Tag Archives: Mountains

Late Afternoon – Lillian Ridge Trail

Lillian-Ridge

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Obstruction Point area, Olympic National Park.
Acrylic on linen canvas – a small easel painting this time.

This trail is a favorite – I can’t paint it enough. It’s about 35 miles, as the eagle flies, west of our studio in the eastern Olympic Mountains – a serious set of rocks. I painted another version this last spring and posted it here in March. It’s not the amazing scenery or that it’s an almost level trail (well, that might be part of it), but it’s also the fact that, at over 6000′, it’s above any glaciation that’s ever occurred there. To walk here is to trod on the exact same stones and sit on the very same overlook that the mammoth hunters did during the last Ice Age. The shattered shale that crunches under my boots is unchanged, and I could very probably be the very NEXT person since that Pliocene hunter to sit on that rock and look for Olympic marmots, those alpine animals that are only found here. The only difference might be that it would have been the hunter’s dinner and not mine.

For an artist that wishes nature were a bit less mild these days, that wishes he were born a few years earlier so he could have seen more of our now-vanished legacy, this is heady stuff.

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $170 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Still working on the bristlecone painting, but painting in the boatyard (our boat) has gotten in the way.

Thanks for reading this week. For new readers, I try to alternate between park interpretive stuff and easel paintings, but they’re all about nature. It’s what I’ve done for over 40 years.

Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive art and other stuff.

Click here to check out what Nancy’s currently doing with her photography.

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You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

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Stream Stones and Bristlecones


Progress on the Bristlecone Pine mural
I sent out the pencil sketch for this painting on September 8. and now, after several review comments and changes only a dendrologist (tree scientist) would recognise, I’m moving along pretty well on the final. Many large-scale painters do a complete smaller image first, then recreate it in the larger final version. I’ve never been comfortable with that process because it seems like I’d just be painting something twice. It’d be like remarrying the same person you’ve already divorced – all those little issues you hated the first time ’round are still lurking there. Nancy and I have done several 90′ paintings without a finished ‘baby’ painting and it was truly exciting – for both us and the clients that were scared numb. Nancy once stated: “we are in SERIOUS trouble here” but we still pulled it off nicely. Next week I hope this’ll be close to finished and I’ll send another update.

But that’s not all:

Stream Stones

This is another painting from our recent alpine excursions. If you know your Pacific Northwest geology, you’d pick up that these stones are from the North Cascades and not the Olympics. Cascade stones are very much more diverse in color and texture – brownish iron oxides and lots of gray speckled granites. If you see these stones around the Olympic Mountain edges, they undoubtedly came there from scraped streambeds in the Cascades by way of the mile-high Cordilleran Ice Sheet 80 centuries ago, and they match pebbles you’d find in any Cascade river today.

You might think 80 centuries is awhile ago, but consider this: there are bristlecone pines in the White Mountains and Nevada that approach 50 centuries. And that’s the way I tie the top part of this entry with the bottom part of.

Dipper Dipping

For local readers – This weekend we’ll be exhibiting at the Fort Worden Wildlife and Nature Exposition in Port Townsend. Hope you see you there.

This little dipper (or water ousel, as my naturalist-mom called it a generation ago) sat here for quite awhile. Dippers dip – up and down, up and down, almost constantly as if doing a little stationary dance, and this one did just that. It’s mate was close by, and as the dipping went on, the little bird made pleasant and soft chattering calls. Then it left my view by simply launching itself over the log and into the water – sinking out of sight. I thought this was a very ‘dipper like’ scene, so here’s my effort to hold on to that memory. The way the water curls over the partially submerged log made for interesting lighting changes.

Dippers are pretty crazy birds. They live year-round, thought the worst winter storms, around clean and cold high mountain streams, nesting behind waterfalls and always sticking closely to their local stream. Summer or winter, these robin-sized birds make their living by jumping into these chilly, sometimes icy, fast-moving crystal-clear waters to walk along the bottom, kicking over stream stones to find aquatic insects. I’ve heard they even hold their wings outstretched to pin them down in the current – which means they are even more exposed to frigid waters. This river (in September) was probably 50 degrees F, having just been released from a glacier up the hill, and it would be the warmest it would ever experience – so you get my drift about ‘crazy’ birds. But then they have feathers, and we don’t, so comparisons are probably idiotic.

This is an ORIGINAL painting in acrylic on stretched linen canvas. It’s 9″ x 12″ and offered for sale for $140, or $180 framed as you see it. Priority mail shipping will add a bit more, as well as sales tax if you’re in the state of Washington. Email us if you’re interested.
Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff at larryeifert.com.

Click here to check out what Nancy’s currently doing. She’s currently got a show in Port Townsend at Gallery Nine.

Or, you can always email us to opt in or out of our email family – or just ‘talk’ with us.

Elwha River at the old Humes Ranch

I’ve painted two large murals of the Elwha River for Olympic National Park, and so in the interest of science, art and fun, of course we had to hike up the river to check it out. We’ve backpacked up this valley several times in the last two seasons. The Humes Ranch area is only a few miles from the trailhead, but its scenic beauty would be worth miles more. As someone said, this is a big messy river, with snags and piles of old-growth trees strewn along its shores. We’ve camped here several times, right on the grassy knoll above the rocks here, taking in the vastness of this place as the sun sets behind the peaks. This is what Western National Parks are all about, experiencing wildness that used to be taken for granted, but isn’t any more.

Oh, and Humes Ranch used to be here prior to the park’s creation. In fact, the oldest building in the park, the old ranch house, was just restored just up the slope. The only livestock left today are the bears, deer and elk.

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

To check availability of the other small originals I’ve blogged about the past few weeks, check the blog here.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Artist’s Sketch – Bristlecone Pine mural sketch #2

Ancient Bristlecone Pines
This is straight from the artist’s studio.
You’re receiving this weekly email blog because a friend or associate thought you’d like these occasional postings. This is from Larry Eifert, long-time artist and writer, the guy who has more art in America’s National Parks than any other. These postings show some of the personal inner workings of an artist creating everything from large wall murals to smaller easel canvases. All are about America’s Nature. To not receive these emails any more, simply hit reply and write “unsubscribe” in the subject line.

Bristlecone-sketch

If you click on the image, it should enlarge. If not, go to the blog here.

And so: For years, I’ve wanted to paint the ancient bristlecones of the high and dry western desert mountains. Thought I had it at Wheeler Peak, Great Basin National Park (where I experienced as close to a spiritual moment as I’ve ever had), then later at Utah’s Bryce Canyon, but budget problems or scheduling always got in the way. Now, thanks to a nut (and NOT a pine nut) burning down the visitor center in the Shulman Grove of California’s White Mountains just east of the High Sierra, and the generosity of the Crater Lake Institute that is spearheading a high-elevation pine interpretive program, I’m having a go at the most iconic and picturesque grove of them all.

Here’s an updated version of the initial sketch that has changes from comments from all the bristlecone-pros.

This image shows two ancient trees, both possibly 4500 years of age and living at 10,000 feet of elevation in a super-dry limestone mountain landscape. The bits of dead trees strewn around the ground could be thousands of years older still. Birds and animals shown all live here, at least during the warmer months, bringing the only other sounds to this stark and beautiful landscape besides the singing winds through branches and past needles. It’s quite a place.

As I did with the similar whitebark pine painting last year, I’ll send an update on the progress of this one next week. This is going to be fun.

Thanks for reading. If you’re received this in error, we apologize.
Larry

We have posters and jigsaw puzzles of the last “High-Five” painting (whitebark pine = five-needled high-mountain pine).
Posters are here.
Jigsaw Puzzles are here:

The main website at LarryEifert.com is here.
Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

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Bagley Creek Meadows


Bagley Creek is what you’d call the perfect “river runs through it” stream. It meanders out of a high alpine lake and into this narrow glaciated valley past basaltic cliffs and meadows. Our trail was along the west bank – the morning sun casting long shadows on the far cliffs. Nanc and I could have sat in these meadows for hours, listening to the bumblebees making slow passes on September pearly everlastings and watching a northern harrier canvas the grass for mice. On the slopes above these meadows, blueberries were everywhere, and with the warming sun each one turned into a little berry tart.

There’s a favorite essay of mine by Virginia Eifert (yah, mom) who wrote “I stand by the river and I know that it has been here yesterday and will be here tomorrow and that therefore, since I am part of its pattern today, I also belong to all its yesterdays and will be part of all its tomorrows. This is a kind of earthly immortality, a kinship with rivers and hills and rocks, with all things and all creatures that have ever lived or ever will live or have their being on the earth. It is my assurance of an orderly continuity in the great design of the universe.”

This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed. If you’d like to add the gold frame, that makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame.
Sonja (who bought one of these small paintings) says I need to say this: This is an original painting, NOT a print. Email us for details. To check availability of the other small originals I’ve blogged about the past few weeks, check the blog here.

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Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

On the Trail to Lake Ann

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Last week we took our little ferry (locally named Bob, because that’s what it does best) over to Whidbey Island, then drove inland a couple of hours to the North Cascades and Mount Baker. This trail is so high it was still spring, with lupine, columbine and paintbrush everywhere. At one point, there was enough fireweed in bloom to make a scree slope completely magenta. We crossed a side creek by hopping rocks, and I stopped to take a reference snapshot of this scene looking upstream into the glacial bowl. The contrast between blue-sky reflection in the foreground, and the yellow sun-bounced light off distant trees makes for a very interesting scene, doesn’t it?

These little digital cameras have really improved how I can do these paintings. Before, I’d have to stop, pull apart my pack to get at my 35mm, go back and figure the shot out – and then wouldn’t know until I processed the film if the stuff was any good. Now, I pull the camera from my pocket and simply take a bunch of shots – and review them as I go (just like you do too). What’s interesting is that my painting process is still the same. The painting, the end result of all this, always looks very different from the beginning reference shot. I guess I’m not really trying to improve on nature, just rearrange it.

We liked this area so much, we’re going back this weekend for some more trail-miles. Might even result in another painting!

This painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame.
Email us for details.
This one isn’t going on the main website, but will be only on the blog.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Lillian Ridge – Olympic National Park

Lillian Ridge Trail
To the west of Port Townsend, Olympic National Park fills our skyline. This trail begins at road’s end, over 6000′, at what we hear is the highest road in the state of Washington. It meanders along the ridgetop with amazing views on all sides for miles. To the east, the narrow chasm of Grand Valley shows hints of lakes and waterfalls. To the west, the Mt Olympus complex fills the view. This is Mt McCartney in the distance as one hikes south along the ridgetop spine, often through acres of endemic wildflowers.

This mountaintop has never been glaciated, so walking here means walking in the same footsteps as prehistoric man. I keep looking for mastodons, or at least their tracks.

We have eight-color Giclee prints either unframed or framed, between $39.95 and $239.95 available of this painting and the original painting is available for $700 unframed. Email us.

Link here to the Lilian Ridge print on our website

Or, you can go to our Giclee Print Index here

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Klahhane Ridge Trail

Klahhane Ridge Trail
Since this is currently covered with snow, I worked from photos I took last summer. This trail leaves the visitor center and heads along the south side of Klahhane Ridge. It’s still a place you might find mountain goats on occasion. Heading back at the end of the day, this scene is exactly the high mountain view one would expect here, with Mount Olympus rising to greet you at every turn.
As of the posting date, the original painting is still available and prints are too. Email us for details.
Painting is in acrylic, 14″ x 20″, making it about 24″ x 30″ framed with mat or linen liner.

Olympic High Country

Obstruction Point – Olympic National Park

This image is destined to be made into jigsaw puzzles, posters and probably cards for Olympic National Park. I’ve wanted to paint this scene for years. From this ridge, if you turn 180 degrees, it’s possible to see our home forest 25 miles below in the distance. This is the dry side of the Olympics, and because of its isolation, there are many plants and animals that have to evolved to grow only here – the Olympic Marmot, Olympic Chipmunk, Olympic Weasel and others.

It’s a special place for Nancy and I that few ever see. The original painting is 24″ x 36″ and is acrylic on paper board. It’s currently available for sale.