Category Archives: New Painting Post

Blog Posts by Larry Eifert

Magnificent Frigatebirds

This time it’s another graphite and watercolor illustration for John Vigor’s article in Good Old Boat magazine. Magnificent Frigatebirds aren’t new to us, but I never get to paint them – and they sure aren’t around Port Townsend. We’ve seen them while we were camping on the beaches in Mexico, we saw them often while we sailed Ave Mariadown the Baja Coast and up into the Sea of Cortez. Just last year we saw them at Everglades National Park, soaring over the mosquitoes at Flamingo.

These birds are real aerial pirates that never, I mean never, land on water. They soar endlessly along oceanic coastlines even as they sleep. In fact, the only other bird species known to spend days AND nights in flight is the common swift. But being amazingly good at one thing usually means we’re goofy at anything else, and so the frigatebird cannot walk, swim or take off from a flat surface (we’re talking about jumping off a cliff ). Frigatebirds sport a very wicked upper bill that angles down like a fish hook, enabling the birds to latch onto morsels as they fly by, or, they steal it from other birds (chicks in nests included). At 90 inches, frigatebirds have the longest wingspan relative to weight of any bird on the planet. The reddish throat pouch-thingy on males inflates during courtship or while the male is nest-sitting, giving them a rather bizarre look. When I saw a kid (centuries ago) I remember they were called “Man O’war” after the old frigates, which the big birds use to follow for food scrapes.

And you all thought I was just a painter.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Painting Some Interesting Wildlife

These past few days I’ve been doing some interesting illustrations for Good Old Boat magazine. Graphite and watercolor, not what I normally do – and that made it all the more fun. Author John Vigor provided an interesting article about sailboat cruising and the birds he’s seen from Western Canada to the South Atlantic and beyond. I know, it’s a fairly broad subject, eh? I was given a pretty broad list of choices to illustrate, so I picked the most interesting birds to me. Above are a pair of tufted puffins, local guys for sure – in fact, this pair could be within five miles of our place.

Next on the list was this little guy:

This is a St. Helena wirebird. St. Helena, if you remember, is in the southern Atlantic and is one of the most remote places on the planet. It’s where they put Napoleon after they named an ice cream for him – and maybe also because he started a war (George, the house is now vacant). The wirebird is the island’s only surviving endemic bird, and having never painted it, I just had to do some research (which is the real fun part of this stuff) and try it out. It’s a killdeer-like plover that does a broken wing act just like our local birds here.

There were more, but you’ll have to wait for the May issue to see them – which I’ll post here if I can remember. It was a most interesting project, for no other reason than in one day I got to paint birds from opposite ends of the planet.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s website is currently down while we remodel it. Stay tuned.

New Mural – Exploring the Nearshore

Nearshore of the Elwha River

For the past few months I’ve been working on some projects centering around the dam removals on the Olympic Peninsula’s Elwha River – located about an hour west of here. This painting has just been finished, so I thought I’d pass it around. You and the clients are both seeing it for the first time! It shows the shoreline, Olympic National Park behind, the Elwha River delta on the right – and of course the critters and plants that call this place home.

This is a collaboration between Olympic National Park and Feiro Marine Life Center in Port Angeles, just to the east of where this scene is. One of the big beneficiaries of freeing the Elwha will be the unrestricted flow of nutrients, sediments and drift material from the river into the ocean and then along this shoreline. The river has been blocked for almost a century and this beach is pretty starved, not only because of the dams but also because the shore is ‘armored’ with boulders (read: very bad for critters). In this scene, I’ve hopefully given you an idea of how dynamic and complex this place should be. The painting is destined for the Feiro Center, along with other panels that will tell the story of this, the largest dam removal project in our history. I’m pleased and proud to be part of this forward-thinking environmental project.

These big paintings are always fun for me. I just never get tired of figuring out how to somehow ‘build’ all these 3-D plants and critters into a somewhat realistic and complex world of only two dimensions. It’s a real puzzle. If I continued working on this painting, it would become a very tight and almost photographic work, but I’ve always thought they should be more an “impression” of a scene, and so I try to paint them that way – in an impressionistic style. While it might look realistic on your screen, it’s actually fairly loose in technique.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to. If you know others that might enjoy my musings, they can sign up on the blog page – or by sending me an email.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Happy Solstice from Larry, Nancy – and Virginia

Here’s a little solstice story to read while you’re awaiting the big eclipse tonight. If you miss it or it’s cloudy, there’s another one in 2094.

Each Christmas between about 1940 until her death in 1966, my mom, Virginia, would hand-paint Christmas cards. A lucky hundred people would received these little watercolor and ink gems with her poetry inside. Each was slightly different, each a gift from someone who really couldn’t spare a moment of her short life. Books and articles waited, speaking engagements waited, her family waited – buying MY Christmas goodies waited – while she lined the cards up in rows on her painting table. I did the same thing too, until a few decades ago I realized I just couldn’t paint 100 of the same anything.

I occasionally hear from someone who still has a few of these – the most ancient would now be 70 years old. Sometimes they’re framed and hanging like a real painting – which, of course, they are. I think she would be amazed at that, because, for Virginia, they were just little Christmas expressions of her love for nature and her friends. For me, they’ve always been an example of how to be an artist. Here’s a link to a few more of her cards.

And here’s one of the verses, our Winter Solstice message for you.

How shall I wish you strength?
A trees says “strength” so silently.
How shall I wish you joy?
A bird sings joy and needs no words.
How shall I wish you peace,
When snow breathes peace so perfectly?
Yet these are the gifts I wish to you
At Christmas time.
And in the year to come.

Thanks for reading this week.

Larry and Nancy Cherry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Paintings for Mount St Helens

I haven’t posted anything for a few weeks because this has been a stretch of sketching and preparing for lots of new paintings – but they’re all in progress. Then we took a week to drive down to San Diego, but now I’m finally back in the thick of it and wanted to pass along some of the sketches I’m doing.

This is a first-round draft of one of the wayside paintings I’m doing for Mount St Helens Volcanic National Monument. It’s going to show something that no photographer could show (or wouldn’t want to have tried 30 years ago). Meta Lake is a few miles north of the volcano, and this shows the eruption blast cloud just coming over the hill on the left – wind hundreds of miles an hour cutting down this old-growth forest like it was dried grass. The lake was still frozen then as it was May, and critters were still asleep in their burrows below the snow. It was this cover that helped nature return very quickly here, and that’s what this piece of art will hopefully show. We came here for field research back in October, and the scene is now very forested like the photo at the lower right. It’s a lovely place that is difficult to imagine as a wrecked volcanic blast zone.

I love doing these projects, because we get to learn all this new stuff – and that’s what life is all about – it’s it?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Calm Corner of the Hoh

Forgot to post this when I painted it – but it’s never too late for new art, right? This little painting was created with me in the camp chair, paints balanced on my knee – glass of wine nearby. Life was good.

On the Olympic’s west side, the Hoh River is a pretty messy place. Just below our campsite was this little backwater. Big water from the rainiest mountains in the United States tear out enormous trees and drag them along, crashing into the shore and causing all sorts of mayhem. A tree could be dragged along in periodic storms for decades until they finally come to rest in places like this, backwaters that stack up the 8′ diameter trees like cordwood. For the next hundred years or more they’ll slowly decompose, create rich habitat for all sorts of birds and animals, and shelter young salmon. Without these big trees in this wild river, the Hoh wouldn’t be as ecologically healthy as it is. It’s quite a place – to put it mildly.

This original painting is watercolor and ink on paper, 9″ x 12″ and $125 unframed.
If you’re interested in a frame, we can do that too. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Oh yeah, American Forests Magazine

About eight months ago, American Forests organization in Washington DC, who publishes American Forests Magazine, contacted me about using my mural of whitebark pines in peril for a special issue they were planning. American Forests is America’s oldest conservation organization, founded in 1875.

Whitebark Pines may soon become the first major tree species to be listed under the Endangered Species Act, and, thanks to Ron at the Crater Lake Institute who commissioned it, I probably have the only really good painting of these amazing high-altitude trees.

Sounded like a good project, so, I sent the stuff. Time went by and life persisted. Then, today, I wondered what happened  – went online (of course) – and there it was. So I’m passing it over to all of you. Nice mural, key, species list, map, don’t you think? That artist out in Port Townsend supplied that, all for free of course. You’d think I would have, at least, been given a free copy or maybe a lapel pin.

Here’s the entire pdf of the edition. It’s not a big download and the story’s pretty nice.

American Forests Special Report

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

 

Red Alder Leaves

Leaves, leaves, leaves.

That’s what my life is about these days – especially big-leafed maple leaves. About the size of a dinner plate (some are platter-sized), our enormous southside maple STILL has a few thousand leaves to drop. And the red alders have barely begun to even think about it. Don’t get me started. I love this forest place of ours, but this time of year the trees are definitely in charge of my life. Autumn blows comes though, I vacuum them up with the mower and haul’um down to the huge compost pile. In a couple of years they’ll magically transform into the best mulch money could buy. The garden loves it, but getting the process started is what I’m painting about today. Maybe paying homage to them will hasten the process.

Got to run. Leaves are awaitin’.

If you’re interested in this original mixed media on paper, just send me an email.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Big Ink – Big Deer

 We’ve been getting around. Bishop last week, this week it’s finishing up some art for Mt. Diablo State Park in California. This is one of eight for a wall collage for the historic WPA visitor center high atop the mountain. I did a bunch of art here over a decade ago, which is now completely worn out, so here I go again. Thanks, Karen, for believing I should continue (and even expand on) this legacy for another couple of decades. Last time around, I did the ink sketches, then hand-painted the outside illustrations using airplane model paint. It lasted better than a decade, and if it weren’t for the ADA requirements forcing new exhibits, I think they’d have lasted another few years. This time it’s a bit more modern in its presentation and technology.

As I said, this deer image is one of a group, and it’s not a small painting either – 24″ square. Ink and watercolor at large size takes some time to create. There are about a million lines here, and it’s not for the faint at heart to create, that’s for sure. One slip and it’s in the trash! But if I’ve learned one thing in 40+ years of doing this stuff it’s that good craftsmanship takes time. Lots of time. And today there seems to be a real lack of understanding this. Everyone seems to love reaching the finish line, but no one like getting to it.

Well, I like getting there more than finishing. I like the process.

Thanks for reading about my stuff this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Pulse of the River Wayside Panel

(image should enlarge with a click)

We’ve been away on a field trip to the Shulman Bristlecone Pine Grove near Bishop, CA for some new paintings soon to come – so I don’t have a fresh painting this week. But it’s glorious Fall here now, with the maples and alders loosing their leaves – so here’s a wayside panel I just received the digital file for. It’s already installed, but I had never seen this in its final digital form.

This one is installed at the same location it was modeled after, right along the river. As you can see in the photo, snow was still on the ground when I did the field research, but along the way the painting turned into a Fall scene with bronzed vine maple and returning salmon. Paintings can do that, while photography has a more difficult time – which means I still have a great job because of it.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.