Tag Archives: Wildlife

Day 2-4 Necedah National Wildlife Refuge Murals

After a  bunch of round-and-round about sizes, measurements and materials, I’ve now begun two larger paintings for the Necedah National Wildlife Refuge in Wisconsin. Stay tuned for progress reports. These two shots are Days 2-4 on the first painting.

Here’s the deal. It’s a new visitor center at the refuge in central Wisconsin. There are 130 feet of walls that need to show, in an artisitic way, five habitats all woven together, from prairie wetlands to sedge meadows, uplands prairie to oak savanna and finally pine forest. Tallest wall is about 12 feet. Normally, I’d do these on theater canvas and they’d be glued up, but we’re trying something technologically new (at least for me). We’re painting these at 30% of final size on Yupo plastic paper, an ultra smooth surface that’s good for high detail. When finished, they’ll be digitally scanned and blown up 300%. So far, the printed samples look pretty good, and it allows me to paint in a much smaller room, and much quicker – and if the visitor center burns down (which has happened), they can put up a fresh copy.

Thanks so much to Port Townsend’s Union Bank for giving me studio space in a community room. They’ve done this before on large projects and have really helped my painting process. While these two paintings are 30% of final size, I still need much bigger walls than I have here in my studio. Nancy’s down there painting away with me, and she’s helping to speed the process up. So far it’s been fun. The story of Necedah and how it relates to my past is an interesting one, but we’ll save that for another post.

Stay tuned for more soon. Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Three Blind Mice

I’ve been working on three projects at once, some of them fairly large, so keeping it all straight has been interesting. Oh yeah, then there’s this blog-thing.

Here’s the setup: Imagine you’re a little mouse family living on the north side of Mount St Helens 30 years ago. Meta Lake is just downhill, still snow covered even though it’s May. Life is good, you’ve been asleep all winter, waking occasionally but certainly not leaving your cozy little mouse den. Your little clan found this neat little hole a mole had dug, and in a little side room you set up shop for the winter. It’s May, still a month from being able to leave for a brief summer of munching and gaining back the weight you lost over winter, when you awake to hear what sounds like a 1000 jet planes landing right on top of you. Well, whatever it was, it passes by.

Well, whatever it was – turned out to be the eruption of Mount St. Helens, and because this little family was underground, it survived the almost supersonic blast. After the snow melts, rich ash and a destroyed forest will make for a rich succession of plants with lots of seeds and grasses. And, unlike the elk and deer in the blast zone, the mouse family will survive.

Such is the job of a naturalist-artist. This little painting will be an inset to a much larger painting showing the snow-covered forest and that big ugly blast cloud just arriving. Fun stuff to figure out.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

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Magnificent Frigatebirds

This time it’s another graphite and watercolor illustration for John Vigor’s article in Good Old Boat magazine. Magnificent Frigatebirds aren’t new to us, but I never get to paint them – and they sure aren’t around Port Townsend. We’ve seen them while we were camping on the beaches in Mexico, we saw them often while we sailed Ave Mariadown the Baja Coast and up into the Sea of Cortez. Just last year we saw them at Everglades National Park, soaring over the mosquitoes at Flamingo.

These birds are real aerial pirates that never, I mean never, land on water. They soar endlessly along oceanic coastlines even as they sleep. In fact, the only other bird species known to spend days AND nights in flight is the common swift. But being amazingly good at one thing usually means we’re goofy at anything else, and so the frigatebird cannot walk, swim or take off from a flat surface (we’re talking about jumping off a cliff ). Frigatebirds sport a very wicked upper bill that angles down like a fish hook, enabling the birds to latch onto morsels as they fly by, or, they steal it from other birds (chicks in nests included). At 90 inches, frigatebirds have the longest wingspan relative to weight of any bird on the planet. The reddish throat pouch-thingy on males inflates during courtship or while the male is nest-sitting, giving them a rather bizarre look. When I saw a kid (centuries ago) I remember they were called “Man O’war” after the old frigates, which the big birds use to follow for food scrapes.

And you all thought I was just a painter.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Painting Some Interesting Wildlife

These past few days I’ve been doing some interesting illustrations for Good Old Boat magazine. Graphite and watercolor, not what I normally do – and that made it all the more fun. Author John Vigor provided an interesting article about sailboat cruising and the birds he’s seen from Western Canada to the South Atlantic and beyond. I know, it’s a fairly broad subject, eh? I was given a pretty broad list of choices to illustrate, so I picked the most interesting birds to me. Above are a pair of tufted puffins, local guys for sure – in fact, this pair could be within five miles of our place.

Next on the list was this little guy:

This is a St. Helena wirebird. St. Helena, if you remember, is in the southern Atlantic and is one of the most remote places on the planet. It’s where they put Napoleon after they named an ice cream for him – and maybe also because he started a war (George, the house is now vacant). The wirebird is the island’s only surviving endemic bird, and having never painted it, I just had to do some research (which is the real fun part of this stuff) and try it out. It’s a killdeer-like plover that does a broken wing act just like our local birds here.

There were more, but you’ll have to wait for the May issue to see them – which I’ll post here if I can remember. It was a most interesting project, for no other reason than in one day I got to paint birds from opposite ends of the planet.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s website is currently down while we remodel it. Stay tuned.

New Mural – Exploring the Nearshore

Nearshore of the Elwha River

For the past few months I’ve been working on some projects centering around the dam removals on the Olympic Peninsula’s Elwha River – located about an hour west of here. This painting has just been finished, so I thought I’d pass it around. You and the clients are both seeing it for the first time! It shows the shoreline, Olympic National Park behind, the Elwha River delta on the right – and of course the critters and plants that call this place home.

This is a collaboration between Olympic National Park and Feiro Marine Life Center in Port Angeles, just to the east of where this scene is. One of the big beneficiaries of freeing the Elwha will be the unrestricted flow of nutrients, sediments and drift material from the river into the ocean and then along this shoreline. The river has been blocked for almost a century and this beach is pretty starved, not only because of the dams but also because the shore is ‘armored’ with boulders (read: very bad for critters). In this scene, I’ve hopefully given you an idea of how dynamic and complex this place should be. The painting is destined for the Feiro Center, along with other panels that will tell the story of this, the largest dam removal project in our history. I’m pleased and proud to be part of this forward-thinking environmental project.

These big paintings are always fun for me. I just never get tired of figuring out how to somehow ‘build’ all these 3-D plants and critters into a somewhat realistic and complex world of only two dimensions. It’s a real puzzle. If I continued working on this painting, it would become a very tight and almost photographic work, but I’ve always thought they should be more an “impression” of a scene, and so I try to paint them that way – in an impressionistic style. While it might look realistic on your screen, it’s actually fairly loose in technique.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to. If you know others that might enjoy my musings, they can sign up on the blog page – or by sending me an email.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Paintings for Mount St Helens

I haven’t posted anything for a few weeks because this has been a stretch of sketching and preparing for lots of new paintings – but they’re all in progress. Then we took a week to drive down to San Diego, but now I’m finally back in the thick of it and wanted to pass along some of the sketches I’m doing.

This is a first-round draft of one of the wayside paintings I’m doing for Mount St Helens Volcanic National Monument. It’s going to show something that no photographer could show (or wouldn’t want to have tried 30 years ago). Meta Lake is a few miles north of the volcano, and this shows the eruption blast cloud just coming over the hill on the left – wind hundreds of miles an hour cutting down this old-growth forest like it was dried grass. The lake was still frozen then as it was May, and critters were still asleep in their burrows below the snow. It was this cover that helped nature return very quickly here, and that’s what this piece of art will hopefully show. We came here for field research back in October, and the scene is now very forested like the photo at the lower right. It’s a lovely place that is difficult to imagine as a wrecked volcanic blast zone.

I love doing these projects, because we get to learn all this new stuff – and that’s what life is all about – it’s it?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Oh yeah, American Forests Magazine

About eight months ago, American Forests organization in Washington DC, who publishes American Forests Magazine, contacted me about using my mural of whitebark pines in peril for a special issue they were planning. American Forests is America’s oldest conservation organization, founded in 1875.

Whitebark Pines may soon become the first major tree species to be listed under the Endangered Species Act, and, thanks to Ron at the Crater Lake Institute who commissioned it, I probably have the only really good painting of these amazing high-altitude trees.

Sounded like a good project, so, I sent the stuff. Time went by and life persisted. Then, today, I wondered what happened  – went online (of course) – and there it was. So I’m passing it over to all of you. Nice mural, key, species list, map, don’t you think? That artist out in Port Townsend supplied that, all for free of course. You’d think I would have, at least, been given a free copy or maybe a lapel pin.

Here’s the entire pdf of the edition. It’s not a big download and the story’s pretty nice.

American Forests Special Report

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

 

Big Ink – Big Deer

 We’ve been getting around. Bishop last week, this week it’s finishing up some art for Mt. Diablo State Park in California. This is one of eight for a wall collage for the historic WPA visitor center high atop the mountain. I did a bunch of art here over a decade ago, which is now completely worn out, so here I go again. Thanks, Karen, for believing I should continue (and even expand on) this legacy for another couple of decades. Last time around, I did the ink sketches, then hand-painted the outside illustrations using airplane model paint. It lasted better than a decade, and if it weren’t for the ADA requirements forcing new exhibits, I think they’d have lasted another few years. This time it’s a bit more modern in its presentation and technology.

As I said, this deer image is one of a group, and it’s not a small painting either – 24″ square. Ink and watercolor at large size takes some time to create. There are about a million lines here, and it’s not for the faint at heart to create, that’s for sure. One slip and it’s in the trash! But if I’ve learned one thing in 40+ years of doing this stuff it’s that good craftsmanship takes time. Lots of time. And today there seems to be a real lack of understanding this. Everyone seems to love reaching the finish line, but no one like getting to it.

Well, I like getting there more than finishing. I like the process.

Thanks for reading about my stuff this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Art in the Old-growth

(Click to enlarge so you can read the text by Janet Scharf, Olympic NP)

‘An art gallery in the woods,’ that’s what I like to call these paintings.

Thanks to the kind folks at the park, I now have 24 paintings, well, reproductions of them, scattered along the road in Olympic National Park’s Sol Duc Valley. This one was one of the first, and until recently I didn’t have a digital file of it for my portfolio. The fabricator finally sent it to me, so now I’m passing it along to all of you. It tells the story of the unseen-by-us happenings in the old-growth when the sun goes down, how all sorts of critters appear and carry on their lives when we’ve all gone home for the day. In the foreground, a flying squirrel is diggin’ ‘shrooms and upon hearing the rustle of forest duff, a northern spotted owl begins its predatory plunge from a high perch. The black-tailed deer is browsing oxalis and isn’t aware of the mountain lion’s stealthy approach. And the marbled murrelet is coming home on the last flight of the day, returning to it’s mossy nest with a load of herring for it’s chick from the distant Pacific 20 miles away.

I’ve always liked the idea of using my paintings to present an interpretive idea or story about nature. I learn about it. I paint it. I pass it along to the next guy. Outdoor fabrication technology is pretty good these days, so this panel will last for decades unless a 500,000-pound tree falls on it (which has happened). I love the thought of a car full of visitors driving up this beautiful road, eyes open in wonder at the scenery and pulling off to read this wayside panel – and suddenly they’re immersed in a painting telling a story about nature they never knew about. I think art should teach and inspire – and then move the viewer to positive future actions. Is this art? I’d say it is.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was posted to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has new work up of her garden after a morning rain.

Backwater on the Hoh

We’ve spent the better part of two weeks camping along Olympic National Park’s Hoh River, and I have a bunch of fun mixed media paintings to report. We’re home now, watering some very thirsty tomatoes, yanking out the gone-to-seed stuff we forgot about – and trying to figure out how to return to the West End for a few days more. Probably won’t happen soon, because there are some very patient people waiting for us to do our art-tricks – and we thank you. What? This little watercolor and ink created on my lap in the camp chair while I was being eaten alive by the moskies isn’t art-trick enough? Well, the spash of paint followed up by a dead run to the camper was a pretty good trick. “Moskies” was what I heard a Brit call the evil Hoh River mosquitoes. Pretty good name.

This ORIGINAL painting is watercolor and ink on paper , 8″ x 10″ and $140 unframed.
The dark mahogany frame with a double mat and glass makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details if you’re interested.

AND……………..

 

Here’s a friend that came by the campsite to visit one evening. We’ve not seen such a perfect bull elk  up close and personal in years. Had to have been 1200 lbs and not a mark on him. I guessed from ground to antler top was at least 8.5 feet, and you sure didn’t want to stand in his way as he came past. At the closest point he was about 15′ from us, and the tree I was hiding behind seemed pretty darned small. Olympic NP has the largest unmanaged elk herd in the country, and this guy truly seemed ‘unmanaged.’ Whooie.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.