Tag Archives: Parks

Backwater on the Hoh

We’ve spent the better part of two weeks camping along Olympic National Park’s Hoh River, and I have a bunch of fun mixed media paintings to report. We’re home now, watering some very thirsty tomatoes, yanking out the gone-to-seed stuff we forgot about – and trying to figure out how to return to the West End for a few days more. Probably won’t happen soon, because there are some very patient people waiting for us to do our art-tricks – and we thank you. What? This little watercolor and ink created on my lap in the camp chair while I was being eaten alive by the moskies isn’t art-trick enough? Well, the spash of paint followed up by a dead run to the camper was a pretty good trick. “Moskies” was what I heard a Brit call the evil Hoh River mosquitoes. Pretty good name.

This ORIGINAL painting is watercolor and ink on paper , 8″ x 10″ and $140 unframed.
The dark mahogany frame with a double mat and glass makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details if you’re interested.

AND……………..

 

Here’s a friend that came by the campsite to visit one evening. We’ve not seen such a perfect bull elk  up close and personal in years. Had to have been 1200 lbs and not a mark on him. I guessed from ground to antler top was at least 8.5 feet, and you sure didn’t want to stand in his way as he came past. At the closest point he was about 15′ from us, and the tree I was hiding behind seemed pretty darned small. Olympic NP has the largest unmanaged elk herd in the country, and this guy truly seemed ‘unmanaged.’ Whooie.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Twilight on the Hoh River

We’ve been camping along Olympic National Park’s famous Hoh River this past week, and the next few  posts will be watercolors I did out there, mostly after hikes in the late afternoon. I could have spent the time soaking my feet in the 49-degree water coming straight off the Blue Glacier, but thought better of it. It’s an amazing valley, that quintessential Rain Forest Experience, surrounded by miles of giant 250′ Sitka spruce, red-cedar and hemlock. The visitors are all pretty civilized there too. It’s as if they realize they’re in a special, almost sacred place, and treat it (and other visitors) that way. There’s a lack of amenities, to be sure, no water in the restrooms, no power, no showers, and the park store seems to always be out of our puzzles and books – but it’s also pure clean ancient forest an hour drive from the nearest stoplight. Wonderful.

And speaking of the nearest stoplight, that would be in Forks – the little bedraggled West End logging town that has fallen into a Hollywood gold mine. They should make Stephenie Meyers, or maybe Hollywood location people, the patron saints of Forks for their gift of filming the Twilight Series there. We delight driving through it nowadays, seeing every store in business and the town full of vampire-seekers (or maybe vampires themselves). I’ve never seen so many dark haired, pale makeuped teenaged girls with cameras in my life. Stores: there’s ‘Dazzled by Twilight’, and ‘Twilight Natives’, and even ‘Twilight Firewood.’ We saw a rows of girls all lined up in front of the closed-up high school, pulled over waiting their turn in front of the town sign, even photographing the Twilight Gas Station sign. Amazing!

So, here’s my Twilight take on it with this little watercolor of the Twilight on the Hoh River. Nancy says I’m trying to cash in on the Twilight Craze, but I know who has all the money – pale-skinned teenage girls, and I just know one of them will buy this. Oh, no vampires in it? Well, you never know. There could be one lerking behind one of those big spruce.

This watercolor and ink painting is on cold-press paper, 9″ x 12″ and $140 unframed.
A nice mahogany frame with a double mat and glass makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Next time I’ll tell you about the “One Square Inch of Silence” 3.5 miles up the trail on the Hoh.

Penstemons in the Alpine

 

While we had an amazingly warm winter, the warmest on record, it’s now Junuary in the Northwest. There is still TOO MUCH SNOW in the Olympics for any descent hiking, and we were just over in Glacier National Park in Montana, and the Going-to-the-Sun Road is STILL closed with 20′ drifts in the upper pass.  It’s driving us crazy, and I’m eager, no, almost frantic, to get into some summertime alpine meadows again.

I want to sit down on these rocks next to this little stream (wherever it is) and listen to the sounds of the slow-moving bumblebees making the rounds of spring alpine flowers. I want to take it in, each subtle color and texture on every alpine sedge and lichen, flower or glacier-smooth rock with its Ice Age grooves aiming downhill. Smells, those alpine smells – flower perfume of paintbrush and cornlily. Sour aroma of Sitka valerian. The tangy bittersweet of alpine willow in sun. You know this stuff too, or should, and once you’re bitten by the alpine meadow bug, winters become unbearably longer and hiking books burden your shelves. At least it does at our place.

Penstemons  – This original painting is watercolor and ink, 6″ x 9″ and $125 unframed.
A dark mahogany double-matted frame makes it a total of $149 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

I left this out of the last post, but if you’d like a direct link to buy the new Bristlecone Pine puzzle, here it is.

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Bristlecone Pines Jigsaw Puzzle

Bristlecone Pines puzzle box

Bristlecone Pines – The Trees That Rewrote History
 NEW jigsaw puzzle

I was commissioned for this new mural by the Crater Lake Institute, a most forward-thinking and generous bunch.  This painting is one I’ve wanted to do for years, and now, with the mural complete, we’ve also created a puzzle of the image.

If you don’t know, and many people don’t, bristlecone pines are high elevation mountaintop trees of the Great Basin in remote areas of Nevada, eastern California and Utah. I think they’re the most beautiful trees on the planet, and the starkness of their high-elevation surroundings just adds to their appeal. We’ve studied them in Bryce Canyon and Great Basin National Parks, and the famous Schulman Grove in the White Mountains east of Bishop, CA on Forest Service lands. In all these places, we’ve felt a reverence, an almost religious experience in even casually walking among these ancient trees. How ancient? Well, some still-living trees have been dated to having begun their living journey from a small seed almost 5000 years ago, making them the oldest single plant species on the entire planet. Branches and downed trees have been dated to almost twice that age, and have helped scientists better understand climate data since the Ice Age. That’s what the title, “The Trees that Rewrote History” refers to. With few wildfires and a high-desert arid climate , downed bristlecone wood stays around. To put this into a perspective we can maybe grasp better, these trees began life when there were woolly mammoths walking around North America!

Now, I just have to add this extra bit because it’s eaten at me for decades, and made educating people about bristlecones with my art a mission for me. This is a direct quote from Wikipedia: “In the Snake Range of eastern Nevada Donald R. Currey, a student of the University of North Carolina, was taking core samples of bristlecones in 1964. He discovered that “Prometheus” in a cirque below Wheeler Peak (in what is now Great Basin National Park) was over 4,000 years old. His coring tool broke, so the U.S. Forest service granted permission to cut down “Prometheus”. 4,844 rings were counted on a cross-section of the tree, making “Prometheus” at least 4,844 years old, the oldest non-clonal living thing known to man. … He never cut down another tree in his life.”

Enough said: you guys understand, and I think some of you might have actually known Mr. Currey, who died in 2004. It’s a sad tale, is it not? Why is it that we keep repeating needless destruction of this little planet? Well, I think it’s because we simply don’t appreciate something until it’s gone or screwed up beyond repair. Like Prometheus – or the Gulf wetlands we were in only six weeks ago.

So, my bristlecone image is now a 500-piece jigsaw puzzle (made of recycled materials, I might add) with a good interpretive essay on the box’s back along with a species key. You can buy it online or by email or call us at 1-888-437-2218 and we’ll ship it with an invoice. We’re trying to make it easier for readers who have difficulty with the web ordering-thing. If you’d like to bundle up several puzzles, it saves you shipping. Just tell us what you want.

Thanks for reading this week. This one meant a lot to me to finally see it in print – and it’s already selling – and educating – at some of the bristlecone parks.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Old Fir at Fort Flagler

I’m still on this pen, ink with watercolor-thing. I recently received an email about one of these I did back in the 1970’s that someone recently purchased in an estate sale, and it jogged my memory that they were fun to do. So, we’ll go a bit more with this.

We trailer-camped beside this stately old Douglas-fir last week. We had planned on a little camp-hike into the Olympics, but rain got in the way (oh, RAIN? in the Olympics – in JUNE?), so we simply drove over to Fort Flagler on Marrowstone Island just east of here. The Rain Shadow Effect was doing its thing, and the sun was out. We could see the rain right over across Port Townsend Bay, where it stayed, but here it was clear, soft and nice, so I got busy with the paints. Long  cool later afternoon shadows, tall spring grass that hadn’t been trimmed and a few crows flying overhead.

There are lots of old-growth trees here, but here in the lee of giant mountains, they never grew huge. You can tell they’re old trees because the lowest 8 feet or so are all fire scarred and pocked with woodpecker holes. A dead giveaway. And the reason they’re still here? This is old fort was one of the many ringing Point Wilson, gateway to Puget Sound, and they guarded it from the bad guys a century ago. The forts never fired a shot in defence, but they never cut many of the trees either, preferring to use them as camouflage for the big guns. The guns were melted down and turned into tanks in the next war, and the state of Washington turned the forts into parks. A great idea, don’t you think?

This ORIGINAL painting is watercolor and ink on Arches paper, 10″ x 14″ that fits a 16″ x 20″ matted frame. It’s $239 unframed.
A dark mahogany frame with a double mat makes it a total of $279 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Next post I’ll have the new Bristlecone Pine jigsaw puzzle to brag about, so stay tuned.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was posted to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

“Vanna White” – 20 Years Remembered

Painted just last year, my two best friends, “Vanna White” and Nancy in an interpretive painting for Olympic National Park. For decades to come, visitors will see but not fully understand what this painting represents to us.

I’m greaving  today over a separation from my second best friend, “Vanna White”. For 20 years and a third of a million miles, as a research vehicle I’ve driven this VW Westfalia Camper to just about every park in the Western United States. We’ve camped in her in places you wouldn’t think a 2-wheeled car could go,  talked to her like a person, and some people thought I would be buried in her – a ready-made coffin! 

One favorite story is the burned-up water pump-event north of Bakersfield. We got her stopped before the engine blew up, and were hauled into town by a good-hearted Chicano tow operator. Saturday night, all shops were closed (and there’s almost no civilized camping in Bakerfield), so he took us over to a friend’s house for the night, where we slept in the driveway in a neighborhood filled with Spanish-speaking kids and dogs. Early morning, our new friend found a pump somewhere and had it in by nightfall –  and event that included tasty food being brought over by the neighbors. I remember lots of fried chicken and lots of kids, all very interested in who we were and what we did. Vanna was like that – drawing a crowd no matter where we landed.

Now, while my Dad would buy a new car every three years no matter what, we camped more times than I can count in Vanna during the past 7,300 days, from Mexican beaches to Banff in the Canadian Rockies. I wrote park guides in her, painted watercolors on picnic tables and woke up with snow on the roof.  Burning through 17,000 gallons of gas, most parts were replaced as we went along. Cosmetic surgery and new paint (by me – after all, I am an artist and own a spray rig), but also a new engine, transmission, three clutches, four or five water pumps, three stereos and more carpets than I can remember. And, like another Vanna White we all have known for decades, she just never seemed to age!

2006: Here’s Vanna next to a 90′ mural we were working on in 29 Palms California. We painted two murals here, a decade apart, and Vanna was there both times.

And so, after driving her a distance of from here to the Moon and half way back, we recently decided to find her a new home. It didn’t take long!  Just a couple of days on Craigs List and yesterday Vanna went off to Portland with a delightful younger couple who, we’re sure, will have the time of their lives continuing on with this same boundless spirit of adventure. AND, I’ve been told of a local support group I can go to of former Westfalia owners.

And why did we do this heart-wrenching thing? Well, we now have a little Scamp trailer waiting for us in the Tampa area. That’ll be a 6,600 mile trip to bring her home – and a good start on the next 340,000-mile adventure!

Vanna on her last adventure with us. California’s Anza Borrego Desert State Park, December 2009.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Flying Baked Potatoes

Winter-Murrelet
Flying Baked Potatoes
How a little seabird helped save some big trees

(Published in 48-North Magazine last month. It’s a pretty good read, I think, but it’s long enough that I posted the entire thing on the web blog.) I also think I’ve worked out all the bugs on this new software, but if it’s not working for you, please bear with me.

Here’s the story!
“Things are bad – really BAD around here!” he said, “And it’s all because of that stupid owl and the purple murel-thing that shut down the logging.” “You know, that STUPID purple. …bird!” Docks are interesting places, aren’t they? There I was, just heading for our boat and now I was thrust straight into some big environmental debate. Didn’t even know this guy very well, but after I heard his blathering, I took a deep breath and realized I probably needed to stop and do some ‘splainin’ – as Desi used to say. For some reason, I continue to think that a little honest and friendly education might just result in social change at the ballot box, so: “It’s a marbled murrelet,” I answered, “I saw one just the other day out in the bay, fishing with some cormorants. Probably a juvenile from the Olympics or North Cascades. Got a minute? I’ll tell you about them.”

Flying-Murrelet

Marbled murrelets! For 30 years I’ve heard them lovingly described by biologists as a flying baked potato with a beak. But not just ANY flying baked potato, for this little chubby ocean bird was once America’s biggest ornithological mystery. While we were putting men on the moon and gloating about how smart we were, no one knew where these local birds even nested. Science ‘discovered’ the murrelet in 1789, but it took another 185 years for us to find a single nest! (Thank goodness murrelets knew where their nests were, or they’d be even worse off than they are.) And while we knew that Alaskan marbled murrelets nested on mossy rocky cliffs, no murreletnest had ever been found between San Francisco and Southwestern British Columbia at the south end of their range. The birds were often seen oddly out of place flying around the big trees in coastal old-growth forests and loggers referred to them as “fog doves,” but why were they there if they live on the ocean?

Then, in 1974, in the Santa Cruz area of California, a tree climber almost stepped on a chick in the canopy of an old-growth redwood, and the mystery was solved. Instead of nesting on mossy rocks, to increase their range southward the birds had adapted their nesting habits to the huge horizontal upper limbs of the giant coastal old-growth, often hundreds of feet in the air, and sometimes upwards of 45 miles from salt water. They hunt for small fish like herring by day in the ocean and return to their nesting duties in the evening. And, what caused this dock guy to think murrelets were Armageddon is that without old-growth trees, murrelets wouldn’t be able to nest on the West Coast of the Lower 48. It’s not just big trees they need, but big horizontal branches thick with moss and lichens, and trees don’t become like this until they’re centuries old. Because of this, and all the logging we’ve done in the past 200 years, the marbled murrelet is now listed as federally threatened and state endangered in Washington (12,000 birds), Oregon (7500) and California (4500). Some scientists believe that it’s not whether murrelets will become extinct, but when, because old forests are now few and far between, and what’s left have badly fragmented murrelet populations. Sometime later this century, when the only birds remaining are small population pockets in our national parks, this strange and unusual sea bird will simply not be viable as a species any more. And if that happens, I hope I’m not here to witness it.

I have some interesting connections with this bird, the one loggers loved to hate and conservationists used as a poster child to halt logging the last few percent of coastal old-growth forests. During the logging turmoil 25 years ago, I spent some time helping research these birds down in California’s coastal redwoods where the world’s tallest trees hug a foggy shoreline. Only 2.5% of the old-growth redwoods remain, and, as an artist I helped draw attention to the murrelets as a way to raise public awareness to the speedy demise of both trees and birds. It was the good, bad and the ugly. Ugly, because, as an artist, I was black-listed by timber organizations. Good, because business was good because of it. And not so bad when I spent one dark and foggy morning at 4:30 am up Redwood National Park’s Lost Man Creek valley, intently listening and watching for murrelets flying from nests to ocean. I remember that listening to murreletcalls in the redwoods reminded me of sailing. Often, when you’re cruising along with little wind to drivethe boat, you can hear that definitive oceanic call of keer, keer, keer. I’ll bet you’ve heard it too. Those are the bird songs of the ocean, not of the forest. I wasn’t a scientist, but an artist just doing his job of observing and responding, but when the National Park purchased one of my murrelet paintings to present to Bush One’s visiting Interior Secretary, I thought I had possibly made a remarkable coup in nature conservation. Now here was art opening the eyes of the powerful. Not so, one park official dryly whispered. This guy was just a patronage placement, a Midwestern pig farmer that didn’t care anything about birds unless they were stewed, fried and on a plate. Where is that painting now – I’d like to know.

Nest-Sitting-Murrelet

Murrelets have a definite ‘look’ to them on the water and so they’re easy to identify. About the size of an American robin, they’re smaller than gulls and cormorants, but here’s the key. They always hold their short bills slightly upward at a different angle than any other seabird, like the graceful angle of a schooner’s bowsprit. Fast fliers with rapid wing beats both in the air and underwater, they spend most of their lives in coastal waters where they court, feed, loaf, molt and preen. These long-lived birds only visit old-growth forests when they do nesting duties, where nests aren’t built but rather squished into place in the moss. Only one egg usually once a year is laid. Incubation lasts about a month with both parents incubating the egg in alternating 24-hour shifts, and chicks fledge in another month. Summer adults have sooty-brown upperparts and are lighter brown below, colors that make them highly camouflaged against the giant trees they’re nesting on. In winter, adults and young become brownish-gray with white wing patches that more closely match ocean colors of wind on waves.

So, let’s say you’re a very young murrelet only a month old. You were born in the top of a two hundred foot tall Douglas-fir up the Dosewallips River in the Olympics. Your parents had chosen THE nest tree just around a sharp river bend near Little Mystery Peak, where they had located a big mossy branch maybe fifteen stories off the ground. The definition of ‘nest’ is pretty casual here; because it’s just a thick bunch of moss your parents had smooshed into a shallow cavity. When you were born, your egg was pale speckled green, the exact same color of the limb’s moss in spring, not like the dried-out brown stuff of late summer or the lush soft green of winter. It wasn’t much of a nest, and so your parents rarely left you unattended so wandering-babes wouldn’t stagger off into thin air. Small fish your parents brought up to eight times a day ended up creating quite a crusty edge to the platform that helped keep you from falling off. And there were other dangers too. Steller’s jays, crows and ravens didn’t often come here before, but thanks to the nearby road that now brings campers and their food, these birds now threaten young murrelets sitting exposed on mossy branches – so you instinctively stayed low. After a month, wings had grown flight feathers and you sensed you were ready to explore. It felt like you could fly like your parents – but how to learn? And where would you go? Then, one evening just after dusk, and with one death-defying jump into space, flight had to be learned in a half second or a much squashed murrelet would have resulted. Somehow it all came together to happen properly, and you were on your way.

It seems a fairly lame way to survive as a species, but you did it anyway – you just walked off that branch and as you went going down at 32 feet per second, you figured it out fast – and in 30 minutes and 20 miles you made your first awkward sea landing in the Hood Canal. I say 30 minutes, because murrelets normally fly at about 50 mph. They havebeen clocked on radar at over 100, so in theory you could make that 20 miles in five minutes, but a first-flight-flier probably wouldn’t do this. In fact, you’d be lucky to do it at all.

As you learned to fly through the giant forest in growing darkness, alone and without your parents as guides, you somehow steered properly towards an ocean you had never seen. In doing this, you were unaided by anything you’d ever witnessed before, and you began a new life you didn’t know existed, began to catch fish untaught by parents you’ll likely never see again, and eventually you’ll nest in a treetop miles from your watery home. Remarkable!

So, when sailing in Puget Sound, the Straits of Juan de Fuca or outer coast all the way down to Santa Cruz, keep your eyes peeled for a small and chubby seabird, head held up like a schooner’s bowsprit and possibly with a small herring in its bill. If its summer, chances are good that it will soon be flying over some of the tallest trees on Earth to hand that little herring over to a chick on a mossy branch hundreds of feet in the air.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently up to.

Salmon Cascades – Olympic National Park

Salmon-Cascades
I spent the entire week drawing concept sketches for a new project, and I couldn’t have imagined a more fun time. And since I have graphite all over the place –  drawings for 130 running FEET of new murals and am completely disorganized, I thought I’d just post this finished painting here instead of showing you the sketches. Maybe it’ll calm me down. When I get the pencil drawings pasted together in some sort of publishable form, I’ll post them.
This painting is of Salmon Cascades – just west of us in Olympic National Park. It’s a favorite for many locals, because in Fall huge salmon come right up along the rock cliff on the left as the big fish prepare to jump the cascades. You can be within two feet of a very powerful fish waiting for just the right moment to make the leap, and it’s pretty thrilling. In late afternoon, the sun comes around to illuminate the mist from the falls, bathing the entire area in silver light.
This painting is acrylic on board, 12″ x 20″ and we’re offering it for $700 unframed. Email us for details. Click the image to enlarge.
Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

***previous*** — ***next***

Welcome to Sol Duc Valley

Since this wayside panel is being printed this month, I thought I’d pass it on here. I published another one of these back on November 8th, and you can see it here. For this project, I painted 21 paintings for 3 panels at Olympic National Park’s Sol Duc Valley entry kiosk. With the others last year, that makes 24 images you can see while driving the 17 miles from national park gate to road’s end where a trail leads to this grand waterfall – Sol Duc Falls. At 4′ x 6′, these are pretty large panels.

So what? Well, I like to call these efforts “public art galleries in our parks”, and I now have hundreds of these things in parks, preserves and wildlife refuges around the West. You’re hiking or driving along, and suddenly there’s a piece of art and a small story to tell you, or interpret, what you’re seeing. It’s just a great way to experience a beautiful place, and, I hope, to heighten your experience beyond what nature is providing (if that’s possible). These panels don’t use the original art itself, but are always fabricated out of fiberglass, stainless steel or a Formica product, so they’ll probably last longer than I will. I’d like to image someone coming along decades from now and stumbling over one of these things – and having it enhance their day.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email group – or just ‘talk’ with us.

Ancient Bristlecone Pines mural

Finally, I got this puppy finished up. It was quite a handful with lots of other work coming and going through the studio. If you click on the image, it should enlarge. If not, go here to the blog.

This is destined for The Crater Lake Institute, that, through the years, has commissioned me for many of these types of paintings. Next summer we’ll have products like puzzles available, but there’s lots of design work to do before that happens.

When I sent out the sketch for this awhile ago, I received lots of mail about where to see these trees and just how to do a painting like this. The 3′ x 5′ painting is on hardboard so I had a smooth surface to begin with. I primed it with dry-brush latex to rough it up slightly, making for good textural effects. These are worked up from the back forward, so the foreground flowers are the last to go in, and there’s lots of hidden stuff in that foreground. I recently put up a page on the main website with a page of murals. There’s currently about 50 for you to see, so check it out here.

SO: Where can you see these bristlecones (that DO have bristled cones)? Well, you’re not going to this time of year, but if you’re looking for a great trip next summer, check out the bristlecones east of Bishop CA in the Whites or at Great Basin National Park way out near Ely Nevada, or Brice Canyon National Park in Utah. They’re high-elevation trees – at 10,000 feet or so on dry windswept ridgetops in limestone, a place where nothing else can easily grow. It’s worth a trip to walk beneath the oldest trees on the planet, some dated to almost 5,000 years of age. Even the downed branches are beyond my comprehension – some have been dated back 9,000 years from the present. To put that into context, the woolly mammoth was still around then!

Here’s the original pencil sketch:

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. There’s some good new stuff here on her blog about the Day of the Dead Celebration in Seattle.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us. If you know someone else that might enjoy this, let us know. Our list is growing.