Tag Archives: Wildlife

New Painting Post

A Brown Pelican – Really?

Brown pelican in the Boat Haven!

Thanks to DDT, by 1970 the California brown pelican was almost gone from the West Coast of the United States. Even today, these great fishermen with a wingspan of 6.5 feet only nest on the Channel Islands off Los Angeles. Sometimes, but not often, a few migrate northward during the late summer.

So, imagine my amazement when Nancy spotted one here in Port Townsend in the middle of January – and while it was snowing to boot. There he was, down in the marina right under the fish boat dock awaiting the next toss-out of not-so-good fish. And he probably wasn’t cold either, as the water this time of year is a full 20 degrees warmer than the air.

So, like the journalist that I am, here’s a little painting of Port Townsend’s wintering brown pelican. My hat’s off to him! And my hat’s off to Rachel Carson, an old family friend who stood up to the chemical industry over 50 years ago so this bird could eventually make its way to Port  Townsend in January, 2012.

This ORIGINAL painting is acrylic on paper, 7″ x 10″ and $85 unframed.

A nice custom frame with a double mat and glass makes it a total of $110 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.

Email us for details.

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Exit Glacier – Kenai Fiords National Park

Commissioned by the National Park Service and funded by Alaska Geographic for the new nature center in Kenai Fiords National Park. My task here was to show the ecosystem of this emerging landscape so recently covered by the glacier. You can see the trail winding through a young forest populating the outwash plain of the giant glacier connected to the even bigger Harding Icefield (bigger than the state of Rhode Island). Just a few miles from Seward, Alaska, this is one of the few glaciers you can actually walk up to and touch. It’s a bright summer scene, the way most people see it, but when we were here in September everything was already turning ochre and there was a rain and flood-event going on. I blogged about that on September 14, 2011 when I got the location sketch posted here. A few weeks later I posted the finished sketch here. It’s fun to see the evolution of the painting from concept to finished mural, but I know you guys don’t like to click through, so here’s the concept sketch again, but this time as it was happening (photo by Nancy Cherry Eifert over my right shoulder).

 And here’s the sketch drawn back here in the studio.

Soon there will be a high-pressure laminate panel of this painting for the center. Since it’s closed in winter, no heat, and it IS Alaska, it was decided that the original will hang downtown in the main offices. Next spring we’re hoping for puzzles and other products, so stay tuned.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

This Guy Also Lives Here

This is the last post of the year for me, so I want to thank everyone for all your  comments, thoughts and, of course, purchases. While it’s not a-painting-a-day blog like some of my friends, I’ve still managed at least one a week for a lot of years now. It’s been a great way to stay connected.

Downy woodpeckers live here with us in our little patch of forest. They tend to prefer mixed woods with conifers and deciduous trees like our cedars and hemlocks, maples and alders. Here they’ve they set up housekeeping in some of our carefully preserved dead snags we leave standing just for this purpose. We see them on our suet feeder all year where I get up-close and personal views of how they look. This one’s a red-topped male I know well.

The downy is amazingly similar to the hairy woodpecker we have here too – almost identical except a tad larger. They’re actually not very closely related, making the two a great example of convergent evolution in which two separate species that live in the same place and do the same thing evolve, over time, to look the same. When I learn this, I immediately want to know how long this took, and what did the two birds look like originally before they migrated into these great Northwestern forests. Don’t you want to know?

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $120 unframed. A custom wood frame makes it a total of $150 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Ancient Bristlecone Pines mural

(There’s a lot to see here, so these images should enlarge if you click them)
The third and center painting for the Schulman Bristlecone Pine Grove east of Bishop, California was finished this week. Put together, this wall is going to be about 17 running feet of pure high-country paintings. This final one is 5 x 8 feet on stretched canvas and I was really pushing it to fit into my little studio. Several times I almost gave up and went downtown to a larger space, but I wondered how I’d get it in the car. In the end we muddled through and now it’s great to see all three together. Since there was really no room for me to line them up to check (inside, at least), this is the first time I’ve seen them all together. I think it’s going to work.

Bristlecone forests are a beautiful but stark and colorless landscape because the trees are all bleached out by thousands of years of sun, the rocks are white dolomite – and flowers are few here at 10,000 feet. And since some of these trees are almost 5,000 years old, the oldest on the planet, they really look gnarled and sculptural, so that’s what I ended up concentrating on. Paintings of sculpture!

For those who want to know more about this project, I’ve blogged about it before here:
Here is the post for the pinyon painting on the left.
Here is the post for the alpine painting on the right.
And here are the original sketches. You’re notice some serious changes between the concepts and final paintings. That’s the fun of it – not to mention I just love this place.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Brown Creeper

We’ve been in San Diego enjoying family and friends – but it’s so good to be home in our little green and peaceful meadow again with the critters. It was heartwarming to see the red squirrel heading up to his tree-home with a giant wad of our home fiberglass insulation in his mouth!! and this little creeper was on the same tree trunk.

Possibly one of my most favorite birds,we have several resident brown creepers here in our little patch of forest. They’re like little scurrying mice, but instead of being on the ground, we see them on tree trunks. With over-sized toes for probing and poking, their coloration makes them resemble tree bark so much that if they stop moving, they almost disappear. While equally-small nuthatches spend their lives climbing DOWN trees in search of insects, creepers do just the opposite. They circle and climb UP trunks, pocking and pecking away to find the bugs nuthatches missed. In this way, both species can co-exist on the same tree, and while one is watching the ground for trouble, the other watches the sky.

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $320 unframed.
We have custom frames that would make it a total of $145 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Schulman Grove Pinyon Pine Forest

(If you click it, this will enlarge in your browser)

This is the second of the three Schulman Grove bristlecone paintings for the new visitor center east of Bishop, California. A few weeks ago I painted the first one of the alpine area that will go on the far right side. Now this one goes on the left side and shows pinyon – juniper forest. Overall size of these three is about 17′ x 5′. If you look at the upper right of the painting, you can see the bristlecones growing up at 10,000′, where the middle painting is sited. That’s the High Sierra in the distance.

Pinyon pine nuts have provided food for people, birds and animals for as long as they’ve been growing. Because of this, the Forest Service requested a gathering party of Native Americans be added to the mural so they can interpret that on the reader rail below. That seemed awkward to me, because it places it as historic and out of context with the other two. What to do? So, I set an amber value scale to the painting to make it feel like an old sepia-tinted photo. I’m hoping it will still go well with the other two paintings, but there’s a very different feel to it.

A busy time these days as I have a show coming up at local Gallery 9 in Port Townsend. I’m enjoying the back and forth between huge mural canvases and looser easel paintings. There’s a lot of paint being tossed around.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

National Wildlife Refuge Week poster

(These photos should both enlarge with a click) 

The same folks at US Fish and Wildlife Service who commissioned me for the Necedah National Wildlife Refuge murals earlier this year have now used a small piece of them on the poster for National Wildlife Refuge Week. That’s a thrill for me on several levels, not the least of which is that this goes all around the country – and I’m already getting some fun fan mail about it.

For me, wildlife refuges are iconic places. I’ve had a very long history with these soggy mudholes, with proof shown in the photo below. It was taken just a few miles north of the same Necedah Refuge in Wisconsin, August 1956, and I was 10. The boat’s name is Redskin and it was just that, a red carvel-planked wooden boat I was turned loose with for weeks to explore the local back marshes and lakes. There was never a life jacket in sight! I used to row out to a lily-pad backwater and just hang my head over the stern watching the fresh water sponges inhale, exhale. Watch the fish make lazy circles under the snags and floating logs, watch the turtles make plopping sounds as they tried to get away from my not-so-quick little hands. These places had a powerful effect on me, a hold that remains firmly in control as I continue to paint them today, over a half-century later.

My dad was never one to shirk from duty, and if I (in the bow) and Virginia (in the stern) wanted to go out and find wildlife, he’d do it – no matter if it was hours and hours of rowing uphill. He once bragged that he planned to carry me up 12,183′ hiker’s only Trail Ridge Road in Rocky Mountain National Park each time we’d go there (which was often), so that by the time I reached high school he’d be stronger than Jack Lalanne. I think the idea lasted two years.

Thanks for reading this week. And thanks for the kind words about the poster.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Exit Glacier mural sketch

This will enlarge if you click on it so you can see the details.

I recently posted the on-location concept sketch for this project, and now here’s the proper drawing I’ve presented to the Chief of Interpretation at Kenai Fjords National Park in Alaska. Exit Glacier is in the background, outwash plain coming down into the forest near the Nature Center, young cottonwoods, alders and spruce emerging from a landscape the melting glacier recently left behind. Moose, bear, coyote and short-tailed weasel among the group. I think I’ve got it.

I get questions about how I construct these larger images, so if you click on the concept sketch link above it’ll open in another window so you can compare. That was what I went from back here in the studio, plus a bunch of photos. The parks usually give me a species list and the number of elements they want to see. There are one or two still missing here, but I’ll get them in – like a marmot and mosquitoes, but I think I got all the rest in.

When the art is installed in the Exit Glacier Nature Center, a nearby panel will have some buttons that, when pushed, will produce digital sounds as if you might be standing there in the forest listening to nature ‘talk’ to you. A moose vocalization, insects buzzing, raindrops plopping, the glacier booming, rustling of birds – the beautiful clear and ethereal voices of the varied and hermit thrushes, those soft forest whistles you can never forget. Soundscapes are a new way to interpretive these murals and I think it’s a great idea as long as the device doesn’t break down. Now if they could just pipe in the smells of moose pellets on forest duff!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Alpine Painting for the Schulman Grove

(both these images should enlarge if you click them)

This week I finished the first of three paintings for the new Schulman Grove Visitor Center near Bishop California. Below are the sketches, pinyon forest on the left, bristlecone forest in the middle and the alpine goes on the right. Together they take up an entire wall of the new building and both doors are lined up to showcase the paintings when you walk in the place, a beautiful new off-grid summer visitor center located in the Schulman Grove at about 10,000′ elevation. The alpine painting shows 14,252′ White Mountain in the background, only about 250 feet shy of Mt Rainier and Mt Whitney. The painting’s location is placed several thousand feet lower in a land of belly-plants, marmots and bighorn sheep, but still a landscape of stark light. It was not easy to pull this off, as there are very few resources telling me what grows at this high, dry and inhospitable place. With this one behind me, I look forward to the other two coming next along with a series of ink and watercolor images for the other exhibits.

As you all know by now, I tend to paint trees. I’m very pleased the Forest Service chose me for this project as Great Basin bristlecone pines are the oldest trees on our planet. I also love these high mountain tree forests, especially this famous grove. To walk among these ancient and gnarled artistic sculptures we call trees is to walk with nature far beyond what I can understand. There’s a stark quiet here that sustains my thoughts of these living wonders far beyond the initial visit. One of them here at Schulman has been cored to 4750 years of age, a thousand years older than any other known tree species. Other downed bits of wood, branches and trunks long dead, have extended these dates back over twice that far and have actually helped rewrite climate history knowledge. But those are just numbers. How do you truly understand any of this when I will be lucky to live less than 1/50th of that?  And here I am at this brief moment of my life trying to create something that will educate some of us about all this. Daunting.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Red-legged Kittiwakes

I’ve never painted this bird species, and in Seward Alaska recently there were lots of them at the SeaLife Center, so, I just had to take a stab at a painting. We heard someone trying to describe the white on kittiwakes as “the whitest white.” I’d go farther. To me it is so white as to be a void, as if touching one would put your hand into a cosmic hole so deep and profound is that lack of color. They’re a very localized species, nesting on offshore islands of Alaska and spending winters in the Bering Sea, and their populations are down by about a third in recent decades as are most pelagic birds and sea animals around there. Black-legged kittiwakes were there as well, and we saw them on rocks just like this out out in Resurrection Sound with the Stellers sealions near the caving glaciers.

It’s always thrilling for me to see a creature as soft and vulnerable as this making a home in such a forbidding and harsh place. I tried to show that in the colors. Glacier-sculptured rock, windblown and water-blasted cliffs are this creature’s life, never mind the winters of driving snow, ice and hurricane-force winds. And we complain about so many unimportant  and casual things. What do they complain about?

 This ORIGINAL painting is varnished acrylic on linen canvas, 11″ x 14″ and $160 unframed.
A mahogany frame with linen liner makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print, but prints will be available soon.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.