Category Archives: New Painting Post

Blog Posts by Larry Eifert

New Painting Post

The 100th Sculpin and Bobcat

This is my 48 North magazine page for the month about the Pacific Northwest. It occurred to me that I haven’t posted a single issue this year, what with all the other art flowing out of my studio!

This was the 100th story I’ve written for this magazine! I’ll say that again, the 100th monthly story, 8 1/2 years worth!! And there were lots of other stories they took before this caught on. Anyway, here’s the text that goes with number 100.

No other Northwest fish can match the amazing color changes of the Irish Lord. This bottomfish simply (well, simple for them, evidently) looks at their surroundings and immediately changes skin color AND pattern to match. Red coral, no problem – gray mud, they’ll turn gray – green seaweed and it’s a blotchy green fish. The eyes even change color and add texture and patterns, and that seems to be something few other camouflage creatures can do. It’s the shine of the eye that gives away the deer fawn’s existence, but for the Irish Lord – it will just float, frozen in place and looking like a mass of tube worms or anemones. This sit-and-wait trait also works well for their hunting skills, since even their prey can’t see them until it’s too late.

Irish Lords are large fish for sculpins and can reach 20” in length. They have unusually large eyes relative to their bodies and like most other sculpins, they’re only partially scaled. They live along all the coastal Pacific from Russia to Monterey, Ca in shallow water but down as deep as 1500 feet. Irish Lords gather in spawning areas once a year and it’s possible the same pairs return to the same spawning rocks season after season. The male builds the nest. These would be in places of high current and both parents guard the pinkish eggs until they hatch. The current might aid in dispersal when they’re most vulnerable and give the young a fin-up on success. These are beautiful fish and thanks to their spiny array aren’t sought after for food. Lucky for them, and lucky us when we can appreciate them alive.

Larry Eifert paints and writes about the Pacific Northwest from Port Townsend. His large-scale murals can be seen in many national parks across America, and at larryeifert.com.

Then this amazing photo of a friend, by a friend:
Nancy took this photo out our window recently. This bobcat comes around fairly often, goes after our squirrels but judging by the number still here, it’s not a great little hunter. Check out the size of that front paw in relation to its head. To have this sort of wildlife experience right here at home never ceases to make me appreciate the Olympic Peninsula. And, it makes me want to continue to express myself with paintings about it – as well as all the other places we go. I’m going to write more about this going forward. It’s a passion for life I’d like to share.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

New Painting Post

Art That Continues to Make Art!

I painted this underwater landscape a few years ago for the Whidbey  Camano Land Trust. It’s a large wayside that lives on the top of that bluff in the painting at the Admiralty Inlet Natural Area.

Now, a group of budding artists from Sherman Elementary School in Tacoma, Washington have taken that art and made their own rendition of it. I think it’s wonderful and wanted to show you the process and finished project.

The 5th grade class and their Makerspace Coordinator, Julie Ross, started it by dividing the painting into squares, each student taking on a portion of the painting. They used pipe cleaners, corks, beads, balloons, ceramic tiles, pom poms, yarn, fabric, noodles, recycled materials and many other unusual things. (heck, I just got to use a paint brush.)

A printed copy of the art was sectioned off.
And so it began with a few squares.
And advanced to filling in the larger area, just like I paint these big paintings.
The final effort is really quite striking, with more detail than the original art ever had.
Here it is about half finished. I can actually see pieces of the painting beginning to appear.

And one more time showing the finished collage. Pretty fun.

Makerspace is a collaborative work space inside a school, library or separate public/private facility for making, learning, exploring and sharing.  It certainly looks like this project succeeded with the very definition of collaboration, something sorely lacking in this country these days. I’m proud to have been a part of it.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

New Painting Post, Waysides, Wildlife

Rosario Tide Pools

I just polished these three outdoor wayside panels for Washington State Parks. Soon they’ll be installed at Rosario Beach, Deception Pass State Park near Anacortes, right on the beach at one of the most heavily-explored tide pool areas in Washington. The three paintings tell the stories of how the tide works to create this amazingly rich ecosystem, how people messed it all up with boots and flip-flops – and finally how to walk here without screwing it up again.

I want to show you the third panel, the one about their rope path. These tide pools were decimated by thousands of feet, but the park stretched a yellow rope out to the best pools and signs (like this one) tell people to ‘Follow the Ropes”. It worked, amazingly enough, and the tide pool life returned – crabs and anemones, kelp and sculpins. It was such an easy idea, and now the place is returning to normal. Seeing this is one of the many reasons I still get a charge out of painting art for public places.

These panels are 36″ x 24″ and will be made of high-pressure laminate and probably last longer than I will.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, New Painting Post, Waysides, Wildlife

Lime Kiln and Orca Whales

I received some installation photos for my Lime Kiln Point Lighthouse paintings. Everyone seems to like them, so I thought I’d share it all here for the record. I painted these last winter for Washington State Parks with EDX Exhibits in Seattle. Installation and these photos were by Marius at Doty Signs in Seattle.

This lighthouse is THE place to watch orca whales up close in the wild. There’s possibly no place on Earth you can get closer to wild whales without getting on a boat, and in summer, people line the shoreline here to watch the killer whale families feeding on salmon right in front of them. This is a big deal since the southern population of orcas is endangered and it’s not looking good for a recovery. It’s a thrilling experience to see them, and I’m proud to say my stuff now explains what people are looking at. Plus, there are one or two really nice looking pieces of art!

This is sort of a big deal for me, too, as new rules don’t allow boats to approach these endangered animals, leaving Lime Kiln as the best viewing in the Northwest. It’s also a place I know well, since I had “October”, my 40-foot sloop tied in nearby Friday Harbor in the ’80s – my ‘painting platform’ as I sailed from San Diego to Alaska and most places in between. I have history here. Nancy and I, decades later aboard our 45′ floating home ‘Rumpy’ came by here one afternoon and watched in amazement as an entire orca family slowly swam directly beneath our boat (engine off). One of the big males was bigger than our boat, but they minded their manners and didn’t touch us.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

New Painting Post, New Published Story, Posts about other stuff

Mom’s New Book

Not so fast, a painting first: we’ve been in Hilo again for awhile and I did some opaque watercolors, some on location. This one maybe needs some explanation. It’s an old pahoehoe lava flow, so old it’s been bleached smooth and now reflects the tropical sun as almost white. Above it is a patch of Naukapa-kahakai. Come on, you can say it – just pronounce each vowel separately – there’s only three of them. We saw these little yellow-billed cardinals everywhere in the lowlands, and some were even on our porch each morning, feeding their non-red headed youngsters within arms-length of us. I’d call this a red-headed cardinal, but there’s another bird here named that. This painting isn’t for sale. I just don’t think it’s ‘presentable’ as it’s more a field sketch.

This happy and beautiful place, Hilo, the rainiest city in America (up to 15x what Port Townsend gets) shows, to us, what a healthy and diverse society is all about. Mixed race: 32%, Asian: 34%, Hawaiian: 14% and white: 17%. Let THAT sink in a moment. There simply doesn’t seem to be any social conflict here, just happy and kind people living life in one of the oldest cities in the country. Sure, it’s a very liberal place, but there’s more to it than that. We’ve been here many, many times, bought a house once that fell threw, keep coming back to enjoy the culture and beauty of an real American tropical rainforest and a town that is over 1000 years old.

Okay, here’s mom’s book, or at least she’s inside. Mom is not on the cover! As many of you know, Virginia Eifert, Illinois author, photographer, painter and poet somehow found time to make me. She died in 1966 at the top of her game and was one of Illinois’ best writers, publishing 20 novels and founding and writing the Illinois State Museum’s magazine for 326 issues. And now, here she is in a new book 53 years later. The woman has ‘legs’.

This book is a series of stories about the early environmentalists of America, and included are some good ones, some of Virginia’s friends. Rachel Carson, Aldo Leopold, Mardy Murie and Sally Carrighar. Others include John Muir and Ernest Thompson Seton. Most interesting to me, Teal and Peterson didn’t make the cut, and those guys were above her at the time, Teal even hired her to be an ‘assistant’ for field classes. She’d  have loved this. The book will be on Kindle and Amazon, but hasn’t been released yet. Clifford Knapp was a naturalist and educator from the Midwest who died in 2017.

Thanks for reading this week. 

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website. Art, words and life from a former generation.

New Painting Post

Ethereal Water

I paint moving water as often I possible. I find it immensely challenging, confusing and yet interesting to paint a constantly changing abstract ‘thing’ that, in itself, is colorless and lifeless. Yet wild water is so alive you can’t keep track of it, and reducing it to two dimensions is tricky. When it happens in a painting is more luck than anything. No reference photos for this painting, I just went for it in the studio. This board was primed with Mars Red and you can see that dark dried-blood color peeking through the other colors, providing a solid warmth behind all the rest of it. It’s a powerful color that requires some careful use.

I did say I didn’t use a reference, but the spark for this painting came from this photo I took while on the Tunnel Creek Trail in the Olympics. Can you see it? Not really? I can see water running over a log, green bounced light – and then I built a painting around it like a songwriter makes a song.

Here’s how it ended up with a frame and mat, and sitting on my studio deck.

This painting is sold. It’s framed like it shows here and the outside measurements are about 20″ x 24″. The acrylic painting is on board and is 10″x 14″. I only say this about the measurements because I’ve been getting requests for commissions for paintings SIMILAR to ones that have sold from this blog. Happy to try it if it interests me. Let us know if you’re interested by emailing me at larry@larryeifert.com. 

Thanks for reading this week. 

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website. Art, words and life from a former generation.

New Painting Post, Wildlife

Pileated Woodpecker

A big flash of red, black and white – one of the most striking birds in North America.  We see these guys often here in our forest on the northeast side of the Olympic Peninsula – two were actually on our tray feeder not long ago and they dwarfed the chickadees that fled as they landed.

To me, pileated woodpeckers represent my vision of old-growth forests and a time when there was much more of that around here. These are complex conifers, moss and ferns growing high on the trunks, a tangle of branches and twigs that took centuries to grow. I’ve tried to express that in this painting, as if we’re looking up a the tree, seeing a flash of bird and the feeling of bigness. Painting with some abstract qualities also helps, I think, and gives it a messy feeling – just the way nature is.

Most woodpeckers, but especially this one, drill holes in trees to find insects or create nesting sites for themselves. The holes then provide homes for many others, both birds and animals. These are truly important creatures for the health of a forest. You won’t find them in tree farms, just like you won’t find an elk in a cornfield.

This painting is now for sale. It’s framed and the outside measurements are about 20″ x 24″ matted and under glass for $295 total. The acrylic painting is on board and is 10″x14″, the glass is 16″x20″. We have this frame on it now, but others are available. Shipping is a bit more. Let me know if you’re interested at larry@larryeifert.com. 

Sorry, it’s now sold.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

New Painting Post, Wildlife

Spotted Sandpiper

I’ve been painting imaginary scrapes of landscapes for a long time. I find it very rewarding to take a moment in time and build a little painting around it, a memory for me of ‘being there’. This one is actually a streamside rock pile up the Big Quilcene River on the Olympic Peninsula, Olympic National Forest. I remember, it was raining, had glistening rocks, lots of varieties of color and texture, a few bits of wood as well. It was near the old log bridge at Bark Shanty. These are cold waters, so I primed the board with Mars Red to give it all a warm cast. 

The spotted sandpiper is the same, a nice memory for me of bumping into this little guy on a hike. They’re around most Western mountain streams throughout the summer, but head south to Argentina when the snow flies. You might normally think of sandpipers as birds that flock for safety, but this one is always singular. They poke around stream and lake shores, banks and beaches for lunch and have a curious habit of teetering up and down as if it’s lost its balance.

The first time I ever saw a spotted sandpiper was in the High Sierra. I was walking along a meadow bank beside the river above Tuolumne Meadows a few miles south of the campground. What a place! And here was a sandpiper, just meandering along and minding its own business as if I didn’t exist. It spent time, and so did I. Those memories make for good paintings, no matter if it’s decades later. 

This painting is now for sale. It’s framed and the outside measurements are about 24″ x 20″ matted and under glass for $1295 total. Shipping is a bit more. Let me know if you’re interested at larry@larryeifert.com. 

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

New Painting Post, Wildlife

American Dipper

American dipper working the Upper Dungeness – but it could be any clean mountain stream hereabouts. A little space between projects, so I painted my favorite bird – John Muir’s favorite bird too. No secret why, this little bird lives where Muir felt most at home, and I do too – next to  a clear rushing and wild bit of water in the high country. Dippers are so connected to this singular habitat that they’ll fly around a stream bend instead short-cutting across a meadow. ‘Dine in’ for a dipper means diving into a waterfall and walking around underwater, kicking stones around and eating insects. 

Painting moving water is always a joy for me, but also has some mental anguish. It’s not easy to define what it looks like – something that is more a feeling than a fact. There is lots of bounced light, reflecting off the sky, nearby trees, sunny patches of moss that is getting direct sunlight. It’s not what I see, but more what I think I feel that is important. Did I get it on this one? I’m never sure.

I realized at the beginning that this would be a gray and green painting, cool colors. So, I started it by priming the board with Mars Red, a very brilliant purplish-red that you can see hints of all over the painting. Look carefully, you’ll see what I mean. It warmed the entire painting up a lot.

This painting is still for sale as of January 31, 2019. It’s framed as you see it here, outside measurements are about 20″ x 24″ and is $295 total, with shipping a bit extra. Email me at larry@larryeifert.com if you’re interested. 

Sorry, this painting sold a few hours after posting.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website

New Painting Post

Wet Winter Road

A new easel painting appeared between a couple of larger park projects. I continue to happily paint all these big public art pieces but it helps to create a bit of of whimsy on a smaller, looser scale. So, here’s a happy little place, at least for me. 

This painting is already sold, sorry. Just a show-and-tell here.

This painting was a collaboration with Nancy. We’ve never done this before, even after 25 years of working together on giant walls and making a living selling our individual efforts. We painted this together, each of us doing some, then the other moving forward and fixing the other’s deadends. I think it resulted in a refined and well thought-out painting. We might even try it again. Maybe next time I can get her to sign her name.

Over the years, I’ve learned a lot about color values and painting low winter light. It’s far more interesting than painting anything in summer – absolutely anything. It takes some time and thought to keep the image slanted over into a monochrome pallet of similar values, mix each with a bit of all the rest, and save the center-of-interest for the only intense place to blast away with slightly more color.

There are lots of layers in this painting, as you can see, but they’re all on a level of dullness to not get excited about. The road beckons the viewer to join us in a walk up the road, dodging puddles, to discover what’s just over the ridge.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.