Tag Archives: Parks

Glacier Bay National Park Forest Trail

 

 Seems like this took forever, but when I’m painting it in Port Townsend, sending the files to West Virginia, getting approvals from Alaska – well, it just takes some time.

So, this was a bit of a challange. Without seeing the darned place, my task was to paint a place in Glacier Bay National Park. I thought that would have been easy. But then there were three of them, and the first (left side) was to show it as it was when the glacier was receding (at the fastest recorded pace) just a century ago. This thing shrank 65 miles back up the valley in less than a century! You can see it in the distance. Then the middle panel shows the plants – mosses, wildflowers and willows colonizing the barren gravel, ground is greening up, even the islands in Bartlett Cove are covered with young trees. Finally, the right painting shows what it looks like today – a young forest with deep moss and mature trees. I had some photos taken last winter in deep snow as the only reference, plus a couple of Google Earth images, buy my real references were an entire lifetime of boulder-hopping glacier rubble. This is Melanie, Chief of Interpretation last spring showing me the eratic-specimen. She’s now guiding tours in the Antarctic – lucky woman. If you look, you’ll see two glacial erratic boulders in each of the three paintings to show that it’s one place in three time periods.

 

 I know some of you will ask if I also did the map. I’ve done my share of these, but the real heavily lifting with design and map fell to Chad Beale at Harpers Ferry Center in West Virginia. So that makes this somewhat of a collaboration with Harpers Ferry Center (2300 miles from me) and Glacier Bay National Park (2800 miles from him).

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

One Tree Moment for Ballard Nature Center

I still have the color to add on the five little insets, but I think this project of interpretive art is looking so good right now I wanted to share it.

It’s a very small world! I was asked by Genesis Graphics in Escanaba, Michigan if I’d be interested in doing some watercolor and ink paintings for the Ballard Nature Center in Effingham, Illinois. (So, if we did a conference call, that would be a 4000-mile round trip triangle for the words to be heard by everyone involved.) I’ve had a long and fine relationship with the folks at Genesis, and they always let me just do my thing without a bunch of hoops to jump through. My reply on this idea was, “Oh, I know where Effingham, Illinois is. My formative years were spent  just a few miles to the west in Springfield. I learned my stuff in the Illinois State Museum where I was spoon-fed nature and art by the staff and my parents.” This was relayed to the Ballard folks and it turns out two of my mom’s books are in their visitor center library. What a small world, and very soon they’ll have two generations of Eifert work there.

I know everyone likes to see the ‘behind the scenes’ stuff, so to show you how far this design was refined, here’s the concept sketch.

 Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Exit Glacier – A New Puzzle

WOOO-WOO: Our new 500-piece jigsaw puzzle is now ready to ship. We’re more than happy to announce this one – the rich habitat below the toe of Exit Glacier in Kenai Fjords National Park near Seward, Alaska. I’ve blogged about the progress of this project, from our field trip and concept sketches last fall to the finished mural a few months ago. Now the printed products are arriving, and I think this would be a great puzzle to put together.

 

And here’s the puzzle box back with all the fun stuff about the painting. As you can see, it was funded by Alaska Geographic, a very involved and prolific non-profit that works to support many of Alaska’s parks. I’ve bought their books for years, and now I’m proud to say we’re ‘one of them’ in a small way.

You can either buy the puzzle on the website here, or just email us with your shipping info and we can mail and bill. Buying two puzzles saves you freight as it’s only $2 extra for the second one.

Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has a new blog about the Washington State Capitol Campus that’s pretty fun.

My New Portfolio Is Ready To Erupt

For some years now I have had a cd Powerpoint portfolio I send to clients, parks and contractors who give me these great commissions painting nature. Keeping the thing current has always been a challenge, but nothing like I used to deal with back in the dark days when things weren’t digital. It’s a great way to present what I might do for future projects or references of what I have painted, printed and produced. I also had a second disk for some of my easel paintings that was wildly out of control, so recently I’ve been working on a new version of all of it. This new one is a composite of both portfolios, and at 147 pages, it’s almost a book. I’ve also put it all together into one big presentation and divide it into clickable sections with a Table of Contents for easy viewing. So, there are murals, wayside exhibits, big walls, dainty ink drawings, watercolors, acrylic paintings on canvas, publications and other stuff like jigsaw puzzles and posters, nature guides and tours – the works, and all on one little disk.

 

It’s now ready to fly, so if you’re a park interpreter, design firm for nature interpretation and installations, past client or just interested in a copy (free) to have ‘just in case’, I can now mail one out to you. Just hit the reply key and give me the scoop, but please, no requests from my easel painting collectors. Sorry, but how much time do I have for this when I’d rather be painting?

 

And, a brand new 500-piece jigsaw puzzle is coming out this week, so stay tuned, oh my many faithful puzzle people. This one is of the mural I painted for Kenai Fjords National Park in Seward, Alaska. It shows the ecosystem emerging from the melting toe of Exit Glacier, and the only other place you’re going to be able to buy it is at the new Visitor Center there or through Alaska Geographic. So, it’s either a luxury cruise, a long flight and a rented car, OR, you’ll be able to get it from us! Come to think of it, options one and two don’t sound all that bad.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Heather Pass

I painted this back in October, 2011 when we were in Washington’s North Cascades. It made it past the scan, into a frame, into the blog – but I never hit the “Post” button. For the last eight months the canvas has just sat there in my studio and also on the blog software – and the title stares at me each time I start the program. “ME, ME, Post ME” it screams, but each week I’ve sent out something else I thought was more interesting. But, now that the High-Country around the West is melting out and trails are beginning to open up, maybe it’s time to show this one.

Here’s what I wrote all those months ago, thinking I would post it then:

Heather Pass is a good 3-mile climb in the North Cascades, and while we’ve been here twice, neither were in late afternoon when the sun was doing this yellow-orange-thing. The last time we were here, there was a lone hiker camped just below this heather-filled bench, and I envyed him for his upcoming sunset and evening solitary view. Beside his single tent was a back-packer’s expresso maker, and this little spring runoff stream in the painting would be his coffee water the next morning. If there’s a reason why spending the night in a place wouldn’t be anything but glorious, I can’t think of it.

This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $140 unframed.
A custom wood frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Bristlecone Pine Sketchbook Journal

I posted some other pages from this project a few weeks ago here. There are 11 pages of sketches that will string along the bottom of the three mural paintings I also painted, and all these will soon be installed in the new visitor center at the Schulman Grove of ancient bristlecone pines in California. When it opens in a few months, this is going to be really fun to see, at least I hope so. Standing in front of the three huge paintings, these sketchbook panels will show how the paintings were developed, like a field sketchbook.

I’ve always loved field sketching. It gets to the heart of things, of using your eyes to see. You get to watch the results flowing out of your hand like magic. To me, it’s the very basic process of creating art, and something I’ve done all my life. Someone recently asked me if I ever took mind-enhancing drugs. No, I said, instead I draw nature outdoors and in the field, and to do it well requires great attention to details, color, texture and how nature has evolved in a single place. I mean, how much more clearly could a person see this amazing and vibrant world than with a pencil in your hand?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Dosewallips – Spring Runoff

Click on the painting and it should enlarge in your browser.

No presketch on this one, so I can’t show you the process – it seemed pretty clear so I just started painting. After Nancy posted our exploits along the Northeast Olympic’s Dosewallips River a few days ago, and thereby beat me to a post about its stunning beauty, I put aside a couple of more serious projects to finish this painting up. I was moved by the late afternoon sun was streaming through the canyon and really lighting up the streamside alders. It just seemed like a painting, which it now is. With a big snow pack upslope quickly turning to water, the river was loud, frantic, seemingly in a very great hurry to hit the ocean just a few miles downstream to the east. What a place! What a place to live – and paint!

This ORIGINAL painting is varnished board, 24″ x 48″ and is offered here for $1200 framed. Shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week. Can you hear the river’s roar?
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Meander Up the Dosewallips

Some weeks are just like this.Spend the entire week drawing, drawing, drawing – but in the end there isn’t a single finished painting to show for it. There’s a stack of concept stuff, in between or in progress but not a postable painting in the lot. I think there’s about 20 of them.

Oh, and did I say the weather turned, poof, into summer. So, put the top down on the little car and head for the hills – and a little hike along the Dosewallips River in the Olympic Mountains. Harlequin ducks, bald eagles, a ruffed grouse strutting his manly stuff, hooded mergansers, trilliums and bleeding hearts, violets and salmonberry in bloom. It just couldn’t have been nicer, and I wanted to share. This photo is in about 2 miles, Nancy photographing a little waterfall coming down into the Dosewallips (that’s doe-see-wollips for those out of town)

Thanks for reading this week. I’ve got a dusy of a painting project almost ready to show, and it doesn’t involve canvas or paper, but more sea-going.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Old-growth of Fort Townsend State Park

 

This should enlarge with a click. Please do so as there are lots of details.

Just a mile or so from our studio is one of the rarest of all Northwest places – a lowland old-growth forest. It’s quite a park, and for Nancy and me, just walking the road into this place is often almost spiritual. Here in Port Townsend, we’re on the dry side of the Olympics so these trees aren’t huge like rainforest giants, but there’s an open and ancient feel here that always gets my heart going. Giant glacial boulders dot the forest. Signs of old wildfires are evident. We watch pileated woodpeckers hammer out old snags. Cougar warning signs abound. For about 8,000 years or since the last ice melted, this place has been left to itself. Even when there was a small military garrison here, the only trees cut were a few for firewood.

So, while thousands of miles of forests, our heritage, have been whacked away and the land irreputably ruined, this place has what few lowland forests have these days – some very, very rare plants. All those weird and odd plants that line the painting’s foreground are saprotrophic fungi, plants that don’t produce their own food but instead borrow it from the trees. You won’t see them in cut-over forests – if the forest goes, so goes most of the other stuff like gnome plant, sugar stick and pinedrops. Even calypso orchids won’t reappear. I won’t go into it more here, but I consider this forest to be something of a sacred place, a place much like a world-class museum that holds our most meaningful treasures – our  heritage. These great forests won’t return ever again while humans are here, and so along with the few other scattered lowland patches of old-growth, this is IT!

Somehow the very active local friends group for the park, The Washington State Plant Society, came up with some funding for me to paint a mural for an exhibit at the park. Seriously, I can’t imagine anything more fun for me to do than paint this exceptional forest. I mean this is like a gift, a chance to actually paint my own backyard. It just doesn’t get any better than this. Here’s a picture by Nancy of the ol’ guy at the easel, half way through this effort. Was he dragging his feet? Well, maybe! 

Thanks Ann and Nancy of the friends group, this was just plain fun.

And as usual, thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Sketchbook of the White Mountains

Click each image to enlarge – there are nice textures here and there.

This week I painted more art for Schulman Grove’s new visitor center in the White Mountains of California. This group is a series of seven sketchbook pages for exhibit panels below my three murals. These three need to be cleaned up a bit, so you’ll see some ragged look and blocky edges here and there from all the Photoshop layers. It’s a work in progress, but this way you can see assembly process.

I hope not, but I may need to move some of the sketches around or change the wording, so I thought it best to create EACH drawing seperately and even the color is seperately layered so it can be changed. Each text passage is put in with Photoshop too, so it can be edited if necessary. I first did the pencil sketch, then put tracing paper over it and painted the color layer. Both were scanned, pieced together and put on a photo image of one of my blank sketchbooks. I think the results look pretty good, like they’re old field sketches drawn on location a century ago. I was shooting for those old botanical illustrations on faded yellow paper, and I think I came close. Once I get approval from the Forest Service, I can clean up the rough edges. The reason I didn’t hand letter the captions is that all this has to be ADA compliant, so the characters have to be an approved font. Ah, the world of public art these days is pretty complex!

Computers can be maddening, but then again they can help produce wonderful results. On the other hand, if I didn’t have a few drawing skills in the first place, none of this would have happened at all, so don’t send me emails about computers replacing artists. They’re just tools, like paint brushes or pencils.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has some new shots of Sequi, the new sea otter she’s been photographing.