Category Archives: Wildlife

New Painting Post, New Published Story, Published painting, Sailing, Wildlife

#118 – My Last 48 North story

When it’s time to paint something else!

I sail around in my little boat (whichever one I have currently – there have been 6 – 6 break-out-another-thousand stands for ‘boat’). It’s a floating studio, and learn about what I’m seeing. I’ve done this for decades, but since 2012, I’ve made one-page art stories of these little journeys for 48 North magazine in Seattle, 118 stories total, once a month without fail.

Anemones, whales, worms, birds, urchins, clams, salmon, it’s all been fair game, researched and painted. Time to do another issue? I just go for a sail and there would always be next month’s story.

This month, I wrote about this guy, a hermit crab – a crab that borrows other shells to live in. Here were the drawings I did to get it started.

Then it turned into this refined page, and I wrote some text to go with it.

This one will be my last. Time to go in another direction, don’t you think? I mean, really, 118!! And some artist’s claim they need, what, motivation or inspiration to get started?

For me, it all started with this issue in 2012. At the time, I had been writing similar stories, but much longer, for 48 North but also the Seattle Times, using my art with the words. It was in that order, write it, then paint it. These sketchbook journals were the opposite. I did the art first.

July 2012-The the  first  issue.

This was a colaboration with Nancy. Her photo, my drawings and words. Our boat!

And at the same time, I made a few covers for them. This one of our boat of the left, 1939 Sea Witch, and the otters that were living there as well. We had geraniums on the dock in summer. Locals will probably recognize those other boats, three historic woodies living together. The guy on the right makes high-end violin bows, the black hulled boat belonged to an architect, and us – painters of nature.

So, all these stories can be found here, or almost all 118 of them, on my website.

It’s been fun, but time to move into other types of paintings and writing. Time to explore other ideas and continue on with these huge National Park Service projects – and, boy, are they piled up awaiting.

More soon. Stay tuned. Feel free to pass this around. People seem to enjoy seeing my process.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service, People Paintings, Wildlife

Prairie Mural – San Juan Island National Historical Park


I finished my prairie mural for the San Juan Islands National  Historical Park a few days ago. So, I thought I’d pass it around here where I reliably get some feedback – good or bad. A very solitary live I have, painting and just sending this stuff out to wait for time to happen. I think I nailed the landscape well, but I won’t know for awhile. Below are some portions of it, left and right sides.

And below is the sketch. This place is very complex when you actually get down on your knees and look at it. VERY complex. As in, how the heck do I paint THIS? And the real physical place is much more detailed than I attempted.

I wrote this about my project here a few months ago: I have a long history with the San Juan Islands of Washington State. In the 80’s and on my own restored boat, I summered here while I learned to paint (heck, I’m still learning to paint). And now I’m back there making some rather large murals for the new visitor center at the American Camp unit of the National Historical Park down at the island’s south end at Cattle Point and South Beach. Nancy and I went there a few weeks ago, a FOUR ferry ride for us up and back!

This will be printed (the original won’t be on the wall in case the terrorists burn it down) and will be 6′ wide x 5′ high. Surrounding the visitor center is open prairie stuck out on a point with water on both sides – and one of the most beautiful places in the Salish Sea.

I cropped out some detailed sections so you could see the drawing better, but even so it’s a fairly complex bunch of lines. There are glacial erratic boulders that have some strange mossy adaptions, a butterfly only found here, voles and snails, birds and invasive rabbits. Red foxes that are Cascade dark phase colors, lots of black-tailed deer and meadowlarks (a bird we’ve never seen here at home just 30m south) We saw almost everything going in the painting on the site visit.

Here are my drawings for the bottom section. See how much more open it is so it’s understandable. In the color phase it got much more detailed. Truly fun to paint.

Here’s the empty building waiting for these two paintings, plus another dozen smaller ones. Getting the first one finished helps me understand how I’ll handle the color and detail on the others. The big wall is next, 38 feet of it. Thanks, Joe, Sara and Lex at the park for making this a fun and interesting project.

This view of the prairie and Strait shows scenery, but it also has lots of my paintings if you know where to look. From Mount Rainier NP in the very distant background 100 miles away, to state parks and land trust installations in between, I think I probably have 100 paintings in various exhibits and waysides in view here. But who’s counting.

And here’s the 38′ wall with my concept sketch for the next painting. How the heck I show a 38′ wall in a dinky blog post, I’m not even going to try to do. So stay tuned.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

New Published Story, Wildlife

How Birds Stay Warm in Winter

This was my 48 North magazine story for December, 2021. Since Port Townsend and most of Western Washington are locked in a deep-freeze snow event, I thought it might be interesting to pass this around. Above is the watercolor art, below is the final page of the journal.

And here’s the text for the art:

Baby, it’s cold outside. But compared with some other places, the Arctic, Alaska – the Salish Sea has a fairly balmy winter. So balmy that many thousands of birds migrate here to spend winters in relative comfort. It’s still cold, but birds have adapted and evolved to help them survive our winters. On average, a bird’s body temperature is 104OF, so they’re even more vulnerable to cold than we are. Probably their biggest adaptation is an innate knowledge that if they fly south, it’ll be more comfortable. And there are other physical adaptions to get them to spring. Most birds have the ability to control each one of those thousands of feathers individually – so they can fluff their feathers up to trap warm air between feathers and skin, creating a down coat. You may have seen birds ‘fluffing up’ this time of year in periodic motions.

Most birds also have feet and legs that aren’t as warm-blooded as their bodies. Instead, those parts are mostly bones and skin, so less heat is required than to warm fatty tissues. Legs and feet also have an intricate network of unusual intertwined blood vessels that is a built-in heat transfer system. This creates a counter-current of warm blood passing by the cold returning blood, a heat exchange system that keeps the heat in their bodies’ core instead of trying to keep external parts warm, too. When the cold blood from feet, now somewhat pre-warmed arrives in the core, it’s already back up to nearly body temperature. Other methods: when birds sleep, their bills get tucked under feathers to keep that part warm, but also to inhale warmer air into their lungs, again saving the effort to keep their body core warm. This of it as a down muff. Take a moment on that cold winter morning marina walk and watch these guys. See any ‘fluffing’ going on?

This is the original line drawing it all started with. I saw this gull downtown, leg tucked to keep it warm, nose in its feathers, one eyeball open (sort of). Two nights ago it  hit 16 degrees, just so unlike our normal world here.

Happy Holidays and we welcome you to read along with our art and travels next year. Meanwhile, we’ll just keep stuffing wood in this big black hole.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, National Park Service, New Painting Post, Waysides, Wildlife

Everglades Preliminary Drawings

This is the fishing camp we could have stayed in, accessible only by air boat – but NO, I had to sleep in the Best Western in Homestead, Florida! Yes, I checked it out and the python had left.

Sorry I haven’t posted in a few weeks, but the art has been flowing out of here like a narrow channel after a King Tide. Meaning fast and furious. I was in Everglades National Park in July for a site visit for this and now have all 17 drawings in refined versions finished up. After this, let the paint begin so this gater-guy can admire the installation right next to his home slough.

All these are for outdoor waysides, so they’ll have text blocks.  That’s what the empty white areas are for. I know, it would be better if it was all painting, but these installations will teach people about this place for many decades – long after I’m gone, kids will wander down these boardwalks and maybe learn something. One is bigger, an 8′ wide mural, but I haven’t started that yet.

These are some photos of the site visit. Lots of walking slowly around and talking, the pros telling us Northwesterners the scoop about this rare place. I learned a lot about a lot, from one end of the Sea of Grass to the other.

This drawing is about the strange and wonderful anhinga bird, and it’s actually going ON the anhinga trail. These birds hunt by slowly swimming along underwater and stabbing fish, and I got to watch that in action.

And several pieces of art are about herons. Lots of herons. There are TEN species of herons in this one painting and shows how they follow the receding water level as the season’s change and the ‘river’ dries.

There’s an algae that grows all over the place here. Periphyton. It’s food, shelter and covers the ground pretty much everywhere the shallow water is. It floats, then dives to the bottom, then dries out then the water recedes. All in one painting!

Stay tuned as this project develops. I want to thank the good folks at EDX Exhibits in Seattle for taking another chance on me, for traveling across the country and then still speak to me! Life is good.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Waysides, Wildlife

More at California Creek

Two more finished panels and paintings for my California Creek project at Blaine Washington.  Actually, these two panels represent 17 paintings, using with lots of little ones together. The first two were about birds and wildlife, these two are stories about clean water, shellfish and tides – and a long history of thousands of years of salmon and the people that followed them here. Here is the original concept drawing – it evolves a long, long way to finally becoming a finished installation. These will be in fused aluminum and last probably 30 years.

The fourth panel is about salmon and the people who hunted them. Eight paintings for this one. The main painting shows a summer salmon camp at the mouth of the creek where they caught and smoked the fish.

The original concept sketch, a bit more refined than the other one. I used Curtis photos as references.

And here, again, are the other two. These four will be lined up along the shoreline on an interpretive trail near a  new kayak launch.  Might have to go there with my boat and try it out. I like nothing better than creating these installations. Get out of the car, walk up to an overlook and here are a bunch of paintings that teach. An art gallery on the beach!

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Waysides, Wildlife

California Creek – waysides for a new park

I’ve been painting four of these and we’re closing in on final versions. I thought this a good time to show two of them off. No, California Creek isn’t in California, but close to the Canadian border near Blaine Washington. The creek flows into Drayton Harbor and then the Salish Sea close to Semiahmoo Spit. It’s been in the process for awhile, but a new kayak launch park is being build at the estuary of the creek into Drayton Harbor, a perfect place for some of my paintings.

This creek has lots of hobby farms and residents upstream, and water quality has suffered from animal waste and failing septics. Lots of work  has gone into fixing all that, and this second panel tells that story. Get the animals away from the creek! And fix your mess! I think both these tell the story pretty well.

Here are a couple of shots of the area. A perfect place for an afternoon with either a kayak or paddleboard. The launch will be right at the left bridge approach with parking, and, four of these panels.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

New Painting Post, Published painting, Wildlife

A Story about Painted Anenomes

This is my monthly story for September 2021 in 48 North magazine.  By a quick count, it’s my 111th edition, probably worthy of a book if I had the time to put it together. It’s still fun for me to do, to go out and see something interesting and new that I don’t know about. I  research it and paint it – and I gain more fun knowledge to stuff in my ancient brain. I think it keeps me young!

Here’s the story:

Anemones are mostly stationary animals that have stinging tentacles to subdue prey. Their waving arms then transport the hapless creature to a center mouth where it quickly becomes the next meal. The Painted Anemone, also known as Christmas Anemone, is one of the most common anemones around the San Juan Islands. They feed on crabs, mussels, barnacles and fish. Not every creature is fair game, as the Candy-striped Shrimp (appropriately named), seems to be immune to the sting, and so one can find a candy-stripe next to a painted, neatly tucked into the anemone’s waving arms of death.

Painted Anemones are about five inches tall, drama queen colored and sport about 100 tentacles arranged in circular rows. Somehow, these creatures can attack the relatively huge Sunflower Star, a star that can grow to a three-foot diameter. We don’t need to dive to see these striking animals as they’re commonly seen on a minus tide, drooping or hanging from sheltered rocks like a deflated balloon. They don’t have bones to hold them upright when out of the water. While it seems they’re ‘stuck’ in place, anchored like a plant, if extreme danger threatens, they can ‘unstick’ themselves and move away on foot. It must work, because Painted Anemones can live sixty to eighty years.

And here’s the pencil drawing before the watercolor was added. It’s a quick and really abstract process for me. Not much thought does into it, but then again it’s ALL thought – a free thought from eyes to fingers.


And below is a closeup piece of it to s how how abstract and scribbly it was.  Somehow it all comes together with the paint.

Larry Eifert paints and sails the Pacific Northwest from Port Townsend. His large-scale murals can be seen in many national parks across America, and at larryeifert.com.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Backpacking, Backpacking, New Painting Post, New Published Story, Wildlife

A Wildlife Encounter

The Olympic Endemics

On a recent hike in the Olympic Mountains, I decided to turn my paintbrush towards the endemic Olympic Marmot. There are five mammals and nine others (fish and amphibians) that are only found here and nowhere else on the planet.  That’s right, only here! So if you see an alpine chipmunk, it’s the Olympic Chipmunk!

The Olympic Marmot is a woodchuck-type critter that lives in burrows just at treeline. They’re worth painting. I also did some watercolors of their world, a rare place with fragile flowers and manicured meadows, streams falling and pocket ponds people would pay big money for at home – but here it’s just why I come in the first place, and the only real cost is sweat. It’s a singular place like no other I know.

But the marmots aren’t the wildlife I want to tell you about. Here’s a little story about one night there, very small tent and a big experience that was, in the end, a great memory. It was just getting dark and . . . .

I zipped my Lunar Solo tent’s fly shut, snuggled into my bag and fell sound asleep. No moon tonight, the night was pitch black except the amazing spectacle of the Milky Way above.  Sometime later, I was suddenly awakened by someone, or something, rattling the tent, grunting, heavy breathing. I was in the Olympics, so no grizzlies, but still! It was really shaking.

Then, another set of major rattling and just as I started to yell a warning, down the tent came on top of my head, me in a sort of Lycra cocoon, fumbling both for the zipper and the light. Then more noises outside (wait, I WAS outside – nylon doesn’t count). I realized it was more deerlike than bear, I thought. I got the zipper open, and from my knee viewpoint there I was – looking up at two rather enormous bucks, lots of fuzzy antlers, and one of my hiking sticks in someone’s mouth. Deer slobber, yuck.

The Olympic Mountains of Washington are rare in that there aren’t any mineral deposits, no salts to licks, no seeps, and so all the animals are mineral-starved. The Olympic chipmunk wants your potato chip for the salt, not the food. The deer follow you around hoping you will urinate so they can lick it up, immediately.  It’s a little off-putting at first, but then we all just get used to it – and these two were after the salt on my hiking stick’s handles.  They weren’t going anywhere until I provided a diversion, so – well, with my light I walked over and found a big flat rock.  I’d tell you what it was like to walk across a black meadow with two 200-lb. deer right on my heels, but I’ll let you imagine it.

Back in bed, I listened to both of them licking away, shoving each other, heavy breathing, some grunting. Just try to put that out of your mind and go back to sleep!

Glacier lilies form fields of yellow and white, thousands of them. These glorious flowers seem to prefer the sheltered meadows or under trees. I think they’re easily burned by the sun, so they’ve learned to grow best without the intense alpine sun blasting them.

Later in the hike, top of the pass. I soon turn 75 and feel seriously grateful I can still do this. Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

[previous title] — [next title]

Commissioned paintings, Waysides, Wildlife

A Butterfly Garden

I was asked to paint a wayside for our nearby H. J. Carroll County Park. A nice interlude between some fairly big efforts, it was fun to do – and here’s the final result. Two fearless women, Linda and Robin, keep this garden together, raise plants in a nearby nursery, find seeds for about a dozen ecosystems and have done this for years. It seemed like a fine effort to help with and I don’t often do any local stuff for nearby parks, especially the county.

To begin, I did some smaller sketches of plants, the species that our local butterflies like. This was great information to learn about, provided by Wendy Feltham, and it helped me narrow all this down to fit on one panel. Then I painted a sort-of sketchbook page of the life cycle of a butterfly.

And all this came together to make a nice effort that has a lot of knowledge all crammed into a small area. If you’re local, stop by the park and have a look.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

[previous title] — [next title]

Commissioned paintings, New Painting Post, Sailing, Waysides, Wildlife

Orcas Landing Waysides – San Juan Islands

This was the Orcas Landing in the San Juan Islands of Washington State a couple of years ago, cleaned up from when there were giant fuel tanks here. In the 1980’s I tied up at this dock, and did it again with another boat in the 1990’s. Now the tanks are gone, a new dock that’s not falling apart is there and, some of my art.

I received some photos of the final installation and it looks very good, so I thought I’d share it here. It took three years to get this figured out, but my part was just a small piece of it. If you’re waiting in line for the ferry, just walk down the ramp and enjoy the view.

I did two wayside panels here. One about the rich aquatic ecosystem right under the docks – a landscape few of us ever see.

And a panel about the tribal connections here.  For hundreds of years, the Tulalip tribe would use their canoes with a complicated cedar fiber net system to create an artificial reef to trap salmon. Reef fishing, it was called. Back in the 80’s, I saw some of this actually happening and I’ll bet I’m probably the only artist around that could paint reef fishing from memory. For the bottom part, I used artifact photos from the Burke Museum as references for the tools, and a photo of the planking of our own cedar-sided house as a background. I thought it worked pretty well to tell a complicated story. These two images enlarge if you click on them.

San Juan County removed the wooden decking, added seating and new metal and cement decking, a huge tribal mural painted on the nearby building and some really wonderful iron blacksmithing of bull kelp.

In my mind, this is exactly how public art should be approached. Not ‘art by committee’ where a group selects some strange design by low-bid, but working it out with a broad number of skilled individuals coming together to contribute what they each do best. Check out the seating and native plant garden. I’m proud to have been a part of this, and it sort of comes full-circle for me and my history here.

And here’s a story in the local paper on Orcas Island.

A new experience, three years in the making, awaits you at the ferry landing

This makes a grand total of 24 paintings now installed on Orcas Island as public art. I get around!

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.