Tag Archives: Trails

Hole-In-The-Wall at Rialto Beach

We were on the road to Moab, Utah for some business and sunny hiking on the slick-rock. Then – the updated weather report said it was going to be in the mid-90’s, and, not wanting to just be normal people, we turned right instead and went out to the cool, wild and always delightful Olympic Coast. Saved a grand in camping and gas, and how could this be any less amazing than where we were originally going? We’ll get to Utah sooner or later, just not this week. And being able to do these things really is what being an artist is all about.

While sitting on the beach between hikes I did a couple of watercolors. This one was on a partially overcast day, so I kept it to only two colors. This is low tide at Hole-In-the-Wall at Rialto Beach – rated #2 in Olympic National Park sights to see. There were only two other people on the beach!

We continued past this area, past the shipwreck stuff, the eagle’s nest and possible Quileute werewolves left over from the Twilight movies that were filmed here, and in about a mile we came to an amazing place. Most hikers on Rialto Beach only go as far as where the painting was created – a couple of miles through often very soft gravel. But if you go another mile around the next point (low tide only and you’d better plan your escape accordingly), you’ll come to a rocky flat tideland “meadow.” I can only call it a meadow because that’s what it appeared to be, like an absolutely flat (not inclining like a beach) alpine meadow below the high-tide line. (click the photo, it should enlarge so you can see it better) This place was an acre at least, and so full of sea life you couldn’t move without squashing a turban shell, or a turban filled with hermit crab. Eel grass and rockweed covered almost every surface which was interesting because eel grass is normally a sand-thing, certainly not on a rocky headland. We couldn’t count the number of seastars, limpets and mussels. Why this area is so rich we could only imagine. At high tide, it has to be only be a few feet deep, so maybe it’s the extra light, slightly warmer water, who knows – but it was hard Olympic bedrock that was flat. From Cabo to Homer, we’ve never seen anything like it in all our tramping around West Coast beaches.

The original watercolor and ink painting of Hole-in-the-Wall is 8″ x 10″ and $100 unframed.
The double mat with custom wood frame makes it a total of $125 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print – and you get the saltwater smudge on the bottom of the paper (not on the painting) for free.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Barnes Creek Trail – an Ageless Moment

Another sweet old-growth trail painting today. How many of these trails have I been on? I think it’s some genetic throwback to a distant past that compels me to hike just one more of these trails, and then paint the darned thing later (it’s two for one – first the trail experience and then reliving that pleasure in a painting). This one starts on Lake Crescent in Olympic National Park, goes gently upslope following the creek past Merrymere Falls (pretty cool in itself) and onto the flanks of Mount Storm King. About two miles out, the trail goes over a little hump past some pretty impressive trees – which is where the inspiration for this painting occurred. Don’t go up there looking for it – these things are never even close to what they actually look like. There I was, waiting for Nancy to photograph some spring flowers – knees in the dirt, head in the ferns as usual. And while I stood there soaking in the forest, I just fell in love with the place – the gentle flow of the trail, the glow of light on a few leaves, the agelessness of it all.

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $320 unframed.
A custom wood frame is about $25 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Demise of a Favorite Bridge

Bark Shanty Bridge – Big Quilcene River: If you’ve been reading these posts for a few years, you might recognize this painting. Recently we hiked the same trail under those same giant trees, the Lower Big Quil a few miles south of us. At just under the three mile mark, first one beautiful old bridge, then Bark Shanty Flat with giant cedars and Doug-firs, and around the bend to a very disheartening sight. Bark Shanty Bridge has been hit by not one, but two giant trees, and the far end is crushed to pieces. It’s cleared away and open to hikers only, but the deed is done and the bridge will soon be history. The Forest Service says it’s letting a contract this summer for a replacement, and if the new bridge on the nearby Dungeness Trail is any example, they’ll do a good job of carefully replacing it with another hand-carved log span. BUT, OUR bridge is soon to be gone – the one I used as the model for this painting. It had real character – a fish net nailed across the tread to improve traction, mossy handrails, notched logs for the cross beams. The Forest Service isn’t sure how old it is, but I’m guessing 1950’s at least – probably not WPA-age because wood just doesn’t last all that long up in those wet forests. As my painterly-life has gone on, this has happened more times than I can count, and I’m beginning to think it’s bad luck – or good luck, maybe, to recognize something beautiful and interesting – and instill some sort of painterly immortality upon it before it’s gone.

The Bark Shanty Bridge the other day. You can see where the trees hit it on the far side, and the splintered spire of the second tree’s base. Evidently during a winter’s high water, the upper sections of both trees then washed back downstream and lodged under the bridge.

We still have prints available of this painting. Here they are on the main website.
Or, you can Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. I think she’s cooking up a blog post of this too.

North Fork Sol Duc River – Golden Light

(this should enlarge if you click on it)
Anyone who has followed these posts will recognize the river’s name, because I’ve painted images here before. And you may know the name, but I’ll bet few of you have actually hiked beside it or stuck your toes in it – but you should. The Sol Duc is one of those glorious Olympic rivers and runs unblocked for about 75 miles, from the alpine to where it joins the Quillayute just short of the sea. The North Fork is roadless and entirely within Olympic National Park, and has only a trail beside it – and it’s sweet and pure magic to meander among these huge trees and sculptured bedrock. It’s not one of those raging torrents like the Elwha or Hoh with gigantic piles of messy torn out trees blocking every bend, but a very refined and elegant bit of water you just don’t want to leave at the end of a hike. The catch? There’s a half-mile climb between your car and the first ford – a little hump that weeds out the weak. I think there used to be a log bridge, but that’s long gone and in my mind it’s a good thing. Keeps the trail isolated enough so you’ll have it to yourself. We just slip on river sandals and in a minute we were on the trail to paradise, listening to the sounds of falling water and breeze high in the canopy.

This painting is a remembrance of a fine day of hiking. It was time to leave, but there was this one final moment when the sun highlighted the last bend just before the ford. It was a moment to dream about.

This ORIGINAL painting is varnished acrylic on linen canvas, 16″ x 20″ and $790 unframed.
I have some nice wood or gold frames for another $30 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Sound of Falling Water

Sure, the Northwest has all those  grand peaks, glaciers and giant trees, ocean beaches and alpine lakes, but for me it’s these little seasonal waterfalls that always get me going.

I think it’s the fact they’re always different, always changing – and mostly temporary. As winter snows melt, hundreds of valleys, cliff faces and forest slopes echo with a cacophony of pure and cold rushing melt water, all of it seemingly too eager to get down to the sea. This is a very noisy place, and I really don’t care if I sound anthropomorphic or maybe sentimental – for me, these waterfalls are alive. Most of the time these little streams cross our trail under a little bridge or log instead of our having to slog through it, and this gives me a place to study the motion, blur, colors and mossy rocks inthe spray zone. Most of these little channels are dry by mid-August, but, because we’ve had a cool and wet past few weeks, they’ve begun again in earnest. Sure it rains a bit up here, but this is what you get. It’s not all that bad.

So, I’m not there at the moment. And neither are you. Look at the painting again and let’s pretend we’re standing on that nearby log. Close your eyes and listen. Hear it? The rush of water over rocks, a blur of sounds, the smell of nearby warm hemlock in sun. I live for this stuff!

This acrylic is 14″ x 20″ on paperboard and is offered  for $790 unframed, but if you lean on me I’ll toss in a nice frame to boot.
Shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Dipper on the North Fork

A Larger Painting today.We’ve added some names from Gallery Nine in Port Townsend, so if you’re getting this email and don’t know what it is, this is the weekly art-blog for painter-writer Larry Eifert. Don’t want it? Just unsubscribe below. I sent it about once a week.

North Fork of the Sol Duc River. Now this is a special place. No one goes here because the trail doesn’t GO anywhere and today’s peak-bagging goal-oriented hikers  hate that. No lake, no peak, no stunning overlook – just miles and miles of stately old-growth forest and rushing river awaiting. Elk, deer, salmon – and lots of dippers like this one.

The Sol Duc is about 70 miles west of here in Olympic National Park. After hiking over a hill for about a mile from the Sol Duc road, we put on our water shoes and forded the river that was up to our thighs. Cold – but absolutely delightful – and these two natural barriers are what also help to keep most hikers out. On the other side, with hiking boots back on, we ambled up the trail beside the river. Sometimes we were down on bedrock, other times up in maple glades festooned with hanging club moss and occasionally up onto deeply forested benches with enormous trees. There’s a lot of bedrock basalt exposed along the river, creating punchbowl effects and some very deep pools (like the painting). It’s a place to just sit and listen to the endless harmonies of water over stones, wind high in the 300′ hemlocks – and think about how lucky it is we still  have these places.

Click the images to enlarge them.

This original painting is varnished acrylic on linen canvas, 22″ x 28″ and is offered for $790 unframed.
We can custom frame this for you in any style you’d like using our wholesale framing discounts (meaning you’ll save about 75% of what a normal custom framer would charge).  This is the original painting, NOT a print. However, we offer custom prints as large as 50 inches on the shortest side.
Email us for details in your interested.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was published to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Golden Aspen Grove

We were in Glacier National Park recently, enjoying the trails before all the tourists arrived. Late one afternoon we were looping around Swiftcurrent Trail and coming back into Many Glacier and the campground – and came into a very pleasant aspen grove. Now, we have aspen here at home too, just a few that are stragglers probably from the North Cascades, but this was a really old grove. Aspens usually grow in avalanche chutes where they have little competition. They all bond together with a common root system that helps stop the winter snow’s attempts to yank them out. Because of the avalanches, they grow all contorted and never get very big, but here was a bottomland grove of beautiful large trees. It was like strolling beneath a golden yellow canopy of fluttering confetti. Lovely.

This watercolor and ink painting is on paper, 8.5″ x 12.5″ and $125 unframed.
A nice dark mahogany frame with a double mat makes it a total of $150 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Finding One Square Inch of Silence

No painting this time, instead it was a treasure hunt. After five years of reading about it, Nancy and I set off to find the now-legendary “One Square Inch of Silence”. Ever heard of it? Designated on Earth Day – April 22, 2005 – to protect and manage the natural soundscape in Olympic Park’s backcountry wilderness, OSI is an independent research project that has a website and board of directors – and has been in the national news on occasion. As the website says: “if a loud noise, such as the passing of an aircraft, can impact many square miles, then a natural place, if maintained in a 100% [human] noise-free condition, will also impact many square miles around it.” In support of this crazy idea, all Northwest commercial airlines have pledged to not fly near it. Gordon Hempton, a acoustic recording engineer and author dreamed this up – and I think it was a great idea waiting to happen.

So, off we went in seach of a little red rock that represents – the one square inch of silence. Beginning at the Olympic National Park Hoh Rain Forest Visitor Center (which is already way the heck up a remote valley and fairly free of human noise anyway) we hiked a little over three miles. Past huge trees, hanging moss, occasional views of the blue-gray glacial-fed Hoh River we went until we reached a significant-looking octopus-hemlock (that’s the top photo). The instructions are to climb through the hole and immediately take a faint elk trail to the left for a few minutes, climbing over blow-downs and then circle a swamp – we did, and there it was:  a little red rock on a mossy log symbolizing much more than it appeared.

The whole point of this is, to me, the sad fact that while we stood beside the log and its sacred rock, we heard people talking far down the Hoh Trail and were aware of a very distant small plane somewhere. And if we experienced that plane and were offended by it, how many other wilderness travelers heard it too? If there isn’t pure peace from human sounds even here in this remote place, a spot people actually work at to make pure, I think it’s hopeless. We’ve lost something we didn’t even realize we had – a place we can go to listen to nothing. On the other hand, the experience of just going there and being aware of all this was immensely rewarding.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Surprise Canyon and Palm Bowl

The blog’s been silent! We’ve been away for a few weeks, hiking in the Southern California desert and visiting family and friends. No painting this week, but this was a hike so exceptional I wanted to share it.

East of San Diego, Anza Borrego State Park is California’s largest state park, so big all the other state parks could fit in it with room left over. Most visitors see the palms near the visitor center, but there are many other backcountry native palm groves that have few visitors except mountain lions and coyotes. Driving 50 miles south of the visitor center we found a vague sandy turnoff, parked the camper and began hiking up Surprise Canyon – and what a surprise it was. First one grove, then another, and finally the canyon opened up into an entire bowl full of them – 100’s of native California fan palms. We had never seen so many in one place.

It wasn’t the number of palms, but the cool and ethereal silence we felt here, and at the same time, the place was alive and vibrant. You could clearly see open areas where countless generations of Indians had made their homes under the trees. Dates were hanging everywhere, and several dozen western bluebirds and finches were flying from tree to tree, munching as fast as they could and chattering away. Date seed piles were everywhere too, showing that coyotes hang out here enjoying the same fruits, and sure enough, one big alpha male studied us from the ridgetop. Then, Nancy spotted a little nest on the ground, blown out of a palm by a recent storm we were sure. Judging by the size, it could have been made by a gnatcatcher or maybe a bushtit, but if you look carefully, you’ll see that every piece of the nest is actually a fishhook cactus spine. They’re all intertwined and tightly fitted, and each ‘hook’ is stiff as a needle. You’d need pliers to cut it. We can’t imagine how a tiny bird could have managed this construction feat. Just getting close enough to grab the spine is one issue, but how the bird broke off each spine, brought it here and wove the nest is beyond reality. I pictured a bloody and punctured bird when it was finished, and, of course I hoped it was a male. I thought it amazingly smart because what predator would attack an armored nest like this? Any ideas?


So why are these palms here at all? Native California fan palms are usually found where water is forced to the surface by an underground solid rock ledge. They need their feet wet but tops in the sun – and brutal sun this is. Young palms have wicked red spines along each frond stem, but older trees don’t. It’s thought that Pleistocene mastodons couldn’t reach any higher that about 18 feet, and so young palms adapted spines to ward off the huge browsers. With Climate Change, who knows what will happen to these last few groves of our only native desert palm. They could easily go the way of the mastodon.

 

 

Wish I Was On This Trail!

With rotten weather and the short dark days of Winter Solstice upon us, I just felt an urge to have a summer walk in the woods – so I painted one. It’s no place in particular, but it’s also every place I’ve ever hiked on the West Coast – redwoods, Doug-fir, silver fir, maybe Sitka spruce trails. It could be the Trinity Alps, Olympic’s Hoh, Mt Rainier’s Carbon River or possibly the Dosewallips right near us. It’s all those late afternoons I’ve spent lingering on a trail in the warm sunshine not wanting to head home. It’s smelling ancient forest duff, filled with centuries of life that are slowly decomposing into the next generation of trees. And, for a painter, it’s the way the light bounces from tree to tree, warming the colors of some, cooling others, hinting at more detail than I could ever paint.


Email us for details.

To check availability of the other small originals I’ve blogged about the past few weeks, check the webpage here.

Boy, I sure got a lot of mail last time with the hummingbird-thing. I heard from people all over the country who have hummers attempting to stay the winter – really cold places too, like high mountain communities and along the Canadian border. Come to think of it, WE’RE along the Canadian border. We can see it from the beach. If you wonder if Climate Change is upon us, these hummers are great local examples. I’ve also heard from a fair amount of doubters, saying the BECAUSE of the feeders, these birds are here, but we didn’t feed them until AFTER we spotted them, months past when they should have migrated to Mexico. One writer said she had a hummer outside trying to get something out of a frozen feeder. Maybe we’ll never know for sure, but it’s plain obvious to me.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. We’re working on a new website for her work that should be very interesting. Stay tuned.

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