Paintings for Mount St Helens

I haven’t posted anything for a few weeks because this has been a stretch of sketching and preparing for lots of new paintings – but they’re all in progress. Then we took a week to drive down to San Diego, but now I’m finally back in the thick of it and wanted to pass along some of the sketches I’m doing.

This is a first-round draft of one of the wayside paintings I’m doing for Mount St Helens Volcanic National Monument. It’s going to show something that no photographer could show (or wouldn’t want to have tried 30 years ago). Meta Lake is a few miles north of the volcano, and this shows the eruption blast cloud just coming over the hill on the left – wind hundreds of miles an hour cutting down this old-growth forest like it was dried grass. The lake was still frozen then as it was May, and critters were still asleep in their burrows below the snow. It was this cover that helped nature return very quickly here, and that’s what this piece of art will hopefully show. We came here for field research back in October, and the scene is now very forested like the photo at the lower right. It’s a lovely place that is difficult to imagine as a wrecked volcanic blast zone.

I love doing these projects, because we get to learn all this new stuff – and that’s what life is all about – it’s it?

Thanks for reading this week.
Larry Eifert

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Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

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Oh yeah, American Forests Magazine

About eight months ago, American Forests organization in Washington DC, who publishes American Forests Magazine, contacted me about using my mural of whitebark pines in peril for a special issue they were planning. American Forests is America’s oldest conservation organization, founded in 1875.

Whitebark Pines may soon become the first major tree species to be listed under the Endangered Species Act, and, thanks to Ron at the Crater Lake Institute who commissioned it, I probably have the only really good painting of these amazing high-altitude trees.

Sounded like a good project, so, I sent the stuff. Time went by and life persisted. Then, today, I wondered what happened  – went online (of course) – and there it was. So I’m passing it over to all of you. Nice mural, key, species list, map, don’t you think? That artist out in Port Townsend supplied that, all for free of course. You’d think I would have, at least, been given a free copy or maybe a lapel pin.

Here’s the entire pdf of the edition. It’s not a big download and the story’s pretty nice.

American Forests Special Report

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

 

Big Ink – Big Deer

 We’ve been getting around. Bishop last week, this week it’s finishing up some art for Mt. Diablo State Park in California. This is one of eight for a wall collage for the historic WPA visitor center high atop the mountain. I did a bunch of art here over a decade ago, which is now completely worn out, so here I go again. Thanks, Karen, for believing I should continue (and even expand on) this legacy for another couple of decades. Last time around, I did the ink sketches, then hand-painted the outside illustrations using airplane model paint. It lasted better than a decade, and if it weren’t for the ADA requirements forcing new exhibits, I think they’d have lasted another few years. This time it’s a bit more modern in its presentation and technology.

As I said, this deer image is one of a group, and it’s not a small painting either – 24″ square. Ink and watercolor at large size takes some time to create. There are about a million lines here, and it’s not for the faint at heart to create, that’s for sure. One slip and it’s in the trash! But if I’ve learned one thing in 40+ years of doing this stuff it’s that good craftsmanship takes time. Lots of time. And today there seems to be a real lack of understanding this. Everyone seems to love reaching the finish line, but no one like getting to it.

Well, I like getting there more than finishing. I like the process.

Thanks for reading about my stuff this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Carson River Mural Unveiling

This week I finished up another large-scale habitat mural for a new visitor center along the Carson River in Nevada. This vibrant place, just below the High Sierra front and southeast of Lake Tahoe, has always been important to wildlife, and to me. I consider it one of the most beautiful and interesting places in the West.

As the winter snows melt off these great mountains in spring, this water runs off into the valley and eventually out into the Great Basin where it evaporates with summer heat. Along the way, vernal pools and backwater pockets are filled with rushes and cattails, providing fabulous habitat for birds that make wildlife-watching wonderful. I’ve gotten to know this area pretty well, as I’ve also painted another, similar painting just north of this for the Lahanton Valley National Wildlife Refuge. In some small way, I’m always hoping my work will open some eyes, change some hearts and minds and possibly, just possibly, make it so these beautiful landscapes (and fictitious paintings) will both continue past my lifetime.

I wrote two other posts for this one as the project progressed. Here’s the original sketch (these open in separate browser windows) and here’s the half-way image showing the development of details. It’s kind of fun to see all three stages because things always change as I go along. For example, I added a yellowthroat and a Savannah sparrow to the final – and they’re not in the second stage painting.

And below is the initial reference photo I developed the painting from. Supplied by the client (and, thank you, Anne), you can see how far from reality these big paintings stray. Still, there are basic elements here that remained the same, making it a recognizable place. I like to say this photo was the launching pad, but where the final painting landed, no one knew – especially me!

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. To see more than 50 other murals like this, click here.

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Salmon Cascades – Olympic National Park

Salmon-Cascades
I spent the entire week drawing concept sketches for a new project, and I couldn’t have imagined a more fun time. And since I have graphite all over the place –  drawings for 130 running FEET of new murals and am completely disorganized, I thought I’d just post this finished painting here instead of showing you the sketches. Maybe it’ll calm me down. When I get the pencil drawings pasted together in some sort of publishable form, I’ll post them.
This painting is of Salmon Cascades – just west of us in Olympic National Park. It’s a favorite for many locals, because in Fall huge salmon come right up along the rock cliff on the left as the big fish prepare to jump the cascades. You can be within two feet of a very powerful fish waiting for just the right moment to make the leap, and it’s pretty thrilling. In late afternoon, the sun comes around to illuminate the mist from the falls, bathing the entire area in silver light.
This painting is acrylic on board, 12″ x 20″ and we’re offering it for $700 unframed. Email us for details. Click the image to enlarge.
Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

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Carson River Mural Beginnings


This should enlarge if you click it. If that goes nowhere, click the blog here and do the same.

Last week I sent out the sketch for this painting. A commission for a non-profit, this painting is for their new visitor center. The scene isn’t exactly accurate as to the way it truly is, but hopefully will give the viewer a ‘sense of place’. I have a nice little singing marsh wren painting I’ve also done to warm up for this, which I’ll send in a few days.
In the meantime, I’ll tell you how this is going. The painting isn’t as large as many I do like this, maybe 3’x5′. At this size, it’s large enough that I can get some details in, and small enough so it won’t take a month to paint. I first put down several coats of a very dark brown (almost black) base, so when I paint this up to lighter colors, it hopefully looks like a landscape just emerging from night. Those dark areas around the bottom will soon disappear. You see the High Sierra Front (east side of Lake Tahoe area) is almost finished. It’s on the west side of the Carson Valley, putting early morning light right on these high peaks. They’d shine like crazy when that morning light hits them.
I paint these things from the background to foreground, usually top to bottom, so the mountains go in first as you can see, then the area slightly closer to the viewer, and so on, but to give me a sense of the entire composition, you’ll see some critters outlined or just roughed in. This helps me figure out what the final image might look like. This photo was taken yesterday, so today it’s much farther along, but why waste time photographing it? Let’s get back to work.
Thanks for reading this week.
Larry Eifert

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Carson River Mural Sketch

Pencil sketches are always difficult to see here, so click on this image to enlarge it. A large non-profit organization is working on a project south of Reno Nevada along the Sierra Front, and, as part of it this painting will soon be installed in their new visitor center at the ranch. It’s an exciting prospect for me to paint this. Sandhill cranes, bald eagles, large populations of white-faced ibis, and one of the only colonies of tri-colored blackbirds in Nevada are here. With 250 species of birds and a backdrop of mountains that just doesn’t quit, it’s an exciting place to paint one of these complex habitat murals. I’ve painted for this private organization before. There’s been a mural and nature guide for the Kenai River in Alaska (exceptional field trip), one for the Great Salt Lake wetlands north of Salt Lake City (where we got to see a peregrine falcon’s nest up close as the parent divebombed us) and another one north of this current image in the Lahanton National Wildlife Refuge. That mural included a very fun airboat trip out into the tule marshes – you know, the boats with the big propellers on the backs that go in about 2″ of water. USFWS showed us some fresh water clams still living there that are hold-overs from the last Ice Age.

I’m working up a ‘warmup’ painting for this mural of a marsh wren singing that I’ll post soon.

Thanks for reading this week.
Larry Eifert

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Where Are The Black-tails?

Deer-Wet-Meadow
Where are all the deer? I asked that yesterday, realizing I hadn’t seen one in our meadow for a long while. (click the painting and it should enlarge.

We’ve created a pretty critter-friendly habitat here in our little patch of forest and meadow, and the wildlife know it. We’ve kept a count of our critters over the years and now have a ‘yard list’ of over 80 species. A salt lick for the deer, a couple of feeders, no outside pets (especially cats) and over the years we now have Douglas squirrels patiently waiting right on the feeder while we dish out the morning seeds. Two hummers are still overwintering. The Cooper’s hawk juvies still fly around overhead freaking out the towhees and chickadees. But the deer? Don’t know!

All summer we had two families of deer – multiple fawns in tow. We’re in a no-shooting zone around here, so when Fall safely progressed, alters appeared on the bucks and lots of coy antics went on it the meadow – lots of racing around like they were all schoolyard kids. But then (with hunting season the last two weeks in October) the deer just vanished. It must just be habit. They’re safe here, and they seem to know it, judging by their ‘almost’ taking our homegrown apples out of our hands, but, poof, they were gone anyway. Now, in a couple of months I know they’ll be back, females with a new one or two in their bellies. It’s a cycle of life I know I can depend on – but what’s the deal? Why don’t they just stay?

Black-tailed deer in a wet meadow:

No deer, so I painted one. This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

To read my other blog entries, check the blog here.

Thanks for reading this week. It’s a window into our little artistic world here.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

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Merry Christmas and Thanks

Green_Chickadee

This is one of Virginia Eifert’s ‘famous’ hand-painted Christmas cards. Inside is hand-written calligraphy:
Now let the echoes
of the songs of May
Refresh and warm your hearts
on Christmas Day – 1963

I was 17 then and just beginning to sell my stuff at art fairs and local shows. Not very well, I’ll admit, but it was a passionate start.

She sent these cards each year for decades, ending with her death in 1966. I’ve heard from people who still have many of them, some even framed, for she painted hundreds. I did too, until my real work simply swallowed this up. Unlike me, Virginia was legendary for being able to do it all (except maybe clean the house or teach her son to do the same), which brings me around to what I really want to say here.

Merry Christmas and loving thanks to everyone reading this. We’re sending a genuine thank-you to the fantastic group of friends, clients and buyers who have supported Nancy and me as artists all these years. It’s now been over four decades of making a living as a working artist, beginning way back in the 1960’s with a gentle but firm push from Virginia.

Thanks to all of you who have faithfully bought my work, but also thanks to all the people who sell our stuff in park stores coast to coast, in galleries and countless other places. It’s a very wide web these days, and unfortunately I’ll never personally meet many of you.

And thanks, also, to someone I DO know, thanks to my very most important and special person, Nancy Cherry Eifert, who not only has a photo career of her own, but also handles the licencing, royalties, commissions and shipping, including orders from that pesky website that never seems to work properly. She’s an amazing partner that can multi-task with the best of them. They say that, these days especially, it takes at least two people working more than full-time to be one professional artist. We’ll both tell you that’s certainly true.

I know this won’t last forever -I wish it would, but I won’t stop or even slow down exploring nature through my art and words. Like Carl Rungius, the Canadian painter of wildlife I admire greatly, I want to drop dead at my easel a few long decades from now – and we hope you’ll continue to come along for the ride until then.

Thanks again for reading this week, and have a Happy Christmas.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

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Wish I Was On This Trail!

With rotten weather and the short dark days of Winter Solstice upon us, I just felt an urge to have a summer walk in the woods – so I painted one. It’s no place in particular, but it’s also every place I’ve ever hiked on the West Coast – redwoods, Doug-fir, silver fir, maybe Sitka spruce trails. It could be the Trinity Alps, Olympic’s Hoh, Mt Rainier’s Carbon River or possibly the Dosewallips right near us. It’s all those late afternoons I’ve spent lingering on a trail in the warm sunshine not wanting to head home. It’s smelling ancient forest duff, filled with centuries of life that are slowly decomposing into the next generation of trees. And, for a painter, it’s the way the light bounces from tree to tree, warming the colors of some, cooling others, hinting at more detail than I could ever paint.


Email us for details.

To check availability of the other small originals I’ve blogged about the past few weeks, check the webpage here.

Boy, I sure got a lot of mail last time with the hummingbird-thing. I heard from people all over the country who have hummers attempting to stay the winter – really cold places too, like high mountain communities and along the Canadian border. Come to think of it, WE’RE along the Canadian border. We can see it from the beach. If you wonder if Climate Change is upon us, these hummers are great local examples. I’ve also heard from a fair amount of doubters, saying the BECAUSE of the feeders, these birds are here, but we didn’t feed them until AFTER we spotted them, months past when they should have migrated to Mexico. One writer said she had a hummer outside trying to get something out of a frozen feeder. Maybe we’ll never know for sure, but it’s plain obvious to me.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. We’re working on a new website for her work that should be very interesting. Stay tuned.

Or, send us an email to opt in or out of our emailings – or just ‘talk’ with us.

with more art in America's national parks than any other artist