Tag Archives: Wildlife

Owls in The Alder

Sorry, this painting is sold.

Current Original Paintings for Sale

This painting is for sale, so drop me a note at larryeifert@gmail.com if you’re interested. Click the image and it should enlarge in your browser.

This is an original acrylic painting on canvas, 18″ x 24″.  A Certificate of Authentication is included. Outside dimensions with the frame is about 25″ x 31″ The framed painting is $1300. Frame options are available. We have a double-boxed professional box for this to ship in, and it has moulded styroform forms inside for protection.

This painting is about the barred owls that have moved into our little patch of forest. We used to have great-horned owls, saw-whet and western screech owls, but these interlopers have run them off. I’m not sure where the nest is, but it’s close, and we occasionally have these guys on our tray feeder, or attacking our windows when they see their reflections. They can’t seem to get along with anyone, even themselves.

Here’s the presketch I did for the design. You can see my idea of lining up the heads in the upper center-of-interest area, then bringing the alder trunk down into the foreground.

This is a very old alder and it’s right outside the window, so my model is close. I very picturesque tree, don’t you think?

I put together my usual video talking about the painting on YouTube, which is here on my channel. If you want to listen to me yack about this painting, just click:

And below is a previous version. Close – I didn’t feel it was quite right yet. I’ll  leave  it to you to figure out what’s changed.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Glacier Park sloppy mural details

I posted about this painting of Glacier National Park recently, and now I’ve scanned it for the next step in becoming the back of the park map. As I was scanning and then cleaning up the file in Photoshop, I was struck with how loose and abstract my stuff gets when you zoom in on it. Brush strokes, smudges, finger prints, cat hair, my hair (what’s left of it) is all in here, stuck down forever. I think it’s a good view of my painting process, so here are some samples I screen-grabbed as I went.

This first one is the ptarmigan chicks in the center foreground. Notice the while lines around the heads to help bring that out from the background. And the vague indication of the rocks that are only a few brush strokes building from dark to light.  Not detailed at all, none of it, but it still suffices to tell the story. Click on all these to see larger versions in your browser. It helps understand what I’m showing.

And here is the ram’s head on the painting’s right. In the closeup details on the second image, you can see it’s really just a gauzy overlay of white that makes for the final presentation, and you can see again that this entire animal was initially painted dark umber to begin with.

Lower left corner with the snowshoe hare and butterfly, it all works pretty well at this resolution, but blow it up so you can actually see the brush strokes and it’s pretty darned abstract.

And finally, the area around the elk, flowers and sedges, alpine landscape with the stream. It looks okay at this normal resolution.

But as I zoom in on it, the thing falls apart fairly quickly.

If I presented this in a gallery situation, would it work? Probably, because people will buy anything = witness the last presidency. But there’s not much fine detail here except some dabs and dashes of paint. What I’m trying to get across here is that big paintings are really just that, dabs and dashes. I get questions about my process and I’d have to say here that it’s all just dabbing and dashing, splashing paint on a flat surface and standing back every few minutes to see how it’s going. In the end, it’s a huge finished thing that looks okay, but every moment is just abstract art in each very tiny area – then repeat over and over.

What IS this, anyway? What an abstract or maybe even non-objective piece of art.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

The 100th Sculpin and Bobcat

This is my 48 North magazine page for the month about the Pacific Northwest. It occurred to me that I haven’t posted a single issue this year, what with all the other art flowing out of my studio!

This was the 100th story I’ve written for this magazine! I’ll say that again, the 100th monthly story, 8 1/2 years worth!! And there were lots of other stories they took before this caught on. Anyway, here’s the text that goes with number 100.

No other Northwest fish can match the amazing color changes of the Irish Lord. This bottomfish simply (well, simple for them, evidently) looks at their surroundings and immediately changes skin color AND pattern to match. Red coral, no problem – gray mud, they’ll turn gray – green seaweed and it’s a blotchy green fish. The eyes even change color and add texture and patterns, and that seems to be something few other camouflage creatures can do. It’s the shine of the eye that gives away the deer fawn’s existence, but for the Irish Lord – it will just float, frozen in place and looking like a mass of tube worms or anemones. This sit-and-wait trait also works well for their hunting skills, since even their prey can’t see them until it’s too late.

Irish Lords are large fish for sculpins and can reach 20” in length. They have unusually large eyes relative to their bodies and like most other sculpins, they’re only partially scaled. They live along all the coastal Pacific from Russia to Monterey, Ca in shallow water but down as deep as 1500 feet. Irish Lords gather in spawning areas once a year and it’s possible the same pairs return to the same spawning rocks season after season. The male builds the nest. These would be in places of high current and both parents guard the pinkish eggs until they hatch. The current might aid in dispersal when they’re most vulnerable and give the young a fin-up on success. These are beautiful fish and thanks to their spiny array aren’t sought after for food. Lucky for them, and lucky us when we can appreciate them alive.

Larry Eifert paints and writes about the Pacific Northwest from Port Townsend. His large-scale murals can be seen in many national parks across America, and at larryeifert.com.


Then this amazing photo of a friend, by a friend:
Nancy took this photo out our window recently. This bobcat comes around fairly often, goes after our squirrels but judging by the number still here, it’s not a great little hunter. Check out the size of that front paw in relation to its head. To have this sort of wildlife experience right here at home never ceases to make me appreciate the Olympic Peninsula. And, it makes me want to continue to express myself with paintings about it – as well as all the other places we go. I’m going to write more about this going forward. It’s a passion for life I’d like to share.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Malheur – Swans and the Wadatika

This could be Malheur National Wildlife Refuge – possibly 1000 years ago when the Waditiki Indians lived here, fishing and hunting the marshes during high water periods. It’s from the perspective of the Trumpeter Swans, Canada geese and ducks the Indians hunted. Looking down through the birds you see the tule and cattail houses and boats, and people going about their daily lives. I like the feeling of a gigantic landscape with a very few humans touching the land lightly. How things have changed!

I finished this painting a few days ago for Malheur National Wildlife Refuge in eastern Oregon. This is one more of that series I’ve been working on seemingly forever, but this one I truly enjoyed, because there was so little guidance from anyone involved. This is another fairly big wayside, 60″ wide, that will be part of 3 at the Buena Vista Overlook south of Burns, Oregon. Here it is in the final form.

And here’s the original sketch of the main painting. Getting the feel of a made-up place, because who knows what it really looked  like then, what the Indians looked like, what they did or how many there were. I think I got it.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Malheur – Buena Vista Overlook

I’ve been working on art for Malheur National Wildlife Refuge in eastern Oregon, a continuing effort that’s finally coming together. This wayside panel I just finished is going there, telling the story of springtime water vs. fall desert. It’s been interesting to compare the two scenes – which is a completely fabricated scene. No such place exists, yet it’s at Malheur in many places.

This view is of the spring snowmelt season there, when water from the local mountains fill up this grand valley with ponds and marshes. These lakes are only a couple of feet deep at most, many are less, but the place is crammed with birds either nesting or on their way north. It’s possibly the single most important wildlife refuge in the West.

And this scene shows the same place a few months later. The lakes have dried to an almost desert landscape and the lush foliage of spring has yellowed. It was interesting to figure this out – just the cattails were challenging to understand their life-cycle.

And here is where this and two other waysides are going – Buena Vista Overlook. My new paintings will replace these old and tired ones atop a stunning view of the valley below. These are big panels, each five feet wide. They needed to be big to compete with the scene.

Call this my small effort at using art to fight our current culture of White Terrorists in America. This is the place the Bundy Gang of Thugs took over a few years ago in a Right-wing attack on our heritage. Remember? Yes, this place is OUR heritage – and then the Trump administration  pardoned them when they were sentenced for their crimes. Not enough said – but if you want to save what’s left of these places, VOTE for nature!

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Wind Cave NP Site Visit

What’s this big guy doing on our hood? Attacking a brand new rental car – starting with licking the bumper and then advancing to the really fun stuff. Damage! See that foot-long horn (one of a pair) on top of a 2,000lb creature with the manners of a child? I loved every minute of it.

Here we were at Wind Cave National Park in the Black Hills of South Dakota. We’ve been on a site visit, researching, photographing and sketching for a new and really interesting project. Wind Cave has one of the most amazing caves we’ve ever been in, 150-some miles of it, and also super high-quality mixed grass prairie up top with hundreds of bison, elk, pronghorn, deer and prairie dogs. A feast for our eyes.

This is pre-sketch drawing number 8, placed in the design grid on the back of their new map guide. 750,000 people come here each year and this will be the handout they all take home.
And this is drawing number 1, beginning with some vague notion of underground vs. above ground prairie and Black Hills. Compare this to the top one and it shows how things progress and evolve in my head as I do these things on location – no studio time, no time to think, just draw – and then I have to present this as a program to park staff at the end.
Nervous? I used to be but it’s just life on some higher level now.
National Park Service staff and me, left, at the highest point in the park. We were discussing how often this location gets struck by lightning, which was happening. Photo by Nancy, who took hundreds of others. Melinda, next to me, came from the East Coast to help on this.

Stay tuned as this painting develops. It will be about 5′ x 4′ and be filled with many more critters, flowers and details – especially in the cave where some of the most interesting hang from the ceiling (no, not bats). If you follow me, you’ll see the entire progression from this messy beginning to a finished ‘thing’. 

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Stay tuned as this painting develops. It will be about 5′ x 4′ and be filled with many more critters, flowers and details – especially in the cave where some of the most interesting hang from the ceiling (no, not bats). If you follow me, you’ll see the entire progression from this messy beginning to a finished ‘thing’. 

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Spotted Sandpiper

I’ve been painting imaginary scrapes of landscapes for a long time. I find it very rewarding to take a moment in time and build a little painting around it, a memory for me of ‘being there’. This one is actually a streamside rock pile up the Big Quilcene River on the Olympic Peninsula, Olympic National Forest. I remember, it was raining, had glistening rocks, lots of varieties of color and texture, a few bits of wood as well. It was near the old log bridge at Bark Shanty. These are cold waters, so I primed the board with Mars Red to give it all a warm cast. 

The spotted sandpiper is the same, a nice memory for me of bumping into this little guy on a hike. They’re around most Western mountain streams throughout the summer, but head south to Argentina when the snow flies. You might normally think of sandpipers as birds that flock for safety, but this one is always singular. They poke around stream and lake shores, banks and beaches for lunch and have a curious habit of teetering up and down as if it’s lost its balance.

The first time I ever saw a spotted sandpiper was in the High Sierra. I was walking along a meadow bank beside the river above Tuolumne Meadows a few miles south of the campground. What a place! And here was a sandpiper, just meandering along and minding its own business as if I didn’t exist. It spent time, and so did I. Those memories make for good paintings, no matter if it’s decades later. 

This painting is now for sale. It’s framed and the outside measurements are about 24″ x 20″ matted and under glass for $1295 total. Shipping is a bit more. Let me know if you’re interested at larry@larryeifert.com

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

El Malpais mural

El Malpais National Monument mural painting completed

I finished my El Malpais National Monument mural a few days ago. Of course they don’t know about it yet because the park staff is shutdown, but I thought I’d post it here to let everyone else know that artists don’t get sent home – we ARE home. Park staff isn’t getting paid, and neither am I.

Enough of that! The progressive steps of this painting are shown below, from the concept sketch created on location in Grants New Mexico, to the refined sketch and finally the painted version on top. Scroll to the bottom to see the chronological progression in reverse. 

This painting shows the rather amazing and pristine high desert plateau landscape right on the Continental Divide in central New Mexico. This giant park has over 400 lava caves, ancient pueblo ruins, sandstone cliffs, vast lava flows, cinder cones and some of the oldest Douglas-fir trees on the planet. The painting shows most of these components, and also several cave entrances, bats emerging for the evening, a ringtail watching them pass. There are two tinajas, or waterpockets with frogs and others coming to drink after a hot day in the desert. This part is on sandstone, like the background cliffs. There are ancient junipers that were probably here 1000 years ago when the pueblo was occupied, and lots of pot shards are littering the ground. We saw all this, and much more I couldn’t get in while on our site visit last spring. 

The design for the park’s map brochure.

This painting will be going to the main visitor center in Grants, but a larger copy with also be produced for an exhibit there. The real reason for this, however, is that it’s going on the back of the new park map brochure, so each year over 100,000 people get to take it home with them – along with this painting of mine. This part of the project is being produced by the excellent staff at the National Park Service’s Harpers Ferry Center in West Virginia. They always do great things with my paintings. I know the production will be top-notch.

Super-refined sketch prior to painting. This one was drawn in the studio here in Port Townsend and was the final draft before painting.
Refined sketch number seven, also drawn on location.
ELMA sketch #7

Above is the initial sketch photographed for big screen presentation at the park. I did this on the pavement at the hotel in Grants New Mexico, then loaded into my laptop and piped it onto the big screen for the park to see and comment on while I listened and wrote comments. This is sketch #7, the final one attempted and it was heartily approved. Even the superintendent was there, which is a rarity for me.

This was drawn on location, along with half a dozen others, but wasn’t a specific place. It has all the ‘elements of El Malpais, but doesn’t hold faithful to any ‘stand here and see this’ location. I think I nailed it pretty well.

El Malpais means Badlands – they sure are.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Ozette Loop Trail

Ozette Loop Trail, a boardwalk journey into the green tunnel. Yes, I paint private commissions that interest me – and this one did.

This is a recent commission that traveled across the country. The lovely question: “My daughter and I came to the Northwest to visit family and we hiked the Ozette Loop. Could you paint something to help us remember our fantastic trip?” – or something like that. Anyway, I wanted to share the painting here because, while it certainly IS the Ozette Loop, as anyone who has hiked that world-class trail will agree, it’s actually what I THOUGHT that 6 MILES of boardwalk feels like. It just goes on and on through the green wall of ancient old-growth, cedar, spruce and alder. Sometimes it’s a hand-split cedar boardwalk, sometimes it’s new stuff, sometimes you think you’ll fall through and sometimes even plastic Trex appears momentarily (how COULD they have done that?).

Nancy Cherry Eifert paying attention. One wrong step and a busted knee at least.

There are places where this path is really old, like the section in the photo. You need to watch it carefully, not gaze around at the canopy overhead. It’s a leg-breaker awaiting. Sometimes it’s gravel, but not so much considering it’s 3 miles on each of two sides of the triangle. The middle side, of course, is 3 miles of wilderness beach, boulder and gravel walking down the coast – and the real reason most of us go there. That part feels amazingly remote but it’s really too good to share. It’s a place stories come from. It’s a place to camp, sit beside a beach fire and watch the sea otters play in the shallows. Maybe another hike’s in order next summer.

Thanks go to Jennifer and her family in Connecticut. I got to make a painting for you – and me.

All images enlarge with  a click. Yes, I paint commissions.

Thanks for reading this week – and the entire year for that matter.
Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Tidepool Sculpin – My 48 North story for September 2018

Never got around to posting this in the midst of a bunch of much bigger paintings, but this was my September magazine page for 48 North magazine.  It’s late to post here, but I always want to leave a record of my stuff to keep track of it all.

Sculpins: a quick little color study of these tiny fish that live in rocky tidepools in the Northwest. There are many reasons to make these little guys (smaller than your thumb) featured here, but my favorite is the rather homebody lifestyle they have. Simply put, they like where they live and never stray far. Sure, they can live out of the water through an entire tidal change, and sure, they check out other pools as far away as a football field, but they always return home, and to the same pool!

Here’s a closeup of the little guy, loose pencil and watercolor. I don’t give myself much time on these and I like the process because it’s so very different than many of my bigger projects that are tight and detailed. Compare this with the 500 square feet of Hoh Rain Forest paintings I was doing at the same time I did this little sculpin and you can imagine the relief of starting and finishing something in the same session. Ahhh.

And here is the text that went with it in 48 North magazine:

Go ashore – poke around tidepools, and chances are good you’ll find this little sculpin. It might take a bit of looking, because their habit of secrecy means staying put, not moving a fin and waiting for you to pass by. Superbly camouflaged, these small 3.5” fish settle to the tide pool bottom and blend in so well with sand, crushed shells and bits of seaweed they just disappear. Put your hand over the water and, like a flash, they shoot forward to a safer place. It’s still the same tidepool, so just watch them flash, settle, and then have a good look. As the tide returns, sculpins could move about to other areas, but they have a home pool and rarely stray far. If moved, say 300 feet to another tidepool, they return to their original pool, not unlike salmon returning to spawn to their home stream.

There are five sculpin species here and all are carnivores, hunting small crustaceans and seaworms. In turn, they are hunted by all sorts of predators from herons to otters, so sharp spines that take the place of scales are protection as they live in a confined space with no escape. Sculpins occasionally get stranded out of water at low tide, beneath seaweed or under rock ledges. Not to worry. These fish can breathe air until the water returns a few hours later. Other fish can do this, too, and it begs the comparison to when fish crawled out of the water for good and took to the land in an evolutional move that eventually became us. Think about that next time you see one of these little fish. Is that you, grand dad?

This is the tidepool where I did much of the research for this story, Beach 4 at Olympic National Park. It’s one of our favorites for a low-tide poking around.

Thanks for reading this week – and the entire year for that matter.
Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.