Tag Archives: Parks

Whidbey: A New Painting – A New Project

Forest-animals-sketch

Click the image and it will enlarge in your browser.

A new project unfolds! Rarely do I get to do a bunch of paintings of something I truly love and know already. Or do it for a local park and do it for a group as tasty as this. I’m painting some small murals, doing design and handling fabrication for trail exhibits for the Whidbey Camano Land Trust – just to the north of us. It’s actually part of the Ebey’s Landing National Historical Reserve, and, in fact, I often sail over to Whidbey Island right under the bluff where these installations will soon be installed in the Admiralty Inlet Natural Area Preserve. Here’s the location -right on the bluff-top to the left. Port Townsend is to the right just across the channel.

Admiralty Inlet Preserve looking south

Photo thanks to Mark Sheehan, WCLT

Above is the first sketch, already underway as a painting. Four other paintings come as soon as possible – and that’s the catch. All five plus fabrication and installation have to be finished up and installed in three months – a daunting task for some, but not the manic me. I’m just a slave to my paintbrush! This first painting is about the forest on the ridgetop, a very rare coastal old-growth forest. Being on a bluff at the downwind end of the Straits of Juan de Fuca, this forest sees some pretty violent weather, so the bluff-top trees have grown very gnarly and wind-flagged. But, back in the quieter part, a more normal forest shelters a marvelous bunch of critters, and that’s what this painting is all about. It’s also an island that was under ice until just 8.000 years ago, so there are some wildly odd critters missing, like native rabbits, moles, bobcats and others normally found around here but not on Whidbey. No moles? Humm. This is the part of my job I dearly love, that of learning all this stuff from people who love it, like Mark, Ida and Jessica and Janelle, Whidbey Islanders  who are helping me figure it out. And I, in turn, hope I’m helping them create something that will effect people for years to come.

And I just have to share this. An old friend and fellow artist, John Sturgeon, who teaches video at the University of Maryland recently contacted me, or maybe it was the other way around. There were four of us in the same year, same high school art classes that went on to life-long art careers – a rather high percentage, I think. John told me something I’ve suspected, but never heard from anyone who might know: “The general consensus is… that by five years out of art school about 10% are still practicing, and by 10 years out it drops to 5% . . . then more or less stays there.  However, those that make a living from it [making art instead of teaching art] . . . less than .05%, which is astounding.  You are among that small % my friend. Pretty damn cool. ”  Trouble is, I never really went to art school to learn how to do this stuff.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books. I currently have five up, with 15 more coming.

Powell Butte Mural Installation in Portland, OR

final mural

Click the image and it should enlarge. Photo by Linda Repplinger – thanks Linda

 I completed this painting last year, and last week received a photo of the installation from Linda, Senior Designer at Sea Reach, ltd in Sheridan Oregon, who is doing all the great interpretive exhibits. I think it turned out pretty well. The original task here was to show the Portland Water District’s watershed, from the Cascades all the way downstream to downtown Portland – water pipes, gate valves, Bull Run Lake – the works (waterworks). Somehow it turned into an enormous vista, pieced together into 12 panels in high-pressure laminate that are all meshed together. Portland, 16,000 feet up! I remember getting the idea while flying back from California on a plane and looking down as we went past. If you look at the door on the right you’ll get a scale of this thing.

Bethlayne Hansen

photo by Bethlayne Hansen – Willamette Week

And the building? It’s on top of Powell Butte on the eastern side of town, east of I-405. Powell Butte has now been hollowed out and the two gigantic covered reservoirs built inside it will hold 100 million gallons of Portland’s water – no pumps, all gravity feed. There’s a nature park on top, with trails and this new visitor center, shown here under construction back in October.

2013-10-03_Powell-Butte

I like nothing better in life than a bit of adventure, figuring out how to do something I’ve need done – or even considered. Someone asked me when I was going to retire. Ha! I think the word RETIRE is shorthand for REALLY TIRED, and I’m sure not that  yet. I just want to stay relevant, to continue to contribute and not get left behind as the rest of life moves always onward past me. Give me more amazing projects like this and I’ll be a happy painter. Currently I’ve got my mitts into several amazing bids for some large (and confounding) paintings – so let’s see if they happen. Stay tuned!

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Rialto Beach

Rialto-Beach-Sun-and-Fog

Close, but not quiet finished, I still thought I’d post this today. I’m in our library right now, looking up at this grapefruit juice carton we found on the beach at Rialto awhile ago. Tucked away on a bookshelf, it’s all bleached out but clearly says “grapefruit” with all the rest in Japanese. We’re fairly sure it’s tsunami debris. When we opened it, a giant whiff of grapefruit odor poured forth. So, that’s the spark for the painting – a memory of picking that container up last year and wondering who held it last – and are they still alive. In the painting, I replaced the juice container with a red float covered with Japanese characters, which we also found. The location is right at Ellen Creek, where most of the hikers turn around because of the wet ford.

 

grapefruit

 

 

This ORIGINAL painting is varnished acrylic on board, 48″ x 24″ and is headed for Gallery Nine downtown in Port Townsend. This is the original painting, NOT a print. If you’re interested, email me for price and details. No gallery commission – yet!
Email us for details.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

It’s a wrap – Grand Prismatic Spring in Yellowstone

Prismatic-Hot-Springs

  • This week I finished up this new mural about Yellowstone Climate Change. I’m happy with it – or at least as happy as I ever get at this stage of working on something for a month and never truly knowing how it’s going to end. This painting and the last Yellowstone mural about whitebark pines (finished last month and seen here), were both funded by the Crater Lake Foundation. I know it seems odd to have someone at Crater Lake fund two Yellowstone paintings, but there’s more to this. First is that this painting is the 12th big painting I’ve done for them, and it’s part of a broad scheme for the funders to create an art collection reflecting various ecosystems and habitats centered around western pines. Whitebarks, bristlecones and now the lodgepoles in this one, are all threatened by Climate Change, and using art to educate is what I’m all about – so I’m thrilled to be able to contribute to this.
  • And, once again, here is the original sketch so you can see how it evolved for the concept. And, once again here’s the story. Lodgepole pines are built to handle wildfire. Their cones won’t even open unless their heated. But today’s hotter summers, warmer winters and less snow mean many more pine bark beetles are surviving cold winters and killing millions of these trees.
  • This painting is meant to show the Yellowstone ecosystem, its wildlife and how the forests are being battered into something almost unfit for wildlife to live in. It’s a trick to paint destruction and yet show it as beauty, and yet as musician Jack Johnson says in this Climate Change YouTube video (please take a minute and watch it), we don’t have to think of this as an end point, just change we need to somehow learn how to handle – and leave this beautiful world in a better place than when we arrived in it.
Hot-Spring-sketch-vs1

Thanks for reading this week. Pass the video on – I thought it was very good.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Yellowstone Lodgepole Forests in Peril

Progress-2

A second Yellowstone Climate Change painting is evolving on my easel now. The last mural a few weeks ago was about the high elevation whitebark pine forests there and the mass die-off that threatens an entire ecosystem. This one is about the lodgepole pine forests and how Climate Change is threatening that natural community. The center of interest is the Grand Prismatic Hot Spring, biggest hot spring in America. How will Climate Change effect this? Low water levels in summer may possibly turn it into a giant dry brown hole. Broken, burned and dead lodgepole pine forests are happening everywhere in the West, but the giant fires a few years ago in Yellowstone showed something was seriously amiss. As Sally Jewell, Secretary of the Interior stated: “The entire West is one giant tinderbox waiting to go off!” So, I’m trying to show all this with art. Not easy, but definitely worthwhile if I can pull it off.

Progress-1

And here’s the initial laying in of the concept with paint. Distant background is beginning to take shape.

Hot-Spring-sketch-vs1

And here’s the original sketch. I blogged about it before here.

Next week, Christmas or not, I’ll be closing in on finishing (I hope). Happy Holidays to everyone and thanks for helping two artists make a living at what they both love. It wasn’t the best year for us, thanks to the Sequester and Shutdown, but we’re still alive and kicking – and looking forward to a better one coming up.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Progress on the Yellowstone Project

Yellowstone Progress 4

    Several of you asked to see progress photos of this project. So, let’s try it.

And here’s the progress over the past few days. I’ll put the most current at the top. For me, acrylic landscape painting is a back-to-front process, meaning I tend to paint the horizon first, then work my way to the foreground. It creates a cleaner painting situation for these larger images, but this painting is actually fairly small for me, about four feet on the horizontal – just big enough to get some serious detail, yet small enough to lug around.

Progress-2

    I often paint some section out fairly completely to see how it’s going to look, like this area near the bear. THE BEAR: notice it’s on all fours here, and at the top it’s standing. I might go back to this one – just not sure yet. It seems to be going much slower than usual, but there’s been lots of other stuff going on here. Might be a good thing as I’ve always been yelled at for being too quick to completely think these complex projects out.

Progress1

Here’s the original sketch I posted first on October 10th.

Whitebark-Sketch-vs2

It’s a complex painting, but the type I really relish. I just love standing here with my paint brush and imagining this scene is real, that I’m really here in the meadow looking at all that’s going on. I dream about it.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

A New Badlands National Park Puzzle

Eifert-Badlands-puzzle

    Looking for some comments here. This is a new design for one of our favorite 500-piece jigsaw puzzles, and used to be called ‘The Vanishing Prairie’. Time to spice it up a bit, so here’s the new version coming out in spring of 2014. If you have the time and are fans of our puzzles, I’d love some feedback. Some of you guys have bought dozens of them.

     I began counting up the number of these things we’ve done. It’s been over 20 years now since we stopped focusing on posters and moved our interpretive products more into jigsaw puzzles. It seems there’s more actual usage of the art than just hanging a poster on the wall. It all started back in about 1990 when a German company bought three images I had previously painted for Yosemite and (I think) Crater Lake. Over the years, that number has grown to between 70 and 75. That’s a LOT of puzzles. Other companies have bought the rights to use the images, but I still prefer to mess around with the designs myself. It’s like building a stage set, with lots of layers and story-telling. This one has 34 layers, and never mind the box front and back – that’s just the puzzle. There’s another new one coming out in spring for Crater Lake that has a lesson plan inside – more layers!

Anyway: what do you think? Seems like this will be a fun time finding all these little extra critters, but I don’t know. You see, I’m almost ashamed to say I’ve never put one of them together!

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Yellowstone Climate Change mural #2

Hot-Spring-sketch-vs1

This enlarges in your browser so you can see details.

Midway Geyser Basin and the Grand Prismatic Hot Spring, Yellowstone National Park

This is a second and very different sketch than the one posted two weeks ago.

    There are still critters to add, bison crossing near the hot spring, a few birds and maybe a bat, but it’s essentially complete. The idea for this one developed as a visual counter-punch to the first sketch I drew two weeks ago of Whitebark Pines at Yellowstone. That one shows high-elevation Climate Change effects to the park, while this sketch shows thermal features and lodgepole pine forests (where most visitors go).  Both show all the critters and plants that will be effected by Climate Change, change that is already seriously in progress.

    Below is one of my reference photos of the Grand Prismatic Hot Spring, largest hot spring in America. The sketch shows a burned-out forest and lots of diseased trees caused by warmer winters. Warmer winters allow pine bark beetles and then blister rust to ravage these forests. Warmer and drier summers then mean bigger wild fires, a possible lowering of the summer water table – and many changes in wildlife populations. Stay tuned, the first painting is already underway. These two are funded by the Crater Lake Institute, but more like them are being planned through the National Park Service Climate Change Response Program. It’s a bold series of paintings I’m thrilled to be involved with.

Grand_Prismatic_Spring_and_Midway_Geyser_Basin_Yellowstone_NP

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Yellowstone – Whitebark Pines Ecosystem Mural

Whitebark-Sketch-vs2

Click on the image and it’ll enlarge in your browser for better viewing – and this one deserves it!

A new project is in the works – funded by the Crater Lake Institute. Here’s the sketch awaiting comments and maybe a few changes, but I can already see it’ll be a grand painting. And this is one of two large murals I’m working on at once. I’ll have the second sketch for you next week (I hope, if my fingers don’t give out). They’re both about Climate Change and the Yellowstone area.

    This is a ecosystem in great peril, thanks to us: Climate Change is causing mountain pine beetles to over-live usually colder winters. Then there’s an introduced fungus called white pine blister rust that is believed to be native to Asia or Europe and was subsequently introduced to North America by us – and put the three together and you have the recipe for real disaster. Thousands upon thousands of these important trees are either dying or are already standing stark and ghostly against the Yellowstone sky, ghost forests – and most of the critters represented in the sketch rely on this tree for survival, for food, shelter and their way of life.

Wally Macfarlane

YES: those are dead trees! Photo from University of Utah researcher Wally Macfarlane. 

    So, the sketch: The big background peak was patterned after Electric Peak along the northern border of Yellowstone, and will show fresh fall snow – but snow is a factor in this story too. Warmer winters mean less summer ground water, and the elk birth rates are already declining there because of the lack of proper summer grass to produce milk for their young. Below the peak, the whitebark pine forests show as dying or dead with brown-red needles by the millions. A back-country hot springs to the right of the grizzly places it over the Yellowstone Caldera. Aspen are in full fall yellow on the far right side, another species in danger. Aspen are important because they are one of the few hardwoods growing here, but they need summer water to survive – oops, that too is declining. I could go on, but you get the ‘picture’.

    Art should stimulate discussion, and that’s what this is all about. I’m excited to be a part of it. Global Climate Change is the single most important threat to our well-being – as well as the health of all the creatures and plants we are now responsible for. It wasn’t this way before humans learned to alter the planet they live on, but now it’s up to us to make sure they have a place to live. Onward – I say to my painting arm. What else could matter more?

Thanks for reading this week. Stay tuned for the painting!

Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

The Gulls at Ruby Beach

Gulls-at-Ruby-Beach

“The Gulls at Ruby Beach” is a new acrylic painting on canvas, 20″ x 40″ and offered here for $1750 framed. Email us for details if you’re interested. Click it and you’ll see enlarged versions of both these images.

  Ruby Beach is usually a vibrant and wild Olympic National Park beach, but on occasion in late summer the ocean can be more like a calm lake – little surf and almost no wind. We were there to see a sunset and it felt like this. It felt like warm coffee. The headlands beyond the beach aren’t quiet as close as what I painted, but it just seemed like I needed to stack up the levels of receding shorelines and show some abstract textures to that area. And maybe some of you will notice the big missing sea stack on the left side. No, not on purpose, but if you stand just here on the trail down to the beach, that big rock is more to the left and out of view. I think it works.

Gulls-at-Ruby-Beach-framed

 

Here’s a photo of the painting and frame that’s included. If you don’t want the custom frame, we can do that too. This is the original painting, NOT a print.

And, if you’re interested, you might go over to my Facebook Fan page and like it. I post lots of trail albums and other art there. See the link below.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web.  And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of beautiful photographs

And Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.