Tag Archives: Mountains

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Clark Island and Mount Baker

I ran across this unfinished watercolor in my studio. Clark Island is one of the more remote places in the San Juan Islands, about 40 miles north of here. Very few people ever stop here, but I sure have. Boaters all seem more interested in getting to the bars in Friday Harbor or Roche, or the beaches on Sucia Island. Nancy calls it the herding instinct.

So, I was anchored here in our little boat, just around the corner to the left, and went ashore to do this painting – it was maybe five years ago. As I sat there, I remember a single wasp landing on the water glass. And then another. And then a whole family – and then some. Well, time to leave, which I did at a somewhat rapid pace after dumping over the water with my shoe. I figured it was the fresh water they were going after. Fresh water’s actually a pretty rare commodity here on these rocky islets, and in summer it doesn’t often rain. That was enough for me to just say to myself that I’d finish this thing later.

And so I just did! Pretty fun, like I was back there again enjoying this quiet little anchorage with the wasps and a very big view of Mount Baker. And if someone asks, as they sometimes do, “just how long did it take to do this painting” I can honestly say “oh, about five years”.

This ORIGINAL painting is old watercolor and new ink on Arches paper, 10″ x 14″ and $239 unframed. (that works out to be something like $50 a year, or about $4 per month. Typical artist wages!
A nice mahogany frame that’s double-matted makes it a total of $279 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

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Road Trip

Road Trip

Monday began a really good road trip for us. We’re driving from Port Townsend (just about the most northwestern place you can be in the Lower 48), and heading for the Tampa, the Everglades and Keys, the most southeasterly place in America. Any way you cut it, that’s more than 7,000 miles from our door – back to our door. Don’t ask how much gas that is, we haven’t figured it out ourselves. This trip is for some business, and we’re also picking up a new Scamp travel trailer near Tampa. Yah, we know what you’re thinking, but we look at it as a great adventure, and we’d like to share it.

So, I thought it might be fun to throw a few little paintings, so here’s the first day. After heading for Seattle and taking the Bainbridge Ferry, we headed ‘up the hill’. I love going over the Cascades, and Snoqualmie Pass was still in winter. Just a couple of miles from the top, this view always thrills me, and it did this time too. On the far side of the valley, you can see the other, downhill, lanes heading for Seattle. It’s a huge view, with peaks all around. I did this little sketch later jigglying along in the car

Tuesday we ran smack into a blizzard. Coming over the Continental Divide in Montana we “enjoyed” five hours of snow driving. Past that, we’re now in Billing for the night, and heading for Sheridan Wyoming. When I have another painting, I’ll send it along.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Carson River Mural Unveiling

This week I finished up another large-scale habitat mural for a new visitor center along the Carson River in Nevada. This vibrant place, just below the High Sierra front and southeast of Lake Tahoe, has always been important to wildlife, and to me. I consider it one of the most beautiful and interesting places in the West.

As the winter snows melt off these great mountains in spring, this water runs off into the valley and eventually out into the Great Basin where it evaporates with summer heat. Along the way, vernal pools and backwater pockets are filled with rushes and cattails, providing fabulous habitat for birds that make wildlife-watching wonderful. I’ve gotten to know this area pretty well, as I’ve also painted another, similar painting just north of this for the Lahanton Valley National Wildlife Refuge. In some small way, I’m always hoping my work will open some eyes, change some hearts and minds and possibly, just possibly, make it so these beautiful landscapes (and fictitious paintings) will both continue past my lifetime.

I wrote two other posts for this one as the project progressed. Here’s the original sketch (these open in separate browser windows) and here’s the half-way image showing the development of details. It’s kind of fun to see all three stages because things always change as I go along. For example, I added a yellowthroat and a Savannah sparrow to the final – and they’re not in the second stage painting.

And below is the initial reference photo I developed the painting from. Supplied by the client (and, thank you, Anne), you can see how far from reality these big paintings stray. Still, there are basic elements here that remained the same, making it a recognizable place. I like to say this photo was the launching pad, but where the final painting landed, no one knew – especially me!

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. To see more than 50 other murals like this, click here.

Click here to check out what Nancy’s currently working on with her photography.

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“Vanna White” – 20 Years Remembered

Painted just last year, my two best friends, “Vanna White” and Nancy in an interpretive painting for Olympic National Park. For decades to come, visitors will see but not fully understand what this painting represents to us.

I’m greaving  today over a separation from my second best friend, “Vanna White”. For 20 years and a third of a million miles, as a research vehicle I’ve driven this VW Westfalia Camper to just about every park in the Western United States. We’ve camped in her in places you wouldn’t think a 2-wheeled car could go,  talked to her like a person, and some people thought I would be buried in her – a ready-made coffin! 

One favorite story is the burned-up water pump-event north of Bakersfield. We got her stopped before the engine blew up, and were hauled into town by a good-hearted Chicano tow operator. Saturday night, all shops were closed (and there’s almost no civilized camping in Bakerfield), so he took us over to a friend’s house for the night, where we slept in the driveway in a neighborhood filled with Spanish-speaking kids and dogs. Early morning, our new friend found a pump somewhere and had it in by nightfall –  and event that included tasty food being brought over by the neighbors. I remember lots of fried chicken and lots of kids, all very interested in who we were and what we did. Vanna was like that – drawing a crowd no matter where we landed.

Now, while my Dad would buy a new car every three years no matter what, we camped more times than I can count in Vanna during the past 7,300 days, from Mexican beaches to Banff in the Canadian Rockies. I wrote park guides in her, painted watercolors on picnic tables and woke up with snow on the roof.  Burning through 17,000 gallons of gas, most parts were replaced as we went along. Cosmetic surgery and new paint (by me – after all, I am an artist and own a spray rig), but also a new engine, transmission, three clutches, four or five water pumps, three stereos and more carpets than I can remember. And, like another Vanna White we all have known for decades, she just never seemed to age!

2006: Here’s Vanna next to a 90′ mural we were working on in 29 Palms California. We painted two murals here, a decade apart, and Vanna was there both times.

And so, after driving her a distance of from here to the Moon and half way back, we recently decided to find her a new home. It didn’t take long!  Just a couple of days on Craigs List and yesterday Vanna went off to Portland with a delightful younger couple who, we’re sure, will have the time of their lives continuing on with this same boundless spirit of adventure. AND, I’ve been told of a local support group I can go to of former Westfalia owners.

And why did we do this heart-wrenching thing? Well, we now have a little Scamp trailer waiting for us in the Tampa area. That’ll be a 6,600 mile trip to bring her home – and a good start on the next 340,000-mile adventure!

Vanna on her last adventure with us. California’s Anza Borrego Desert State Park, December 2009.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Murals

Carson River Mural Beginnings


 This should enlarge if you click it. If that goes nowhere, click the blog here and do the same.

Last week I sent out the sketch for this painting. A commission for a non-profit, this painting is for their new visitor center. The scene isn’t exactly accurate as to the way it truly is, but hopefully will give the viewer a ‘sense of place’. I have a nice little singing marsh wren painting I’ve also done to warm up for this, which I’ll send in a few days.
In the meantime, I’ll tell you how this is going. The painting isn’t as large as many I do like this, maybe 3’x5′. At this size, it’s large enough that I can get some details in, and small enough so it won’t take a month to paint. I first put down several coats of a very dark brown (almost black) base, so when I paint this up to lighter colors, it hopefully looks like a landscape just emerging from night. Those dark areas around the bottom will soon disappear. You see the High Sierra Front (east side of Lake Tahoe area) is almost finished. It’s on the west side of the Carson Valley, putting early morning light right on these high peaks. They’d shine like crazy when that morning light hits them.
I paint these things from the background to foreground, usually top to bottom, so the mountains go in first as you can see, then the area slightly closer to the viewer, and so on, but to give me a sense of the entire composition, you’ll see some critters outlined or just roughed in. This helps me figure out what the final image might look like. This photo was taken yesterday, so today it’s much farther along, but why waste time photographing it? Let’s get back to work.
Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

New Painting Post

Ancient Bristlecone Pines mural

Finally, I got this puppy finished up. It was quite a handful with lots of other work coming and going through the studio. If you click on the image, it should enlarge. If not, go here to the blog.

This is destined for The Crater Lake Institute, that, through the years, has commissioned me for many of these types of paintings. Next summer we’ll have products like puzzles available, but there’s lots of design work to do before that happens.

When I sent out the sketch for this awhile ago, I received lots of mail about where to see these trees and just how to do a painting like this. The 3′ x 5′ painting is on hardboard so I had a smooth surface to begin with. I primed it with dry-brush latex to rough it up slightly, making for good textural effects. These are worked up from the back forward, so the foreground flowers are the last to go in, and there’s lots of hidden stuff in that foreground. I recently put up a page on the main website with a page of murals. There’s currently about 50 for you to see, so check it out here.

SO: Where can you see these bristlecones (that DO have bristled cones)? Well, you’re not going to this time of year, but if you’re looking for a great trip next summer, check out the bristlecones east of Bishop CA in the Whites or at Great Basin National Park way out near Ely Nevada, or Brice Canyon National Park in Utah. They’re high-elevation trees – at 10,000 feet or so on dry windswept ridgetops in limestone, a place where nothing else can easily grow. It’s worth a trip to walk beneath the oldest trees on the planet, some dated to almost 5,000 years of age. Even the downed branches are beyond my comprehension – some have been dated back 9,000 years from the present. To put that into context, the woolly mammoth was still around then!

Here’s the original pencil sketch:

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. There’s some good new stuff here on her blog about the Day of the Dead Celebration in Seattle.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us. If you know someone else that might enjoy this, let us know. Our list is growing.

New Painting Post

Riverside Red Alders

I’m still whacking away on the bristlecone painting for Crater Lake Institute, but here’s something I did yesterday just for the pleasure of it. If you click the image, it should enlarge. If not, just go to the blog. I have more of these, but my web server has been ‘migrating’, so the blog has been shut down this week. Just what ‘migrating’ means, I’m not sure, but I wish I was doing some of that myself. Avalanche warnings are up in the mountains already.

For those reading from other parts of the planet besides the Northwest, red alder is a common lowland tree found in moist Northwest stream-side forests. They often appear after logging to revitalize trashed-out land and conveniently add nitrogen to the soil by ‘fixing’ it from the air. Our woods are full of them, so I know the tree well. In fact, there’s currently a red-alder log in the fire as I write this. It’s a very beautiful tree to paint because of the gray and brown, speckled patchwork trunk patterns. There are other alders, but this one has a sure identifier. The edges of each leaf curl under slightly right along the edges – a little fact that most field guides don’t tell you.

This original acrylic painting is varnished on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing on her blog and website. Pretty interesting stuff on the blog.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

New Painting Post

First Serious Snow – Olympics

Click the image to see a larger version.

Boy, we’ve had some weather lately. Going into town yesterday, the eastern Olympics showed their best with fresh snow. Strong westerly winds were blowing it off Mount Townsend in great banners, and the clouds were alive. Mile-high Hurricane Ridge was supposed to have gotten 18″, and you can see this for yourselves here at the park web cam mounted on the visitor center roof. The camera lens is currently 90% plastered with snow and you could barely see anything. At night, even on a cloudy evening, you can still see the unearthly glow of the snow, but seeing it on a normal clear day (without the snow on the lens), the view of Mt. Olympus is stunning. The little thumbnail next to the web cam is what you’d see in the summer. This is only about 45 air miles from here and we go there often. And with the web cam, now so can you. Check back to see it ‘unclogged’.

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $420 unframed.
The gold frame makes it a total of $445 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details. Sorry, this painting is sold.

To check availability of the other small originals I’ve blogged about the past few weeks, check the blog here.

Thanks for reading this time.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

New Painting Post

Late Afternoon – Lillian Ridge Trail

Lillian-Ridge

SOLD
Obstruction Point area, Olympic National Park.
Acrylic on linen canvas – a small easel painting this time.

This trail is a favorite – I can’t paint it enough. It’s about 35 miles, as the eagle flies, west of our studio in the eastern Olympic Mountains – a serious set of rocks. I painted another version this last spring and posted it here in March. It’s not the amazing scenery or that it’s an almost level trail (well, that might be part of it), but it’s also the fact that, at over 6000′, it’s above any glaciation that’s ever occurred there. To walk here is to trod on the exact same stones and sit on the very same overlook that the mammoth hunters did during the last Ice Age. The shattered shale that crunches under my boots is unchanged, and I could very probably be the very NEXT person since that Pliocene hunter to sit on that rock and look for Olympic marmots, those alpine animals that are only found here. The only difference might be that it would have been the hunter’s dinner and not mine.

For an artist that wishes nature were a bit less mild these days, that wishes he were born a few years earlier so he could have seen more of our now-vanished legacy, this is heady stuff.

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $170 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Still working on the bristlecone painting, but painting in the boatyard (our boat) has gotten in the way.

Thanks for reading this week. For new readers, I try to alternate between park interpretive stuff and easel paintings, but they’re all about nature. It’s what I’ve done for over 40 years.

Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive art and other stuff.

Click here to check out what Nancy’s currently doing with her photography.

Or, send us an email to opt in or out of these emails – or just ‘talk’ with us.

You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

***previous*** — ***next***

Murals, New Painting Post

Stream Stones and Bristlecones


Progress on the Bristlecone Pine mural
I sent out the pencil sketch for this painting on September 8. and now, after several review comments and changes only a dendrologist (tree scientist) would recognise, I’m moving along pretty well on the final. Many large-scale painters do a complete smaller image first, then recreate it in the larger final version. I’ve never been comfortable with that process because it seems like I’d just be painting something twice. It’d be like remarrying the same person you’ve already divorced – all those little issues you hated the first time ’round are still lurking there. Nancy and I have done several 90′ paintings without a finished ‘baby’ painting and it was truly exciting – for both us and the clients that were scared numb. Nancy once stated: “we are in SERIOUS trouble here” but we still pulled it off nicely. Next week I hope this’ll be close to finished and I’ll send another update.

But that’s not all:

Stream Stones

This is another painting from our recent alpine excursions. If you know your Pacific Northwest geology, you’d pick up that these stones are from the North Cascades and not the Olympics. Cascade stones are very much more diverse in color and texture – brownish iron oxides and lots of gray speckled granites. If you see these stones around the Olympic Mountain edges, they undoubtedly came there from scraped streambeds in the Cascades by way of the mile-high Cordilleran Ice Sheet 80 centuries ago, and they match pebbles you’d find in any Cascade river today.

You might think 80 centuries is awhile ago, but consider this: there are bristlecone pines in the White Mountains and Nevada that approach 50 centuries. And that’s the way I tie the top part of this entry with the bottom part of.