Tag Archives: Murals

New Painting Post, Uncategorized

An Eifert Look to the Marine Life Center

Feiro Marine Life Center gets a dozen Eifert exhibit panels and new “look”.

 (Click the image and it should enlarge)

The Feiro Marine Life Center in Port Angeles Washington. We’ve been working on this for a seven months now, and it’ll be probably another year before it’s completed, but I thought I’d pass some of it around here today.

The place needed some freshening up, so they asked us to help. Much of this is centered around the ‘big deal’ that’s coming down locally in Olympic National Park – the removal of the Elwha River dams, largest dam removal in the US to date – and it really is a big deal, at least around here and at least for me. I’ve been involved with the dams project for several years now as a provider of art showing what the river will look like post-dams, so it was logical I also help create some exhibits about it at the Feiro. Here’s a link to some of that other Elwha River work.

The image above is only the quickie-watercolor concept sketch, but I thought it interesting enough to pass around. Everyone sees the finished products – complex paintings or big visitor center exhibits – but few see where it starts, the basic skin and bones of ideas. And while it may (read: probably) not end up this way at all, it’s a good view into the creative process. So here goes: This wall is actually three times longer than this. It goes off to the left where there are also windows, so to keep it simple, I just focused on this area for a concept sketch. The sign is all they really requested, which includes a changing banner up top for programs. I’ll do all that here in the studio, but the rest will likely be done on-site. We went to the big Seattle Aquarium for some field research into how kelp and fish look underwater, how fish circle, and how light filters down into the ocean. The two herring balls – thousands of little fish circling for protection, will mimic the oval sign, and the octopus encircling the sign shows a popular critter they have in their tanks. There will be more and larger fish, likely salmon, and more extensive bull kelp, but this shows the basic idea.

Stay tuned, I’ll send more as this goes along.

For local readers: Nancy is opening a show of her photography at Gallery Nine in Port Townsend Saturday night, 5:30 to 8pm. Come on down and see her new work.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post, Uncategorized

Visiting My Old-growth Friend

Ohanapecosh Visitor Center – Mount Rainier National Park (click photo to enlarge)

Last week we were over at Mount Rainier and Mt St Helens for a field trip and stopped by the Rainier visitor center where one of my old-growth murals is installed. We hadn’t been there since the Great Flood of 2006 that closed the park for 6 months, and while there remains evidence everywhere of the 18″ of rain in 36 hours, the v.c. looks great. I have never taken good photos of this installation, so Nancy spent some time there doing just that while I filled out some paperwork on annual mural maintenance for the NPS Rangers.

This mural was painted in the Spring of 1995, making it over fifteen years old now. I’m happy to say it looks just as vibrant as when it was installed. It’s acrylic on MDO plywood, and while it was for Ohanapecosh, the forest itself was modeled after the wetter Carbon River Forest over on the opposite side of the mountain. I involved interpretive staff from the other two ‘big’ parks nearby, Olympic and North Cascades, because we wanted to make sure it fit all three. We also planned to create posters, puzzles and cards to sell at all these parks, so species had to fit for all of them. One park has lots of elk, another none, so no elk. Grouse or not? It wasn’t until one guy saw one on the way to work that the grouse was IN. It went that way with about 30 species until everyone was happy – except the painter who didn’t get to paint any elk.

And me? I’m now happy that after 15 years those posters and puzzles are still selling well in all three parks (and many others, including the major redwood parks in California). I’m sure the Rainier non-profit that funded the original painting (and sells the products) has, by now, actually made a profit off the painting they commissioned. And the Chief of Interpretation that originally gave me the commission? He’s retired and lives here in Port Townsend – and has crewed for me in a few sailboat races. It’s a small world that is endlessly big.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. You can find this poster and puzzle here if you dig.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post, Uncategorized

Art in the Old-growth

(Click to enlarge so you can read the text by Janet Scharf, Olympic NP)

‘An art gallery in the woods,’ that’s what I like to call these paintings.

Thanks to the kind folks at the park, I now have 24 paintings, well, reproductions of them, scattered along the road in Olympic National Park’s Sol Duc Valley. This one was one of the first, and until recently I didn’t have a digital file of it for my portfolio. The fabricator finally sent it to me, so now I’m passing it along to all of you. It tells the story of the unseen-by-us happenings in the old-growth when the sun goes down, how all sorts of critters appear and carry on their lives when we’ve all gone home for the day. In the foreground, a flying squirrel is diggin’ ‘shrooms and upon hearing the rustle of forest duff, a northern spotted owl begins its predatory plunge from a high perch. The black-tailed deer is browsing oxalis and isn’t aware of the mountain lion’s stealthy approach. And the marbled murrelet is coming home on the last flight of the day, returning to it’s mossy nest with a load of herring for it’s chick from the distant Pacific 20 miles away.

I’ve always liked the idea of using my paintings to present an interpretive idea or story about nature. I learn about it. I paint it. I pass it along to the next guy. Outdoor fabrication technology is pretty good these days, so this panel will last for decades unless a 500,000-pound tree falls on it (which has happened). I love the thought of a car full of visitors driving up this beautiful road, eyes open in wonder at the scenery and pulling off to read this wayside panel – and suddenly they’re immersed in a painting telling a story about nature they never knew about. I think art should teach and inspire – and then move the viewer to positive future actions. Is this art? I’d say it is.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was posted to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has new work up of her garden after a morning rain.

New Painting Post, Uncategorized

Bristlecone Pines Jigsaw Puzzle

Bristlecone Pines puzzle box

Bristlecone Pines – The Trees That Rewrote History
 NEW jigsaw puzzle

I was commissioned for this new mural by the Crater Lake Institute, a most forward-thinking and generous bunch.  This painting is one I’ve wanted to do for years, and now, with the mural complete, we’ve also created a puzzle of the image.

If you don’t know, and many people don’t, bristlecone pines are high elevation mountaintop trees of the Great Basin in remote areas of Nevada, eastern California and Utah. I think they’re the most beautiful trees on the planet, and the starkness of their high-elevation surroundings just adds to their appeal. We’ve studied them in Bryce Canyon and Great Basin National Parks, and the famous Schulman Grove in the White Mountains east of Bishop, CA on Forest Service lands. In all these places, we’ve felt a reverence, an almost religious experience in even casually walking among these ancient trees. How ancient? Well, some still-living trees have been dated to having begun their living journey from a small seed almost 5000 years ago, making them the oldest single plant species on the entire planet. Branches and downed trees have been dated to almost twice that age, and have helped scientists better understand climate data since the Ice Age. That’s what the title, “The Trees that Rewrote History” refers to. With few wildfires and a high-desert arid climate , downed bristlecone wood stays around. To put this into a perspective we can maybe grasp better, these trees began life when there were woolly mammoths walking around North America!

Now, I just have to add this extra bit because it’s eaten at me for decades, and made educating people about bristlecones with my art a mission for me. This is a direct quote from Wikipedia: “In the Snake Range of eastern Nevada Donald R. Currey, a student of the University of North Carolina, was taking core samples of bristlecones in 1964. He discovered that “Prometheus” in a cirque below Wheeler Peak (in what is now Great Basin National Park) was over 4,000 years old. His coring tool broke, so the U.S. Forest service granted permission to cut down “Prometheus”. 4,844 rings were counted on a cross-section of the tree, making “Prometheus” at least 4,844 years old, the oldest non-clonal living thing known to man. … He never cut down another tree in his life.”

Enough said: you guys understand, and I think some of you might have actually known Mr. Currey, who died in 2004. It’s a sad tale, is it not? Why is it that we keep repeating needless destruction of this little planet? Well, I think it’s because we simply don’t appreciate something until it’s gone or screwed up beyond repair. Like Prometheus – or the Gulf wetlands we were in only six weeks ago.

So, my bristlecone image is now a 500-piece jigsaw puzzle (made of recycled materials, I might add) with a good interpretive essay on the box’s back along with a species key. You can buy it online or by email or call us at 1-888-437-2218 and we’ll ship it with an invoice. We’re trying to make it easier for readers who have difficulty with the web ordering-thing. If you’d like to bundle up several puzzles, it saves you shipping. Just tell us what you want.

Thanks for reading this week. This one meant a lot to me to finally see it in print – and it’s already selling – and educating – at some of the bristlecone parks.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Carson River Mural Unveiling

This week I finished up another large-scale habitat mural for a new visitor center along the Carson River in Nevada. This vibrant place, just below the High Sierra front and southeast of Lake Tahoe, has always been important to wildlife, and to me. I consider it one of the most beautiful and interesting places in the West.

As the winter snows melt off these great mountains in spring, this water runs off into the valley and eventually out into the Great Basin where it evaporates with summer heat. Along the way, vernal pools and backwater pockets are filled with rushes and cattails, providing fabulous habitat for birds that make wildlife-watching wonderful. I’ve gotten to know this area pretty well, as I’ve also painted another, similar painting just north of this for the Lahanton Valley National Wildlife Refuge. In some small way, I’m always hoping my work will open some eyes, change some hearts and minds and possibly, just possibly, make it so these beautiful landscapes (and fictitious paintings) will both continue past my lifetime.

I wrote two other posts for this one as the project progressed. Here’s the original sketch (these open in separate browser windows) and here’s the half-way image showing the development of details. It’s kind of fun to see all three stages because things always change as I go along. For example, I added a yellowthroat and a Savannah sparrow to the final – and they’re not in the second stage painting.

And below is the initial reference photo I developed the painting from. Supplied by the client (and, thank you, Anne), you can see how far from reality these big paintings stray. Still, there are basic elements here that remained the same, making it a recognizable place. I like to say this photo was the launching pad, but where the final painting landed, no one knew – especially me!

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. To see more than 50 other murals like this, click here.

Click here to check out what Nancy’s currently working on with her photography.

Uncategorized

“Vanna White” – 20 Years Remembered

Painted just last year, my two best friends, “Vanna White” and Nancy in an interpretive painting for Olympic National Park. For decades to come, visitors will see but not fully understand what this painting represents to us.

I’m greaving  today over a separation from my second best friend, “Vanna White”. For 20 years and a third of a million miles, as a research vehicle I’ve driven this VW Westfalia Camper to just about every park in the Western United States. We’ve camped in her in places you wouldn’t think a 2-wheeled car could go,  talked to her like a person, and some people thought I would be buried in her – a ready-made coffin! 

One favorite story is the burned-up water pump-event north of Bakersfield. We got her stopped before the engine blew up, and were hauled into town by a good-hearted Chicano tow operator. Saturday night, all shops were closed (and there’s almost no civilized camping in Bakerfield), so he took us over to a friend’s house for the night, where we slept in the driveway in a neighborhood filled with Spanish-speaking kids and dogs. Early morning, our new friend found a pump somewhere and had it in by nightfall –  and event that included tasty food being brought over by the neighbors. I remember lots of fried chicken and lots of kids, all very interested in who we were and what we did. Vanna was like that – drawing a crowd no matter where we landed.

Now, while my Dad would buy a new car every three years no matter what, we camped more times than I can count in Vanna during the past 7,300 days, from Mexican beaches to Banff in the Canadian Rockies. I wrote park guides in her, painted watercolors on picnic tables and woke up with snow on the roof.  Burning through 17,000 gallons of gas, most parts were replaced as we went along. Cosmetic surgery and new paint (by me – after all, I am an artist and own a spray rig), but also a new engine, transmission, three clutches, four or five water pumps, three stereos and more carpets than I can remember. And, like another Vanna White we all have known for decades, she just never seemed to age!

2006: Here’s Vanna next to a 90′ mural we were working on in 29 Palms California. We painted two murals here, a decade apart, and Vanna was there both times.

And so, after driving her a distance of from here to the Moon and half way back, we recently decided to find her a new home. It didn’t take long!  Just a couple of days on Craigs List and yesterday Vanna went off to Portland with a delightful younger couple who, we’re sure, will have the time of their lives continuing on with this same boundless spirit of adventure. AND, I’ve been told of a local support group I can go to of former Westfalia owners.

And why did we do this heart-wrenching thing? Well, we now have a little Scamp trailer waiting for us in the Tampa area. That’ll be a 6,600 mile trip to bring her home – and a good start on the next 340,000-mile adventure!

Vanna on her last adventure with us. California’s Anza Borrego Desert State Park, December 2009.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Murals

Carson River Mural Beginnings


 This should enlarge if you click it. If that goes nowhere, click the blog here and do the same.

Last week I sent out the sketch for this painting. A commission for a non-profit, this painting is for their new visitor center. The scene isn’t exactly accurate as to the way it truly is, but hopefully will give the viewer a ‘sense of place’. I have a nice little singing marsh wren painting I’ve also done to warm up for this, which I’ll send in a few days.
In the meantime, I’ll tell you how this is going. The painting isn’t as large as many I do like this, maybe 3’x5′. At this size, it’s large enough that I can get some details in, and small enough so it won’t take a month to paint. I first put down several coats of a very dark brown (almost black) base, so when I paint this up to lighter colors, it hopefully looks like a landscape just emerging from night. Those dark areas around the bottom will soon disappear. You see the High Sierra Front (east side of Lake Tahoe area) is almost finished. It’s on the west side of the Carson Valley, putting early morning light right on these high peaks. They’d shine like crazy when that morning light hits them.
I paint these things from the background to foreground, usually top to bottom, so the mountains go in first as you can see, then the area slightly closer to the viewer, and so on, but to give me a sense of the entire composition, you’ll see some critters outlined or just roughed in. This helps me figure out what the final image might look like. This photo was taken yesterday, so today it’s much farther along, but why waste time photographing it? Let’s get back to work.
Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

Murals

Carson River Mural Sketch

Pencil sketches are always difficult to see here, so click on this image to enlarge it. A large non-profit organization is working on a project south of Reno Nevada along the Sierra Front, and, as part of it this painting will soon be installed in their new visitor center at the ranch. It’s an exciting prospect for me to paint this. Sandhill cranes, bald eagles, large populations of white-faced ibis, and one of the only colonies of tri-colored blackbirds in Nevada are here. With 250 species of birds and a backdrop of mountains that just doesn’t quit, it’s an exciting place to paint one of these complex habitat murals. I’ve painted for this private organization before. There’s been a mural and nature guide for the Kenai River in Alaska (exceptional field trip), one for the Great Salt Lake wetlands north of Salt Lake City (where we got to see a peregrine falcon’s nest up close as the parent divebombed us) and another one north of this current image in the Lahanton National Wildlife Refuge. That mural included a very fun airboat trip out into the tule marshes – you know, the boats with the big propellers on the backs that go in about 2″ of water. USFWS showed us some fresh water clams still living there that are hold-overs from the last Ice Age.

I’m working up a ‘warmup’ painting for this mural of a marsh wren singing that I’ll post soon.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

New Painting Post

Ancient Bristlecone Pines mural

Finally, I got this puppy finished up. It was quite a handful with lots of other work coming and going through the studio. If you click on the image, it should enlarge. If not, go here to the blog.

This is destined for The Crater Lake Institute, that, through the years, has commissioned me for many of these types of paintings. Next summer we’ll have products like puzzles available, but there’s lots of design work to do before that happens.

When I sent out the sketch for this awhile ago, I received lots of mail about where to see these trees and just how to do a painting like this. The 3′ x 5′ painting is on hardboard so I had a smooth surface to begin with. I primed it with dry-brush latex to rough it up slightly, making for good textural effects. These are worked up from the back forward, so the foreground flowers are the last to go in, and there’s lots of hidden stuff in that foreground. I recently put up a page on the main website with a page of murals. There’s currently about 50 for you to see, so check it out here.

SO: Where can you see these bristlecones (that DO have bristled cones)? Well, you’re not going to this time of year, but if you’re looking for a great trip next summer, check out the bristlecones east of Bishop CA in the Whites or at Great Basin National Park way out near Ely Nevada, or Brice Canyon National Park in Utah. They’re high-elevation trees – at 10,000 feet or so on dry windswept ridgetops in limestone, a place where nothing else can easily grow. It’s worth a trip to walk beneath the oldest trees on the planet, some dated to almost 5,000 years of age. Even the downed branches are beyond my comprehension – some have been dated back 9,000 years from the present. To put that into context, the woolly mammoth was still around then!

Here’s the original pencil sketch:

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. There’s some good new stuff here on her blog about the Day of the Dead Celebration in Seattle.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us. If you know someone else that might enjoy this, let us know. Our list is growing.

Uncategorized

Olympic High Country

Obstruction Point – Olympic National Park

This image is destined to be made into jigsaw puzzles, posters and probably cards for Olympic National Park. I’ve wanted to paint this scene for years. From this ridge, if you turn 180 degrees, it’s possible to see our home forest 25 miles below in the distance. This is the dry side of the Olympics, and because of its isolation, there are many plants and animals that have to evolved to grow only here – the Olympic Marmot, Olympic Chipmunk, Olympic Weasel and others.

It’s a special place for Nancy and I that few ever see. The original painting is 24″ x 36″ and is acrylic on paper board. It’s currently available for sale.