Category Archives: Wildlife

A Yellow-billed Loon Story

This was published in 48 North magazine last month. I thought the watercolor finished up nicely. This is the illustration part, below is the text that went with it. It was sort of a personal story for me.

“Growing up deep in ‘civilization’, I spent much time wishing to be in a wilderness somewhere, anywhere, and hearing the sounds of loons, owls and ravens. I still do that, but at least now I can get out there on a regular schedule. It’s important to me, and as life continues, the thrill of immersing myself in wildness is heightened by learning about it – and painting it. For me, loons are the embodiment of wild places, even if they aren’t exactly there when I see them. I saw one of these yellow-billed beauties recently off Port Townsend and was mentally transported, instantly, to a deep cove in Northern British Columbia, complete with grizzly tracks along the shoreline as they were being filled by a rising tide. I breathed the salt-saturated air, heard the peepers along the shore in a marsh, heard the loon’s mate calling out their ‘crazy laugh’, a tremolo no one never forgets. “

“Yellow-billed loons are the largest and heaviest loon, and difficult to identify in winter. Don’t use my painting to decide if what you’re seeing is a common loon or not. None are here in summer, but during winter and spring, these birds come to escape the harsh winters before returning in April to nest in the high arctic. There, both parents build a floating nest mound of muddy tundra vegetation along a lake’s shoreline and both incubate the eggs. The two chicks sometimes ride on their parent’s backs, even while diving for fish. Summer plumage changes them to dramatic black and white patterns that look like a broken diamond necklace that has been tossed at the bird, scattering all over its neck and back. They can be seen around the Salish Sea during April as they prepare to fly north for the summer.”

Just a few days ago I saw one of these birds on our daily 3-miles on the Pacific Northwest Trail. That’s right, I was hiking on a National Scenic Trail, except this one runs right through town and is only a mile away!

And here’s the original pencil drawing, pushed up just a bit with more contrast to make it pop better in a printed magazine. The watercolor was laid over it later.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com, down the right side of the home page.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Eifert Painting on the Ferry

Yesterday we were coming home to Port Townsend on our little ferry. Parked on the car deck and walked up to confront one of my paintings in jigsaw puzzle form right on the table in front of us. Perfect, said Nancy and proceeded to put the thing together.  I mostly watched a gloriously calm sunset after a big blow in the morning that shut the boat down, but still added a few pieces to the effort. This is a painting I did for Mount Rainier National  Park years ago and is still installed there, the main attraction to the Ohanapecosh Visitor Center. It’s also still a puzzle – and who knows how many of these things are floating around the world. Thousands.

Now, I know it’s a bit of a stretch to say this is actually ‘public art’, but bear with me. I first figured out how to put my better National Park art on puzzles in the 1990’s, first with a company from Germany, then we did it ourselves through a great group called Impact Photographics. It takes a pile of doubt or at least a credit score. Various others have made puzzles, too, and I’m guessing we’ve published over 80 different images. Currently, Nautilus Puzzles from California is actually making them out of real laser-cut wood that cost as much as some of my early paintings did!

These days, we’re not as aggressive with this, but still supply them to parks and stores. We once found one in Hawaii at the Pahoa Farmer’s Market under a pile of used clothes and books.

I’m not here to advertise buying puzzles, but instead to just say that this sure has been a wide and complex life. I have painting projects going on right now about restoring Northwest salmon, a bison mural in South Dakota, a Florida project involving dolphins and octopus, nesting terns and sharks. I’m proud to say I’m sponsored by a great backpacking equipment company called Six Moon Designs that help get me out there in comfort, and by a truly wonderful partner. Nancy keeps it all running behind the scenes as well as on the road – or on the ferry.

I guess what this post is all about is for me to just say thanks to everyone for all of this. It takes an amazing number of consistently interested people to keep our little lifestyle going for all these decades. I wish I could give back, but with the next paintings in progress, maybe I am.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Wind Cave National Park

I submitted this painting a few days ago – I think it’s close to finished and thought I’d show it off here. Wind Cave National Park is in the Black Hills of South Dakota, a fantastic place with patches of prairie, rolling tree-covered hills and an amazing cave network. Somehow it all had to be jammed into one painting, along with the bison, prairie dogs and all the rest of the amazing wildlife most see there when they visit. This bit of art is going on the back of the new park map, meaning an Eifert painting gets to go home with most of the 650,000 people who come each year.

This is the map publication with art in place. I like the way the critters overflow the black NPS band on the left. And below is the original first draft concept sketch I did on location, one of seven. Quite a difference from the final art.

So, how does this all happen? While there on the site visit, I tend to take photos while drawing, LOTS of photos. I don’t really know how the painting is going to evolve, so I take ground shots, close-up details like the two below. That little dung beetle was working hard and eventually made it into the final art. These little guys roll up the bison poo and then just continue on to who-knows-where, rolling their little ball along. The ponderosa was the one I used for the main feature on the entire right side of the painting, as well as the foreground reference to the forest duff.

There may be more small changes as the park takes a look, but I think I’m about there on this effort. I have art is many nearby parks near here, Badlands and Devils Tower, but this one beautiful place has eluded me until now. Yahhh.

If you would like to sign up for my periodic blogs as emails, you can do it here.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Starry Flounder in 48 North

Yesterday I received my copy of 48 North magazine in the mail, and here is my page. Always amazed when the greens print nicely, and they did this time, subtle shades that aren’t easy to reproduce. For some reason, that color hates me in print. Flounders, flatfish, are always favorites of mine to paint. These fish begin life swimming upright like normal fish, eyes on both sides, then later they get lazy and settle onto the seafloor to await food that swims by. Since predators need good vision to catch prey, the eye that faces downward migrates around to the other side. I’m not kidding, but if you’re a flatfish fisherman, you will have seen this most every time you catch one. I find them fascinating.

So here’s my story that went with the art:

A face only a mother could love. Starry flounders are just one species of 23 local ‘flatfish’. Flat because they tend to spend their time lying flat on the bottom, on either their right or left sides. Beginning life, they’re just a ‘normal’ fish that swim upright, an eye on each side of a vertical body. As they age, they spend more time laying sideways on the bottom, lying prone and just waiting for pry to swim close enough to grab. Soon, strange things happen with the growing juveniles, and it’s not just hormones. It’s a major anatomical change. One of their eyes actually migrates around their head to the other side, stopping just short of the other one. Now, the upside view has a pair of eyes looking for the next meal. These are hunters, after all, and they need binocular vision to assess distance. So, the flounder then has its same two eyes, but now they’re on the upper side of the body, like two little periscopes.

Starry flounders can grow to 36” long, or bigger than the size of a garbage can lid. At this size, they’re approaching 20 lbs and they can live upwards of 20 years. They’re often found near shore in bays or even fresh water and throughout the coastal North Pacific. They sport namesake star-like scales on both the lighter downside and darker upper side. The distinctive black bands on outer fins make it an easy flatfish to identify, and they can alter their colors to match surroundings. As predators, they often settle on a sandy bottom and wiggle their fins to cover themselves with sand and debris to hide. With only eyes showing as they move independently gazing about, and a mouth just waiting to go to work, they wait for a hapless crab or small fish to wander by, and then ‘wham’. Look for these fish as you bring your skiff through shallow water towards the beach. The fish’s outline is usually obvious from above.

I’m going to be expanding this blog a bit, adding more art from my partner in crime, Nancy Cherry Eifert, and essays on hiking and seeking wildness. This blog seems to be growing into something bigger than just art and it’s evolving. So I should too.

This next hiking season, I’m being sponsored by Six Moon Designs, an ultra-light backpacking gear company from Oregon. After hiking for decades in heavy old gear, and trying desperately to lighten my load, here’s an example of what they’re letting me try out. My tent weight just went from 6 lbs to less then 2! This is the Six Moon Lunar Solo tent. Check it out here. Or, I’ll see  you on the trail in a couple of months with a smile on my face.

If you want to sign up for my periodic blogs as emails, you can do it here.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Malheur Refuge Wildlife Painting

This is another painting I did for Malheur National Wildlife Refuge in eastern Oregon – remember the hostile take-over by the Bundy Clan? This was that place!

I was given some nice leeway on these efforts, so I could add some mental candy, a soft sunset coming to mind here. They were fun paintings to do, because I just plan likw painting wildlife. Below is a detailed version of a section.

It can get very crowded at Malheur, as you can see below. This is one of Nancy’s photos, an amazing mass of wildlife that proves, yes, you still CAN see this sort of thing in America, but only if we pay taxes to keep it this way. Want to see this? Go to Malheur in March or April, get a room in the one-and-only decent motel – and go geese watching. You won’t forget it easily. By the way, these birds are ALL talking while they’re doing this!

Below is the reference painting I worked from, certainly not copying it, but just a ‘feeling’ reference. I did this one for The Nature Conservancy a couple of years ago at the Carson River Project in Nevada. I always liked the softness of this landscape, backed up against the High Sierra. Lake Tahoe is just over the ridge. I think the painting holds together nicely.

And below is the original refined sketch, after the rough concept drawing. This is the step before painting begins, and while it’s certainly not like the final, it comes close enough to call it good at this stage.

I’m going to be expanding this blog in the next few weeks, adding more art from my partner in crime, Nancy Cherry Eifert, and essays on hiking and seeking wilderness. This blog seems to be growing into something bigger than just art and it’s evolving. So I should too.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Art for Orcas – A Trail for the Mind

A second painting of the current five, funded by the Orca Recovery Plan for Washington State. This one is about the same watershed in Everett, WA as the last painting, but focuses on the way this little forest cleaned the water that runs through it. Just a 100 yards west from this location, the creek flows into Puget Sound, cleaner than when it was up in the urban city above it. Clean water helps orcas, salmon and the entire ecosystem, the the forest does this naturally, no help from us except to leave it alone.

And here’s the initial sketch, showing some of the areas where text will go. It’s simply a way to get started. I’ll show you the other three soon.

Change of pace: Fall  hiking and finding wildness.

While painting is my passion, so is hiking wild places. Always has been, all the way back to when I had to hold someone else’s hand to stay upright. So, that’s 70 years of looking for wild nature, and it’s still as important as it’s always been for my life, spirituality and sense of being who I am. We hiked a 5-mile out and back yesterday and returned feeling refreshed and with memories that stayed with me through the night – and right here on this page.

This collection of big-leaf maple leaves and probably one of the Psilocybe mushrooms is, for me, what a wild place is all about. It doesn’t have to be way out there (but that helps), alpine scree or giant mountains, but it’s more about finding places that haven’t been recently altered by humans. Just a small place will do, where leaves and the fall crop of fungi can make the place very special for me.

I may be in my 70’s, but these places just don’t get stale, don’t loose their thrill of absorbing the peace and well-being that nature brings. I’d like it very much if this short little essay resulted in a few more people out there, but if the trail is lonely, so much the better for us!

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Orca Recovery – Pigeon Creek

I’m now painting a bunch of art for 5 new wayside panels to be installed around  Puget Sound. Recently, Washington State decided to help the remaining 80-some iconic Southern Pod in a big way, and a tiny part of that effort is going to me for some wayside panel art for outreach at some of the locations. Rain gardens and stream restoration – and my art telling about it. I’m happy and proud to be involved.

The Southern Resident orcas – or killer whales, are a large extended family, actually a clan, comprised of three pods hereabouts. Within each pod, families form into sub-pods centered around older females, usually grandmothers or great-grandmothers – I like this structuring a lot – we could learn a few things here. They live in Puget Sound and the Salish Sea in Washington State and British Columbia and primarily eat salmon, that are also in dire straits. I’m not new to painting orca or salmon as I just finished a bunch of others at Lime Kiln Point in the San Juan Islands, so this was an easy transition.

Above is the first panel almost finished. Pigeon Creek is in Everett, Washington and the water comes from urban neighborhoods and flows down into this green lush valley where the forest slows and purifies the water before it hits the bay. People think it’s just a place to walk their dogs, but this shows it’s more, a strainer for pollutants heading for orcas and salmon.

Here are the sketches, concept first. Then below is the enhanced version showing details. It’s actually fairly true to the final art.

It’s a pretty messy riparian forest, but I made a painting out of it anyway – including Bob who showed me around on a very rainy day. I got what I needed, as you can see up top – and even put in this little bridge. I’ll show more of these panels soon.

Thanks for reading this week. Now, get out there and take a hike in your nearby forest – and tell them I sent you.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Sol Duc Falls art and salmon

Each Fall, lots of people come here to Salmon Cascades on the Sol Duc River to see salmon jump. They take a million pictures, some paint. I can now say I’m the only one that did both (with an underwater camera, too), and my art stayed behind. Here we were just out for a look at salmon, and of course saw some, but we hadn’t been here since this wayside panel was installed. Fun to see my stuff here and I thought it turned out pretty well.

Below is one of my  underwater shots, much different than what I’d imagined it would look like down there. Colorful rocks, some organic color on the big stones. This is what the salmon see as they circle preparing to make the jump.

Below is the original sketch, the third design that the park eventually approved. That bottom fish is about life-sized in the final panel.

And here’s a little backstory about all this. In the 80’s, I was visiting parks to paint them for my gallery and others I was represented by, sold all I could produce, and then one day a collector of mine who also ran Redwood National Park told me in casual conversation: “Listen, you come to my park, you paint her, and then you take the art away. Why not keep the art in the park for others to enjoy?” It changed my life and was one of those few life-moments I can point to as a turning point. I did what he suggested, and it’s been a meaningful ride for me ever since doing just that. On the Sol Duc Road alone you can see 25 of my paintings along the way in the 17 miles up to Sol Duc Trailhead. 300 in the California redwoods. And it’s an amazing bunch of memories of working for and with people who only want to do what’s best for nature, not their own pocketbook. From Alaska to Florida – it’s a legacy I don’t take lightly.

Here’s the salmon cascades, but without the salmon. Just didn’t time the photo at the right time. It’s a good jump, but they all seem to make it eventually.

And at the end of the road and a short hike to the falls, but here’s the rebuilt cabin, the 1939 Canyon Creek Shelter at Sol Duc Falls. It’s on the National Register of Historic Places.  And the falls that stop all fish from getting to the upper reaches of the Sol Duc River.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Fort Worden State Park panels

Wow, I get to paint something local for a change. And the scenes are local, but these were actually painted on a picnic table on the other side of the Cascades at Lake Chelan State Park a few days ago.

These are two of six paintings for a trailside project at my local park, Fort Worden State Park, funded by the Friends of Fort Worden and state parks. The trail wonders beside Chinese Pond and then into a mixed-age conifer forest. These trail panels will be like a little gallery in the forest. It’s been fun to work on something much smaller than what I usually do. I’ll have more soon.

This second painting shows the pond in winter, Nootka roses without leaves or flowers, green grass and flocks of migrant widgeons. There was discussion of the deer – too close, too big, but if anyone has been to Port Townsend, they’d understand how critical it would be to add this one species – THE species here in town. Love them or hate them, it’s life for all of us here.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Fort Matanzas National Monument – Florida

Fort Matanzas National Monument is getting an Eifert painting.
I was recently in Florida, south of Saint Augustine at Fort Matanzas National Monument. Boy was it hot. So hot, some of the rangers actually carried towels to help dry off, the humidity was so amazing. Of course, a big camera is a big help, so it stayed cool in the car – and then each time I got out – BANG, the humidity would hit that cold camera and I couldn’t see out of it for five minutes.

I was there to research a mural that’s coming along now for the back or their park map. So, each year, some 650,000 people will get to take an Eifert painting home with them when they visit.

I got the job done, met some great people and came back to the cool Northwest – 30 degrees cooler – and have started down the path of building one of these big paintings. While the original idea was to show the nature of this place, an ecosystem very much like what it was 200 years ago when the fort was active, we veered course at the last moment and now I’m painting it as if it IS 200 years ago. As far as the wildlife is concerned, it’s about the same – amazing for a place surrounded by humans.

Above, I’m getting a royal tour by some guys that have been here decades. Between them, I’ll bet there’s 60 years of experience here – and the fourth was so smart I kept saying ‘ahhh’, or ‘ohhh’ when I realized she was far brighter than me. That’s a LOT of knowledge going along with me to help, and I really soaked it up. It’s what I do this crazy stuff for, the experiences – and this was a good one.

Here’s a view from the fort top, overlooking cannon that actually fire and looking out on the inlet it guarded. It’s a landscape altered by hurricanes, but it’s also the ONLY undredged river inlet on the entire eastern side of Florida. I let THAT sink in a bit, then sharpened my pencil.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.