All posts by Wilderness Walker

Flying Baked Potatoes

Winter-Murrelet
Flying Baked Potatoes
How a little seabird helped save some big trees

(Published in 48-North Magazine last month. It’s a pretty good read, I think, but it’s long enough that I posted the entire thing on the web blog.) I also think I’ve worked out all the bugs on this new software, but if it’s not working for you, please bear with me.

Here’s the story!
“Things are bad – really BAD around here!” he said, “And it’s all because of that stupid owl and the purple murel-thing that shut down the logging.” “You know, that STUPID purple. …bird!” Docks are interesting places, aren’t they? There I was, just heading for our boat and now I was thrust straight into some big environmental debate. Didn’t even know this guy very well, but after I heard his blathering, I took a deep breath and realized I probably needed to stop and do some ‘splainin’ – as Desi used to say. For some reason, I continue to think that a little honest and friendly education might just result in social change at the ballot box, so: “It’s a marbled murrelet,” I answered, “I saw one just the other day out in the bay, fishing with some cormorants. Probably a juvenile from the Olympics or North Cascades. Got a minute? I’ll tell you about them.”

Flying-Murrelet

Marbled murrelets! For 30 years I’ve heard them lovingly described by biologists as a flying baked potato with a beak. But not just ANY flying baked potato, for this little chubby ocean bird was once America’s biggest ornithological mystery. While we were putting men on the moon and gloating about how smart we were, no one knew where these local birds even nested. Science ‘discovered’ the murrelet in 1789, but it took another 185 years for us to find a single nest! (Thank goodness murrelets knew where their nests were, or they’d be even worse off than they are.) And while we knew that Alaskan marbled murrelets nested on mossy rocky cliffs, no murreletnest had ever been found between San Francisco and Southwestern British Columbia at the south end of their range. The birds were often seen oddly out of place flying around the big trees in coastal old-growth forests and loggers referred to them as “fog doves,” but why were they there if they live on the ocean?

Then, in 1974, in the Santa Cruz area of California, a tree climber almost stepped on a chick in the canopy of an old-growth redwood, and the mystery was solved. Instead of nesting on mossy rocks, to increase their range southward the birds had adapted their nesting habits to the huge horizontal upper limbs of the giant coastal old-growth, often hundreds of feet in the air, and sometimes upwards of 45 miles from salt water. They hunt for small fish like herring by day in the ocean and return to their nesting duties in the evening. And, what caused this dock guy to think murrelets were Armageddon is that without old-growth trees, murrelets wouldn’t be able to nest on the West Coast of the Lower 48. It’s not just big trees they need, but big horizontal branches thick with moss and lichens, and trees don’t become like this until they’re centuries old. Because of this, and all the logging we’ve done in the past 200 years, the marbled murrelet is now listed as federally threatened and state endangered in Washington (12,000 birds), Oregon (7500) and California (4500). Some scientists believe that it’s not whether murrelets will become extinct, but when, because old forests are now few and far between, and what’s left have badly fragmented murrelet populations. Sometime later this century, when the only birds remaining are small population pockets in our national parks, this strange and unusual sea bird will simply not be viable as a species any more. And if that happens, I hope I’m not here to witness it.

I have some interesting connections with this bird, the one loggers loved to hate and conservationists used as a poster child to halt logging the last few percent of coastal old-growth forests. During the logging turmoil 25 years ago, I spent some time helping research these birds down in California’s coastal redwoods where the world’s tallest trees hug a foggy shoreline. Only 2.5% of the old-growth redwoods remain, and, as an artist I helped draw attention to the murrelets as a way to raise public awareness to the speedy demise of both trees and birds. It was the good, bad and the ugly. Ugly, because, as an artist, I was black-listed by timber organizations. Good, because business was good because of it. And not so bad when I spent one dark and foggy morning at 4:30 am up Redwood National Park’s Lost Man Creek valley, intently listening and watching for murrelets flying from nests to ocean. I remember that listening to murreletcalls in the redwoods reminded me of sailing. Often, when you’re cruising along with little wind to drivethe boat, you can hear that definitive oceanic call of keer, keer, keer. I’ll bet you’ve heard it too. Those are the bird songs of the ocean, not of the forest. I wasn’t a scientist, but an artist just doing his job of observing and responding, but when the National Park purchased one of my murrelet paintings to present to Bush One’s visiting Interior Secretary, I thought I had possibly made a remarkable coup in nature conservation. Now here was art opening the eyes of the powerful. Not so, one park official dryly whispered. This guy was just a patronage placement, a Midwestern pig farmer that didn’t care anything about birds unless they were stewed, fried and on a plate. Where is that painting now – I’d like to know.

Nest-Sitting-Murrelet

Murrelets have a definite ‘look’ to them on the water and so they’re easy to identify. About the size of an American robin, they’re smaller than gulls and cormorants, but here’s the key. They always hold their short bills slightly upward at a different angle than any other seabird, like the graceful angle of a schooner’s bowsprit. Fast fliers with rapid wing beats both in the air and underwater, they spend most of their lives in coastal waters where they court, feed, loaf, molt and preen. These long-lived birds only visit old-growth forests when they do nesting duties, where nests aren’t built but rather squished into place in the moss. Only one egg usually once a year is laid. Incubation lasts about a month with both parents incubating the egg in alternating 24-hour shifts, and chicks fledge in another month. Summer adults have sooty-brown upperparts and are lighter brown below, colors that make them highly camouflaged against the giant trees they’re nesting on. In winter, adults and young become brownish-gray with white wing patches that more closely match ocean colors of wind on waves.

So, let’s say you’re a very young murrelet only a month old. You were born in the top of a two hundred foot tall Douglas-fir up the Dosewallips River in the Olympics. Your parents had chosen THE nest tree just around a sharp river bend near Little Mystery Peak, where they had located a big mossy branch maybe fifteen stories off the ground. The definition of ‘nest’ is pretty casual here; because it’s just a thick bunch of moss your parents had smooshed into a shallow cavity. When you were born, your egg was pale speckled green, the exact same color of the limb’s moss in spring, not like the dried-out brown stuff of late summer or the lush soft green of winter. It wasn’t much of a nest, and so your parents rarely left you unattended so wandering-babes wouldn’t stagger off into thin air. Small fish your parents brought up to eight times a day ended up creating quite a crusty edge to the platform that helped keep you from falling off. And there were other dangers too. Steller’s jays, crows and ravens didn’t often come here before, but thanks to the nearby road that now brings campers and their food, these birds now threaten young murrelets sitting exposed on mossy branches – so you instinctively stayed low. After a month, wings had grown flight feathers and you sensed you were ready to explore. It felt like you could fly like your parents – but how to learn? And where would you go? Then, one evening just after dusk, and with one death-defying jump into space, flight had to be learned in a half second or a much squashed murrelet would have resulted. Somehow it all came together to happen properly, and you were on your way.

It seems a fairly lame way to survive as a species, but you did it anyway – you just walked off that branch and as you went going down at 32 feet per second, you figured it out fast – and in 30 minutes and 20 miles you made your first awkward sea landing in the Hood Canal. I say 30 minutes, because murrelets normally fly at about 50 mph. They havebeen clocked on radar at over 100, so in theory you could make that 20 miles in five minutes, but a first-flight-flier probably wouldn’t do this. In fact, you’d be lucky to do it at all.

As you learned to fly through the giant forest in growing darkness, alone and without your parents as guides, you somehow steered properly towards an ocean you had never seen. In doing this, you were unaided by anything you’d ever witnessed before, and you began a new life you didn’t know existed, began to catch fish untaught by parents you’ll likely never see again, and eventually you’ll nest in a treetop miles from your watery home. Remarkable!

So, when sailing in Puget Sound, the Straits of Juan de Fuca or outer coast all the way down to Santa Cruz, keep your eyes peeled for a small and chubby seabird, head held up like a schooner’s bowsprit and possibly with a small herring in its bill. If its summer, chances are good that it will soon be flying over some of the tallest trees on Earth to hand that little herring over to a chick on a mossy branch hundreds of feet in the air.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently up to.

Warming Up With Tampa Bay Manatees

No painting this week – we made a quick trip down to Tampa over the last few days. Actually, I’m pretty lucky to be writing this, as our return yesterday involved a 2.5 hr tarmac hold at Dallas, de-icing and watching a record blizzard drop a foot of snow there. Ours was one of the lucky few planes to get off the ground, and it was pure joy to get back to 50 degrees in Seattle and Port Townsend.

 

But back to Tampa.
While there, we heard about the weird Florida weather and how it’s affecting the local manatees. These 1000lb ‘sea cows’ need shallow water that’s about 75-80 degrees F, and the Gulf right now is 58. So, what are the manatees doing? No, they can’t just go to Florida for the winter! The local coal-fired power plant has a 78 degree outfall into a nearby river and mangrove forest, and the manatees have all gone there to hang out. We counted about 150 of them, but locals said upwards of 300 have been spotted at once. The power plant has built a pretty good viewing platform that gets you to within about 20 feet of some of these soft giants, so you really get to study them. Also enjoying the warmth was a six foot shark and a bunch of rays ‘flying’ around between the bigger beasts. It was quite a show.
Manatees are very interesting critters. They normally spend upwards of half a day sleeping on the shallow bottoms of bays and rivers, only breathing once every 10-20 minutes. They don’t exhale to descend, but compress stored air, and in this way can stay down very long periods of time. They can eat upwards of 100 lbs of ‘greens’ a day. Manatees are not doing very well because of invasive species that are choking their out their watery homes – as well as being hit by boat propellers, so this was a real treat to see.

Thanks for reading this week. I’m back to painting, so I’ll tell you about that soon.
Larry Eifert

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Singing Marsh Wren

I’m still working on the mural project for that Carson River, Nevada visitor center. A singing marsh wren is featured, so this is a warm-up painting. It’s sitting in some cattails, so I needed some research for those too. These (in the painting) are a late fall variety, where the seeds have dried and are being blown off by storm winds – but the strap-like leaves are still hanging in there. I like the way the wren’s fluffed-up chest and throat mimics the cattail fluff.

Singing Marsh Wren
 This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

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Salmon Cascades – Olympic National Park

Salmon-Cascades
I spent the entire week drawing concept sketches for a new project, and I couldn’t have imagined a more fun time. And since I have graphite all over the place –  drawings for 130 running FEET of new murals and am completely disorganized, I thought I’d just post this finished painting here instead of showing you the sketches. Maybe it’ll calm me down. When I get the pencil drawings pasted together in some sort of publishable form, I’ll post them.
This painting is of Salmon Cascades – just west of us in Olympic National Park. It’s a favorite for many locals, because in Fall huge salmon come right up along the rock cliff on the left as the big fish prepare to jump the cascades. You can be within two feet of a very powerful fish waiting for just the right moment to make the leap, and it’s pretty thrilling. In late afternoon, the sun comes around to illuminate the mist from the falls, bathing the entire area in silver light.
This painting is acrylic on board, 12″ x 20″ and we’re offering it for $700 unframed. Email us for details. Click the image to enlarge.
Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

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Carson River Mural Beginnings


This should enlarge if you click it. If that goes nowhere, click the blog here and do the same.

Last week I sent out the sketch for this painting. A commission for a non-profit, this painting is for their new visitor center. The scene isn’t exactly accurate as to the way it truly is, but hopefully will give the viewer a ‘sense of place’. I have a nice little singing marsh wren painting I’ve also done to warm up for this, which I’ll send in a few days.
In the meantime, I’ll tell you how this is going. The painting isn’t as large as many I do like this, maybe 3’x5′. At this size, it’s large enough that I can get some details in, and small enough so it won’t take a month to paint. I first put down several coats of a very dark brown (almost black) base, so when I paint this up to lighter colors, it hopefully looks like a landscape just emerging from night. Those dark areas around the bottom will soon disappear. You see the High Sierra Front (east side of Lake Tahoe area) is almost finished. It’s on the west side of the Carson Valley, putting early morning light right on these high peaks. They’d shine like crazy when that morning light hits them.
I paint these things from the background to foreground, usually top to bottom, so the mountains go in first as you can see, then the area slightly closer to the viewer, and so on, but to give me a sense of the entire composition, you’ll see some critters outlined or just roughed in. This helps me figure out what the final image might look like. This photo was taken yesterday, so today it’s much farther along, but why waste time photographing it? Let’s get back to work.
Thanks for reading this week.
Larry Eifert

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You can also leave comments on the blog here. Every little bit helps me understand how to be a better painter.

Carson River Mural Sketch

Pencil sketches are always difficult to see here, so click on this image to enlarge it. A large non-profit organization is working on a project south of Reno Nevada along the Sierra Front, and, as part of it this painting will soon be installed in their new visitor center at the ranch. It’s an exciting prospect for me to paint this. Sandhill cranes, bald eagles, large populations of white-faced ibis, and one of the only colonies of tri-colored blackbirds in Nevada are here. With 250 species of birds and a backdrop of mountains that just doesn’t quit, it’s an exciting place to paint one of these complex habitat murals. I’ve painted for this private organization before. There’s been a mural and nature guide for the Kenai River in Alaska (exceptional field trip), one for the Great Salt Lake wetlands north of Salt Lake City (where we got to see a peregrine falcon’s nest up close as the parent divebombed us) and another one north of this current image in the Lahanton National Wildlife Refuge. That mural included a very fun airboat trip out into the tule marshes – you know, the boats with the big propellers on the backs that go in about 2″ of water. USFWS showed us some fresh water clams still living there that are hold-overs from the last Ice Age.

I’m working up a ‘warmup’ painting for this mural of a marsh wren singing that I’ll post soon.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

Where Are The Black-tails?

Deer-Wet-Meadow
Where are all the deer? I asked that yesterday, realizing I hadn’t seen one in our meadow for a long while. (click the painting and it should enlarge.

We’ve created a pretty critter-friendly habitat here in our little patch of forest and meadow, and the wildlife know it. We’ve kept a count of our critters over the years and now have a ‘yard list’ of over 80 species. A salt lick for the deer, a couple of feeders, no outside pets (especially cats) and over the years we now have Douglas squirrels patiently waiting right on the feeder while we dish out the morning seeds. Two hummers are still overwintering. The Cooper’s hawk juvies still fly around overhead freaking out the towhees and chickadees. But the deer? Don’t know!

All summer we had two families of deer – multiple fawns in tow. We’re in a no-shooting zone around here, so when Fall safely progressed, alters appeared on the bucks and lots of coy antics went on it the meadow – lots of racing around like they were all schoolyard kids. But then (with hunting season the last two weeks in October) the deer just vanished. It must just be habit. They’re safe here, and they seem to know it, judging by their ‘almost’ taking our homegrown apples out of our hands, but, poof, they were gone anyway. Now, in a couple of months I know they’ll be back, females with a new one or two in their bellies. It’s a cycle of life I know I can depend on – but what’s the deal? Why don’t they just stay?

Black-tailed deer in a wet meadow:

No deer, so I painted one. This ORIGINAL painting is varnished acrylic on linen canvas, 9″ x 12″ and $140 unframed.
The gold frame makes it a total of $180 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original, NOT a print.
Email us for details.

To read my other blog entries, check the blog here.

Thanks for reading this week. It’s a window into our little artistic world here.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing.

Or, send us an email to opt in or out of our email family – or just ‘talk’ with us.

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Surprise Canyon and Palm Bowl

The blog’s been silent! We’ve been away for a few weeks, hiking in the Southern California desert and visiting family and friends. No painting this week, but this was a hike so exceptional I wanted to share it.

East of San Diego, Anza Borrego State Park is California’s largest state park, so big all the other state parks could fit in it with room left over. Most visitors see the palms near the visitor center, but there are many other backcountry native palm groves that have few visitors except mountain lions and coyotes. Driving 50 miles south of the visitor center we found a vague sandy turnoff, parked the camper and began hiking up Surprise Canyon – and what a surprise it was. First one grove, then another, and finally the canyon opened up into an entire bowl full of them – 100’s of native California fan palms. We had never seen so many in one place.

It wasn’t the number of palms, but the cool and ethereal silence we felt here, and at the same time, the place was alive and vibrant. You could clearly see open areas where countless generations of Indians had made their homes under the trees. Dates were hanging everywhere, and several dozen western bluebirds and finches were flying from tree to tree, munching as fast as they could and chattering away. Date seed piles were everywhere too, showing that coyotes hang out here enjoying the same fruits, and sure enough, one big alpha male studied us from the ridgetop. Then, Nancy spotted a little nest on the ground, blown out of a palm by a recent storm we were sure. Judging by the size, it could have been made by a gnatcatcher or maybe a bushtit, but if you look carefully, you’ll see that every piece of the nest is actually a fishhook cactus spine. They’re all intertwined and tightly fitted, and each ‘hook’ is stiff as a needle. You’d need pliers to cut it. We can’t imagine how a tiny bird could have managed this construction feat. Just getting close enough to grab the spine is one issue, but how the bird broke off each spine, brought it here and wove the nest is beyond reality. I pictured a bloody and punctured bird when it was finished, and, of course I hoped it was a male. I thought it amazingly smart because what predator would attack an armored nest like this? Any ideas?


So why are these palms here at all? Native California fan palms are usually found where water is forced to the surface by an underground solid rock ledge. They need their feet wet but tops in the sun – and brutal sun this is. Young palms have wicked red spines along each frond stem, but older trees don’t. It’s thought that Pleistocene mastodons couldn’t reach any higher that about 18 feet, and so young palms adapted spines to ward off the huge browsers. With Climate Change, who knows what will happen to these last few groves of our only native desert palm. They could easily go the way of the mastodon.

 

 

Merry Christmas and Thanks

Green_Chickadee

This is one of Virginia Eifert’s ‘famous’ hand-painted Christmas cards. Inside is hand-written calligraphy:
Now let the echoes
of the songs of May
Refresh and warm your hearts
on Christmas Day – 1963

I was 17 then and just beginning to sell my stuff at art fairs and local shows. Not very well, I’ll admit, but it was a passionate start.

She sent these cards each year for decades, ending with her death in 1966. I’ve heard from people who still have many of them, some even framed, for she painted hundreds. I did too, until my real work simply swallowed this up. Unlike me, Virginia was legendary for being able to do it all (except maybe clean the house or teach her son to do the same), which brings me around to what I really want to say here.

Merry Christmas and loving thanks to everyone reading this. We’re sending a genuine thank-you to the fantastic group of friends, clients and buyers who have supported Nancy and me as artists all these years. It’s now been over four decades of making a living as a working artist, beginning way back in the 1960’s with a gentle but firm push from Virginia.

Thanks to all of you who have faithfully bought my work, but also thanks to all the people who sell our stuff in park stores coast to coast, in galleries and countless other places. It’s a very wide web these days, and unfortunately I’ll never personally meet many of you.

And thanks, also, to someone I DO know, thanks to my very most important and special person, Nancy Cherry Eifert, who not only has a photo career of her own, but also handles the licencing, royalties, commissions and shipping, including orders from that pesky website that never seems to work properly. She’s an amazing partner that can multi-task with the best of them. They say that, these days especially, it takes at least two people working more than full-time to be one professional artist. We’ll both tell you that’s certainly true.

I know this won’t last forever -I wish it would, but I won’t stop or even slow down exploring nature through my art and words. Like Carl Rungius, the Canadian painter of wildlife I admire greatly, I want to drop dead at my easel a few long decades from now – and we hope you’ll continue to come along for the ride until then.

Thanks again for reading this week, and have a Happy Christmas.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. Her new website is almost ready, but not quite yet.

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Wish I Was On This Trail!

With rotten weather and the short dark days of Winter Solstice upon us, I just felt an urge to have a summer walk in the woods – so I painted one. It’s no place in particular, but it’s also every place I’ve ever hiked on the West Coast – redwoods, Doug-fir, silver fir, maybe Sitka spruce trails. It could be the Trinity Alps, Olympic’s Hoh, Mt Rainier’s Carbon River or possibly the Dosewallips right near us. It’s all those late afternoons I’ve spent lingering on a trail in the warm sunshine not wanting to head home. It’s smelling ancient forest duff, filled with centuries of life that are slowly decomposing into the next generation of trees. And, for a painter, it’s the way the light bounces from tree to tree, warming the colors of some, cooling others, hinting at more detail than I could ever paint.


Email us for details.

To check availability of the other small originals I’ve blogged about the past few weeks, check the webpage here.

Boy, I sure got a lot of mail last time with the hummingbird-thing. I heard from people all over the country who have hummers attempting to stay the winter – really cold places too, like high mountain communities and along the Canadian border. Come to think of it, WE’RE along the Canadian border. We can see it from the beach. If you wonder if Climate Change is upon us, these hummers are great local examples. I’ve also heard from a fair amount of doubters, saying the BECAUSE of the feeders, these birds are here, but we didn’t feed them until AFTER we spotted them, months past when they should have migrated to Mexico. One writer said she had a hummer outside trying to get something out of a frozen feeder. Maybe we’ll never know for sure, but it’s plain obvious to me.

Thanks for reading this week.
Larry Eifert

Click here to go to our main website – packed with jigsaw puzzles, prints and other stuff.

Click here to check out what Nancy’s currently doing. We’re working on a new website for her work that should be very interesting. Stay tuned.

Or, send us an email to opt in or out of our emailings – or just ‘talk’ with us.