Tag Archives: Wildlife

New Painting Post

One Tree Moment for Ballard Nature Center

I still have the color to add on the five little insets, but I think this project of interpretive art is looking so good right now I wanted to share it.

It’s a very small world! I was asked by Genesis Graphics in Escanaba, Michigan if I’d be interested in doing some watercolor and ink paintings for the Ballard Nature Center in Effingham, Illinois. (So, if we did a conference call, that would be a 4000-mile round trip triangle for the words to be heard by everyone involved.) I’ve had a long and fine relationship with the folks at Genesis, and they always let me just do my thing without a bunch of hoops to jump through. My reply on this idea was, “Oh, I know where Effingham, Illinois is. My formative years were spent  just a few miles to the west in Springfield. I learned my stuff in the Illinois State Museum where I was spoon-fed nature and art by the staff and my parents.” This was relayed to the Ballard folks and it turns out two of my mom’s books are in their visitor center library. What a small world, and very soon they’ll have two generations of Eifert work there.

I know everyone likes to see the ‘behind the scenes’ stuff, so to show you how far this design was refined, here’s the concept sketch.

 Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Reprinting the Arcata Marsh Mural

This was only the third big habitat mural I ever painted, and I’m  hard-pressed to figure out the date it was finished. I’d say 1989, give or take, but it could be earlier. A printed copy of this painting lives in Arcata, California at the Arcata Marsh Interpretive Center. Its home is a sunny wall, and for that the reason we installed a copy of the painting and not the original. Now because of sun damage it’s about to have version #3 printed to replace #2.

So, this week I went into the giant lock box at the bank and fished through the hundreds of 8″ x 10″ transparencies (film they don’t even make any more) and brought this home for scanning. A decade ago was the last time we replaced this, and then we used that transparency and simply made a photo blowup. This time it’s all digital and will be printed on half-inch thick high-pressure laminate material similar to Formica. Thinking about this I was truly struck by the technical changes of this stuff in the past decade, and how artists really need to understand and keep up with it – or risk being left behind like so many other ‘industries’ – and I’ll be damned if they’re going to outsource ME to India!

When I painted this, the Arcata Marsh was a very new place, and it was difficult to imagine what it would become. Sitting on an old log processing pond at the upper end of Humboldt Bay, the idea was for the nearby sewer plant to run its almost clean water through a series of channels and let aquatic plants clean up the last of it. Birds would flock, animals would find homes, people would come to walk and view – and over the years it all came true. I’m happy to have been a part of the initial interpretation, and happy they continue to kept my painting as part of it.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Plumose Anemones – Flowers of the Sea

It shouldn’t have happened, but I think a few of you received a duplicate of the last post. Sorry ’bout that. Even after 5 years, Mailpress blogging software is something of a mystery to me.

This is my sketchbook page for  the August issue of 48 North magazine. I hatched this idea a few months ago while painting plumose anemones for an interpretive panel at Glacier Bay National Park and the more I learned about them, the crazier they seemed. We have these critters here in the Salish Sea and Puget Sound too, and they just seemed ripe for another few paintings. I think they’re a most amazing animal and really sensational to paint. That an animal is built like a beautiful flower is tantalizing for a painter of nature.

Here’s the story that goes with with sketchbook.

Next time you’re down on the docks at low tide take a peek down a piling into the water below. See any big white flowers attached to it that are waving in the current? Those are plumose anemones, and flowers they are definitely not! They’re actually animals, predators on the prowl for small larvae and other tasty organisms that pass by.

 While they look permanently attached to the piling or rock, if attacked by a sea star or nudibranch anemones can instantly leap for safety in an ungainly jump. In fact, large solitary anemones can be found far away from the vast gardens of larger family groups, showing they really can do a ‘walk about.’ Anemones begin life when a fragment from the base of a large anemone breaks off and grows into a tiny but genetically-identical new one. These clones start life as one sex but changes to the other when it is older. Quite a critter, don’t you think?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Exit Glacier – A New Puzzle

WOOO-WOO: Our new 500-piece jigsaw puzzle is now ready to ship. We’re more than happy to announce this one – the rich habitat below the toe of Exit Glacier in Kenai Fjords National Park near Seward, Alaska. I’ve blogged about the progress of this project, from our field trip and concept sketches last fall to the finished mural a few months ago. Now the printed products are arriving, and I think this would be a great puzzle to put together.

 

And here’s the puzzle box back with all the fun stuff about the painting. As you can see, it was funded by Alaska Geographic, a very involved and prolific non-profit that works to support many of Alaska’s parks. I’ve bought their books for years, and now I’m proud to say we’re ‘one of them’ in a small way.

You can either buy the puzzle on the website here, or just email us with your shipping info and we can mail and bill. Buying two puzzles saves you freight as it’s only $2 extra for the second one.

Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has a new blog about the Washington State Capitol Campus that’s pretty fun.

New Painting Post

Glacier Bay Old-growth

Keeping it going, this week was spent working on five smaller paintings for Glacier Bay National Park. Nancy says I tend to loose track of obligations, appointments and schedules, well, try keeping five paintings with lots of details all on track. Ah, priorities! It’s like juggling. This one is a purely fictitious place but based on reality. The landscape around the Visitor Center and Lodge at Glacier Bay National Park is fresh from the ice and its forests are still pretty young. It will likely be changed before it’s finished, but my task here was to paint what WILL be there eventually if the forest there continues to evolve as it should. If things go according to one option in nature’s normal plan, this will become a western hemlock-dominated forest, a few huge trees, logs almost completely covered with moss, skunk cabbage and devils club. Everything would be green filtered light as if you’re inside an emerald. Did I get it?

Here’s the first-draft concept sketch.

And below is the second draft before I started painting. It’s still very different from the final painting, but the elements are taking shape. In the end, the huckleberries left, devils club and skunk cabbage came in after the Park straightened me out. Those two species require more moisture than I had realized was there, so we shifted things around.

I get a fair amount of mail saying that comparing these sketches are the best part of my weekly posts. It’s the ‘inside scoop’ that few see, and I think it’s easy to recognize the fact that the pencil is the painter’s most valuable tool. The second most valuable tool might be that I’m working with two guys from the National Park Service that really care. It’s such a treat for me to have interactions with people who know what their doing, both on the ground with Melenie and Tom at Glacier Bay in Alaska and Chad at Harpers Ferry Center in West Virginia. I just never tire of learning about this stuff, especially from smart people. And that we did a conference call this week featuring a land-line and cel phone joining Alaska to Port Townsend together with a desk’s top in West Virginia is even better.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

A New Monthly Series for 48-North

If you’ve read my recent posts, you recognize this style of art and the layout. I think it’s how art, nature, humanity evolves – we all borrow from each other, or even ourselves.

I recently developed some sketchbook pages for a project in the Schulman Grove of bristlecones near Bishop, Ca. I showed them on this blog here and here , but it was the Forest Service’s kind words about the style, content and design that got me thinking that this might work well in a publication – like a magazine.  So, of all the many stories, articles and books I’ve published, my connections with 48-North, the Northwest’s largest sailing magazine has been the most fun. I’ve written for them for years, and so I banged on Rich the editor, door and asked if he’s like to give me a full page once a month for my little sketchbook idea. Above is the first effort coming up for the July iisue. For June’s online issue (my otters will be in July), click here. 

As I was casting around for my first month’s subject, I was in Port Townsend standing at the front door of Gallery Nine, the gallery that both Nancy and I show in. Tourists were coming and going, delivery trucks were bringing wine to the next door wine store, UPS truck was parked in mid-lane – and here comes a big river otter meandering right by us. They’re pretty common down there since Water Street is only a few hundred feet from the ocean, but seeing a 30 lb, 4-ft long adult river otter dodging cars always gets your attention. A couple of tourists were plain flabbergasted. So, I realized that’s what the first sketchbook had to be about, and I learned a lot about those interesting critters.

Cheesecake Desert: And speaking of critters, here are two of the three new kids in our meadow next to the cherry tree, taken by Nancy from the dining room window.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Bristlecone Pine Sketchbook Journal

I posted some other pages from this project a few weeks ago here. There are 11 pages of sketches that will string along the bottom of the three mural paintings I also painted, and all these will soon be installed in the new visitor center at the Schulman Grove of ancient bristlecone pines in California. When it opens in a few months, this is going to be really fun to see, at least I hope so. Standing in front of the three huge paintings, these sketchbook panels will show how the paintings were developed, like a field sketchbook.

I’ve always loved field sketching. It gets to the heart of things, of using your eyes to see. You get to watch the results flowing out of your hand like magic. To me, it’s the very basic process of creating art, and something I’ve done all my life. Someone recently asked me if I ever took mind-enhancing drugs. No, I said, instead I draw nature outdoors and in the field, and to do it well requires great attention to details, color, texture and how nature has evolved in a single place. I mean, how much more clearly could a person see this amazing and vibrant world than with a pencil in your hand?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Meander Up the Dosewallips

Some weeks are just like this.Spend the entire week drawing, drawing, drawing – but in the end there isn’t a single finished painting to show for it. There’s a stack of concept stuff, in between or in progress but not a postable painting in the lot. I think there’s about 20 of them.

Oh, and did I say the weather turned, poof, into summer. So, put the top down on the little car and head for the hills – and a little hike along the Dosewallips River in the Olympic Mountains. Harlequin ducks, bald eagles, a ruffed grouse strutting his manly stuff, hooded mergansers, trilliums and bleeding hearts, violets and salmonberry in bloom. It just couldn’t have been nicer, and I wanted to share. This photo is in about 2 miles, Nancy photographing a little waterfall coming down into the Dosewallips (that’s doe-see-wollips for those out of town)

Thanks for reading this week. I’ve got a dusy of a painting project almost ready to show, and it doesn’t involve canvas or paper, but more sea-going.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

The Old-growth of Fort Townsend State Park

 

This should enlarge with a click. Please do so as there are lots of details.

Just a mile or so from our studio is one of the rarest of all Northwest places – a lowland old-growth forest. It’s quite a park, and for Nancy and me, just walking the road into this place is often almost spiritual. Here in Port Townsend, we’re on the dry side of the Olympics so these trees aren’t huge like rainforest giants, but there’s an open and ancient feel here that always gets my heart going. Giant glacial boulders dot the forest. Signs of old wildfires are evident. We watch pileated woodpeckers hammer out old snags. Cougar warning signs abound. For about 8,000 years or since the last ice melted, this place has been left to itself. Even when there was a small military garrison here, the only trees cut were a few for firewood.

So, while thousands of miles of forests, our heritage, have been whacked away and the land irreputably ruined, this place has what few lowland forests have these days – some very, very rare plants. All those weird and odd plants that line the painting’s foreground are saprotrophic fungi, plants that don’t produce their own food but instead borrow it from the trees. You won’t see them in cut-over forests – if the forest goes, so goes most of the other stuff like gnome plant, sugar stick and pinedrops. Even calypso orchids won’t reappear. I won’t go into it more here, but I consider this forest to be something of a sacred place, a place much like a world-class museum that holds our most meaningful treasures – our  heritage. These great forests won’t return ever again while humans are here, and so along with the few other scattered lowland patches of old-growth, this is IT!

Somehow the very active local friends group for the park, The Washington State Plant Society, came up with some funding for me to paint a mural for an exhibit at the park. Seriously, I can’t imagine anything more fun for me to do than paint this exceptional forest. I mean this is like a gift, a chance to actually paint my own backyard. It just doesn’t get any better than this. Here’s a picture by Nancy of the ol’ guy at the easel, half way through this effort. Was he dragging his feet? Well, maybe! 

Thanks Ann and Nancy of the friends group, this was just plain fun.

And as usual, thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Fairbanks Alaska Greenbelt

I’ve painted images of city greenbelts before, but nothing like this. In fact, for those of us in the Lower 48 and used to concrete-surrounded greenbelts along city streets, it’s probably difficult to image spruce swamps with moose and sandhill cranes in one. But then this is Fairbanks, Alaska, northern most metro in America. Last week I passed around the first effort with this project – and now here’s the second. Boy, it was fun painting the nature from this far north. Wish I could have gone up for a field trip, but it’s not quite looking like this yet. Thanks to everyone on this project for giving me such free-reign to have some fun.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has some new and wonderful galleries in her album sections.