Tag Archives: Wildlife

Singing Marsh Wren

I’m still working on the mural project for that Carson River, Nevada visitor center. A singing marsh wren is featured, so this is a warm-up painting. It’s sitting in some cattails, so I needed some research for those too. These (in the painting) are a late fall variety, where the seeds have dried and are being blown off by storm winds – but the strap-like leaves are still hanging in there. I like the way the wren’s fluffed-up chest and throat mimics the cattail fluff.

Singing Marsh Wren
 This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

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Carson River Mural Beginnings


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Last week I sent out the sketch for this painting. A commission for a non-profit, this painting is for their new visitor center. The scene isn’t exactly accurate as to the way it truly is, but hopefully will give the viewer a ‘sense of place’. I have a nice little singing marsh wren painting I’ve also done to warm up for this, which I’ll send in a few days.
In the meantime, I’ll tell you how this is going. The painting isn’t as large as many I do like this, maybe 3’x5′. At this size, it’s large enough that I can get some details in, and small enough so it won’t take a month to paint. I first put down several coats of a very dark brown (almost black) base, so when I paint this up to lighter colors, it hopefully looks like a landscape just emerging from night. Those dark areas around the bottom will soon disappear. You see the High Sierra Front (east side of Lake Tahoe area) is almost finished. It’s on the west side of the Carson Valley, putting early morning light right on these high peaks. They’d shine like crazy when that morning light hits them.
I paint these things from the background to foreground, usually top to bottom, so the mountains go in first as you can see, then the area slightly closer to the viewer, and so on, but to give me a sense of the entire composition, you’ll see some critters outlined or just roughed in. This helps me figure out what the final image might look like. This photo was taken yesterday, so today it’s much farther along, but why waste time photographing it? Let’s get back to work.
Thanks for reading this week.
Larry Eifert

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Carson River Mural Sketch

Pencil sketches are always difficult to see here, so click on this image to enlarge it. A large non-profit organization is working on a project south of Reno Nevada along the Sierra Front, and, as part of it this painting will soon be installed in their new visitor center at the ranch. It’s an exciting prospect for me to paint this. Sandhill cranes, bald eagles, large populations of white-faced ibis, and one of the only colonies of tri-colored blackbirds in Nevada are here. With 250 species of birds and a backdrop of mountains that just doesn’t quit, it’s an exciting place to paint one of these complex habitat murals. I’ve painted for this private organization before. There’s been a mural and nature guide for the Kenai River in Alaska (exceptional field trip), one for the Great Salt Lake wetlands north of Salt Lake City (where we got to see a peregrine falcon’s nest up close as the parent divebombed us) and another one north of this current image in the Lahanton National Wildlife Refuge. That mural included a very fun airboat trip out into the tule marshes – you know, the boats with the big propellers on the backs that go in about 2″ of water. USFWS showed us some fresh water clams still living there that are hold-overs from the last Ice Age.

I’m working up a ‘warmup’ painting for this mural of a marsh wren singing that I’ll post soon.

Thanks for reading this week.
Larry Eifert

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Where Are The Black-tails?

Deer-Wet-Meadow
Where are all the deer? I asked that yesterday, realizing I hadn’t seen one in our meadow for a long while. (click the painting and it should enlarge.

We’ve created a pretty critter-friendly habitat here in our little patch of forest and meadow, and the wildlife know it. We’ve kept a count of our critters over the years and now have a ‘yard list’ of over 80 species. A salt lick for the deer, a couple of feeders, no outside pets (especially cats) and over the years we now have Douglas squirrels patiently waiting right on the feeder while we dish out the morning seeds. Two hummers are still overwintering. The Cooper’s hawk juvies still fly around overhead freaking out the towhees and chickadees. But the deer? Don’t know!

All summer we had two families of deer – multiple fawns in tow. We’re in a no-shooting zone around here, so when Fall safely progressed, alters appeared on the bucks and lots of coy antics went on it the meadow – lots of racing around like they were all schoolyard kids. But then (with hunting season the last two weeks in October) the deer just vanished. It must just be habit. They’re safe here, and they seem to know it, judging by their ‘almost’ taking our homegrown apples out of our hands, but, poof, they were gone anyway. Now, in a couple of months I know they’ll be back, females with a new one or two in their bellies. It’s a cycle of life I know I can depend on – but what’s the deal? Why don’t they just stay?

Black-tailed deer in a wet meadow:

No deer, so I painted one. This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

To read my other blog entries, check the blog here.

Thanks for reading this week. It’s a window into our little artistic world here.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

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Surprise Canyon and Palm Bowl

The blog’s been silent! We’ve been away for a few weeks, hiking in the Southern California desert and visiting family and friends. No painting this week, but this was a hike so exceptional I wanted to share it.

East of San Diego, Anza Borrego State Park is California’s largest state park, so big all the other state parks could fit in it with room left over. Most visitors see the palms near the visitor center, but there are many other backcountry native palm groves that have few visitors except mountain lions and coyotes. Driving 50 miles south of the visitor center we found a vague sandy turnoff, parked the camper and began hiking up Surprise Canyon – and what a surprise it was. First one grove, then another, and finally the canyon opened up into an entire bowl full of them – 100’s of native California fan palms. We had never seen so many in one place.

It wasn’t the number of palms, but the cool and ethereal silence we felt here, and at the same time, the place was alive and vibrant. You could clearly see open areas where countless generations of Indians had made their homes under the trees. Dates were hanging everywhere, and several dozen western bluebirds and finches were flying from tree to tree, munching as fast as they could and chattering away. Date seed piles were everywhere too, showing that coyotes hang out here enjoying the same fruits, and sure enough, one big alpha male studied us from the ridgetop. Then, Nancy spotted a little nest on the ground, blown out of a palm by a recent storm we were sure. Judging by the size, it could have been made by a gnatcatcher or maybe a bushtit, but if you look carefully, you’ll see that every piece of the nest is actually a fishhook cactus spine. They’re all intertwined and tightly fitted, and each ‘hook’ is stiff as a needle. You’d need pliers to cut it. We can’t imagine how a tiny bird could have managed this construction feat. Just getting close enough to grab the spine is one issue, but how the bird broke off each spine, brought it here and wove the nest is beyond reality. I pictured a bloody and punctured bird when it was finished, and, of course I hoped it was a male. I thought it amazingly smart because what predator would attack an armored nest like this? Any ideas?


So why are these palms here at all? Native California fan palms are usually found where water is forced to the surface by an underground solid rock ledge. They need their feet wet but tops in the sun – and brutal sun this is. Young palms have wicked red spines along each frond stem, but older trees don’t. It’s thought that Pleistocene mastodons couldn’t reach any higher that about 18 feet, and so young palms adapted spines to ward off the huge browsers. With Climate Change, who knows what will happen to these last few groves of our only native desert palm. They could easily go the way of the mastodon.

 

 

Anna’s Hummingbirds and the December Deep Freeze

This is an older painting of mine, and the rhododendrons certainly in bloom, but I felt compelled to write about this week’s freeze and the little birds in our meadow.

From coast to coast, I know we’ve all had amazing weather this past week. The southern storms drove a giant blast of Canadian air down and west over the Cascades, and here we’ve had record lows for a week. Temps haven’t gotten out of the twenties, with nights down into the lower teens, weather we just don’t ever get in Puget Sound. None of us have clothes for this stuff. And while we’ve all been suffering, that can’t be anything compared to what our two wintering-over Anna’s hummingbirds must be experiencing. For all my decades around the Northwest, I’ve never seen hummers here in winter, but last year we had one stay all season, and we’ve heard we’re not alone with this. We put out a feeder when we spotted him, but it wasn’t because of the sugar water that he was here, because we put it out AFTER we spotted him. This year we have an adult and a juvie, and we were ready with a feeder (and a 150w flood lamp on it 24 hours a day after the freeze hit). So far it’s working.

I wrote about hummers a few years ago, and learned that they have ways to cope with this cold stuff. They have normal body temps of about 105-108F, with a sitting heart rate of about 250 beats per minute. However, at night they sleep normally, or, they can go into a turbid state where they actually drop their body temp to between 30 and 65 degrees (depending on need), and drop their metabolic rate to one-fifteenth of normal. In this way, they can maybe make it through a very long night of 15 degrees.

Before nightfall, they make one extra smart move. They find and remember where breakfast is going to be. Then, in the morning it takes upwards of an hour to fully wake up before flying. This requires a huge energy drain on this thumb-sized bird, and if that feeder is frozen when it gets to it, the bird is in big trouble (like a car on empty that gets to the gas station and the pumps are locked).

Temperatures are warming up now, but we’ve felt a great privilege to keep tabs on these two intrepid birds this week. Snow and hummingbirds just don’t go together, but if this is a sign of Climate Change, I’m happy with it.

Thanks for reading this week.
Larry Eifert

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Comments are good. Every little bit helps me understand how to be a better painter.

Welcome to Sol Duc Valley

Since this wayside panel is being printed this month, I thought I’d pass it on here. I published another one of these back on November 8th, and you can see it here. For this project, I painted 21 paintings for 3 panels at Olympic National Park’s Sol Duc Valley entry kiosk. With the others last year, that makes 24 images you can see while driving the 17 miles from national park gate to road’s end where a trail leads to this grand waterfall – Sol Duc Falls. At 4′ x 6′, these are pretty large panels.

So what? Well, I like to call these efforts “public art galleries in our parks”, and I now have hundreds of these things in parks, preserves and wildlife refuges around the West. You’re hiking or driving along, and suddenly there’s a piece of art and a small story to tell you, or interpret, what you’re seeing. It’s just a great way to experience a beautiful place, and, I hope, to heighten your experience beyond what nature is providing (if that’s possible). These panels don’t use the original art itself, but are always fabricated out of fiberglass, stainless steel or a Formica product, so they’ll probably last longer than I will. I’d like to image someone coming along decades from now and stumbling over one of these things – and having it enhance their day.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

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Red-breasted Nuthatch

If you click the image, it should enlarge. If it doesn’t click here for the web blog.
SOLD. Sorry to say, I sold this before I could get it up here. Thought I’d send it out anyway. I think it’s a nice little painting.

These little birds are constant neighbors here. I’ll bet we have at least five families around our meadow. We watch them from our dining room windows working the feeder, daintily picking at the suet cake and carrying away one sunflower seed at a time up to the safety of the nearest branch. Their voices are so thin and sweet as to sometimes sound like fluttering leaves. These guys normally feed by circling down tree trunks as in the painting, gleaning insects from bark crevices. They then fly over to another tree and start again. We have another bird here, the brown creeper, that fills just the opposite niche. It circles up the trunk, catching bugs the nuthatches miss.

 Did I ever say I take commissions? Lots of them. If you liked this one, I won’t do it again, but it’s always a treat for me to try a subject in a different way. This painting is varnished acrylic on linen canvas, 9″ x 12″ and we offered it for $140 unframed. The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

Thanks for reading this week. Nuthatches: It feels like I’ve just painted a family member here.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. She has some interesting new work from the Seattle Day of the Dead Festival on her blog.

I recently put up a web page of many of my murals. I think there’s about 50 of them here. Check it out.

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Ancient Bristlecone Pines mural

Finally, I got this puppy finished up. It was quite a handful with lots of other work coming and going through the studio. If you click on the image, it should enlarge. If not, go here to the blog.

This is destined for The Crater Lake Institute, that, through the years, has commissioned me for many of these types of paintings. Next summer we’ll have products like puzzles available, but there’s lots of design work to do before that happens.

When I sent out the sketch for this awhile ago, I received lots of mail about where to see these trees and just how to do a painting like this. The 3′ x 5′ painting is on hardboard so I had a smooth surface to begin with. I primed it with dry-brush latex to rough it up slightly, making for good textural effects. These are worked up from the back forward, so the foreground flowers are the last to go in, and there’s lots of hidden stuff in that foreground. I recently put up a page on the main website with a page of murals. There’s currently about 50 for you to see, so check it out here.

SO: Where can you see these bristlecones (that DO have bristled cones)? Well, you’re not going to this time of year, but if you’re looking for a great trip next summer, check out the bristlecones east of Bishop CA in the Whites or at Great Basin National Park way out near Ely Nevada, or Brice Canyon National Park in Utah. They’re high-elevation trees – at 10,000 feet or so on dry windswept ridgetops in limestone, a place where nothing else can easily grow. It’s worth a trip to walk beneath the oldest trees on the planet, some dated to almost 5,000 years of age. Even the downed branches are beyond my comprehension – some have been dated back 9,000 years from the present. To put that into context, the woolly mammoth was still around then!

Here’s the original pencil sketch:

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. There’s some good new stuff here on her blog about the Day of the Dead Celebration in Seattle.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us. If you know someone else that might enjoy this, let us know. Our list is growing.

Stream Stones and Bristlecones


Progress on the Bristlecone Pine mural
I sent out the pencil sketch for this painting on September 8. and now, after several review comments and changes only a dendrologist (tree scientist) would recognise, I’m moving along pretty well on the final. Many large-scale painters do a complete smaller image first, then recreate it in the larger final version. I’ve never been comfortable with that process because it seems like I’d just be painting something twice. It’d be like remarrying the same person you’ve already divorced – all those little issues you hated the first time ’round are still lurking there. Nancy and I have done several 90′ paintings without a finished ‘baby’ painting and it was truly exciting – for both us and the clients that were scared numb. Nancy once stated: “we are in SERIOUS trouble here” but we still pulled it off nicely. Next week I hope this’ll be close to finished and I’ll send another update.

But that’s not all:

Stream Stones

This is another painting from our recent alpine excursions. If you know your Pacific Northwest geology, you’d pick up that these stones are from the North Cascades and not the Olympics. Cascade stones are very much more diverse in color and texture – brownish iron oxides and lots of gray speckled granites. If you see these stones around the Olympic Mountain edges, they undoubtedly came there from scraped streambeds in the Cascades by way of the mile-high Cordilleran Ice Sheet 80 centuries ago, and they match pebbles you’d find in any Cascade river today.

You might think 80 centuries is awhile ago, but consider this: there are bristlecone pines in the White Mountains and Nevada that approach 50 centuries. And that’s the way I tie the top part of this entry with the bottom part of.