Category Archives: New Painting Post

Blog Posts by Larry Eifert

Rialto Beach Float

 

 Quite a pile of wood, don’t you think? This new painting was inspired by the few days we spent kicking around the Olympic Beaches of Rialto, Ruby and Third Beach a few weeks ago. Each time we hike this stretch of beach north out to some of the best tide pools anywhere, I’m struck by the designs of all these dead Sitka Spruce trees that line the high-tide mark. It’s quite a jumble, and I finally came to grips with how to paint it. I don’t think it’s quite finished, but I heard some comments on my NOT posting last week – “and I hope you’re Okay?” So in the spirit of almost 200 posts in 200 weeks, finished or not – here it is.

On the same beach we saw many (like 8 in one view) drift floats with Japanese characters on them, along with other tsunami trash like the grapefruit juice container I blogged about a few weeks ago – and so I thought I should add that to the painting too. Look in the lower left-center. The actual float was much bigger, but if you look carefully on the photo below you can see the Japanese maker’s marks just above the seam. This one was just coming into the surf, and I had to do a fancy dance to get it ashore. Radioactive? I hoped not.

This ORIGINAL painting “Rialto Beach Float” is varnished acrylic on hardboard, 24″ x 48″ and $1200 unframed.
Because we have a wholesale account with the frame suppliers, we can also supply a custom frame to match it at much less than your local framer. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She just opened a new show at Gallery Nine in Port Townsend this month.

Heather Pass

I painted this back in October, 2011 when we were in Washington’s North Cascades. It made it past the scan, into a frame, into the blog – but I never hit the “Post” button. For the last eight months the canvas has just sat there in my studio and also on the blog software – and the title stares at me each time I start the program. “ME, ME, Post ME” it screams, but each week I’ve sent out something else I thought was more interesting. But, now that the High-Country around the West is melting out and trails are beginning to open up, maybe it’s time to show this one.

Here’s what I wrote all those months ago, thinking I would post it then:

Heather Pass is a good 3-mile climb in the North Cascades, and while we’ve been here twice, neither were in late afternoon when the sun was doing this yellow-orange-thing. The last time we were here, there was a lone hiker camped just below this heather-filled bench, and I envyed him for his upcoming sunset and evening solitary view. Beside his single tent was a back-packer’s expresso maker, and this little spring runoff stream in the painting would be his coffee water the next morning. If there’s a reason why spending the night in a place wouldn’t be anything but glorious, I can’t think of it.

This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $140 unframed.
A custom wood frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Bristlecone Pine Sketchbook Journal

I posted some other pages from this project a few weeks ago here. There are 11 pages of sketches that will string along the bottom of the three mural paintings I also painted, and all these will soon be installed in the new visitor center at the Schulman Grove of ancient bristlecone pines in California. When it opens in a few months, this is going to be really fun to see, at least I hope so. Standing in front of the three huge paintings, these sketchbook panels will show how the paintings were developed, like a field sketchbook.

I’ve always loved field sketching. It gets to the heart of things, of using your eyes to see. You get to watch the results flowing out of your hand like magic. To me, it’s the very basic process of creating art, and something I’ve done all my life. Someone recently asked me if I ever took mind-enhancing drugs. No, I said, instead I draw nature outdoors and in the field, and to do it well requires great attention to details, color, texture and how nature has evolved in a single place. I mean, how much more clearly could a person see this amazing and vibrant world than with a pencil in your hand?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

A Small World – Japanese Tsunami Debris

Friday, March 11, 2011 – or about 60 weeks ago, we all heard or shocking news about the Tōhoku earthquake and tsunami in Japan. It sure seemed like a long way from us here in the U.S., didn’t it?

Well, Nancy and I just spent a few days out in the “West End” hiking the beaches of Olympic National Park, and I’m hear to report that all those beaches are now receiving a pretty good dose of flotsam from Japan.

These images should enlarge with a click, but if you look closely here, you can see the maker’s mark on this buoy. There were LOTS of these, and we guessed because they rode high on the waves, the wind brought them here quicker than what’s still coming along out there. All the floats we examined had one anchor hole broken off, as if it had been surgically removed by a huge force – like 1″ solid plastic broken with a snap.

And here’s a grapefruit juice carton with the print-date of February, 2011. The red lid kept it floating, all 5,000 miles and all those winter storms – a tribute to plastic/paper cartons, don’t you think? As a painter of big-walls, I know that blue is the last color left standing after the sun bakes everything else out of it.

As we were walking down those pristine beaches, watching whales and sea otters, pelicans and marbled murrelets all in one view, I just couldn’t get over the fact that the last time these objects were seen or touched by people might have been the last time those folks saw anything at all. It was a sobering feeling to unscrew that grapefruit juice carton and inhale the smell of juice (yes, it still smelled of grapefruit) that someone might have had for breakfast on March 11, 2011.

Thanks for reading this week. It’s not art, but I think worthy of a post.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Dosewallips – Spring Runoff

Click on the painting and it should enlarge in your browser.

No presketch on this one, so I can’t show you the process – it seemed pretty clear so I just started painting. After Nancy posted our exploits along the Northeast Olympic’s Dosewallips River a few days ago, and thereby beat me to a post about its stunning beauty, I put aside a couple of more serious projects to finish this painting up. I was moved by the late afternoon sun was streaming through the canyon and really lighting up the streamside alders. It just seemed like a painting, which it now is. With a big snow pack upslope quickly turning to water, the river was loud, frantic, seemingly in a very great hurry to hit the ocean just a few miles downstream to the east. What a place! What a place to live – and paint!

This ORIGINAL painting is varnished board, 24″ x 48″ and is offered here for $1200 framed. Shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week. Can you hear the river’s roar?
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Thriller – A Sculpture Project on the Side

 

What’s THIS in our meadow? Is it a classic boat? A sculpture? For me it’s both, plus a bunch of fun? It’s a Lightning class 19-foot sloop, #7108 that was built at the Livingston Boat Shop in Michigan in 1959. Old-growth cedar at it’s finest!

In 2010 after we sold Sea Witch, our 1940 sloop, it took me exactly 10 months to find this boat. Rebuilt by a very fine gentleman in the Bay Area, it was perfect for crashing around our local bay, and if you live in Port Townsend, you have to have a classic wood boat to crash around the bay.

I sailed it all last summer, but promised myself I wouldn’t make any changes to it until this past winter when I got a good feeling for the boat and what I wanted it to look like. So, with new paint colors and bright varnish almost everywhere, we’re now closing in on a spring launch. I still have to refit the sails, do some sewing and tighten things up, but we’re closing in.

To me, this is high art, sculpture that’s both form and function working together, and just pure beautiful. Under one of the original fittings, I found what appears to be the original deck color, a 1959-era pale-green that coincidentally I had already chosen as a color that would match the cedar planking. How’s that for intuitive thinking?

The boat carries a spinnaker, main and jib, and let me tell you all that when this boat gets off the wind on to a reach in some wind, it’s a real rush when I feel it rise up on a plane and take off. The first time it happened, I said “wow, what a Thriller of a ride” and so that apprears to be the boat’s new name. Stay tuned to more posts as I get this thing together more. Just consider it an on-going art project – which it is!

Quite a sled, don’t you think? Want to go for a sail?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Meander Up the Dosewallips

Some weeks are just like this.Spend the entire week drawing, drawing, drawing – but in the end there isn’t a single finished painting to show for it. There’s a stack of concept stuff, in between or in progress but not a postable painting in the lot. I think there’s about 20 of them.

Oh, and did I say the weather turned, poof, into summer. So, put the top down on the little car and head for the hills – and a little hike along the Dosewallips River in the Olympic Mountains. Harlequin ducks, bald eagles, a ruffed grouse strutting his manly stuff, hooded mergansers, trilliums and bleeding hearts, violets and salmonberry in bloom. It just couldn’t have been nicer, and I wanted to share. This photo is in about 2 miles, Nancy photographing a little waterfall coming down into the Dosewallips (that’s doe-see-wollips for those out of town)

Thanks for reading this week. I’ve got a dusy of a painting project almost ready to show, and it doesn’t involve canvas or paper, but more sea-going.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Old-growth of Fort Townsend State Park

 

This should enlarge with a click. Please do so as there are lots of details.

Just a mile or so from our studio is one of the rarest of all Northwest places – a lowland old-growth forest. It’s quite a park, and for Nancy and me, just walking the road into this place is often almost spiritual. Here in Port Townsend, we’re on the dry side of the Olympics so these trees aren’t huge like rainforest giants, but there’s an open and ancient feel here that always gets my heart going. Giant glacial boulders dot the forest. Signs of old wildfires are evident. We watch pileated woodpeckers hammer out old snags. Cougar warning signs abound. For about 8,000 years or since the last ice melted, this place has been left to itself. Even when there was a small military garrison here, the only trees cut were a few for firewood.

So, while thousands of miles of forests, our heritage, have been whacked away and the land irreputably ruined, this place has what few lowland forests have these days – some very, very rare plants. All those weird and odd plants that line the painting’s foreground are saprotrophic fungi, plants that don’t produce their own food but instead borrow it from the trees. You won’t see them in cut-over forests – if the forest goes, so goes most of the other stuff like gnome plant, sugar stick and pinedrops. Even calypso orchids won’t reappear. I won’t go into it more here, but I consider this forest to be something of a sacred place, a place much like a world-class museum that holds our most meaningful treasures – our  heritage. These great forests won’t return ever again while humans are here, and so along with the few other scattered lowland patches of old-growth, this is IT!

Somehow the very active local friends group for the park, The Washington State Plant Society, came up with some funding for me to paint a mural for an exhibit at the park. Seriously, I can’t imagine anything more fun for me to do than paint this exceptional forest. I mean this is like a gift, a chance to actually paint my own backyard. It just doesn’t get any better than this. Here’s a picture by Nancy of the ol’ guy at the easel, half way through this effort. Was he dragging his feet? Well, maybe! 

Thanks Ann and Nancy of the friends group, this was just plain fun.

And as usual, thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Fairbanks Alaska Greenbelt

I’ve painted images of city greenbelts before, but nothing like this. In fact, for those of us in the Lower 48 and used to concrete-surrounded greenbelts along city streets, it’s probably difficult to image spruce swamps with moose and sandhill cranes in one. But then this is Fairbanks, Alaska, northern most metro in America. Last week I passed around the first effort with this project – and now here’s the second. Boy, it was fun painting the nature from this far north. Wish I could have gone up for a field trip, but it’s not quite looking like this yet. Thanks to everyone on this project for giving me such free-reign to have some fun.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has some new and wonderful galleries in her album sections.

Fairbanks Alaska Gets Some Eifert Paintings

This week I finished up two pieces of art for outdoor installations destined for the Chena Flats Greenbelt Project in Fairbanks, Alaska. Lots of mining – lots of messed up watersheds have left this area in need of lots of repair. These paintings are about what I seem to do a lot of these days: show how a landscape MIGHT look if we give it a chance. There are many agencies and non-profits involved in this, but it really seems to be just a small group of involved citizens doing their best to improve their backyard. I’ve been working with a very impressive and diligent woman there who was willing to pare down text and make this look good – and I think together we developed it into a pretty nice piece of interpretation.

And here’s the original, first-draft sketch. Critters came, left, changed – but in the final it’s pretty much like the first idea. That’s how art should be, I think, because the first flash of thought is usually the best. Thanks, Sally.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.