Tag Archives: @48north

American Golden-plover

This is my October 49 North magazine story. I got my copy in the mail the other day and thought I should put it here now, too. Magazines are in the stores. Here’s the story that went with the sketchbook art. This isn’t a bird that’s too common around  my home here in Port Townsend, so I did a story about what I saw.

Last spring, I saw hundreds of American golden-plovers on the western wilderness beaches of Olympic National Park. They were spending their days resting and eating sand flies, then at dusk they would rise in a rush of wings and head north, using the safety of darkness to fly. Migration is a long journey for these nine-inch birds.

They winter in Argentina and Uruguay, then fly all the way to the Canadian arctic to nest – and then return. Repeat yearly! They can do that because of the swept-backed skinny shape of their wings, and comparisons to tall windward sail designs is obvious. It’s still a dangerous and grueling journey twice a year – they live lives on the wing. Once on the nesting grounds, males build crude nests lined with lichens and four eggs appear. Males incubate by day, females at night. Chicks can feed themselves within a few hours of hatching, and I take it that it takes four chicks per pair each year to replace the birds lost during those long migrations.

I have pleasant memories of those birds last spring, but then kayaking along the outer breakwater at Port Townsend recently, I saw a large flock of golden-plovers sitting on the rocks. Some still had their summer feathers, along with a bunch of youngsters in drab browns, and it was like seeing old friends again. I quietly floated right up to them, had a good look and then they flew in a cloud and came around to land just a few yards away. I wondered if any of these were the very same birds I saw a few months earlier and realized how connected we all are to wildlife – if we only are aware of it. Boats were coming and going right over on the breakwater’s other side, yet here was a little community of birds from Argentina and the Arctic, just gabbing away at each other. It’s not what you see when you look, but what you understand.

And many of you ask about my process, so here’s the original pencil sketch, and below after I painted it up with my cheap but trusty Prang watercolor kit.


And on that beach in spring, I did this little watercolor of a golden-plover standing right in front of me. That’s my little Six Moon tent at the bottom.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

A Story about Painted Anenomes

This is my monthly story for September 2021 in 48 North magazine.  By a quick count, it’s my 111th edition, probably worthy of a book if I had the time to put it together. It’s still fun for me to do, to go out and see something interesting and new that I don’t know about. I  research it and paint it – and I gain more fun knowledge to stuff in my ancient brain. I think it keeps me young!

Here’s the story:

Anemones are mostly stationary animals that have stinging tentacles to subdue prey. Their waving arms then transport the hapless creature to a center mouth where it quickly becomes the next meal. The Painted Anemone, also known as Christmas Anemone, is one of the most common anemones around the San Juan Islands. They feed on crabs, mussels, barnacles and fish. Not every creature is fair game, as the Candy-striped Shrimp (appropriately named), seems to be immune to the sting, and so one can find a candy-stripe next to a painted, neatly tucked into the anemone’s waving arms of death.

Painted Anemones are about five inches tall, drama queen colored and sport about 100 tentacles arranged in circular rows. Somehow, these creatures can attack the relatively huge Sunflower Star, a star that can grow to a three-foot diameter. We don’t need to dive to see these striking animals as they’re commonly seen on a minus tide, drooping or hanging from sheltered rocks like a deflated balloon. They don’t have bones to hold them upright when out of the water. While it seems they’re ‘stuck’ in place, anchored like a plant, if extreme danger threatens, they can ‘unstick’ themselves and move away on foot. It must work, because Painted Anemones can live sixty to eighty years.


And here’s the pencil drawing before the watercolor was added. It’s a quick and really abstract process for me. Not much thought does into it, but then again it’s ALL thought – a free thought from eyes to fingers.


And below is a closeup piece of it to s how how abstract and scribbly it was.  Somehow it all comes together with the paint.

Larry Eifert paints and sails the Pacific Northwest from Port Townsend. His large-scale murals can be seen in many national parks across America, and at larryeifert.com.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Feather Boa – 48 North magazine


With this August 2021 edition, I’ve now done about 110 of these pages, and while I’ve been considering possibly NOT doing any more, I mean, how long can this go on? But I’ve just learned so very much about the Salish Sea by making these pieces of art, researching the details, that I really can’t stop. I see now that you can never learn too much about this stuff, especially in the middle of my seventh decade.  It’s all the fine details about how these things live, how amazing it all is. And besides, it’s really fun to spot something interesting and rush home to write about it – paint it.

Here’s the original drawing, which I did some of while walking Port Townsend’s North Beach at low tide. A VERY low tide, possibly the lowest of the year. All this feather boa kelp was strewn about on the sand, making great abstract forms and shapes.

So, I wrote this in the 2021 August issue of 48 North.

Saw this feather boa on a low-tide beach walk. There was a sandy beach, solid boulders, a place where currents flow –  and all that equals kelp. There are at least 140 types of brown seaweeds here in the Northwest and they all work in similar ways. The permanent base attaches itself to solid underwater rocks. These are usually on underwater reefs and onshore rocks down to about 50 feet deep. If you see kelp floating up ahead of you, there can only be one reason it’s there – ROCKS!

By summer, this plant joins the other kelps in creating real forests of lush green and brown plants waving in the current. While bull kelp stipes (the trunk) and blades (the leaves) can grow 100 feet a season, the feather boa gets to be about 30 feet long, and in my mind it’s the most beautiful of them all. Based on a single velvet-looking stipe about an inch wide, several different types of blades branch off in wild profusion. There are gas-filled bladders that hold the plant up towards the light like little life jackets, single leaves that look like tiny willow leaves, and skinnier lateral branches that look like twigs with smaller blades at each end. The entire thing is shimmery golden brown.

These plants are key habitat to almost countless other creatures and food for many crabs and snails, sea slugs and fish. When you spot feather boas on the beach at low tide, carefully turn over the blades and see what surprises await you. It’s possibly the best reason to come here.

To end, there are lots of parts in this thing. There’s the ‘main stem’ that looks like velcro. Then along the edges are bladders filled with gas so it floats up into the current. The leaves in between provide the photosynthesis to make it live that are all sorts of shapes and sizes, very random. All this on something possibly 20 feet long, and it all grows from a root clinging to an exposed rock, each and every summer!

Larry Eifert paints and sails the Pacific Northwest from Port Townsend. His large-scale murals can be seen in many national parks across America, and at larryeifert.com.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

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