Tag Archives: Murals

New Painting Post

Ancient Bristlecone Pines mural

(There’s a lot to see here, so these images should enlarge if you click them)
The third and center painting for the Schulman Bristlecone Pine Grove east of Bishop, California was finished this week. Put together, this wall is going to be about 17 running feet of pure high-country paintings. This final one is 5 x 8 feet on stretched canvas and I was really pushing it to fit into my little studio. Several times I almost gave up and went downtown to a larger space, but I wondered how I’d get it in the car. In the end we muddled through and now it’s great to see all three together. Since there was really no room for me to line them up to check (inside, at least), this is the first time I’ve seen them all together. I think it’s going to work.

Bristlecone forests are a beautiful but stark and colorless landscape because the trees are all bleached out by thousands of years of sun, the rocks are white dolomite – and flowers are few here at 10,000 feet. And since some of these trees are almost 5,000 years old, the oldest on the planet, they really look gnarled and sculptural, so that’s what I ended up concentrating on. Paintings of sculpture!

For those who want to know more about this project, I’ve blogged about it before here:
Here is the post for the pinyon painting on the left.
Here is the post for the alpine painting on the right.
And here are the original sketches. You’re notice some serious changes between the concepts and final paintings. That’s the fun of it – not to mention I just love this place.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Schulman Grove Pinyon Pine Forest

(If you click it, this will enlarge in your browser)

This is the second of the three Schulman Grove bristlecone paintings for the new visitor center east of Bishop, California. A few weeks ago I painted the first one of the alpine area that will go on the far right side. Now this one goes on the left side and shows pinyon – juniper forest. Overall size of these three is about 17′ x 5′. If you look at the upper right of the painting, you can see the bristlecones growing up at 10,000′, where the middle painting is sited. That’s the High Sierra in the distance.

Pinyon pine nuts have provided food for people, birds and animals for as long as they’ve been growing. Because of this, the Forest Service requested a gathering party of Native Americans be added to the mural so they can interpret that on the reader rail below. That seemed awkward to me, because it places it as historic and out of context with the other two. What to do? So, I set an amber value scale to the painting to make it feel like an old sepia-tinted photo. I’m hoping it will still go well with the other two paintings, but there’s a very different feel to it.

A busy time these days as I have a show coming up at local Gallery 9 in Port Townsend. I’m enjoying the back and forth between huge mural canvases and looser easel paintings. There’s a lot of paint being tossed around.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

National Wildlife Refuge Week poster

(These photos should both enlarge with a click) 

The same folks at US Fish and Wildlife Service who commissioned me for the Necedah National Wildlife Refuge murals earlier this year have now used a small piece of them on the poster for National Wildlife Refuge Week. That’s a thrill for me on several levels, not the least of which is that this goes all around the country – and I’m already getting some fun fan mail about it.

For me, wildlife refuges are iconic places. I’ve had a very long history with these soggy mudholes, with proof shown in the photo below. It was taken just a few miles north of the same Necedah Refuge in Wisconsin, August 1956, and I was 10. The boat’s name is Redskin and it was just that, a red carvel-planked wooden boat I was turned loose with for weeks to explore the local back marshes and lakes. There was never a life jacket in sight! I used to row out to a lily-pad backwater and just hang my head over the stern watching the fresh water sponges inhale, exhale. Watch the fish make lazy circles under the snags and floating logs, watch the turtles make plopping sounds as they tried to get away from my not-so-quick little hands. These places had a powerful effect on me, a hold that remains firmly in control as I continue to paint them today, over a half-century later.

My dad was never one to shirk from duty, and if I (in the bow) and Virginia (in the stern) wanted to go out and find wildlife, he’d do it – no matter if it was hours and hours of rowing uphill. He once bragged that he planned to carry me up 12,183′ hiker’s only Trail Ridge Road in Rocky Mountain National Park each time we’d go there (which was often), so that by the time I reached high school he’d be stronger than Jack Lalanne. I think the idea lasted two years.

Thanks for reading this week. And thanks for the kind words about the poster.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Exit Glacier mural sketch

This will enlarge if you click on it so you can see the details.

I recently posted the on-location concept sketch for this project, and now here’s the proper drawing I’ve presented to the Chief of Interpretation at Kenai Fjords National Park in Alaska. Exit Glacier is in the background, outwash plain coming down into the forest near the Nature Center, young cottonwoods, alders and spruce emerging from a landscape the melting glacier recently left behind. Moose, bear, coyote and short-tailed weasel among the group. I think I’ve got it.

I get questions about how I construct these larger images, so if you click on the concept sketch link above it’ll open in another window so you can compare. That was what I went from back here in the studio, plus a bunch of photos. The parks usually give me a species list and the number of elements they want to see. There are one or two still missing here, but I’ll get them in – like a marmot and mosquitoes, but I think I got all the rest in.

When the art is installed in the Exit Glacier Nature Center, a nearby panel will have some buttons that, when pushed, will produce digital sounds as if you might be standing there in the forest listening to nature ‘talk’ to you. A moose vocalization, insects buzzing, raindrops plopping, the glacier booming, rustling of birds – the beautiful clear and ethereal voices of the varied and hermit thrushes, those soft forest whistles you can never forget. Soundscapes are a new way to interpretive these murals and I think it’s a great idea as long as the device doesn’t break down. Now if they could just pipe in the smells of moose pellets on forest duff!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Alpine Painting for the Schulman Grove

(both these images should enlarge if you click them)

This week I finished the first of three paintings for the new Schulman Grove Visitor Center near Bishop California. Below are the sketches, pinyon forest on the left, bristlecone forest in the middle and the alpine goes on the right. Together they take up an entire wall of the new building and both doors are lined up to showcase the paintings when you walk in the place, a beautiful new off-grid summer visitor center located in the Schulman Grove at about 10,000′ elevation. The alpine painting shows 14,252′ White Mountain in the background, only about 250 feet shy of Mt Rainier and Mt Whitney. The painting’s location is placed several thousand feet lower in a land of belly-plants, marmots and bighorn sheep, but still a landscape of stark light. It was not easy to pull this off, as there are very few resources telling me what grows at this high, dry and inhospitable place. With this one behind me, I look forward to the other two coming next along with a series of ink and watercolor images for the other exhibits.

As you all know by now, I tend to paint trees. I’m very pleased the Forest Service chose me for this project as Great Basin bristlecone pines are the oldest trees on our planet. I also love these high mountain tree forests, especially this famous grove. To walk among these ancient and gnarled artistic sculptures we call trees is to walk with nature far beyond what I can understand. There’s a stark quiet here that sustains my thoughts of these living wonders far beyond the initial visit. One of them here at Schulman has been cored to 4750 years of age, a thousand years older than any other known tree species. Other downed bits of wood, branches and trunks long dead, have extended these dates back over twice that far and have actually helped rewrite climate history knowledge. But those are just numbers. How do you truly understand any of this when I will be lucky to live less than 1/50th of that?  And here I am at this brief moment of my life trying to create something that will educate some of us about all this. Daunting.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Field trip to Alaska’s Kenai Fjords

We spent this past week in and around Seward, Alaska, and let me tell you about glorious! I’m to paint a mural of the ecosystem for Exit Glacier Nature Center at Kenai Fjords National Park, and time was running out – our window fast-closing for a snow-free field trip. We made it! And in all our travels around Alaska, we’ve never seen it more stunning. Fall was passing with each day, and the colors, well, the colors were pastels of every shade from pale emerald to cottonwood golden, alder ochre to raindeer lichen gray. We couldn’t get enough. You know those rare moments with nature when everything seems too perfect to be real? This was a week of it.

The sketch here was drawn on location beside a raging river at flood stage, but the painting will actually be about the emerging forest ‘downstream’ of the glacier and how it’s evolving out of the glacier’s rubble. For us, the real story here was how far the glacier has receded since our last visit in the late 1990’s. Climate change is seen everywhere here and so obvious and evident that anyone who doesn’t believe this is happening at a very great rate is dumber than the dirt the glacier grinds out of the mountainside. When we got there, a huge hurricane-sized storm had rivers ragging and roads covered (another sign of climate change is abnormally large storms) and with the park road closed we had a rare tour of tourist-central without any tourists.

Everyone complains that we never publish photos of ourselves together, but we’re always photographing nature and not us. Well, here’s one I took in the Seward SeaLife Center. The camera was on the head of a sealion sculpture and the monitor right below my camera. Good enough? Thanks for a very wonderful field trip goes to Kristy and Christina, Doug and everyone else who helped for making us feel very much at home. The painting will come in a few months and I’ll post it then. For now, we’re still enjoying memories of golden mountains and gilded glaciers. And yes, we saw enough Steller sealions, bears, moose, sheep, goats and whales to keep anyone happy.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

2011 Olympic NP Bugler cover

Summer’s almost over and I almost forgot to post this while it’s still current.

On September 17, the official ceremony for the removal of the Elwha River dams will kickoff, but I’ve been involved with this for several years now. I was pleased when the park’s summer newspaper (the handout at the park gates) featured a section of one of the two murals I painted showing what this big river might look like a few years from now. In the upper left corner you can see what will remain of the upper Glines Canyon dam when the river will hopefully become one of the largest salmon producing streams (again) on the peninsula.

My task for these paintings was to show how the river and its salmon influence everything else there. Many plants and animals rely on a healthy salmon runs for nutrients. It’s not just the bears and raccoons, herons and jays that eat the spawned-out fish, but as they drag the fish into the forests, this soon becomes ‘fish emulsion’ for the big trees too. The forests provide a stable environment for a new generation of fish, while the fish give back fertilizer when they return. This cycle has been stopped for a full century by the two dams that will soon be gone.

And I’m affected too. Learning this stuff is the best part of painting nature for a living. It’s not just a painting, but more knowledge I get to cram under that size-8 1/4 hat.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

A New Puzzle Release – Elk Prairie

Elk Prairie Puzzle

Nancy and I are proud to announce a new puzzle – Elk Prairie, a 18″ x 24″ 500-piece jigsaw puzzle like our many others (almost 50 now). This one took awhile to produce, but we think it’s one of the best we’ve printed in years. It features the increasingly rare pocket prairie habitat of old-growth forests that are found from Northern California to Washington’s Olympic Peninsula. This is home to Roosevelt elk, pileated woodpeckers, bears, bobcats and coyotes. Closer in the foreground, you’ll find snakes, toads, lizards and other plants and animals that make up this interesting ecosystem. It’s a crowded place.

As usual, the box back has all sorts of interesting interpretive stuff on it, and we think it’s a puzzle you’ll enjoy putting together as much as I enjoyed painting it. If you click the image, it should enlarge in your browser.

You can click through to the website and buy it here, or, you can just Email us for details and we can send it with an invoice to pay from.

Thanks for reading this week, and we hope you like the new puzzle.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She’s working on a new website that looks great.

New Painting Post

Fort Townsend Old-growth mural – almost in our backyard

 

 

(Lots going on in this sketch – this should enlarge if you click on it)

((Sorry to say, but my server has been playing some evil tricks with me. Hopefully the blog is back in business.))

I paint this stuff all over the country, from Alaska to the Great Smoky Mountains, but very rarely have I been able to accept a large mural commission within a mile or so of our home. Here’s the sketch almost ready for painting – and it’ll be fun for me.

Fort Townsend is an old army barracks that supposedly protected Port Townsend about 150 years ago. In reality, the town protected the fort, and so as time went on the property fell into the hands of the Washington State Parks – and now it’s one of the rarest lowland old-growth forests in Puget Sound. It’s dry country here 40 miles northwest of Seattle (yes, it’s true) and with only 18″ of rain annually, the trees don’t get very big. Because it’s never been logged and the ground has been undisturbed for about 8,000 years, some pretty rare plants grow here. You can find calypso orchids, candystick, gnome plant, pinedrops and spotted coralroot. These are all interesting plants that live off other plants – so they aren’t green, and this painting is all about showing that. Candystick looks just like its name. It’s a colorful stick like something you’d find at the candy store. To get this sketch going, I simply used my backyard plant and bird list for the pileated woodpecker, brown creeper and all the rest. The deer is from a photo from our front yard. The squirrel, chipmunk and most of the small birds could be drawn from life on our feeder every day.

When it’s finished, we’ll develop an exhibit in the park centered around the painting and its story, and each time we go there for a hike (and it’s often) I’ll feel like I’m a small part of this rare place. This project is being funded by a generous grant from the Friends of Fort Townsend (especially Ann and Nancy) and the Washington State Native Plant Society who know the value of art in education. Thanks to them for allowing me to show off  my backyard!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Swan Song for Necedah

This should enlarge if you click it. You can also see it on the blog at http://larryeifert.com/wordpress

Just one last post with the Necedah National Wildlife Refuge murals because I think I’ve messed with this as much I can possible can. A month ago there was a beautiful clean and white wall. Perfect! Or at least that’s what I always think at that stage – and then I started painting the darned thing. March vanished, along with the white wall. On the last post I said the reception would be March 6th (tonight 5-7 at Union Bank), and I think everyone knew I was mentally-strained because no one called me on it.

Someone once asked me how I knew when a painting is finished. “When I’ve spent the money!” But that’s not really a decent answer, because the money-thing has never been that much of an issue with me. The real answer might be: It’s finished when I can’t stand to look at it anymore – and after 35 days, I’m at that point, so it’s time for a divorce. As Dan Hicks sang: “how can I miss you if you don’t go away.” Sometimes it takes me years before I can stomach to look at something like this again, but sometimes when I see it again (well, sometimes), I actually like it. Sometimes I look at it later and I wonder who painted it. Sometimes I look at it and wish I could try again. Who knows that this one will be.

Whichever this is, it’s finished so let’s move on. At 130 feet, it’s one of the most complex big walls I’ve painted in awhile and it was a bunch of fun. Thanks, Nancy, for holding the fort, the business, the house, the meals and all the rest together for the month. Oh, and she did a bunch of painting too. I gauged it at 40 days. I finished 5 days less than that, mainly because of her.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. There’s a good essay there on her anniversary of being a runner for 36 years!!