Tag Archives: Field Trips

New Painting Post

A New Life for Lahonton Wetlands

My first Nature Conservancy commission was this mural of the marshes east of Reno, Nevada. The original painting hangs in their offices in Reno, along with about 2.000 posters floating around the West. Now, almost 20 years later, another image will be installed in the new BLM California Trail Interpretive Center, eight miles west of Elko, Nevada. I just sent the final scan and it’ll be 17 feet wide by 10 feet high, proving that art never dies, it just gets reprinted.

Back when this was painted, there weren’t digital scanners like we have today. I remember I had it photographed in Sacramento and found the 8″ x 10″ film postive transparency still there in our lock box on Kodak film that’s not even made today. It was a color-perfect shot and scanned up 2500% just beautifully. How big was that file for a 17′-wide image? The Photoshop layers file was 2.4 gigabits, and I admit my computer took some time to process it. Smokin’.

It was almost 20 years ago when Nancy and I were doing field research for this painting in the dry lakebeds and marshes around Fallon, Nevada. It was the only time either of us have been on an airboat – basically an airplane engine and prop on the back of a big rowboat. What a thrill it was to just glide over these bull rushes and “fly” around miles of marshes. We eventually ended up at a beach just like this one where the US Fish and Wildlife Service guides showed us fresh water clams, reminders of the ancient Paleo landscape when these dwindling lakes were giants from Ice Age runoff.

I have a new show at Gallery Nine in Port Townsend this month. Here’s press on it from the Peninsula Daily News, and here’s the Gallery Nine website with more information. Come on down if you’re here.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Going to Lewis Lake

This is another painting from late summer – and possibly my favorite from the past few months. Just haven’t had time to post it.

“Going to Lewis Lake” not, “Taking the trail to Lewis Lake” – because there isn’t one (the trail, that is). In fact, we didn’t make it to Lewis Lake because the snowy boulder hopping was a bit much and we didn’t have our ice gear. Not that I minded – the view right here was as far as we got and was sure worth the climb, Lewis Lake or not. If there’s anything I love dearly to paint, it’s an alpine landscape with all sorts of craggy angles and snow in both sun and shade. The North Cascades are my idea of  painterly paradise.

I’ve thought a lot about why this is a beautiful image to me, and I’m pretty sure it’s partly the idea that these landscapes are delicately fragile and gigantically solid – soft and deadly, both at the same time. It’s not a place you can relax. Contrast the little soft-stemmed alpine lupine and paintbrush to places still snow-covered – to the ominous sounds of distant rockfall as thawing ice loosens yet another boulder. It’s a place of wildly grand contrasts painters love, at least I do, even if it was difficult to find a place to sit and compose a future painting without squashing an entire little alpine garden.

I’ve decided to hang on to this one for a bit – just because I like it so much. So, at the moment it’s not for sale. We don’t ever really hang art in our own home, mainly because we have mostly big windows and almost no walls – but this one found its way to one of the few spots, and I enjoy reliving this grand hiking experience every time I see it. 

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Cutthroat Creek Meadows

This painting and about 20 others are destined for a November show I’m having at Gallery Nine in Port Townsend. If sold here on the blog, I hope I can still hang it there for a week or so. While only about 5% of my mailing list is from Port Townsend, I’ll be hanging the show on Monday if you’d like a pre-show preview before Saturday Gallery Walk.

Cutthroat Lake is on the east side of the North Cascades, but just barely. Where the snowmelt runs out of the lake, it braids itself through some very pretty mosquito-filled meadows, then comes together to plunge down into Early Winters Creek towards the Methow Valley in eastern Washington. We were there a few months ago and I was interested in the way the light was streaming through the trees and onto the creek. It made for a very interesting and complex set of light patterns around the jumble of islands, downed trees and moving water. From this location, we turned around and walked a few hundred feet, and this was the spectacular scene that awaited us. (Clicking on both these images will enlarge them.)

This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $140 unframed.
The custom wood frame makes it a total of $165 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.

Email us here for details or just hit reply.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Tern Lake – Kenai Peninsula

While on Alaska’s Kenai Peninsula recently I did some preliminary stuff for a few paintings when I returned home to the studio. Here’s the second one, inspired when the late afternoon light was streaming through a mountain notch and lighting up this marshy lake. The golden atmosphere made the air really glow. These mountains were so high and steep I just couldn’t get their tops in the painting, but the blue atmosphere up there gives you a hint of what’s high above. We saw mountain goats in the upper meadows up there, tundra swans and green-winged teals on the lake. It was a soft environment just holding its breath for winter to begin.

What always strikes me about Alaska every time  I’m here is the pure enormity of it all. I live next to Olympic National Park, and it’s a big park – but if you took the time to walk across it, you’d eventually come out and find towns, streets and stores on the other side. It’s like an island of wilderness in the midst of civilization. But Alaska isn’t like that at all. If you walked into THAT wilderness, you simply wouldn’t ever come out the other side. Civilization is a small island within nature. One trail we were on there had a wildlife sightings list at the trail head. It said:eight bears, one moose and calf. So, as we started down the trail Nancy noted that we were 9th on the food chain. It made for a much more heightened and self-aware hike.

This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $140 unframed. Now click on the framed image and it should enlarge. Notice this version doesn’t have the trees on the left. I added those today, so the painting below no longer exists exactly like this. Notice the difference? No, you don’t get it without the trees!

This mahogany frame with a custom linen liner makes it a total of $165 (and we have other frames) and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details. SOLD, SORRY

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Red-legged Kittiwakes

I’ve never painted this bird species, and in Seward Alaska recently there were lots of them at the SeaLife Center, so, I just had to take a stab at a painting. We heard someone trying to describe the white on kittiwakes as “the whitest white.” I’d go farther. To me it is so white as to be a void, as if touching one would put your hand into a cosmic hole so deep and profound is that lack of color. They’re a very localized species, nesting on offshore islands of Alaska and spending winters in the Bering Sea, and their populations are down by about a third in recent decades as are most pelagic birds and sea animals around there. Black-legged kittiwakes were there as well, and we saw them on rocks just like this out out in Resurrection Sound with the Stellers sealions near the caving glaciers.

It’s always thrilling for me to see a creature as soft and vulnerable as this making a home in such a forbidding and harsh place. I tried to show that in the colors. Glacier-sculptured rock, windblown and water-blasted cliffs are this creature’s life, never mind the winters of driving snow, ice and hurricane-force winds. And we complain about so many unimportant  and casual things. What do they complain about?

 This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $160 unframed.
A mahogany frame with linen liner makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print, but prints will be available soon.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Field trip to Alaska’s Kenai Fjords

We spent this past week in and around Seward, Alaska, and let me tell you about glorious! I’m to paint a mural of the ecosystem for Exit Glacier Nature Center at Kenai Fjords National Park, and time was running out – our window fast-closing for a snow-free field trip. We made it! And in all our travels around Alaska, we’ve never seen it more stunning. Fall was passing with each day, and the colors, well, the colors were pastels of every shade from pale emerald to cottonwood golden, alder ochre to raindeer lichen gray. We couldn’t get enough. You know those rare moments with nature when everything seems too perfect to be real? This was a week of it.

The sketch here was drawn on location beside a raging river at flood stage, but the painting will actually be about the emerging forest ‘downstream’ of the glacier and how it’s evolving out of the glacier’s rubble. For us, the real story here was how far the glacier has receded since our last visit in the late 1990’s. Climate change is seen everywhere here and so obvious and evident that anyone who doesn’t believe this is happening at a very great rate is dumber than the dirt the glacier grinds out of the mountainside. When we got there, a huge hurricane-sized storm had rivers ragging and roads covered (another sign of climate change is abnormally large storms) and with the park road closed we had a rare tour of tourist-central without any tourists.

Everyone complains that we never publish photos of ourselves together, but we’re always photographing nature and not us. Well, here’s one I took in the Seward SeaLife Center. The camera was on the head of a sealion sculpture and the monitor right below my camera. Good enough? Thanks for a very wonderful field trip goes to Kristy and Christina, Doug and everyone else who helped for making us feel very much at home. The painting will come in a few months and I’ll post it then. For now, we’re still enjoying memories of golden mountains and gilded glaciers. And yes, we saw enough Steller sealions, bears, moose, sheep, goats and whales to keep anyone happy.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Cedar Falls Trail – A Picnic Table Painting

A traditional watercolor painting for today. We spent last week hiking on the east side of the North Cascades and each evening I painted on the picnic table in Site 38, Pearrygin Lake State Park. Like everyone else in the West, they’ve experienced record snowpack and with temperatures in the 80’s, the snow is wasting no time getting out of there. And with spring pushed into summer, the flowers were just amazing. All the alpine lakes are still iced up, but these lower trails along the rivers were stunning, with lupine, paintbrush, calypso orchids, chocolate lilies, mountain ash, balsamroot – all of it in bloom at once. So, back in camp I got out the paints to relive the same experience twice.

While on this trail, I did a short little soundscape recording. I’m trying to figure out a way to easily add sound clips to paintings of these blog trail paintings, so here goes.

If you’re reading this from an email, try this: Cedar-falls-soundscape

If you’re reading this on the internet blog, click this:  Cedar-Falls.amr

Pearrygin Lake is downslope of the North Cascades Highway and south of the Pasayton Wilderness, some of the wildest and most pristine country I know. With over a half million acres, the Pasayton is the northern terminus of the Pacific Crest Trail. It’s one of the few places in the Lower 48 where trailhead signs have notices for BOTH grizzlies and wolves. This one was on the South Fork of the Twisp River coming down from North Cascades National Park and caught our eyes. It states hunters need to make sure the dog-species they’re killing is a coyote instead of a wolf. So, why would anyone climb up these steep trails to pull the trigger on a coyote when they’re in most everyone’s backyards – but then hunting anything at all has always baffled me. Doesn’t it seem like we as the now-dominant and planet caretaker species should be beyond that sort of mayhem?

Thanks for reading this week. This painting isn’t for sale just yet. The memories are too good to let it go.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Hole-In-The-Wall at Rialto Beach

We were on the road to Moab, Utah for some business and sunny hiking on the slick-rock. Then – the updated weather report said it was going to be in the mid-90’s, and, not wanting to just be normal people, we turned right instead and went out to the cool, wild and always delightful Olympic Coast. Saved a grand in camping and gas, and how could this be any less amazing than where we were originally going? We’ll get to Utah sooner or later, just not this week. And being able to do these things really is what being an artist is all about.

While sitting on the beach between hikes I did a couple of watercolors. This one was on a partially overcast day, so I kept it to only two colors. This is low tide at Hole-In-the-Wall at Rialto Beach – rated #2 in Olympic National Park sights to see. There were only two other people on the beach!

We continued past this area, past the shipwreck stuff, the eagle’s nest and possible Quileute werewolves left over from the Twilight movies that were filmed here, and in about a mile we came to an amazing place. Most hikers on Rialto Beach only go as far as where the painting was created – a couple of miles through often very soft gravel. But if you go another mile around the next point (low tide only and you’d better plan your escape accordingly), you’ll come to a rocky flat tideland “meadow.” I can only call it a meadow because that’s what it appeared to be, like an absolutely flat (not inclining like a beach) alpine meadow below the high-tide line. (click the photo, it should enlarge so you can see it better) This place was an acre at least, and so full of sea life you couldn’t move without squashing a turban shell, or a turban filled with hermit crab. Eel grass and rockweed covered almost every surface which was interesting because eel grass is normally a sand-thing, certainly not on a rocky headland. We couldn’t count the number of seastars, limpets and mussels. Why this area is so rich we could only imagine. At high tide, it has to be only be a few feet deep, so maybe it’s the extra light, slightly warmer water, who knows – but it was hard Olympic bedrock that was flat. From Cabo to Homer, we’ve never seen anything like it in all our tramping around West Coast beaches.

The original watercolor and ink painting of Hole-in-the-Wall is 8″ x 10″ and $100 unframed.
The double mat with custom wood frame makes it a total of $125 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print – and you get the saltwater smudge on the bottom of the paper (not on the painting) for free.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Summer Getaway cover

I don’t post much of this publicity stuff, but this was a nice bit of press recently (and we just walked in the door from five days in San Diego). This is the cover for the Olympic Peninsula tourist magazine, the Getaway, probably the one most visitors gravitate to. I thought the Port Townsend Leader newspaper did a nice job of incorporating the title into the painting. It’s cropped pretty severely but still works fairly well.

That’s Port Townsend’s Fort Worden State Park, a popular place with 2+ miles of beaches, a college, poetry press, marine science center, woodworking school, 1200-set concert pavilion where there are music and writer weeklong summer workshops and over about 500 rooms and campsites. It’s one of the best things about this little town. The painting location is on the road going up the hill to the old gun emplacements, giant concrete structures that look like a deserted futuristic city from Blade Runner – and in the far left background is Mount Rainier – at exactly 100 miles away, it still looks that tall, I’m not kidding.

We have prints of this image (not cropped) that now seem popular since it’s appearance on the Getaway. Here’s the link.
OR Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has some very tasty posts on her blog.

New Painting Post

Barnes Creek Trail – an Ageless Moment

Another sweet old-growth trail painting today. How many of these trails have I been on? I think it’s some genetic throwback to a distant past that compels me to hike just one more of these trails, and then paint the darned thing later (it’s two for one – first the trail experience and then reliving that pleasure in a painting). This one starts on Lake Crescent in Olympic National Park, goes gently upslope following the creek past Merrymere Falls (pretty cool in itself) and onto the flanks of Mount Storm King. About two miles out, the trail goes over a little hump past some pretty impressive trees – which is where the inspiration for this painting occurred. Don’t go up there looking for it – these things are never even close to what they actually look like. There I was, waiting for Nancy to photograph some spring flowers – knees in the dirt, head in the ferns as usual. And while I stood there soaking in the forest, I just fell in love with the place – the gentle flow of the trail, the glow of light on a few leaves, the agelessness of it all.

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $320 unframed.
A custom wood frame is about $25 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.