Tag Archives: Wildlife

Big Ink – Big Deer

 We’ve been getting around. Bishop last week, this week it’s finishing up some art for Mt. Diablo State Park in California. This is one of eight for a wall collage for the historic WPA visitor center high atop the mountain. I did a bunch of art here over a decade ago, which is now completely worn out, so here I go again. Thanks, Karen, for believing I should continue (and even expand on) this legacy for another couple of decades. Last time around, I did the ink sketches, then hand-painted the outside illustrations using airplane model paint. It lasted better than a decade, and if it weren’t for the ADA requirements forcing new exhibits, I think they’d have lasted another few years. This time it’s a bit more modern in its presentation and technology.

As I said, this deer image is one of a group, and it’s not a small painting either – 24″ square. Ink and watercolor at large size takes some time to create. There are about a million lines here, and it’s not for the faint at heart to create, that’s for sure. One slip and it’s in the trash! But if I’ve learned one thing in 40+ years of doing this stuff it’s that good craftsmanship takes time. Lots of time. And today there seems to be a real lack of understanding this. Everyone seems to love reaching the finish line, but no one like getting to it.

Well, I like getting there more than finishing. I like the process.

Thanks for reading about my stuff this week.
Larry Eifert

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Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

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Art in the Old-growth

(Click to enlarge so you can read the text by Janet Scharf, Olympic NP)

‘An art gallery in the woods,’ that’s what I like to call these paintings.

Thanks to the kind folks at the park, I now have 24 paintings, well, reproductions of them, scattered along the road in Olympic National Park’s Sol Duc Valley. This one was one of the first, and until recently I didn’t have a digital file of it for my portfolio. The fabricator finally sent it to me, so now I’m passing it along to all of you. It tells the story of the unseen-by-us happenings in the old-growth when the sun goes down, how all sorts of critters appear and carry on their lives when we’ve all gone home for the day. In the foreground, a flying squirrel is diggin’ ‘shrooms and upon hearing the rustle of forest duff, a northern spotted owl begins its predatory plunge from a high perch. The black-tailed deer is browsing oxalis and isn’t aware of the mountain lion’s stealthy approach. And the marbled murrelet is coming home on the last flight of the day, returning to it’s mossy nest with a load of herring for it’s chick from the distant Pacific 20 miles away.

I’ve always liked the idea of using my paintings to present an interpretive idea or story about nature. I learn about it. I paint it. I pass it along to the next guy. Outdoor fabrication technology is pretty good these days, so this panel will last for decades unless a 500,000-pound tree falls on it (which has happened). I love the thought of a car full of visitors driving up this beautiful road, eyes open in wonder at the scenery and pulling off to read this wayside panel – and suddenly they’re immersed in a painting telling a story about nature they never knew about. I think art should teach and inspire – and then move the viewer to positive future actions. Is this art? I’d say it is.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was posted to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has new work up of her garden after a morning rain.

Backwater on the Hoh

We’ve spent the better part of two weeks camping along Olympic National Park’s Hoh River, and I have a bunch of fun mixed media paintings to report. We’re home now, watering some very thirsty tomatoes, yanking out the gone-to-seed stuff we forgot about – and trying to figure out how to return to the West End for a few days more. Probably won’t happen soon, because there are some very patient people waiting for us to do our art-tricks – and we thank you. What? This little watercolor and ink created on my lap in the camp chair while I was being eaten alive by the moskies isn’t art-trick enough? Well, the spash of paint followed up by a dead run to the camper was a pretty good trick. “Moskies” was what I heard a Brit call the evil Hoh River mosquitoes. Pretty good name.

This ORIGINAL painting is watercolor and ink on paper , 8″ x 10″ and $140 unframed.
The dark mahogany frame with a double mat and glass makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details if you’re interested.

AND……………..

 

Here’s a friend that came by the campsite to visit one evening. We’ve not seen such a perfect bull elk  up close and personal in years. Had to have been 1200 lbs and not a mark on him. I guessed from ground to antler top was at least 8.5 feet, and you sure didn’t want to stand in his way as he came past. At the closest point he was about 15′ from us, and the tree I was hiding behind seemed pretty darned small. Olympic NP has the largest unmanaged elk herd in the country, and this guy truly seemed ‘unmanaged.’ Whooie.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Otter Tracks

River Otter Tracks on the Beach are a fairly common sight around here. In fact, otters are, themselves, a really common sight right in downtown Port Townsend. Recently, there’s been a big one down there on Water Street, dodging cars, running around and looking in the open door at Gallery Nine (where both Nancy and I exhibit) – and causing all sorts of photo-opportunities for the tourists who all think they’re just wonderful. Yeah, well …

There used to be a restaurant in PoTown (my word – and Nancy thinks it might be pronounced PooTown) called The Otter Crossing, with a whole little band of otters-guys that consistently hung out underneath the building. Recently it changed hands and is now renamed something fruity and upscale. Wonder if the otters know? Wonder if the new people who bought it knew what the name meant? I walked by there recently and a stong fishy aroma was still wafting around the place, but maybe it was just low tide. Otters can be over four feet long – meaning, to put it mildly, a lot of seafood goes through them.

I’ve painted otters before, paying homage to them so they wouldn’t come aboard our boat and make a big gooey mess, but it didn’t help, didn’t deter them in the slightest. Some boaters hang little bags of weird coyote urine on their lifelines, others sneak go down at night and use their own urine here and there, still others pay huge sums of money on otter-proof netting that never really works. Sheesh. To me, they’re just part of living with nature around here, and, as we say fairly often, sometimes it isn’t easy.

Now, don’t get me going on the red squirrel babies in the attic.

This painting is watercolor and ink on watercolor paper, 7 1/2″ x 10 1/2″ and is $139 unframed.
A nice mahogany frame with a double mat, outside measurements of about 13″ x 15″  makes it a total of $179 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Here’s the website link for the new bristlecone pine. It’s been pretty popular all ready.

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Clickhere to check out what Nancy’s currently working on with her photography. There are some nice images of our recent Glacier and Waterton National Parks visit a couple of weeks ago.

Road Trip – A River of Grass

That name’s not mine, but it surely describes the Everglades and Big Cypress. A million acres of flat-as-a-pancake land, so flat that 20 miles from the ocean we saw a sign that said 3′ elevation. The vast amount of water that falls here each summer flows about 100 feet per day towards the Gulf, and subtle channels in this 100-mile wide “river” create very interesting “islands” of grass, cypress and pines. You can’t really walk out into it because it’s wet, so kayaks and canoes are the way to see it. We’ve messed it up pretty well, but there is plenty to see that’s still the way it should be.

We’ve seen many wood storks (one shown here) that are interesting critters. They sweep their bills back and forth in muddy water searching for fish. When they ‘feel’ one, their bill snaps shut at 25 millionth of a second, the fastest reflex of any bird or animal. And I thought I ate fast!

Nancy’s gotten some wonderful photography of this place that’ll find it’s way to her website, but for now we’re in New Orleans and I’ll have a post of  this crazy-fun place soon. Stay tuned.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Road Trip – Pronghorns All Over the Place

Second edition of the Road Trip. Going through Wyoming and South Dakota, we were amazed at the numbers of pronghorns. Hundreds! We were most happy to see so many, more than either of us have ever seen. White pelicans too, along with bald eagles, lots of magpies (of course), and a nice bunch of prairie dogs where they probably shouldn’t be.

We’re in western Missouri now, following the Missouri River south and watching a big Gulf storm pass through. The forests are just full of redbud and looking great. This painting in the car isn’t all that easy. The roads are just too bumpy. But I’ll continue. Oh, Canada geese just flew right by the open window, inviting Harry our Cat to join them. He’d do it, I’m sure, if only his toes would cooperate.

Larry

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Crows Going, Going…

Each evening I see them, about 25 to 30  – northwestern crows, all heading someplace for the night. As the sun sets behind the Olympic Mountains, this bunch comes out of Chimacum Creek estuary, goes right over our meadow and moves on to someplace only known to the crows. As they go by, they’re constantly exchanging hoarse caws and croaks. I imagine it to be something like “What did you do today?” or “Boy that cockle was sure good, and I got it and not you, caw, caw, caw!” Or possibly “Who decided we had to head this direction every evening? Who’s in charge of this murder of crows anyway?”

Northwestern crows are a different species than the normal American crow. Slightly smaller and completely focused on the saltwater shorelines of the Pacific Northwest, we often see these birds doing what they’ve learned to do to make their living. At low tide, northwestern crows rummage around beach rocks until they find an unsuspecting clam. Dislodging it, a bird will fly straight up about thirty feet and let it drop onto the rocks below. It may take more than one try, but once the shell has broken or even just cracked, the crow has dinner. It’s evidently a learned trait that young crows are taught, because we’ll see adults showing the kids how to go about it. Dinner on the half-shell.

This ORIGINAL painting is acrylic on paper board, 5″ x 7 1/2″ and is $85 unframed.
This wood frame and a double mat makes it a total of $125 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print. Other mats and frames are also available.
Email us for details.

Thanks for reading this week.
While I painted this in my studio back home, we’re currently in Hawaii on Oahu’s North Shore – and watching some amazing waves. Thanks, Jeff! Your kama’ina home is lovely. I’ll try to send some photos of these in a few days. It takes some kind of crazy person with a death wish to go out there and ride those monsters – and I sure wish it were me!

Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Carson River Mural Unveiling

This week I finished up another large-scale habitat mural for a new visitor center along the Carson River in Nevada. This vibrant place, just below the High Sierra front and southeast of Lake Tahoe, has always been important to wildlife, and to me. I consider it one of the most beautiful and interesting places in the West.

As the winter snows melt off these great mountains in spring, this water runs off into the valley and eventually out into the Great Basin where it evaporates with summer heat. Along the way, vernal pools and backwater pockets are filled with rushes and cattails, providing fabulous habitat for birds that make wildlife-watching wonderful. I’ve gotten to know this area pretty well, as I’ve also painted another, similar painting just north of this for the Lahanton Valley National Wildlife Refuge. In some small way, I’m always hoping my work will open some eyes, change some hearts and minds and possibly, just possibly, make it so these beautiful landscapes (and fictitious paintings) will both continue past my lifetime.

I wrote two other posts for this one as the project progressed. Here’s the original sketch (these open in separate browser windows) and here’s the half-way image showing the development of details. It’s kind of fun to see all three stages because things always change as I go along. For example, I added a yellowthroat and a Savannah sparrow to the final – and they’re not in the second stage painting.

And below is the initial reference photo I developed the painting from. Supplied by the client (and, thank you, Anne), you can see how far from reality these big paintings stray. Still, there are basic elements here that remained the same, making it a recognizable place. I like to say this photo was the launching pad, but where the final painting landed, no one knew – especially me!

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. To see more than 50 other murals like this, click here.

Click here to check out what Nancy’s currently working on with her photography.

Flying Baked Potatoes

Winter-Murrelet
Flying Baked Potatoes
How a little seabird helped save some big trees

(Published in 48-North Magazine last month. It’s a pretty good read, I think, but it’s long enough that I posted the entire thing on the web blog.) I also think I’ve worked out all the bugs on this new software, but if it’s not working for you, please bear with me.

Here’s the story!
“Things are bad – really BAD around here!” he said, “And it’s all because of that stupid owl and the purple murel-thing that shut down the logging.” “You know, that STUPID purple. …bird!” Docks are interesting places, aren’t they? There I was, just heading for our boat and now I was thrust straight into some big environmental debate. Didn’t even know this guy very well, but after I heard his blathering, I took a deep breath and realized I probably needed to stop and do some ‘splainin’ – as Desi used to say. For some reason, I continue to think that a little honest and friendly education might just result in social change at the ballot box, so: “It’s a marbled murrelet,” I answered, “I saw one just the other day out in the bay, fishing with some cormorants. Probably a juvenile from the Olympics or North Cascades. Got a minute? I’ll tell you about them.”

Flying-Murrelet

Marbled murrelets! For 30 years I’ve heard them lovingly described by biologists as a flying baked potato with a beak. But not just ANY flying baked potato, for this little chubby ocean bird was once America’s biggest ornithological mystery. While we were putting men on the moon and gloating about how smart we were, no one knew where these local birds even nested. Science ‘discovered’ the murrelet in 1789, but it took another 185 years for us to find a single nest! (Thank goodness murrelets knew where their nests were, or they’d be even worse off than they are.) And while we knew that Alaskan marbled murrelets nested on mossy rocky cliffs, no murreletnest had ever been found between San Francisco and Southwestern British Columbia at the south end of their range. The birds were often seen oddly out of place flying around the big trees in coastal old-growth forests and loggers referred to them as “fog doves,” but why were they there if they live on the ocean?

Then, in 1974, in the Santa Cruz area of California, a tree climber almost stepped on a chick in the canopy of an old-growth redwood, and the mystery was solved. Instead of nesting on mossy rocks, to increase their range southward the birds had adapted their nesting habits to the huge horizontal upper limbs of the giant coastal old-growth, often hundreds of feet in the air, and sometimes upwards of 45 miles from salt water. They hunt for small fish like herring by day in the ocean and return to their nesting duties in the evening. And, what caused this dock guy to think murrelets were Armageddon is that without old-growth trees, murrelets wouldn’t be able to nest on the West Coast of the Lower 48. It’s not just big trees they need, but big horizontal branches thick with moss and lichens, and trees don’t become like this until they’re centuries old. Because of this, and all the logging we’ve done in the past 200 years, the marbled murrelet is now listed as federally threatened and state endangered in Washington (12,000 birds), Oregon (7500) and California (4500). Some scientists believe that it’s not whether murrelets will become extinct, but when, because old forests are now few and far between, and what’s left have badly fragmented murrelet populations. Sometime later this century, when the only birds remaining are small population pockets in our national parks, this strange and unusual sea bird will simply not be viable as a species any more. And if that happens, I hope I’m not here to witness it.

I have some interesting connections with this bird, the one loggers loved to hate and conservationists used as a poster child to halt logging the last few percent of coastal old-growth forests. During the logging turmoil 25 years ago, I spent some time helping research these birds down in California’s coastal redwoods where the world’s tallest trees hug a foggy shoreline. Only 2.5% of the old-growth redwoods remain, and, as an artist I helped draw attention to the murrelets as a way to raise public awareness to the speedy demise of both trees and birds. It was the good, bad and the ugly. Ugly, because, as an artist, I was black-listed by timber organizations. Good, because business was good because of it. And not so bad when I spent one dark and foggy morning at 4:30 am up Redwood National Park’s Lost Man Creek valley, intently listening and watching for murrelets flying from nests to ocean. I remember that listening to murreletcalls in the redwoods reminded me of sailing. Often, when you’re cruising along with little wind to drivethe boat, you can hear that definitive oceanic call of keer, keer, keer. I’ll bet you’ve heard it too. Those are the bird songs of the ocean, not of the forest. I wasn’t a scientist, but an artist just doing his job of observing and responding, but when the National Park purchased one of my murrelet paintings to present to Bush One’s visiting Interior Secretary, I thought I had possibly made a remarkable coup in nature conservation. Now here was art opening the eyes of the powerful. Not so, one park official dryly whispered. This guy was just a patronage placement, a Midwestern pig farmer that didn’t care anything about birds unless they were stewed, fried and on a plate. Where is that painting now – I’d like to know.

Nest-Sitting-Murrelet

Murrelets have a definite ‘look’ to them on the water and so they’re easy to identify. About the size of an American robin, they’re smaller than gulls and cormorants, but here’s the key. They always hold their short bills slightly upward at a different angle than any other seabird, like the graceful angle of a schooner’s bowsprit. Fast fliers with rapid wing beats both in the air and underwater, they spend most of their lives in coastal waters where they court, feed, loaf, molt and preen. These long-lived birds only visit old-growth forests when they do nesting duties, where nests aren’t built but rather squished into place in the moss. Only one egg usually once a year is laid. Incubation lasts about a month with both parents incubating the egg in alternating 24-hour shifts, and chicks fledge in another month. Summer adults have sooty-brown upperparts and are lighter brown below, colors that make them highly camouflaged against the giant trees they’re nesting on. In winter, adults and young become brownish-gray with white wing patches that more closely match ocean colors of wind on waves.

So, let’s say you’re a very young murrelet only a month old. You were born in the top of a two hundred foot tall Douglas-fir up the Dosewallips River in the Olympics. Your parents had chosen THE nest tree just around a sharp river bend near Little Mystery Peak, where they had located a big mossy branch maybe fifteen stories off the ground. The definition of ‘nest’ is pretty casual here; because it’s just a thick bunch of moss your parents had smooshed into a shallow cavity. When you were born, your egg was pale speckled green, the exact same color of the limb’s moss in spring, not like the dried-out brown stuff of late summer or the lush soft green of winter. It wasn’t much of a nest, and so your parents rarely left you unattended so wandering-babes wouldn’t stagger off into thin air. Small fish your parents brought up to eight times a day ended up creating quite a crusty edge to the platform that helped keep you from falling off. And there were other dangers too. Steller’s jays, crows and ravens didn’t often come here before, but thanks to the nearby road that now brings campers and their food, these birds now threaten young murrelets sitting exposed on mossy branches – so you instinctively stayed low. After a month, wings had grown flight feathers and you sensed you were ready to explore. It felt like you could fly like your parents – but how to learn? And where would you go? Then, one evening just after dusk, and with one death-defying jump into space, flight had to be learned in a half second or a much squashed murrelet would have resulted. Somehow it all came together to happen properly, and you were on your way.

It seems a fairly lame way to survive as a species, but you did it anyway – you just walked off that branch and as you went going down at 32 feet per second, you figured it out fast – and in 30 minutes and 20 miles you made your first awkward sea landing in the Hood Canal. I say 30 minutes, because murrelets normally fly at about 50 mph. They havebeen clocked on radar at over 100, so in theory you could make that 20 miles in five minutes, but a first-flight-flier probably wouldn’t do this. In fact, you’d be lucky to do it at all.

As you learned to fly through the giant forest in growing darkness, alone and without your parents as guides, you somehow steered properly towards an ocean you had never seen. In doing this, you were unaided by anything you’d ever witnessed before, and you began a new life you didn’t know existed, began to catch fish untaught by parents you’ll likely never see again, and eventually you’ll nest in a treetop miles from your watery home. Remarkable!

So, when sailing in Puget Sound, the Straits of Juan de Fuca or outer coast all the way down to Santa Cruz, keep your eyes peeled for a small and chubby seabird, head held up like a schooner’s bowsprit and possibly with a small herring in its bill. If its summer, chances are good that it will soon be flying over some of the tallest trees on Earth to hand that little herring over to a chick on a mossy branch hundreds of feet in the air.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently up to.

Warming Up With Tampa Bay Manatees

No painting this week – we made a quick trip down to Tampa over the last few days. Actually, I’m pretty lucky to be writing this, as our return yesterday involved a 2.5 hr tarmac hold at Dallas, de-icing and watching a record blizzard drop a foot of snow there. Ours was one of the lucky few planes to get off the ground, and it was pure joy to get back to 50 degrees in Seattle and Port Townsend.

 

But back to Tampa.
While there, we heard about the weird Florida weather and how it’s affecting the local manatees. These 1000lb ‘sea cows’ need shallow water that’s about 75-80 degrees F, and the Gulf right now is 58. So, what are the manatees doing? No, they can’t just go to Florida for the winter! The local coal-fired power plant has a 78 degree outfall into a nearby river and mangrove forest, and the manatees have all gone there to hang out. We counted about 150 of them, but locals said upwards of 300 have been spotted at once. The power plant has built a pretty good viewing platform that gets you to within about 20 feet of some of these soft giants, so you really get to study them. Also enjoying the warmth was a six foot shark and a bunch of rays ‘flying’ around between the bigger beasts. It was quite a show.
Manatees are very interesting critters. They normally spend upwards of half a day sleeping on the shallow bottoms of bays and rivers, only breathing once every 10-20 minutes. They don’t exhale to descend, but compress stored air, and in this way can stay down very long periods of time. They can eat upwards of 100 lbs of ‘greens’ a day. Manatees are not doing very well because of invasive species that are choking their out their watery homes – as well as being hit by boat propellers, so this was a real treat to see.

Thanks for reading this week. I’m back to painting, so I’ll tell you about that soon.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

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