Here is some progress on my 18 foot painting for Reelfoot National Wildlife Refuge. The painting will be printed and installed at 38 feet x 8 feet. I’m getting there – still focused on setting the tone of the fall colors. The fall foliage-thing is something of a mystery, since it changes. In one way, it’s all correct at some point since leaves change a little at a time. But, too yellow, too brown, too red – who really knows?
Here’s the left side, cypress in the lake and swampy stuff in the foreground.
And there’s the right side going into seasonally-flooded hardwood forest, red oak, some cypress, some red maple – and then out into flooded corn fields that will be all stubble in fall with lots of ducks flying around.
I blogged about the sketch for tho weeks ago, and now paint is flying. The photo above is part is the far-left side that will be 8 feet tall – but it’s still lacking details. I took this to make sure the colors (that change almost daily in fall) are what everyone wants. It’s getting there. If you stood next to this in the final installation, your head would be about at the bottom of the cypress branches.
Progress – seemingly to be painfully slow at this stage. I just stick to it and tend to paint all over the place to get a feeling of how it’ll all mesh together. A little here, a little there, then fill in the holes to connect it all. Installed, this thing will be two adjoining walls with a corner for a total of 38 feet, but painting it is still just one inch at a time. I greatly enjoy making my brain stress to the max trying to make it all work. Reelfoot National Wildlife Refuge is in northwestern Tennessee, close to the Mississippi River and a place created when a huge earthquake formed a series of shallow lakes. Cypress and other bottomland forest species followed, making for a very picturesque place, especially in fall when the cypress needles turn yellow and red.
Here’s my story in 48 North magazine this month, available far and wide. I’ve been told people even get this in the boat stores in Hawaii. This story is about what was undoubtedly the biggest living creature that’s ever come so close to our little meadow here in Port Townsend!
This is the text:
In early September, the Puget Sound Express whale-watching boat crew spied a rare fin whale off Whidbey Island, the first one spotted in the Salish Sea in decades. The Fin is the second largest mammal on the planet and named for its slender, fin-backed shape. I honestly didn’t know much about them, so I did some reading – and this is such an interesting creature that I wanted to share what I found. These whales are gigantic, for sure, and can become almost 90 feet long and can weigh 165,000 pounds. How big is this? A single fin whale could produce 660,000 whale burgers, or enough for every person in Seattle with leftovers. Don’t worry, I’d be willing to bet most of us would order something else.
Like other whales, this one was hunted (and still is), and it’s reported that between 1905 and 1976, 725,000 were slaughtered in the Southern Hemisphere alone. Fins, or finbacks have been described as the greyhound of the sea for their slender body that is “built like a racing yacht … which can surpass the speed of the fastest ocean steamship.” What caught my eye was the somewhat hidden description of the Fin’s eating style. Being a baleen whale, it filters small fish and crustaceans, shrimp and krill by simply opening its mouth wide, lunging forward and taking in whatever is in front of it – and then straining out what’s unnecessary (including about half the ocean). But it’s not just a dainty mouth! My drawings tell it all, and by this technique, a fin can consume about 4,000 pounds of food each day, probably explaining how it can grow so large in the first place.
And just to make a size comparison, here’s my little boat sailing along with its typical line-clutter everywhere (a quick boat has lots of strings attached). An adult fin whale would be 5 times longer than the boat and eat 6 times more than it weighs.
On Saturday, there’s a little show of mine opening in Port Townsend at Gallery 9. Thought I’d just pass it around. This is possibly the first gallery show I’ve ever put up where the main attraction isn’t for sale! One wall – one painting, and we were worried it would even fit.
ABOUT THE PAINTING (from the press release)
Port Townsend painter Larry Eifert has painted large-scale nature murals for parks, refuges and nature centers for many years. This 18-foot x 4-foot painting was commissioned for the Polks Nature Discovery Center in central Florida, and is painted on synthetic and tree-free paper. This is the original painting and was completed in 2013. It has never before been seen locally, and intertwines four separate ecosystems of Florida’s pine forests and cypress swamps. When completed, the painting was digitized, then enlarged 200% to 32 feet x 8 feet and printed on Dacron for its final installation.
Click all images to enlarge them. At 38 feet, you’ll need to.
So – a new project is underway. This is for a new visitor center at the Reelfoot National Wildlife Refuge in northwestern Tennessee near the Mississippi River. I’ll post the progress in weeks to come, but wanted to at least pass around the sketches for comments – which always help me – even the bad ones. This one means a lot to me because I spent time here as a kid with Virginia on one of her research field trips ( but more about that later).
This installation will be 38 feet long and 8 feet tall, but I’m painting it half-size at about 19 feet by 4 feet – still a big painting. We’ll scan the painting, then it’ll be printed like wallpaper on Dacron. This means the art can be vandalized or the visitor center even burn down and they still have an installation. Since they’re self-ensured, the government is like that. Makes it easier for me to paint, but the brushes get fairly tiny.
Cypress swamps and waterlilies on the left side. This lake was created by a huge earthquake in the early 1800’s when the Mississippi River ran backwards and filled up this bottomland subsidence. Today it’s full of ducks and geese, turtles, fish and muskrats – just my idea of fun. And next, here’s the right side: all red oak forest in a seasonal flooding area. The fun part will be that they want a fall scene, so the cypress will be yellow, red oaks a flaming red/yellow. Add to that a good blue sky and it’s should be flashy – or at least that’s the plan.
Today a newly revised and up-to-date book of ours was delivered to Lassen Volcanic National Park in Northern California. This is our third reprint of their most popular book, and it was fun to work on it again. To tell the truth, I haven’t even looked at it for a few seasons and when I came back to work on it again, I thought it was pretty good. I think there are about 100 paintings of mine scattered throughout, and it’s a very colorful publication. First published in a 2007, Nancy and I spent some fun times here learning about the park.
It wasn’t the first time with us and Lassen, as I’ve painted a large visitor center mural, did some site guides (the sort you carry along with you as you hike around) and a bunch of other projects. It’s been a long and joyful ride with this place – where I first learned to cross-country ski on the icy park road sometime in the late 70’s.
This month’s sketchbook and published story in 48 North magazine is about Caspian Terns. These few summer weeks are the only times I see these birds while I’m sailing about Port Townsend Bay. Actually, I almost always hear them first, then spot these big guys, and since I try to paint what I see, this was an easy choice for August.
Here’s the story:
This is a sound I hear often on quiet summer sails. Kaaaaarr – like a smoker attempting to clear a raspy throat. I instantly know that sound, and always turn and look up to find the hacker. Then, here it comes, flying fast and high, head down studying the water for a vague shape that indicates dinner. Seeing this, I know two things: it’s summer, and the Caspian Terns are back! I watch as the fast and effortless white bird glides past. Then, fish spotted, it goes into a corkscrew spiral, then into a dive and fully submerges – out the tern comes and quickly takes off with young salmon in mouth (unlike similarly sized gulls that are unable to truly dive).
Most Caspian Terns in Washington nest at the Columbia River estuary, and after family duties are over, both young and parents spread out to spend the summer fishing along the coast and into the Salish Sea. Their numbers are expanding, mainly due to dredged materials that offer new nesting islands, and since terns have a fondness for young salmon – well, you see the problem. Dredge the Columbia River estuary and suddenly you get more birds, the birds eat the salmon, we’re spending millions trying to save salmon. Some Caspian Terns in Washington are medium-distance migrants, wintering on the coast of California, while others travel greater distances, wintering as far south as Colombia and Venezuela. But between now and October when these elegant birds head south, I’ll enjoy them here very much indeed.
Larry Eifert paints and writes about wild places. His work is in many national parks across America – and at larryeifert.com.
This was published last month in 48 North magazine for my monthly contribution. We have a pair of these guys nesting in our woods, so it seems appropriate.
Here’s the story: And just why is this guy doing a crow page in a sailing magazine? Because they’re not just crows, a common bird that everyone knows, but a Northwestern crow. Yes, we have our own crow species! Looks exactly the same but smaller, ‘KAWWW’ sounds the same but deeper and hoarser voiced. If you’re on or around salt water in the Salish Sea and north all the way to Alaska, likely the all-black beach bird you’re looking at is a Northwestern crow. Problem is, you can’t be sure because in urban areas they now mingle, mix and interbred – but once you get to the Olympic Peninsula, you can be fairly confident you’re seeing one of these guys.
By far, the best trait you can look for are their clamming skills. Browsing the shoreline wrack for anything edible, they’ll often pick up a live cockle or clam, fly straight up to about 30 feet, change course to level off – and drop the shell to the rocks below. Most of the time the shell breaks on the first try and down they go for lunch. Evidently they level off to see where the shell lands so they can grab it before a gull does. Normal American crows don’t seem to do this, just Northwestern crows. On some beaches, I’d have to say that of birds on the beaches, there may be more Northwestern crows than gulls.
Last week I posted another outdoor wayside panel – the spring version of this same place. Now, here’s the second panel about summer at the Naas Preserve on Whidbey Island prairie – prescribed burns, summer flowers and pollinators, a real riot of color. They’re both going to be installed at just north of my home in Port Townsend. Not easy making a nice painting with a fire in it, but I’ve actually painted several fire images before for a National Wildlife Refuge in North Dakota. This one was much more fun.
These paintings require lots of field trips and research time. It’s the best part of it, with both of us joining forces to figure out details from white-crowned sparrows to goldenrod. Sure, field guides tell me what the thing looks like, but not how they attach to the ground, or how they look in summer when the landscape is drying out, or how does the sparrow grab onto the goldenrod as it’s singing. Here’s Nancy working on some strawberry plants that the Whidbey – Camano Land Trust is growing in a small nursery at the site. Later, I put all these images on my tablet for reference at the easel.
So what’s the point of these outdoor panels? To me, they’re like an an outdoor art gallery. Some trails have a couple of dozen of these panels, and I love to imagine people hiking along enjoying the nature around them but maybe not understanding it. Behold, here’s a nice painting with some words to help them out. While I still sell paintings to private collectors (who then hang them on their walls, never to be seen in public again), I think I see these outdoor efforts might be a higher calling. It’s public art in the best way, don’t you think?
Two new wayside panels went off to the fabricator this week. Here’s my favorite. Both are 24″ x 48″ and will live their lives right here on this lovely bit of nature called Nasse’s Prairie on Whidbey Island, Washington. Part of the Whidbey Island Land Trust’s rather heroic efforts to restore this bit of natural prairie on the Admiralty Inlet Natural Area Preserve where some extremely rare flowers live. In fact, golden paintbrush is here and is only found in twelve places, two right here on this prairie. The original painting is 24″ x 48″, acrylic on hardboard. Thanks, everyone at the Land Trust, but especially Mark, who helped me in delightful ways and never once got ‘postal’ on me.
And here’s Nancy with her pack full of camera gear taking the reference photos for this painting. Looks like I got the colors about right in the painting above.