Earlier this year I completed a bunch of paintings for Ginkgo Petrified Forest State Park near the Columbia River east of Seattle. In many ways, the project took me back to my kid-life when both my parents worked for the Illinois State Museum. I remember being with them and finding ginkgo leaf fossils in northern Illinois, and now here I was painting them for exhibits in a very old and remote museum in Washington State. This building was built by the CCCs in the late 1930s and is just a very beautiful and classic example of those epic times. With the place closed when we were there, the only sounds we heard out on these ash slopes were the wind through to trees and crunch of our footsteps on the trails. The ginkgo and other tree fossils are big, like full-grown old-growth. You can even count the rings showing how old they were when the volcano buried them.
These paintings tell a super-complicated story of how this place came to be in its present state. Countless lava flows, mud flows, ash drops and Ice-Age floods involved trees from another time. They all were stuck in this mess and became fossilized. The trick, for me, was to figure out how to compress giant geologic events or Climate Change into smallish, understandable paintings. Some of these needed maps, some needed a few extra words of explanation, but somehow I think it all works. It was a fun project for me, different than what I normally paint.
All images enlarge with a click. Not all the paintings are shown – thought I’d save you from too much geology.
Thanks for reading this week – and the entire year for that matter. This year, especially, has been an amazing ride of art being created in public places.
Larry Eifert
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