Tag Archives: Interpretive Panels

A Sea-run Humpy for Sitka

No post last week – just too busy. But this just came off the easel today and will be sent out tomorrow for approval, so let’s get your approval as well.

This is going to Sitka National Historical Park in Alaska. My task here was to paint the ocean form of the humpbacked or pink salmon in a realistic way so it looks like it’s the real deal. I also painted the eggs, alevin and fry in the same manner, but I’ll post those later. This one seemed to have gotten that pretty well. There was some debate about the shine. If it’s out of the water, it would shine, but in the water this fish wouldn’t shine anywhere. In fact, they look pretty dull and camouflaged, and needs to be or it would be a seal’s meal. After I scanned it and looked at the reference photos (about 25 of them), I thought that the fish might need to be more reddish since my scanner is always on the cool side. So Photoshop did that, and now I’m not sure.

So here’s that second version with the red.

Sea-run-pink-salmon

Art is always like that. There’s no THERE there. You never know when it’s finished, or if it’s ‘right’, since there is no ‘right’ – just someone else’s opinion. Years ago, in the Eifert Gallery in California, a woman came in and went right around the main exhibit hall.  I happened to be upstairs on the mezzanine and overheard her comment as she went around the room: “Wrong, wrong, wrong, wrong” she declared in a voice that I thought was louder than necessary. It was a teachable moment for me, because I realized my confidence had grown and I was solidly in command of my feelings, and what did she know – nothing more than I did, and probably less.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Progress Pix for my Sitka Alaska Painting

Progress shown here in reverse. This is the most current version as of Friday, August 2, 2013. Trees are more refined, details emerging on the shoreline, devils club and meadow, water reflections beginning, some details with the Marten are beginning – and the dipper appears along with some salmon.  As I paint this, I can almost feel myself remembering our trip there, standing on this same shore and how it felt and smelled.

Defining broad areas with texture takes time.

Last week before I had National Park Service approval to proceed, I spent time blocking out color and background, which is stuff that almost never gets changed. This painting is about four feet wide – not a big one for me, but big enough to get some detail going.

And here’s the second version of the sketch I posted two weeks ago. The entire lower half was enlarged by about 15% with the bear, deer, harlequin ducks and some other stuff moved around to fit better.  The lower part was enlarged to show off the critters that tell the story of how the salmon return home to spawn, die and are subsequently eaten by local birds and animals that, in turn, provide nutrients to the forest. I had to provide (prove) that the foreground critters were sized correctly in relationship to each other, so the Raven = 24″, Dipper = 7.5″, Marten = 19-27″, which in my view is about correct.  Am I getting there?

 

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Sitka National Historical Park Mural Sketch

 Here’s my sketch for the biggest of six paintings for Sitka National Historical Park. I’m now awaiting approval or change requests to begin painting – oh boy. I loaded a big 16″ version of this on the web, so just click the drawing to see it.

There are some areas that still need figuring out. The right side needs defining better, harlequin ducks are too big, the upper left (spruce forest). The overall concept is probably Okay, but I won’t know until the National Park Service releases comments (which they’re very good at).

And here’s one of my reference photos of the location to show how I arrived at the sketch. This is the story I’m trying to tell: pink or humpy salmon come into the Indian River to spawn and then die. Bears, eagles, ravens, martens and more come in to get the fish; some are dragged or flown off into the forest to be eaten – and the remains leach into the soil feeding the trees. It’s some of the only nitrogen these trees get, and a healthy forest is needed to feed and shelter the new eggs after they hatch and young (alevin) as they grow. It’s a story only recently discovered. I had a tough time with the rocks on the left, which were obviously placed there to keep the bank from eroding, but they’re not natural, and in fact are not healthy for young fish. In the end, I added a few.

And here’s the ‘Subject Sitka Spruce’ within 100 feet of the other photo, with devils club on the left, false Soloman-seal on the ground and Nancy (the real subject of interest to me) to add a size-scale. These were taken on our field trip there last month.

This painting will eventually become an interpretive exhibit placed right here, and an entire generation of people to see and learn about the Indian River’s salmon. It will outlast me, I’m sure.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Eifert Paintings In Sitka

There are LOTS of historic totem poles at the Sitka National Historical Park in Sitka, Alaska, and soon there will also be some Eiferts. This past week we had the distinct privilege to spend it in one of the most interesting, beautiful and historically-significant towns in America, and one of the most remote as well. No roads go to Sitka, and in fact it’s the only town that faces the Gulf of Alaska head-on (seven feet of rain annually – but only the tourists care). There are about 9,000 people there who own 7500 vehicles – but they have only 21.5 miles of roads – and I would guess there are more fishing boats than people. The National Park Service has the oldest national park unit in Alaska there, with a beautiful visitor center and historical park along the Indian River, as well as the Russian Bishop’s House, a meticulously restored and remarkable two-story massive structure built in 1842 that is mind-boggling in its history, furnishing and especially the building itself. In an effort to keep this short, let’s just say we had a very good time – and boy, are those people friendly.

 My task is now to create some paintings of the salmon runs in the Indian River. So after five other concept sketches, this was my best try, and I think it will work. I won’t explain it now, but you’ll soon see the painting, a forest scene with bears, ravens, eagles and lots of spawning salmon. I plan to blog more about this stuff as it progresses.

And here’s the painting’s location along the river. An amazingly beautiful place, you’d never know it’s right smack in the middle of town. As we walked in this forest, we constantly heard bald eagles and ravens talking among themselves high overhead in the upper canopy. While we were there one day, a string trio played in a meadow within 200 feet of this photo location and I’ve never heard a cello, viola and violin played along with eagles and ravens singing from the balcony – and as loud as the wooden instruments themselves.

Larry Eifert

Click here to go to the online blog this was to.

Or click here to follow me on Facebook. I POSTED A PHOTO ALBUM OF THIS TRIP ON THERE, SO CHECK IT OUT.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Sitka National Historical Park gets some Eifert paintings

There are LOTS of historic totem poles at the Sitka National Historical Park and Southeast Alaska Indian Cultural Center in Sitka, Alaska, and soon there will also be some Eiferts. This past week we had the distinct privilege to spend it in one of the most interesting, beautiful and historically-significant towns in America, and one of the most remote as well. No roads go to Sitka, and in fact it’s the only town that faces the Gulf of Alaska head-on. There are about 9,000 people there who own 7500 cars – but there’s only 21.5 miles of roads to drive them on – and I’d guess there are more fishing boats than people. The National Park Service has the oldest national park unit in Alaska, and there’s a beautiful visitor center and historic park along the Indian River, as well as the Russian Bishop’s House, a meticulously restored and remarkable two-story massive structure built in 1842 that is mind-boggling in it’s history, furnishings and especially the building itself. In an effort to keep this short, let’s just say we had a very good time – and boy, are these people friendly.

My task is now to create some paintings of the salmon runs in the Indian River. So after five other concept sketches, this was my best try, and I think it will work. I won’t explain it now, but you’ll soon see the painting, a forest scene with brown bears, ravens, eagles and lots of salmon returning to spawn.

And here’s the location along the river. An amazingly beautiful place, and you’d never know it but it’s right smack in the middle of town. As we walked in these woods, we constantly overheard bald eagles and ravens ‘talking’ among themselves high in the canopy. While we were there one day, a string trio played in a meadow within 200 feet of this photo location and I’ve never heard a cello, viola and violin played along with eagles and ravens chinning in from the balcony – and as loud as the wooden instruments. Remarkable.

And here’s the initial species list I created on location. It was written in the order of discussion and while we didn’t see all these critters here, we saw almost all of them somewhere on our stay – even the grizzlies.

 

 

Stay tuned. It’ll be a fun painting – and there are five other smaller paintings coming as well. I’m excited.

 

 

 

Finally: I don’t usually do this, but I’d like to recommend the channel-side small inn and restaurant we stayed at in Sitka. It’s the Fly-In-Fish-Inn and it couldn’t have been a better experience. Ken and Carla made us feel like we were family.

 

 

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Or click here to follow me on Facebook. I post lots of other stuff there, like trip photos of this expedition.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Theodore Roosevelt NP finally gets an Eifert

Now I ask you: how many artists can say they have public art on display in North Dakota?

 

 

I keep painting away at this – and sooner or later I hope to have some bit of my work in most every Western national park. Theodore Roosevelt National Park is in North Dakota, a fairly remote landscape of over 100 square miles in size and it’s just the sort of beautiful and relatively pristine place I love to paint. But because it IS remote, it’s not so well funded and commissioning an Eifert mural isn’t easy. So, it was nice to get a request from them to use some existing work, a large visitor center mural I did for Badlands National Park in South Dakota. The image seems to fit nicely for what they had in mind, and really could be North Dakota, and so this exhibit panel will be installed in the park this summer.

I’m always asked how the heck I got into the somewhat rarefied line of art, and so here it is in as few words as I can make it. 50 years ago I asked my mom the same thing. Who does someone publish 20 books and write a magazine for over 300 issues? When I was young, it simply all seemed overwhelming. Since my family made it abundantly clear that I was to be an artist, and an artist of nature, I had to figure out what to paint and how to sell it. I gravitated to national parks and wilderness areas simply because I thought, and still do, that these are by far the best places in America – the best of what’s left. I backpacked, climbed, sailed (to Alaska and Mexico), and through it all I painted what I saw. Then someone asked me why I painted and left? Why not keep the paintings where they were created and belonged, in the parks they were painted in? So, I did. And, so, decades later there are Eiferts in a whole BUNCH of parks, from Alaska to Florida, the Mojave Desert to Wisconsin, Mount Rainier to Yosemite. I get it now. It’s not an issue of creating a huge body of work, but creating them one at a time. One at a time. As Henri said: “It takes 1000 paintings to become a painter. So get to work.”

And I’m not going to stop until I drop dead!

 

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Point Reyes National Seashore mural progress

I spent the week working away on this large painting for Point Reyes National Seashore near San Francisco. Back in October, I posted the field trip and concept here, and the final sketch here, and now I’m working on the final painting. This isn’t a huge one this time, 48″ x 63″, but it’s big enough that I had to move it to my downtown Port Townsend studio above Union Bank.

So you don’t have to go back into the old posts (unless you want the real details), here’s the concept sketch again.

You can see the basic idea is there but it’s sure refined into another thing completely.

This is a very fun painting for me, not only because Point Reyes is a singularly beautiful and rare place, but because I have work installed in many other parks in that San Francisco North Bay area – and this is just about my last non-Eifert-art location. Muir Woods (9), Sam Taylor State Park (36), Angel Island, Muir Beach, Muir Headlands, Golden Gate National Recreation Area and some others all have Eifertst for interpretive exhibits and installations, and it’s fun for me to imagine all those little art galleries in the woods and ocean overlooks. Sam Taylor State Park has two trails that have a dozen or so panels each, so a walk in the woods is like hiking through a little art exhibit.

It’s also a real honor to be commissioned, yet again, by my favorite bunch of people, the National Park Service. Best to work with, highest standards of excellence, working for a noble cause and I just plain love going to these amazing places over and over for decades. I hope it never ends.

Thanks for reading this week. I’ve now had this weekly blog going for over 250 posts – that’s a lot of art in over 5 years.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Another Painting for Powell Butte, Portland Oregon

Big paintings: that seems to be my life these days. No complaints!

 

I posted another painting from this project a few weeks ago – a giant 24-foot wall mural of Portland from three miles up for a new visitor center in Portland, Oregon. This one is this week’s effort and is a 9-foot wide painting for an interpretive panel in the same visitor center atop Powell Butte (shown perched atop the butte on the right side of the painting). This is actually the bottom 2/3 of the panel, which I edited to show better in this post. It goes up another few feet. Great design by Linda Repplinger of SeaReach in Sheridan, Oregon, don’t you think? (click the images and they should enlarge)

This was a sort of history painting and it was fun to figure out. Notice that over the top of the dairy farm in the middle rises Mount St. Helens before it blew in 1981. Mt. Rainier is farther away and behind it to the right. Thanks, Linda, for pointing out that it would be the ‘old’ mountain and not the sheared off one of today.

 

Left side: Native Americans lived in the Portland area for thousands of years, burning the forests and creating lush open grassland forests that sustained their culture. It was a garden – but it also demanded a bunch of work to keep it that way.

 

Middle: white guys arrived and realized this really was a garden, kicked out the very people that made it that way and put in dairy farms, roads and railways. Mount St. Helens was many decades from blowing it’s top.

 

Right side: today, the old railroad is now a bike/hike path, the old volcanic butte is now hollowed out (I’m not kidding) and holds a soon-to-be-finished 100 million gallon underground water cisterns the size of TWO football stadiums and covered over with dirt with a new visitor center perched on top – and a couple of Eifert paintings installed in it as well.

Amazing!

Thanks for reading this week.
Larry Eifert

I’m currently in the middle of another project, that of digitizing all 20+ books from my mom’s out-of-print catalog. Virginia Eifert will soon rise again on Amazon.com, so stay tuned. It’s getting wild around here.

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Historic Photo Exhibit for Port Angeles WA

Historic, maybe because it took over a year to get this installed on the Port Angeles, Washington waterfront! I’m not complaining at all – because for me it was fun and meaningful. I learned a lot.

So, with a bit of funding from Olympic National Park and guidance and direction from the Feiro Marine Life Center – text by Deborah Moriarty and Betsy Wharton, photos from a bunch of dead photographers plus two that are still alive, and this all came together nicely.

While the only thing I PAINTED was those two little black bands on the wall, I spent some considerable time in the Port Angeles Historical Society with my flatbed scanner. Most of the photos were very old and only 8″x10″ or less. Technology went to work when I clicked the button, and what seemed like hours later I had some pretty amazingly scans. While that was going on, I had the rest of the collection to myself – oh boy! One of the scans was 8 feet long, and most were more than 36″ on the long side, so, that’s when the work began for me. Back in my studio, I spent many hours (I should underline MANY) going back and forth across these old scratched up images removing hairs, cuts, thumbprints (whose we’ll never know), tears, frayed edges, bug squashes – and in the end I think the results looked like they were taken last week with the highest quality camera.

(Here’s a tourist immediately enthralled by the quality and detail of these old images.) After fretting over the text, Deb and Betsy refined it to a very high degree of quality – and that’s from me who does this stuff daily. This is good – and they should be proud!

Oh, but I didn’t tell you the photo’s story. The Elwha Dams have now been torn down on the biggest river on the Olympic Peninsula. These dams have been here almost a century and provided electricity that made Port Angeles a real city, lighting houses, stores and powering mills. But with the dams the salmon runs ended, and so now with the dams gone, the salmon are IMMEDIATELY coming back. Only a few months after the lower dam’s removal, King Salmon are already back above the old dam site. This wheel I’m holding is the same wheel that first turned the power ON almost a century ago, and just a few months ago turned it OFF.

As an artist and naturalist my entire life, I feel so honored to have been apart of this event, the largest dam removal in American history. I consider it part of my legacy. For the dams, park and salmon, I’m nothing but a guy with some skills, but for me – I was there!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Glacier Bay National Park Forest Trail

 

 Seems like this took forever, but when I’m painting it in Port Townsend, sending the files to West Virginia, getting approvals from Alaska – well, it just takes some time.

So, this was a bit of a challange. Without seeing the darned place, my task was to paint a place in Glacier Bay National Park. I thought that would have been easy. But then there were three of them, and the first (left side) was to show it as it was when the glacier was receding (at the fastest recorded pace) just a century ago. This thing shrank 65 miles back up the valley in less than a century! You can see it in the distance. Then the middle panel shows the plants – mosses, wildflowers and willows colonizing the barren gravel, ground is greening up, even the islands in Bartlett Cove are covered with young trees. Finally, the right painting shows what it looks like today – a young forest with deep moss and mature trees. I had some photos taken last winter in deep snow as the only reference, plus a couple of Google Earth images, buy my real references were an entire lifetime of boulder-hopping glacier rubble. This is Melanie, Chief of Interpretation last spring showing me the eratic-specimen. She’s now guiding tours in the Antarctic – lucky woman. If you look, you’ll see two glacial erratic boulders in each of the three paintings to show that it’s one place in three time periods.

 

 I know some of you will ask if I also did the map. I’ve done my share of these, but the real heavily lifting with design and map fell to Chad Beale at Harpers Ferry Center in West Virginia. So that makes this somewhat of a collaboration with Harpers Ferry Center (2300 miles from me) and Glacier Bay National Park (2800 miles from him).

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.