pines in peril for a special issue they were planning. American Forests is America’s oldest conservation organization, founded in 1875.

Whitebark Pines may soon become the first major tree species to be listed under the Endangered Species Act, and, thanks to Ron at the Crater Lake Institute who commissioned it, I probably have the only really good painting of these amazing high-altitude trees.

Sounded like a good project, so, I sent the stuff. Time went by and life persisted. Then, today, I wondered what happened  – went online (of course) – and there it was. So I’m passing it over to all of you. Nice mural, key, species list, map, don’t you think? That artist out in Port Townsend supplied that, all for free of course. You’d think I would have, at least, been given a free copy or maybe a lapel pin.

Here’s the entire pdf of the edition. It’s not a big download and the story’s pretty nice.

American Forests Special Report

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

 

Red Alder Leaves

Leaves, leaves, leaves.

That’s what my life is about these days – especially big-leafed maple leaves. About the size of a dinner plate (some are platter-sized), our enormous southside maple STILL has a few thousand leaves to drop. And the red alders have barely begun to even think about it. Don’t get me started. I love this forest place of ours, but this time of year the trees are definitely in charge of my life. Autumn blows comes though, I vacuum them up with the mower and haul’um down to the huge compost pile. In a couple of years they’ll magically transform into the best mulch money could buy. The garden loves it, but getting the process started is what I’m painting about today. Maybe paying homage to them will hasten the process.

Got to run. Leaves are awaitin’.

If you’re interested in this original mixed media on paper, just send me an email.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Big Ink – Big Deer

 We’ve been getting around. Bishop last week, this week it’s finishing up some art for Mt. Diablo State Park in California. This is one of eight for a wall collage for the historic WPA visitor center high atop the mountain. I did a bunch of art here over a decade ago, which is now completely worn out, so here I go again. Thanks, Karen, for believing I should continue (and even expand on) this legacy for another couple of decades. Last time around, I did the ink sketches, then hand-painted the outside illustrations using airplane model paint. It lasted better than a decade, and if it weren’t for the ADA requirements forcing new exhibits, I think they’d have lasted another few years. This time it’s a bit more modern in its presentation and technology.

As I said, this deer image is one of a group, and it’s not a small painting either – 24″ square. Ink and watercolor at large size takes some time to create. There are about a million lines here, and it’s not for the faint at heart to create, that’s for sure. One slip and it’s in the trash! But if I’ve learned one thing in 40+ years of doing this stuff it’s that good craftsmanship takes time. Lots of time. And today there seems to be a real lack of understanding this. Everyone seems to love reaching the finish line, but no one like getting to it.

Well, I like getting there more than finishing. I like the process.

Thanks for reading about my stuff this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Pulse of the River Wayside Panel

(image should enlarge with a click)

We’ve been away on a field trip to the Shulman Bristlecone Pine Grove near Bishop, CA for some new paintings soon to come – so I don’t have a fresh painting this week. But it’s glorious Fall here now, with the maples and alders loosing their leaves – so here’s a wayside panel I just received the digital file for. It’s already installed, but I had never seen this in its final digital form.

This one is installed at the same location it was modeled after, right along the river. As you can see in the photo, snow was still on the ground when I did the field research, but along the way the painting turned into a Fall scene with bronzed vine maple and returning salmon. Paintings can do that, while photography has a more difficult time – which means I still have a great job because of it.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

An Eifert Look to the Marine Life Center

Feiro Marine Life Center gets a dozen Eifert exhibit panels and new “look”.

 (Click the image and it should enlarge)

The Feiro Marine Life Center in Port Angeles Washington. We’ve been working on this for a seven months now, and it’ll be probably another year before it’s completed, but I thought I’d pass some of it around here today.

The place needed some freshening up, so they asked us to help. Much of this is centered around the ‘big deal’ that’s coming down locally in Olympic National Park – the removal of the Elwha River dams, largest dam removal in the US to date – and it really is a big deal, at least around here and at least for me. I’ve been involved with the dams project for several years now as a provider of art showing what the river will look like post-dams, so it was logical I also help create some exhibits about it at the Feiro. Here’s a link to some of that other Elwha River work.

The image above is only the quickie-watercolor concept sketch, but I thought it interesting enough to pass around. Everyone sees the finished products – complex paintings or big visitor center exhibits – but few see where it starts, the basic skin and bones of ideas. And while it may (read: probably) not end up this way at all, it’s a good view into the creative process. So here goes: This wall is actually three times longer than this. It goes off to the left where there are also windows, so to keep it simple, I just focused on this area for a concept sketch. The sign is all they really requested, which includes a changing banner up top for programs. I’ll do all that here in the studio, but the rest will likely be done on-site. We went to the big Seattle Aquarium for some field research into how kelp and fish look underwater, how fish circle, and how light filters down into the ocean. The two herring balls – thousands of little fish circling for protection, will mimic the oval sign, and the octopus encircling the sign shows a popular critter they have in their tanks. There will be more and larger fish, likely salmon, and more extensive bull kelp, but this shows the basic idea.

Stay tuned, I’ll send more as this goes along.

For local readers: Nancy is opening a show of her photography at Gallery Nine in Port Townsend Saturday night, 5:30 to 8pm. Come on down and see her new work.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Visiting My Old-growth Friend

Ohanapecosh Visitor Center – Mount Rainier National Park (click photo to enlarge)

Last week we were over at Mount Rainier and Mt St Helens for a field trip and stopped by the Rainier visitor center where one of my old-growth murals is installed. We hadn’t been there since the Great Flood of 2006 that closed the park for 6 months, and while there remains evidence everywhere of the 18″ of rain in 36 hours, the v.c. looks great. I have never taken good photos of this installation, so Nancy spent some time there doing just that while I filled out some paperwork on annual mural maintenance for the NPS Rangers.

This mural was painted in the Spring of 1995, making it over fifteen years old now. I’m happy to say it looks just as vibrant as when it was installed. It’s acrylic on MDO plywood, and while it was for Ohanapecosh, the forest itself was modeled after the wetter Carbon River Forest over on the opposite side of the mountain. I involved interpretive staff from the other two ‘big’ parks nearby, Olympic and North Cascades, because we wanted to make sure it fit all three. We also planned to create posters, puzzles and cards to sell at all these parks, so species had to fit for all of them. One park has lots of elk, another none, so no elk. Grouse or not? It wasn’t until one guy saw one on the way to work that the grouse was IN. It went that way with about 30 species until everyone was happy – except the painter who didn’t get to paint any elk.

And me? I’m now happy that after 15 years those posters and puzzles are still selling well in all three parks (and many others, including the major redwood parks in California). I’m sure the Rainier non-profit that funded the original painting (and sells the products) has, by now, actually made a profit off the painting they commissioned. And the Chief of Interpretation that originally gave me the commission? He’s retired and lives here in Port Townsend – and has crewed for me in a few sailboat races. It’s a small world that is endlessly big.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. You can find this poster and puzzle here if you dig.

Click here to check out what Nancy’s currently working on with her photography.

Covergirl Schooner Adventuress

Cover Art Schooner Adventuress

48 North magazine in Seattle has always been very good to me, and this month is no exception. It was Wooden Boat Festival time here in Port Townsend, and so, just as they did last year, one of my paintings landed on the magazine’s cover. They do a good job in these days of struggling print magazines, but now 48 has begun to move into the digital world. It’s now entirely online and free. Check it out. Only thing lacking this month is a story by me. To see past stories, check our website archives.

The timing of this worked out pretty well, because the original painting is still available. SO, I’ll shamelessly pitch it here. You were waiting for that anyway, weren’t you?

Adventuress at Union Wharf is acrylic on board, 14″ x 20″ and $1000 unframed.
A nice triple matted frame and shipping adds just a bit more depending on your zone or if you want a custom frame. This is the original painting, NOT a print. Lean on me for the non-gallery discount.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

***previous*** — ***next***