Tag Archives: Wildlife

Red-breasted Nuthatch

If you click the image, it should enlarge. If it doesn’t click here for the web blog.
SOLD. Sorry to say, I sold this before I could get it up here. Thought I’d send it out anyway. I think it’s a nice little painting.

These little birds are constant neighbors here. I’ll bet we have at least five families around our meadow. We watch them from our dining room windows working the feeder, daintily picking at the suet cake and carrying away one sunflower seed at a time up to the safety of the nearest branch. Their voices are so thin and sweet as to sometimes sound like fluttering leaves. These guys normally feed by circling down tree trunks as in the painting, gleaning insects from bark crevices. They then fly over to another tree and start again. We have another bird here, the brown creeper, that fills just the opposite niche. It circles up the trunk, catching bugs the nuthatches miss.

 Did I ever say I take commissions? Lots of them. If you liked this one, I won’t do it again, but it’s always a treat for me to try a subject in a different way. This painting is varnished acrylic on linen canvas, 9″ x 12″ and we offered it for $140 unframed. The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

Thanks for reading this week. Nuthatches: It feels like I’ve just painted a family member here.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. She has some interesting new work from the Seattle Day of the Dead Festival on her blog.

I recently put up a web page of many of my murals. I think there’s about 50 of them here. Check it out.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Ancient Bristlecone Pines mural

Finally, I got this puppy finished up. It was quite a handful with lots of other work coming and going through the studio. If you click on the image, it should enlarge. If not, go here to the blog.

This is destined for The Crater Lake Institute, that, through the years, has commissioned me for many of these types of paintings. Next summer we’ll have products like puzzles available, but there’s lots of design work to do before that happens.

When I sent out the sketch for this awhile ago, I received lots of mail about where to see these trees and just how to do a painting like this. The 3′ x 5′ painting is on hardboard so I had a smooth surface to begin with. I primed it with dry-brush latex to rough it up slightly, making for good textural effects. These are worked up from the back forward, so the foreground flowers are the last to go in, and there’s lots of hidden stuff in that foreground. I recently put up a page on the main website with a page of murals. There’s currently about 50 for you to see, so check it out here.

SO: Where can you see these bristlecones (that DO have bristled cones)? Well, you’re not going to this time of year, but if you’re looking for a great trip next summer, check out the bristlecones east of Bishop CA in the Whites or at Great Basin National Park way out near Ely Nevada, or Brice Canyon National Park in Utah. They’re high-elevation trees – at 10,000 feet or so on dry windswept ridgetops in limestone, a place where nothing else can easily grow. It’s worth a trip to walk beneath the oldest trees on the planet, some dated to almost 5,000 years of age. Even the downed branches are beyond my comprehension – some have been dated back 9,000 years from the present. To put that into context, the woolly mammoth was still around then!

Here’s the original pencil sketch:

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. There’s some good new stuff here on her blog about the Day of the Dead Celebration in Seattle.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us. If you know someone else that might enjoy this, let us know. Our list is growing.

Stream Stones and Bristlecones


Progress on the Bristlecone Pine mural
I sent out the pencil sketch for this painting on September 8. and now, after several review comments and changes only a dendrologist (tree scientist) would recognise, I’m moving along pretty well on the final. Many large-scale painters do a complete smaller image first, then recreate it in the larger final version. I’ve never been comfortable with that process because it seems like I’d just be painting something twice. It’d be like remarrying the same person you’ve already divorced – all those little issues you hated the first time ’round are still lurking there. Nancy and I have done several 90′ paintings without a finished ‘baby’ painting and it was truly exciting – for both us and the clients that were scared numb. Nancy once stated: “we are in SERIOUS trouble here” but we still pulled it off nicely. Next week I hope this’ll be close to finished and I’ll send another update.

But that’s not all:

Stream Stones

This is another painting from our recent alpine excursions. If you know your Pacific Northwest geology, you’d pick up that these stones are from the North Cascades and not the Olympics. Cascade stones are very much more diverse in color and texture – brownish iron oxides and lots of gray speckled granites. If you see these stones around the Olympic Mountain edges, they undoubtedly came there from scraped streambeds in the Cascades by way of the mile-high Cordilleran Ice Sheet 80 centuries ago, and they match pebbles you’d find in any Cascade river today.

You might think 80 centuries is awhile ago, but consider this: there are bristlecone pines in the White Mountains and Nevada that approach 50 centuries. And that’s the way I tie the top part of this entry with the bottom part of.

Dipper Dipping

For local readers – This weekend we’ll be exhibiting at the Fort Worden Wildlife and Nature Exposition in Port Townsend. Hope you see you there.

This little dipper (or water ousel, as my naturalist-mom called it a generation ago) sat here for quite awhile. Dippers dip – up and down, up and down, almost constantly as if doing a little stationary dance, and this one did just that. It’s mate was close by, and as the dipping went on, the little bird made pleasant and soft chattering calls. Then it left my view by simply launching itself over the log and into the water – sinking out of sight. I thought this was a very ‘dipper like’ scene, so here’s my effort to hold on to that memory. The way the water curls over the partially submerged log made for interesting lighting changes.

Dippers are pretty crazy birds. They live year-round, thought the worst winter storms, around clean and cold high mountain streams, nesting behind waterfalls and always sticking closely to their local stream. Summer or winter, these robin-sized birds make their living by jumping into these chilly, sometimes icy, fast-moving crystal-clear waters to walk along the bottom, kicking over stream stones to find aquatic insects. I’ve heard they even hold their wings outstretched to pin them down in the current – which means they are even more exposed to frigid waters. This river (in September) was probably 50 degrees F, having just been released from a glacier up the hill, and it would be the warmest it would ever experience – so you get my drift about ‘crazy’ birds. But then they have feathers, and we don’t, so comparisons are probably idiotic.

This is an ORIGINAL painting in acrylic on stretched linen canvas. It’s 9″ x 12″ and offered for sale for $140, or $180 framed as you see it. Priority mail shipping will add a bit more, as well as sales tax if you’re in the state of Washington. Email us if you’re interested.
Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff at larryeifert.com.

Click here to check out what Nancy’s currently doing. She’s currently got a show in Port Townsend at Gallery Nine.

Or, you can always email us to opt in or out of our email family – or just ‘talk’ with us.

Artist’s Sketch – Bristlecone Pine mural sketch #2

Ancient Bristlecone Pines
This is straight from the artist’s studio.
You’re receiving this weekly email blog because a friend or associate thought you’d like these occasional postings. This is from Larry Eifert, long-time artist and writer, the guy who has more art in America’s National Parks than any other. These postings show some of the personal inner workings of an artist creating everything from large wall murals to smaller easel canvases. All are about America’s Nature. To not receive these emails any more, simply hit reply and write “unsubscribe” in the subject line.

Bristlecone-sketch

If you click on the image, it should enlarge. If not, go to the blog here.

And so: For years, I’ve wanted to paint the ancient bristlecones of the high and dry western desert mountains. Thought I had it at Wheeler Peak, Great Basin National Park (where I experienced as close to a spiritual moment as I’ve ever had), then later at Utah’s Bryce Canyon, but budget problems or scheduling always got in the way. Now, thanks to a nut (and NOT a pine nut) burning down the visitor center in the Shulman Grove of California’s White Mountains just east of the High Sierra, and the generosity of the Crater Lake Institute that is spearheading a high-elevation pine interpretive program, I’m having a go at the most iconic and picturesque grove of them all.

Here’s an updated version of the initial sketch that has changes from comments from all the bristlecone-pros.

This image shows two ancient trees, both possibly 4500 years of age and living at 10,000 feet of elevation in a super-dry limestone mountain landscape. The bits of dead trees strewn around the ground could be thousands of years older still. Birds and animals shown all live here, at least during the warmer months, bringing the only other sounds to this stark and beautiful landscape besides the singing winds through branches and past needles. It’s quite a place.

As I did with the similar whitebark pine painting last year, I’ll send an update on the progress of this one next week. This is going to be fun.

Thanks for reading. If you’re received this in error, we apologize.
Larry

We have posters and jigsaw puzzles of the last “High-Five” painting (whitebark pine = five-needled high-mountain pine).
Posters are here.
Jigsaw Puzzles are here:

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Herring Balls

48 N September 09

Cover art and story – 48 North Magazine, September 2009. (48 North is the premier sailing magazine for the Pacific Northwest) This month features my painting of our little sloop, Sea Witch, sailing by downtown Port Townsend. They also featured my short story about herring balls.
Sorry if this is a long entry, but the story’s a good one and I’ve shortened it abit.

Sea-Witch-Herring-Ball
Fish Balls
by Larry Eifert

An amazingly nice afternoon! Get the sail covers off Sea Witch. Back her out. Head down the channel and out into Port Townsend Bay. Then, get the sails up, sheet’r home. And away we went to the north out into Admiralty Inlet, watching the freighters and navy ships tooing and frowing. A warm northwesterly wind was gently spilling out from the hills of Port Townsend and into the bay. It was tee-shit weather.

We hadn’t made it to the Mid Channel Bank when ahead we could see a great mass of moving birds. Actually, there were several masses of birds, all wheeling and spinning, diving and making a ruckus. “Herring balls” we both said at the same time as we nodded in unison. The birds were going crazy. About fifty glaucous-winged gulls were in each group, and more flying in as fast as they could from other areas nearby. Cormorants, rhino auklets, a few pigeon guillemots and even a bunch of mergansers were all bobbing about, diving, grabbing at others nearby and generally making a “happening” as I use to say 40 years ago. The gulls couldn’t dive very deeply, being very buoyant-birds, so they just gave it their best, plunging from about five feet into the water and grabbing at nothing. “Mine, mine, mine, mine!” they all yelled continuously. It was a riot, and as we approached, none of the birds seemed to care we were there. Then a slow, huge and powerful swirl of water nearby showed something else was going on below the surface. Unseen until now, a sea lion was there as well, circling up from below to concentrate the herring ball close to the surface. A 650 lb, 8 foot-long sea lion can make an impression on everyone, including tiny fish. It was intense – and this was just one of about six riots of wildlife within our view.
Pacific-Herring
Well, I knew what was going on, but maybe you don’t, so here’s what these big events were all about.

Pacific herring are little fish, and if you’re a little fish, you can gain odds for prolonging your life if you stick together. A bunch of little fish can become a very big fishy thing if you hang out together – think teenagers hanging out! One teenager – no big deal, but a half a million of them and you get Woodstock. That’s the herring teenager’s idea too, but there are lots of bigger critters out there trying to dine on them. There’s not a moment’s peace. And while sticking together can increase your odds of individual survival, it also announces to everyone where you’re hanging out.

Most Puget Sound herring spawn from late January to early April, depositing transparent sticky eggs on eelgrass and marine algae in shallow water, mostly in quiet bays and estuaries. Each female deposits between 20,000 and 40,000 eggs a year, and it’s these sheer numbers that insure the herring’s survival. These sticky eggs cling to eelgrass stems, and, after about 14 days, hatch into small transparent larvae about a half-inch long. The little critters are at the mercy of currents as they drift about, but the larvae that survive grow until after 3 months when they are about 1½” long, when they metamorphose into adult fish, eventually growing to become six to nine inches long. Think sardines in that square little can, but bigger. Most of us know Pacific herring from bait shop freezers, where we see them lined up in blue Styrofoam trays.

On the second or third year, herring normally return to their original spawning grounds. Unlike salmon, spawners don’t normally die but continue to spawn in successive years, although most don’t make it past five years of age. A few may live to the ripe old age of fifteen. However, it’s been estimated that, for every 10,000 herring eggs, ONE adult will live long enough to return to spawn, such is the level of predation on these little fish. In Puget Sound, we, as the dominate prey species, have decided that spawning herring make up 18 different “management stocks” (because we, as herders of the world’s critters need to count all this stuff so we know how much to “take”). In the past, herring have been caught for food, then caught and ground up for oil and pet food. Some of the eggs are used (in Canada) as high-end gourmet food for Asian markets. The reality of it is that the many seabirds, marine mammals and larger fish species have a greater need and eat these important little fish to help them survive. Fewer orcas these days? Well, it might be that a bunch of us dropped our anchors in those wonderfully quiet back bays where eel grass beds live, our 45lb Danforths tearing up the bay’s bottom and depriving herring of good quality habitat for them to lay their eggs. Or, more likely, shoreline trophy home owners have altered the spawning grounds off their front yards by adding elaborate stone walls and lawns that use chemicals that then run off into the nearby waters – killing the ecosystem they spent zillions of dollars to live next to. Fewer herring means less food for salmon, an important food for orcas. Fewer herring also means less food for orcas, too, which catch them the same way seals do. In Puget Sound, 60-70% of the herring are eaten by larger critters each year, and the numbers of herring is decreasing each year. Get the picture?

We watched the herring action for awhile longer as we sailed past, then headed over to the next ball of birds and fish. Out of that cloud of wheeling and screaming gulls, a lone rhinoceros auklet flew by at top speed holding a 3” flapping herring in its bill. You could almost imagine the bird’s thoughts of “I got mine, now I’m getting out of this party as fast as my little black wings can carry me.”
Rhino-Auklet
Well, so what? So what’s the big deal with watching a bunch of birds? To me, it’s a matter of the quality of life. Sure it was a pleasant day for a sail. The scenery was beautiful, the company wonderful, the experience memorable – but experiencing the herring balls made it much more. We had watched nature at a very close range, beyond the beach and parking lots, beyond the signs that say: Wildlife Viewing Area. Out here on the waters of Puget Sound, a daysail can turn into a real experience if you just look for it. Many sailors might have just sailed by, maybe only worried their sails might get a dab of bird doo on them. Some wouldn’t have even noticed, for it seems that many of us have diminished attentions these days to the natural world around us. We spend most of our lives chained indoors, watching nature on monitors or TVs, watching movies about penguin marches or watching others do what we once took for granted we’d do ourselves which is to seek outdoor experiences. Well, I’m telling you those experiences are still there, still waiting for us, and still exciting to see when we let them into our lives. I’d like to think that, with a good-old recession now altering our grandiose lifestyles a bit, we may begin to think about returning to the old ways of enjoying ourselves. Get outside, get in a boat, get your eyes open again and see a few things. You might find you like yourself more for these experiences.

If you want more of this stuff, you can click here to go to our index page of more published stories.

Check out 48-North magazine completely online.

Link here to the same story on our website, larryeifert.com.

If you’d like to see why I write about this ol’ boat of ours, here’s more about Sea Witch.

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Black-tailed Deer – Port Townsend Trail

Eifert_Deer_Larry_Scott

Just west of our marina and downtown Port Townsend, an old railroad grade goes along the bay before turning inland. This is now a public trail, part of the great Northwest Trail that goes from Cape Avala, west of here, all the way to Glacier National Park in Montana – three states and 1200 miles away. And while it’s a hiking trail like the John Muir, Pacific Crest or Appalachian Trails, here you have to climb on our ferry for a few miles to keep going east.

Coming into town, there’s one place under the bluffs where, late in the afternoon, black-tailed deer like to congregate. You eyes focus on the marvelous views ahead and they often miss the fact you’re being watched yourself – but Port Townsend deer are pretty tame, having been raised from birth on the garden roses, apples and all manor of tasty plants carefully bought and planted by the locals.

This is a larger painting today. This ORIGINAL painting is varnished acrylic on archival board, 14″ x 10″ and $650 unframed. If you’d just like the painting framed, that makes it a total of $690 and shipping adds just a bit more depending on your zone or if you take the frame. This is an ORIGINAL painting, NOT a print. Email us for details.

To check the availability of the other originals I’ve blogged about the past few weeks, check the blog here and go down the listings.
Thanks for reading this week.
Larry EifertClick here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

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American Fishers return to Olympic National Park and make whoopy!

Our web host has been messing with our shopping cart this last week. You’d think a company the size of France could figure this out, but not these days. And, I admit it, painted this image last year, but I just had to put a blog entry about it now because the Olympic Peninsula recently got a bit more crowded.

Fishers had been extinct on the Olympic Peninsula for decades, having been trapped out of the entire state of Washington for their plush fir. Last year, Olympic National Park commissioned this painting to coincide with the release of the first groups of fishers seen around here in 80 years, animals the Park resource people brought down from Vancouver Island. The painting was used for a bunch of interpretation, educating everyone about the event. It was fun to attempt to paint something I knew little about. This house cat-sized critter is between 2 and 4 feet in length including a giant tail. All four feet have five toes with retractable claws, and because they can rotate their hind paws 180 degrees, they can grasp limbs and climb down trees head first. So, unlike similar martens or weasels, this allows them to hunt birds in trees.

Disregard the arrow! It was a proofing issue.

So, it’s one thing to reintroduce animals into the wild, but it’s another to keep them there. It appears to be happening. The park set up an automatic camera in the backcountry near a female fisher’s den in the Elwha Valley. It showed the mother taking four babies, known as kits, out of the den, which is located fairly high up in a rotting snag. The animal appears to be moving her young to a new den, presumably closer to the ground so the kits won’t have far to fall as they grow.

I really hope that in a few years there might be fishers all over the Olympic Peninsula, maybe even passing through my backyard (but that’s a stretch).

Currently you’ll have to email if you want something, but we now have museum-quality prints available of the fisher painting available here of three sizes for between $39.95 matted and $239.95 fully framed.

Or, you can go to our Giclee Print Index here

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

The Chattering Winter Wren

I’m attempting a new and “improved” emailer and I’m a bit worried to hit the send button. If it’s botched, don’t give up on me.

Several have asked if I’m still painting wildlife as stand-alone images. Of course! I’m still hooked on doing these single-focus themes – sort of a wildlife moment.

Here’s a new effort along those lines. This little winter wren and its stump are soon to be on an interpretive panel for Olympic National Park. We have these little birds right here in the meadow below my studio, so studying the real deal was pretty easy. So was the stump. I used a broken and leaning mossy log down by the compost pile as the model.

Winter wrens are about the size of my big toe. They have amazing courage (or stupidity) and come boldly out of the ferns to confront you trespassing in their territory. They’ll let go a stream of sizzling, bubbling chatter that goes on for ten seconds or so, possibly a rapid series of threats in wren-lingo. Recently, I had one fly from a nearby fern frond and land on the brim of my cap. As it landed I could hear the flutter of its little wings, like the sound of a deck of cards being shuffled. To them, that must sound very loud, like an airplane propeller.

Sorry, but this painting already belongs to the National Park Service who commissioned me for it.

Link here to many other wildlife prints on our website.

Or, you can go to our Giclee Print Index here

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Thanks for reading, now I’m going to start painting.
Larry

Tolowa Dunes State Park, Crescent City CA

Tolowa Dunes Stewards funded this painting for interpretive and educational efforts. Tolowa Dunes State Park is a 5,000-acre California State Park located on California’s far North Coast near Crescent City. Lake Earl and Lake Tolowa are there, as well as a significant portion of the relatively large coastal plain around it. As one local scientist said: “The Lake Earl sand dunes and wetlands represent one of the richest hotspots for bio-diversity of both plants and animals found along the West Coast of the United States.”

I’ve spent many years living just south of this area and know it well – so this was a fun project. Just to the north on the Smith River, I painted my very first large-scale interpretive mural back in the 1980’s for Redwood National Park. That original is still at the Crescent City Visitor Center, and the exhibit still at Hiouchi Visitor Center up on the river. It’ll probably outlive me!

So here’s the sketch.

It was a speedy one, even for me. Because of a funding deadline, the painting was finished in less than a week – but then you guys probably knew that. It’s painted with acrylic on paper board and is about 40″ wide.

Click here to see lots of other national and state park interpetive art on our website.

Some of you have asked where the full website is with all the puzzles, posters and park exhibit stuff. Just click here.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Thanks for reading.
Larry