Category Archives: New Painting Post

Blog Posts by Larry Eifert

Glacier Bay Old-growth

Keeping it going, this week was spent working on five smaller paintings for Glacier Bay National Park. Nancy says I tend to loose track of obligations, appointments and schedules, well, try keeping five paintings with lots of details all on track. Ah, priorities! It’s like juggling. This one is a purely fictitious place but based on reality. The landscape around the Visitor Center and Lodge at Glacier Bay National Park is fresh from the ice and its forests are still pretty young. It will likely be changed before it’s finished, but my task here was to paint what WILL be there eventually if the forest there continues to evolve as it should. If things go according to one option in nature’s normal plan, this will become a western hemlock-dominated forest, a few huge trees, logs almost completely covered with moss, skunk cabbage and devils club. Everything would be green filtered light as if you’re inside an emerald. Did I get it?

Here’s the first-draft concept sketch.

And below is the second draft before I started painting. It’s still very different from the final painting, but the elements are taking shape. In the end, the huckleberries left, devils club and skunk cabbage came in after the Park straightened me out. Those two species require more moisture than I had realized was there, so we shifted things around.

I get a fair amount of mail saying that comparing these sketches are the best part of my weekly posts. It’s the ‘inside scoop’ that few see, and I think it’s easy to recognize the fact that the pencil is the painter’s most valuable tool. The second most valuable tool might be that I’m working with two guys from the National Park Service that really care. It’s such a treat for me to have interactions with people who know what their doing, both on the ground with Melenie and Tom at Glacier Bay in Alaska and Chad at Harpers Ferry Center in West Virginia. I just never tire of learning about this stuff, especially from smart people. And that we did a conference call this week featuring a land-line and cel phone joining Alaska to Port Townsend together with a desk’s top in West Virginia is even better.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

A New Monthly Series for 48-North

If you’ve read my recent posts, you recognize this style of art and the layout. I think it’s how art, nature, humanity evolves – we all borrow from each other, or even ourselves.

I recently developed some sketchbook pages for a project in the Schulman Grove of bristlecones near Bishop, Ca. I showed them on this blog here and here , but it was the Forest Service’s kind words about the style, content and design that got me thinking that this might work well in a publication – like a magazine.  So, of all the many stories, articles and books I’ve published, my connections with 48-North, the Northwest’s largest sailing magazine has been the most fun. I’ve written for them for years, and so I banged on Rich the editor, door and asked if he’s like to give me a full page once a month for my little sketchbook idea. Above is the first effort coming up for the July iisue. For June’s online issue (my otters will be in July), click here

As I was casting around for my first month’s subject, I was in Port Townsend standing at the front door of Gallery Nine, the gallery that both Nancy and I show in. Tourists were coming and going, delivery trucks were bringing wine to the next door wine store, UPS truck was parked in mid-lane – and here comes a big river otter meandering right by us. They’re pretty common down there since Water Street is only a few hundred feet from the ocean, but seeing a 30 lb, 4-ft long adult river otter dodging cars always gets your attention. A couple of tourists were plain flabbergasted. So, I realized that’s what the first sketchbook had to be about, and I learned a lot about those interesting critters.

Cheesecake Desert: And speaking of critters, here are two of the three new kids in our meadow next to the cherry tree, taken by Nancy from the dining room window.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Rialto Beach Float

 

 Quite a pile of wood, don’t you think? This new painting was inspired by the few days we spent kicking around the Olympic Beaches of Rialto, Ruby and Third Beach a few weeks ago. Each time we hike this stretch of beach north out to some of the best tide pools anywhere, I’m struck by the designs of all these dead Sitka Spruce trees that line the high-tide mark. It’s quite a jumble, and I finally came to grips with how to paint it. I don’t think it’s quite finished, but I heard some comments on my NOT posting last week – “and I hope you’re Okay?” So in the spirit of almost 200 posts in 200 weeks, finished or not – here it is.

On the same beach we saw many (like 8 in one view) drift floats with Japanese characters on them, along with other tsunami trash like the grapefruit juice container I blogged about a few weeks ago – and so I thought I should add that to the painting too. Look in the lower left-center. The actual float was much bigger, but if you look carefully on the photo below you can see the Japanese maker’s marks just above the seam. This one was just coming into the surf, and I had to do a fancy dance to get it ashore. Radioactive? I hoped not.

This ORIGINAL painting “Rialto Beach Float” is varnished acrylic on hardboard, 24″ x 48″ and $1200 unframed.
Because we have a wholesale account with the frame suppliers, we can also supply a custom frame to match it at much less than your local framer. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She just opened a new show at Gallery Nine in Port Townsend this month.

Heather Pass

I painted this back in October, 2011 when we were in Washington’s North Cascades. It made it past the scan, into a frame, into the blog – but I never hit the “Post” button. For the last eight months the canvas has just sat there in my studio and also on the blog software – and the title stares at me each time I start the program. “ME, ME, Post ME” it screams, but each week I’ve sent out something else I thought was more interesting. But, now that the High-Country around the West is melting out and trails are beginning to open up, maybe it’s time to show this one.

Here’s what I wrote all those months ago, thinking I would post it then:

Heather Pass is a good 3-mile climb in the North Cascades, and while we’ve been here twice, neither were in late afternoon when the sun was doing this yellow-orange-thing. The last time we were here, there was a lone hiker camped just below this heather-filled bench, and I envyed him for his upcoming sunset and evening solitary view. Beside his single tent was a back-packer’s expresso maker, and this little spring runoff stream in the painting would be his coffee water the next morning. If there’s a reason why spending the night in a place wouldn’t be anything but glorious, I can’t think of it.

This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $140 unframed.
A custom wood frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Bristlecone Pine Sketchbook Journal

I posted some other pages from this project a few weeks ago here. There are 11 pages of sketches that will string along the bottom of the three mural paintings I also painted, and all these will soon be installed in the new visitor center at the Schulman Grove of ancient bristlecone pines in California. When it opens in a few months, this is going to be really fun to see, at least I hope so. Standing in front of the three huge paintings, these sketchbook panels will show how the paintings were developed, like a field sketchbook.

I’ve always loved field sketching. It gets to the heart of things, of using your eyes to see. You get to watch the results flowing out of your hand like magic. To me, it’s the very basic process of creating art, and something I’ve done all my life. Someone recently asked me if I ever took mind-enhancing drugs. No, I said, instead I draw nature outdoors and in the field, and to do it well requires great attention to details, color, texture and how nature has evolved in a single place. I mean, how much more clearly could a person see this amazing and vibrant world than with a pencil in your hand?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

A Small World – Japanese Tsunami Debris

Friday, March 11, 2011 – or about 60 weeks ago, we all heard or shocking news about the Tōhoku earthquake and tsunami in Japan. It sure seemed like a long way from us here in the U.S., didn’t it?

Well, Nancy and I just spent a few days out in the “West End” hiking the beaches of Olympic National Park, and I’m hear to report that all those beaches are now receiving a pretty good dose of flotsam from Japan.

These images should enlarge with a click, but if you look closely here, you can see the maker’s mark on this buoy. There were LOTS of these, and we guessed because they rode high on the waves, the wind brought them here quicker than what’s still coming along out there. All the floats we examined had one anchor hole broken off, as if it had been surgically removed by a huge force – like 1″ solid plastic broken with a snap.

And here’s a grapefruit juice carton with the print-date of February, 2011. The red lid kept it floating, all 5,000 miles and all those winter storms – a tribute to plastic/paper cartons, don’t you think? As a painter of big-walls, I know that blue is the last color left standing after the sun bakes everything else out of it.

As we were walking down those pristine beaches, watching whales and sea otters, pelicans and marbled murrelets all in one view, I just couldn’t get over the fact that the last time these objects were seen or touched by people might have been the last time those folks saw anything at all. It was a sobering feeling to unscrew that grapefruit juice carton and inhale the smell of juice (yes, it still smelled of grapefruit) that someone might have had for breakfast on March 11, 2011.

Thanks for reading this week. It’s not art, but I think worthy of a post.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Dosewallips – Spring Runoff

Click on the painting and it should enlarge in your browser.

No presketch on this one, so I can’t show you the process – it seemed pretty clear so I just started painting. After Nancy posted our exploits along the Northeast Olympic’s Dosewallips River a few days ago, and thereby beat me to a post about its stunning beauty, I put aside a couple of more serious projects to finish this painting up. I was moved by the late afternoon sun was streaming through the canyon and really lighting up the streamside alders. It just seemed like a painting, which it now is. With a big snow pack upslope quickly turning to water, the river was loud, frantic, seemingly in a very great hurry to hit the ocean just a few miles downstream to the east. What a place! What a place to live – and paint!

This ORIGINAL painting is varnished board, 24″ x 48″ and is offered here for $1200 framed. Shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week. Can you hear the river’s roar?
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Thriller – A Sculpture Project on the Side

 

What’s THIS in our meadow? Is it a classic boat? A sculpture? For me it’s both, plus a bunch of fun? It’s a Lightning class 19-foot sloop, #7108 that was built at the Livingston Boat Shop in Michigan in 1959. Old-growth cedar at it’s finest!

In 2010 after we sold Sea Witch, our 1940 sloop, it took me exactly 10 months to find this boat. Rebuilt by a very fine gentleman in the Bay Area, it was perfect for crashing around our local bay, and if you live in Port Townsend, you have to have a classic wood boat to crash around the bay.

I sailed it all last summer, but promised myself I wouldn’t make any changes to it until this past winter when I got a good feeling for the boat and what I wanted it to look like. So, with new paint colors and bright varnish almost everywhere, we’re now closing in on a spring launch. I still have to refit the sails, do some sewing and tighten things up, but we’re closing in.

To me, this is high art, sculpture that’s both form and function working together, and just pure beautiful. Under one of the original fittings, I found what appears to be the original deck color, a 1959-era pale-green that coincidentally I had already chosen as a color that would match the cedar planking. How’s that for intuitive thinking?

The boat carries a spinnaker, main and jib, and let me tell you all that when this boat gets off the wind on to a reach in some wind, it’s a real rush when I feel it rise up on a plane and take off. The first time it happened, I said “wow, what a Thriller of a ride” and so that apprears to be the boat’s new name. Stay tuned to more posts as I get this thing together more. Just consider it an on-going art project – which it is!

Quite a sled, don’t you think? Want to go for a sail?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Meander Up the Dosewallips

Some weeks are just like this.Spend the entire week drawing, drawing, drawing – but in the end there isn’t a single finished painting to show for it. There’s a stack of concept stuff, in between or in progress but not a postable painting in the lot. I think there’s about 20 of them.

Oh, and did I say the weather turned, poof, into summer. So, put the top down on the little car and head for the hills – and a little hike along the Dosewallips River in the Olympic Mountains. Harlequin ducks, bald eagles, a ruffed grouse strutting his manly stuff, hooded mergansers, trilliums and bleeding hearts, violets and salmonberry in bloom. It just couldn’t have been nicer, and I wanted to share. This photo is in about 2 miles, Nancy photographing a little waterfall coming down into the Dosewallips (that’s doe-see-wollips for those out of town)

Thanks for reading this week. I’ve got a dusy of a painting project almost ready to show, and it doesn’t involve canvas or paper, but more sea-going.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Old-growth of Fort Townsend State Park

 

This should enlarge with a click. Please do so as there are lots of details.

Just a mile or so from our studio is one of the rarest of all Northwest places – a lowland old-growth forest. It’s quite a park, and for Nancy and me, just walking the road into this place is often almost spiritual. Here in Port Townsend, we’re on the dry side of the Olympics so these trees aren’t huge like rainforest giants, but there’s an open and ancient feel here that always gets my heart going. Giant glacial boulders dot the forest. Signs of old wildfires are evident. We watch pileated woodpeckers hammer out old snags. Cougar warning signs abound. For about 8,000 years or since the last ice melted, this place has been left to itself. Even when there was a small military garrison here, the only trees cut were a few for firewood.

So, while thousands of miles of forests, our heritage, have been whacked away and the land irreputably ruined, this place has what few lowland forests have these days – some very, very rare plants. All those weird and odd plants that line the painting’s foreground are saprotrophic fungi, plants that don’t produce their own food but instead borrow it from the trees. You won’t see them in cut-over forests – if the forest goes, so goes most of the other stuff like gnome plant, sugar stick and pinedrops. Even calypso orchids won’t reappear. I won’t go into it more here, but I consider this forest to be something of a sacred place, a place much like a world-class museum that holds our most meaningful treasures – our  heritage. These great forests won’t return ever again while humans are here, and so along with the few other scattered lowland patches of old-growth, this is IT!

Somehow the very active local friends group for the park, The Washington State Plant Society, came up with some funding for me to paint a mural for an exhibit at the park. Seriously, I can’t imagine anything more fun for me to do than paint this exceptional forest. I mean this is like a gift, a chance to actually paint my own backyard. It just doesn’t get any better than this. Here’s a picture by Nancy of the ol’ guy at the easel, half way through this effort. Was he dragging his feet? Well, maybe! 

Thanks Ann and Nancy of the friends group, this was just plain fun.

And as usual, thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.