Tag Archives: Mountains

New Painting Post

Sketchbook of the White Mountains

Click each image to enlarge – there are nice textures here and there.

This week I painted more art for Schulman Grove’s new visitor center in the White Mountains of California. This group is a series of seven sketchbook pages for exhibit panels below my three murals. These three need to be cleaned up a bit, so you’ll see some ragged look and blocky edges here and there from all the Photoshop layers. It’s a work in progress, but this way you can see assembly process.

I hope not, but I may need to move some of the sketches around or change the wording, so I thought it best to create EACH drawing seperately and even the color is seperately layered so it can be changed. Each text passage is put in with Photoshop too, so it can be edited if necessary. I first did the pencil sketch, then put tracing paper over it and painted the color layer. Both were scanned, pieced together and put on a photo image of one of my blank sketchbooks. I think the results look pretty good, like they’re old field sketches drawn on location a century ago. I was shooting for those old botanical illustrations on faded yellow paper, and I think I came close. Once I get approval from the Forest Service, I can clean up the rough edges. The reason I didn’t hand letter the captions is that all this has to be ADA compliant, so the characters have to be an approved font. Ah, the world of public art these days is pretty complex!

Computers can be maddening, but then again they can help produce wonderful results. On the other hand, if I didn’t have a few drawing skills in the first place, none of this would have happened at all, so don’t send me emails about computers replacing artists. They’re just tools, like paint brushes or pencils.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has some new shots of Sequi, the new sea otter she’s been photographing.

New Painting Post

Another Bristlecone Pine Painting

A few weeks ago I posted my three large murals just completed for the new Schulman Grove Visitor Center near Bishop, CA. Now I’m working on some smaller art for interpretive panels for the rest of the building, and this one features a big ol’ gnarly ancient bristlecone tree in pen and ink and acrylic wash. Below is the preliminary sketch so you can see the progression from pencil to finished painting. It’s pretty close!

There are a lot of other people involved in this project besides me, but I seem to rarely express thanks to these folks for the help I get and joy I experience in doing my work. I’m sure not saying I’m any better than anyone else here, just that it takes a bunch of people to make a visitor center. There’s Rosie, the contractor and designer from Georgia, Frank the writer from Marin County, CA, John L and Sheryl H from the Forest Service, as well as Scott and John from the team Rosie’s assembled to get all this accomplished. We’re a bunch of people that are all doing specific jobs to create a beautiful installation on a remote mountaintop in the Great Basin – and I get to do the art. What a deal!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Going to Lewis Lake

This is another painting from late summer – and possibly my favorite from the past few months. Just haven’t had time to post it.

“Going to Lewis Lake” not, “Taking the trail to Lewis Lake” – because there isn’t one (the trail, that is). In fact, we didn’t make it to Lewis Lake because the snowy boulder hopping was a bit much and we didn’t have our ice gear. Not that I minded – the view right here was as far as we got and was sure worth the climb, Lewis Lake or not. If there’s anything I love dearly to paint, it’s an alpine landscape with all sorts of craggy angles and snow in both sun and shade. The North Cascades are my idea of  painterly paradise.

I’ve thought a lot about why this is a beautiful image to me, and I’m pretty sure it’s partly the idea that these landscapes are delicately fragile and gigantically solid – soft and deadly, both at the same time. It’s not a place you can relax. Contrast the little soft-stemmed alpine lupine and paintbrush to places still snow-covered – to the ominous sounds of distant rockfall as thawing ice loosens yet another boulder. It’s a place of wildly grand contrasts painters love, at least I do, even if it was difficult to find a place to sit and compose a future painting without squashing an entire little alpine garden.

I’ve decided to hang on to this one for a bit – just because I like it so much. So, at the moment it’s not for sale. We don’t ever really hang art in our own home, mainly because we have mostly big windows and almost no walls – but this one found its way to one of the few spots, and I enjoy reliving this grand hiking experience every time I see it. 

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Exit Glacier – Kenai Fiords National Park

Commissioned by the National Park Service and funded by Alaska Geographic for the new nature center in Kenai Fiords National Park. My task here was to show the ecosystem of this emerging landscape so recently covered by the glacier. You can see the trail winding through a young forest populating the outwash plain of the giant glacier connected to the even bigger Harding Icefield (bigger than the state of Rhode Island). Just a few miles from Seward, Alaska, this is one of the few glaciers you can actually walk up to and touch. It’s a bright summer scene, the way most people see it, but when we were here in September everything was already turning ochre and there was a rain and flood-event going on. I blogged about that on September 14, 2011 when I got the location sketch posted here. A few weeks later I posted the finished sketch here. It’s fun to see the evolution of the painting from concept to finished mural, but I know you guys don’t like to click through, so here’s the concept sketch again, but this time as it was happening (photo by Nancy Cherry Eifert over my right shoulder).

 And here’s the sketch drawn back here in the studio.

Soon there will be a high-pressure laminate panel of this painting for the center. Since it’s closed in winter, no heat, and it IS Alaska, it was decided that the original will hang downtown in the main offices. Next spring we’re hoping for puzzles and other products, so stay tuned.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Ancient Bristlecone Pines mural

(There’s a lot to see here, so these images should enlarge if you click them)
The third and center painting for the Schulman Bristlecone Pine Grove east of Bishop, California was finished this week. Put together, this wall is going to be about 17 running feet of pure high-country paintings. This final one is 5 x 8 feet on stretched canvas and I was really pushing it to fit into my little studio. Several times I almost gave up and went downtown to a larger space, but I wondered how I’d get it in the car. In the end we muddled through and now it’s great to see all three together. Since there was really no room for me to line them up to check (inside, at least), this is the first time I’ve seen them all together. I think it’s going to work.

Bristlecone forests are a beautiful but stark and colorless landscape because the trees are all bleached out by thousands of years of sun, the rocks are white dolomite – and flowers are few here at 10,000 feet. And since some of these trees are almost 5,000 years old, the oldest on the planet, they really look gnarled and sculptural, so that’s what I ended up concentrating on. Paintings of sculpture!

For those who want to know more about this project, I’ve blogged about it before here:
Here is the post for the pinyon painting on the left.
Here is the post for the alpine painting on the right.
And here are the original sketches. You’re notice some serious changes between the concepts and final paintings. That’s the fun of it – not to mention I just love this place.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

A Show at Gallery Nine in Port Townsend


For the month of November, Gallery Nine, 1012 Water Street in Port  Townsend features the paintings of Larry Eifert and Chuck (CW) Stern’s wood turning in a show about the Craftsmanship of Art.
Both Nancy and I are represented by this peninsula gallery, and I so rarely do any shows I thought I’d post the event here. For this, I’m partnering with Chuck Stern, a wood turner and carver whose work I consider to be of the highest quality. It’s a nice mix because I tend to paint wood in the form of forests and trees – Chuck uses wood to create his art.

(Here is a part of the press release) Chuck Stern turns both functional bowls and vases as well as carving unique burl wood into beautiful, sometimes whimsical sculptures. His love and close knowledge of wood comes from a lifetime on the Olympic Peninsula working in many facets of the wood industry, and it’s clear that Stern knows wood in a way that is not simple or superficial. “It’s taken decades to understand that once-living wood has a history buried within it. Each year, each growth ring, each winter storm or injury creates an internal change I need to recognize, understand and try to incorporate into my finished piece. It’s not just slamming it on the lathe and turning out a bowl, but more a conversation with an ancient once-living soul.” 

 Join the artists for conversations about their work during November’s Gallery Walk, 5:30 to 8 pm, Saturday, November 5.

For my part of the show I’ve worked up 20 new paintings (these, besides the three big murals I’m currently involved with that aren’t finished yet means I’ve been busy). If you’re interested in the painting shown here, as of this posting it’s still available. “Heather Meadows ” is 11″ x 14″ on canvas. It’s available for $140 without a frame. A nice custom wood frame makes it $165 and shipping adds a bit more depending on your zone. If you’re interested, email me and I’ll put a hold on it.

Thanks for reading this week, and if you’re here on Saturday, please stop by Gallery Nine. Larry Eifert

Click here to go to the online blog this was to. And here’s the link to Gallery Nine’s website.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Cutthroat Creek Meadows

This painting and about 20 others are destined for a November show I’m having at Gallery Nine in Port Townsend. If sold here on the blog, I hope I can still hang it there for a week or so. While only about 5% of my mailing list is from Port Townsend, I’ll be hanging the show on Monday if you’d like a pre-show preview before Saturday Gallery Walk.

Cutthroat Lake is on the east side of the North Cascades, but just barely. Where the snowmelt runs out of the lake, it braids itself through some very pretty mosquito-filled meadows, then comes together to plunge down into Early Winters Creek towards the Methow Valley in eastern Washington. We were there a few months ago and I was interested in the way the light was streaming through the trees and onto the creek. It made for a very interesting and complex set of light patterns around the jumble of islands, downed trees and moving water. From this location, we turned around and walked a few hundred feet, and this was the spectacular scene that awaited us. (Clicking on both these images will enlarge them.)

This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $140 unframed.
The custom wood frame makes it a total of $165 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.

Email us here for details or just hit reply.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Schulman Grove Pinyon Pine Forest

(If you click it, this will enlarge in your browser)

This is the second of the three Schulman Grove bristlecone paintings for the new visitor center east of Bishop, California. A few weeks ago I painted the first one of the alpine area that will go on the far right side. Now this one goes on the left side and shows pinyon – juniper forest. Overall size of these three is about 17′ x 5′. If you look at the upper right of the painting, you can see the bristlecones growing up at 10,000′, where the middle painting is sited. That’s the High Sierra in the distance.

Pinyon pine nuts have provided food for people, birds and animals for as long as they’ve been growing. Because of this, the Forest Service requested a gathering party of Native Americans be added to the mural so they can interpret that on the reader rail below. That seemed awkward to me, because it places it as historic and out of context with the other two. What to do? So, I set an amber value scale to the painting to make it feel like an old sepia-tinted photo. I’m hoping it will still go well with the other two paintings, but there’s a very different feel to it.

A busy time these days as I have a show coming up at local Gallery 9 in Port Townsend. I’m enjoying the back and forth between huge mural canvases and looser easel paintings. There’s a lot of paint being tossed around.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Exit Glacier mural sketch

This will enlarge if you click on it so you can see the details.

I recently posted the on-location concept sketch for this project, and now here’s the proper drawing I’ve presented to the Chief of Interpretation at Kenai Fjords National Park in Alaska. Exit Glacier is in the background, outwash plain coming down into the forest near the Nature Center, young cottonwoods, alders and spruce emerging from a landscape the melting glacier recently left behind. Moose, bear, coyote and short-tailed weasel among the group. I think I’ve got it.

I get questions about how I construct these larger images, so if you click on the concept sketch link above it’ll open in another window so you can compare. That was what I went from back here in the studio, plus a bunch of photos. The parks usually give me a species list and the number of elements they want to see. There are one or two still missing here, but I’ll get them in – like a marmot and mosquitoes, but I think I got all the rest in.

When the art is installed in the Exit Glacier Nature Center, a nearby panel will have some buttons that, when pushed, will produce digital sounds as if you might be standing there in the forest listening to nature ‘talk’ to you. A moose vocalization, insects buzzing, raindrops plopping, the glacier booming, rustling of birds – the beautiful clear and ethereal voices of the varied and hermit thrushes, those soft forest whistles you can never forget. Soundscapes are a new way to interpretive these murals and I think it’s a great idea as long as the device doesn’t break down. Now if they could just pipe in the smells of moose pellets on forest duff!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Tern Lake – Kenai Peninsula

While on Alaska’s Kenai Peninsula recently I did some preliminary stuff for a few paintings when I returned home to the studio. Here’s the second one, inspired when the late afternoon light was streaming through a mountain notch and lighting up this marshy lake. The golden atmosphere made the air really glow. These mountains were so high and steep I just couldn’t get their tops in the painting, but the blue atmosphere up there gives you a hint of what’s high above. We saw mountain goats in the upper meadows up there, tundra swans and green-winged teals on the lake. It was a soft environment just holding its breath for winter to begin.

What always strikes me about Alaska every time  I’m here is the pure enormity of it all. I live next to Olympic National Park, and it’s a big park – but if you took the time to walk across it, you’d eventually come out and find towns, streets and stores on the other side. It’s like an island of wilderness in the midst of civilization. But Alaska isn’t like that at all. If you walked into THAT wilderness, you simply wouldn’t ever come out the other side. Civilization is a small island within nature. One trail we were on there had a wildlife sightings list at the trail head. It said:eight bears, one moose and calf. So, as we started down the trail Nancy noted that we were 9th on the food chain. It made for a much more heightened and self-aware hike.

This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $140 unframed. Now click on the framed image and it should enlarge. Notice this version doesn’t have the trees on the left. I added those today, so the painting below no longer exists exactly like this. Notice the difference? No, you don’t get it without the trees!

This mahogany frame with a custom linen liner makes it a total of $165 (and we have other frames) and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details. SOLD, SORRY

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.