Tag Archives: Murals

New Painting Post

Point Reyes National Seashore Field Trip

This week Nancy and I were in Point Reyes National Seashore near San Francisco prepping for a new mural. Here’s the concept sketch. It’s been years since I’d been here and it was great to see this beautiful place again. I’ve seen this park from car, foot, horseback and twice sailing by it in my own boat, but this time park staff showed us around and it was fun to see it through their eyes. It’s one thing to be a tourist or traveler; entirely another to see a big park with people who have great insight and knowledge of a place. As long-time Chief of Interpretation, John Dell’Osso said: “I have a huge passion for this amazing park – let me show it to you.” You bet!

The problem, of course, was to figure out a way to show all five separate and different Point Reyes habitats into one painting – ocean with whales and elephant seals, estero (like Drakes Estero in the distance in the photo), uplands with scrub, forests with cypress, fir and redwood, and of course  Tomales Bay estuary and wetlands on the other side of the mountains. Impossible, of course, so after two days of trying, I finally admitted defeat and fell back to something called reality.

So, the painting will be all about this habitat: coastal scrub with an amazing collection of critters and plants. I’ll be painting tule elk, black-tailed deer, scrub-jays, hummingbirds and quail. Oh boy! Just to be on the ground here was so much better than trying to paint a place without seeing it first-hand. Hear that you guys that don’t send us for a field trip?? This one will be GOOD!

Here are the flat-hat pros that know their stuff like few others: John Dell’Osso on the right and John Golda left. The artist with his sketchbook in the middle just wishes he could stay here forever.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Polk Mural Progress Report

Here’s the sketch. I blogged about this a month ago. This is for the Polks Nature Center in central Florida.

 Painting Day 1 on September 13th: 4′ x 12′ piece of Yupo paper is tacked to the wall, primed and shows progress at the end of the first day of painting.

 Painting Day 3 on September 23, and the basic structure is in place, but now the park folks want some major changes on the left side. Sigh, but now’s the time for big alterations, not when the details are in.

Painting Day 6, sandy areas appear on the left and the horizon is smoothed out. Areas of the background in the center and upper right are tested for color and value, shadows and light. Some critters are blocked in so I can check sizes.

Painting Day 10 September 28, and the thing is taking shape. More critters are defined, trees on the left are gone, trees added in the middle, water is defined better, center part of the painting now shows upper canopy and trunks of the pines in place and ground details are starting to appear.

All these photos should enlarge so you can see them better. This is not being painted on a daily basis while my life progresses in other ways, meaning there were four days out at the Hoh Rain Forest, time spent while I’m replacing 400 feet of new cedar decking, and now we’re off to Point Reyes National Seashore this next week for a field trip. Oh, and I did four presketches for paintings for a Portland project.

Again I want to thank Union Bank in Port Townsend for continuing to give me studio space for these larger projects. I’d be really cramped in my little studio here in the meadow for this one.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Florida Gets an Eifert Mural

 

And we’re off again! This time it’s a complex habitat wall mural for the Polks Nature Discovery Center in central Florida – and this is going to be FUN. The top drawing is the right side of the 24′ mural, and I wanted to show this first because it’s my favorite part. The scene transcends from the swampy seasonal flatlands pond on the right (above) into the center pine flatwoods with saw palmento and finally, on the left into a sandhill  pines area. There’s a lot going on here, with very juicy stuff to paint like wood storks, alligators and spoonbills. There’s even an orange-red corn snake wrapped around the cypress.

Make sure you click on this bottom image so you can see the entire thing.  As  you can see, I still  have some details to work out in the sandy areas in the lower left, but we’ll get there. I began painting this a few days ago at my “downtown” studio in Union Bank where I have enough space. My little studio here won’t cut it. This will be quick; there are a bunch of other big projects waiting in line – and besides, this is the fun stuff of my life!

 

The colors, atmospheric qualities, horizon line – this is all a very different place from where I live. The Northwest  is a very deep place for colors, almost like it swallows color into a dark hole. The darks are verging on black but the light values are brilliant colors. In fact, I’ve often thought that the Olympics have the darkest forests I’ve ever painted and this creates huge value contrasts with other colors. This Florida painting is just the opposite. There, the atmosphere is so saturated with moisture is softens everything. The sky is pale, the edges of distant forests are almost blurred as they’re filtered through all that wet air. This is probably the most important thing I have to figure out in painting big landscapes: what makes a place look and feel the way it does.

 

I’ll be posting progress reports as I go along with this one.  Get the massage table ready – turn up the hot-tub. I’m ready! This gator’s smiling about it too.

 

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Reprinting the Arcata Marsh Mural

This was only the third big habitat mural I ever painted, and I’m  hard-pressed to figure out the date it was finished. I’d say 1989, give or take, but it could be earlier. A printed copy of this painting lives in Arcata, California at the Arcata Marsh Interpretive Center. Its home is a sunny wall, and for that the reason we installed a copy of the painting and not the original. Now because of sun damage it’s about to have version #3 printed to replace #2.

So, this week I went into the giant lock box at the bank and fished through the hundreds of 8″ x 10″ transparencies (film they don’t even make any more) and brought this home for scanning. A decade ago was the last time we replaced this, and then we used that transparency and simply made a photo blowup. This time it’s all digital and will be printed on half-inch thick high-pressure laminate material similar to Formica. Thinking about this I was truly struck by the technical changes of this stuff in the past decade, and how artists really need to understand and keep up with it – or risk being left behind like so many other ‘industries’ – and I’ll be damned if they’re going to outsource ME to India!

When I painted this, the Arcata Marsh was a very new place, and it was difficult to imagine what it would become. Sitting on an old log processing pond at the upper end of Humboldt Bay, the idea was for the nearby sewer plant to run its almost clean water through a series of channels and let aquatic plants clean up the last of it. Birds would flock, animals would find homes, people would come to walk and view – and over the years it all came true. I’m happy to have been a part of the initial interpretation, and happy they continue to kept my painting as part of it.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

My New Portfolio Is Ready To Erupt

For some years now I have had a cd Powerpoint portfolio I send to clients, parks and contractors who give me these great commissions painting nature. Keeping the thing current has always been a challenge, but nothing like I used to deal with back in the dark days when things weren’t digital. It’s a great way to present what I might do for future projects or references of what I have painted, printed and produced. I also had a second disk for some of my easel paintings that was wildly out of control, so recently I’ve been working on a new version of all of it. This new one is a composite of both portfolios, and at 147 pages, it’s almost a book. I’ve also put it all together into one big presentation and divide it into clickable sections with a Table of Contents for easy viewing. So, there are murals, wayside exhibits, big walls, dainty ink drawings, watercolors, acrylic paintings on canvas, publications and other stuff like jigsaw puzzles and posters, nature guides and tours – the works, and all on one little disk.

 

It’s now ready to fly, so if you’re a park interpreter, design firm for nature interpretation and installations, past client or just interested in a copy (free) to have ‘just in case’, I can now mail one out to you. Just hit the reply key and give me the scoop, but please, no requests from my easel painting collectors. Sorry, but how much time do I have for this when I’d rather be painting?

 

And, a brand new 500-piece jigsaw puzzle is coming out this week, so stay tuned, oh my many faithful puzzle people. This one is of the mural I painted for Kenai Fjords National Park in Seward, Alaska. It shows the ecosystem emerging from the melting toe of Exit Glacier, and the only other place you’re going to be able to buy it is at the new Visitor Center there or through Alaska Geographic. So, it’s either a luxury cruise, a long flight and a rented car, OR, you’ll be able to get it from us! Come to think of it, options one and two don’t sound all that bad.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Bristlecone Pine Sketchbook Journal

I posted some other pages from this project a few weeks ago here. There are 11 pages of sketches that will string along the bottom of the three mural paintings I also painted, and all these will soon be installed in the new visitor center at the Schulman Grove of ancient bristlecone pines in California. When it opens in a few months, this is going to be really fun to see, at least I hope so. Standing in front of the three huge paintings, these sketchbook panels will show how the paintings were developed, like a field sketchbook.

I’ve always loved field sketching. It gets to the heart of things, of using your eyes to see. You get to watch the results flowing out of your hand like magic. To me, it’s the very basic process of creating art, and something I’ve done all my life. Someone recently asked me if I ever took mind-enhancing drugs. No, I said, instead I draw nature outdoors and in the field, and to do it well requires great attention to details, color, texture and how nature has evolved in a single place. I mean, how much more clearly could a person see this amazing and vibrant world than with a pencil in your hand?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

The Old-growth of Fort Townsend State Park

 

This should enlarge with a click. Please do so as there are lots of details.

Just a mile or so from our studio is one of the rarest of all Northwest places – a lowland old-growth forest. It’s quite a park, and for Nancy and me, just walking the road into this place is often almost spiritual. Here in Port Townsend, we’re on the dry side of the Olympics so these trees aren’t huge like rainforest giants, but there’s an open and ancient feel here that always gets my heart going. Giant glacial boulders dot the forest. Signs of old wildfires are evident. We watch pileated woodpeckers hammer out old snags. Cougar warning signs abound. For about 8,000 years or since the last ice melted, this place has been left to itself. Even when there was a small military garrison here, the only trees cut were a few for firewood.

So, while thousands of miles of forests, our heritage, have been whacked away and the land irreputably ruined, this place has what few lowland forests have these days – some very, very rare plants. All those weird and odd plants that line the painting’s foreground are saprotrophic fungi, plants that don’t produce their own food but instead borrow it from the trees. You won’t see them in cut-over forests – if the forest goes, so goes most of the other stuff like gnome plant, sugar stick and pinedrops. Even calypso orchids won’t reappear. I won’t go into it more here, but I consider this forest to be something of a sacred place, a place much like a world-class museum that holds our most meaningful treasures – our  heritage. These great forests won’t return ever again while humans are here, and so along with the few other scattered lowland patches of old-growth, this is IT!

Somehow the very active local friends group for the park, The Washington State Plant Society, came up with some funding for me to paint a mural for an exhibit at the park. Seriously, I can’t imagine anything more fun for me to do than paint this exceptional forest. I mean this is like a gift, a chance to actually paint my own backyard. It just doesn’t get any better than this. Here’s a picture by Nancy of the ol’ guy at the easel, half way through this effort. Was he dragging his feet? Well, maybe! 

Thanks Ann and Nancy of the friends group, this was just plain fun.

And as usual, thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Sketchbook of the White Mountains

Click each image to enlarge – there are nice textures here and there.

This week I painted more art for Schulman Grove’s new visitor center in the White Mountains of California. This group is a series of seven sketchbook pages for exhibit panels below my three murals. These three need to be cleaned up a bit, so you’ll see some ragged look and blocky edges here and there from all the Photoshop layers. It’s a work in progress, but this way you can see assembly process.

I hope not, but I may need to move some of the sketches around or change the wording, so I thought it best to create EACH drawing seperately and even the color is seperately layered so it can be changed. Each text passage is put in with Photoshop too, so it can be edited if necessary. I first did the pencil sketch, then put tracing paper over it and painted the color layer. Both were scanned, pieced together and put on a photo image of one of my blank sketchbooks. I think the results look pretty good, like they’re old field sketches drawn on location a century ago. I was shooting for those old botanical illustrations on faded yellow paper, and I think I came close. Once I get approval from the Forest Service, I can clean up the rough edges. The reason I didn’t hand letter the captions is that all this has to be ADA compliant, so the characters have to be an approved font. Ah, the world of public art these days is pretty complex!

Computers can be maddening, but then again they can help produce wonderful results. On the other hand, if I didn’t have a few drawing skills in the first place, none of this would have happened at all, so don’t send me emails about computers replacing artists. They’re just tools, like paint brushes or pencils.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has some new shots of Sequi, the new sea otter she’s been photographing.

New Painting Post

Wilderness Art for a Wilderness Park

90% of the people who visit Alaska’s Glacier Bay National Park come on a cruise ship, and most never get off their boat. But those few that do come ashore get to experience a fantastic ecosystem so complex as to boggle a nature-painter’s mind. This painting and exhibit will get front-row seating in Bartlett Cove, the main staging area for people who have the mind and spirit to personally experience this pristine place – and it gives me a permanent little art gallery on the dock! How cool is that?

I just finished this painting two days ago – so it’s still out for approval. This is the first of two images I’ve been working on for Glacier Bay. They both show the critters living between one of the biggest tidal ranges on the planet. Tides here can swing as much as 25 FEET in one cycle, and all that rushing water makes for a pretty rich table, or, as the caption says: “When the tide is out, the table is set”.

I’ve always loved working with the National Park Service. Unlike many, these folks are not in it for the money – but for the good of nature and society, and I just don’t see much of that anymore. As an example of the lengths they go to so I get the best information for a painting, they sent me a little video link a couple of weeks ago. Photographed in a BLIZZARD and with the staff on skis, it showed where this installation will go! Don’t tell me these folks don’t have their hearts in the right place.

Thanks for reading this week. The second painting will be ready soon.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. Sea Otters, oh my.

New Painting Post

A New Life for Lahonton Wetlands

My first Nature Conservancy commission was this mural of the marshes east of Reno, Nevada. The original painting hangs in their offices in Reno, along with about 2.000 posters floating around the West. Now, almost 20 years later, another image will be installed in the new BLM California Trail Interpretive Center, eight miles west of Elko, Nevada. I just sent the final scan and it’ll be 17 feet wide by 10 feet high, proving that art never dies, it just gets reprinted.

Back when this was painted, there weren’t digital scanners like we have today. I remember I had it photographed in Sacramento and found the 8″ x 10″ film postive transparency still there in our lock box on Kodak film that’s not even made today. It was a color-perfect shot and scanned up 2500% just beautifully. How big was that file for a 17′-wide image? The Photoshop layers file was 2.4 gigabits, and I admit my computer took some time to process it. Smokin’.

It was almost 20 years ago when Nancy and I were doing field research for this painting in the dry lakebeds and marshes around Fallon, Nevada. It was the only time either of us have been on an airboat – basically an airplane engine and prop on the back of a big rowboat. What a thrill it was to just glide over these bull rushes and “fly” around miles of marshes. We eventually ended up at a beach just like this one where the US Fish and Wildlife Service guides showed us fresh water clams, reminders of the ancient Paleo landscape when these dwindling lakes were giants from Ice Age runoff.

I have a new show at Gallery Nine in Port Townsend this month. Here’s press on it from the Peninsula Daily News, and here’s the Gallery Nine website with more information. Come on down if you’re here.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.