Tag Archives: Interpretive Panels

Mount St. Helens – Meta Lake at the eruption

If you’re reading this blog for the first time, it’s because I shamelessly added your name after a personal contact with you. I’ve published these art posts about once a week for years, showing new work, paintings, park projects and such. You can unsubscribe at any time by telling me in a reply.

Here is another bit of art for wayside panels recently completed for Mount St. Helens. If you click on it, the image should enlarge in your browser.

This shows Meta Lake, northeast side of the volcano near Portland, Oregon in May 1980 just as the blast cloud is approaching (you can see it over the treetops). In a few seconds, almost all nature here will be obliterated and, as you can see in the upper right panel photo, this old-growth forest will be reduced to ruin. But the mice and toads below the snow (shown in the insets) will survive, and in a few months begin to colonize this area again.

Imagining what this was like at that moment was fun. Would there have been snow in the trees? How much snow would there have been on the lake ice in May? What would the blast cloud have looked like at this point a few miles from the volcano? What do mice look like sleeping in their winter dens? How bent over would the little shrubs be beneath the snow? It seems amazingly easy to paint gallery canvases after doing this stuff. It’s the same paint getting splashed on the same canvas, but if it’s for me and not a park, no one tells me what to paint and I really don’t care if anyone likes it or not. That’s satisfying, sure – but this is challenging because I learn something new with each painting. Thanks for SeaReach for contracting me for this, and Becky at Mt St Helens for her skillful word-crafting. If was a fun project.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Port Angeles and the Elwha River Wall

 

Not that I’m complaining, but just when IS summer play time? Well, not right now.

I’ve been working on three sizable projects at once. This one is my current midnight-panic-attack. It’s not my usual painterly-project, but interesting as always and I’ll be posting progress in the next few weeks (on the project, not my nighttime worries that it won’t be finished in time).

So… if you’ve read these posts over the past year, you’ll know I’ve created a bunch of art and interpretive panels for the Feiro Marine Life Center in Port Angeles, WA. This is the next phase of that, an outside 39-foot wall collage near the other installation. Opening date is September 17th when all sort of luminaries come to town for the kick-off of the Elwha Dam removal project, the nation’s largest dam removal and river restoration so far. I’ve been involved with this unfolding event in many ways over the past few years, and it’s exciting stuff for both Nancy and I. The very fact that they’re using art to interpret this visionary project is very forward-thinking.

My job this time is to create a dozen panels that tell the story of how the dams changed the region over the past century – and specially the town of Port Angeles on the Olympic Peninsula. Betsy and Deb are providing the fabulous text like they did on the other installations, while I’m doing the signage, computer design and handling the fabrication and installation. Like a giant jigsaw puzzle, this all has to fit together somehow. For once it’s not a mural or original art, but I’m learning lots about the region’s history at at the Clallam County Historical Society. I grew up watching my mom research history this same way, except that now I have a laptop and flatbed scanner. Times have changed.

I’ll post more as this gets closer and the details are filled in, but for now the photo shows where we are – in mockup stage.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Fort Townsend Old-growth mural – almost in our backyard

 

 

(Lots going on in this sketch – this should enlarge if you click on it)

((Sorry to say, but my server has been playing some evil tricks with me. Hopefully the blog is back in business.))

I paint this stuff all over the country, from Alaska to the Great Smoky Mountains, but very rarely have I been able to accept a large mural commission within a mile or so of our home. Here’s the sketch almost ready for painting – and it’ll be fun for me.

Fort Townsend is an old army barracks that supposedly protected Port Townsend about 150 years ago. In reality, the town protected the fort, and so as time went on the property fell into the hands of the Washington State Parks – and now it’s one of the rarest lowland old-growth forests in Puget Sound. It’s dry country here 40 miles northwest of Seattle (yes, it’s true) and with only 18″ of rain annually, the trees don’t get very big. Because it’s never been logged and the ground has been undisturbed for about 8,000 years, some pretty rare plants grow here. You can find calypso orchids, candystick, gnome plant, pinedrops and spotted coralroot. These are all interesting plants that live off other plants – so they aren’t green, and this painting is all about showing that. Candystick looks just like its name. It’s a colorful stick like something you’d find at the candy store. To get this sketch going, I simply used my backyard plant and bird list for the pileated woodpecker, brown creeper and all the rest. The deer is from a photo from our front yard. The squirrel, chipmunk and most of the small birds could be drawn from life on our feeder every day.

When it’s finished, we’ll develop an exhibit in the park centered around the painting and its story, and each time we go there for a hike (and it’s often) I’ll feel like I’m a small part of this rare place. This project is being funded by a generous grant from the Friends of Fort Townsend (especially Ann and Nancy) and the Washington State Native Plant Society who know the value of art in education. Thanks to them for allowing me to show off  my backyard!

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

A Torrent of Mud on Mount St. Helens

This is another in the series of wayside panels I recently finished for Mount St. Helens National Monument. Now, you’ll have to admit I’m not normally posting paintings of mudflows – and I can’t even remember ever doing one. The top bit of art tells the story of the giant mudflow that filled this valley 31 years ago during the eruption. The finished outdoor panel will be placed at the overlook boardwalk above the creek. Linda Repplinger and Susan Jurasz of Sea Reach Ltd, 146 NE Yamhill St. Sheridan Oregon did the layout and design.  Also involved in these panels were Peter Reedijk from Sea Reach and Charlie Crisafulli and several others from USDA Forest Service, Mount St Helens who added additional thoughts and comments on the accuracy of the images.

As it’s not easy to read here, this is the text for the panel written, I believe, by Rebecca Railey, Interpretive Planner at Mount St Helens National Monument: Lava Canyon’s beauty lay hidden for centuries beneath lush evergreen forests until the May 18, 1980 eruption. A surge of hot gas, ash and pumice boiled out of the crater and scoured nearly 30 feet of ice off St. Helens Shoestring Glacier. Water, ash and rock mixed, forming a thick slurry that raced down the mountain and into the Muddy River drainage. A 15 foot wall of mud and rock swept into Lava Canyon. In an instant, the mudflow’s boulders and abrasive ash battered, scoured and swept away the vibrant forest that cloaked this canyon, exposing its beautiful waterfalls and rock formations.

The photos below the painting show what it looks like today, but, as they say “a painting is worth 1000 words” and with only about space for a hundred of them – that’s why they commissioned me. In the process I learned a bunch about mudflows. This version had the mudflow too fluid, so I worked at making it more champagne-milk-shakey. Haven’t seen that final mock up, but only I and a couple of USFS science-guys would know the difference between milk-shakey and fluid-flowing. And since no one actually saw this happening, it’s only a guess anyway.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Marmots of Hurricane Hill

A local project this week. Olympic National Park is just to the southwest of us, we see the snow shining on the peaks just a few miles away. The Olympic Peninsula is a biological island, with water on three sides and lowland on the fourth, so Olympic’s alpine is really isolated from the rest of the continent. Because of this, there are at least twenty-three plants and animals that are only found here – although a couple are on Vancouver Island peaks too. Take a walk in the alpine and you’ll see nature you can’t see anywhere else. One of these is the Olympic marmot, a big meadow-living woodchuck that spends its summers eating sedges and grasses as it prepares for the next 8 months of underground sleeping. We often see these guys hanging out on their den “front porches”, watching for preditors. But recently, their meadows have been changing – and not for the better. One might say the neighborhood has been going to the dogs (coyotes).

So this bit of art will alert visitors as they climb the Hurricane Hill trail to watch for a rare critter that is in trouble. Climate Change? Well, the Park might not say this, but I see thousands of brand new little confers invading the upper meadows, where trees haven’t been before. It’s like winters aren’t as harsh, the growing season just a bit longer. More trees equal better cover for lowland coyotes to sneak through as they go after the marmots. And the coyotes are here since the wolves have been exterminated!

For me, it’s another chance to learn more about nature – and figure out how to illustrate it so you can too.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Mount St. Helens Wayside Panels

Besides all the other stuff I’ve posted here over the past few months, I’ve been working on paintings for some outside panels at Mount St. Helens National Monument. Here’s the first one. Mount St. Helens is about half a day’s drive south of us, and last fall we were up there to have a look. The eruption happened 31 years ago, and the changes since the initial devastation are pretty amazing. Nature is back in a big way, and my paintings will help explain that. When we were here at this overlook at Meta Lake, there was a toad hatch-out, and what appeared to be squirming mud soon defined itself as a bunch of little amphibians. This species, and lots of others, survived the May 1980 blast because they were either in their dens under the snow, under the lake ice, or buried in mud.

I’ll show you the other panels in weeks to come. Learning about and then illustrating the giant eruption and its aftermath has been a fun project. I feel like we know that mountain in a much better way. It’s one of the reasons I continue to do this stuff. And if you’re on the north side Spirit Lake road, look for a little Eifert art gallery as you go – and you’ll learn about it too. Maybe I should put out a map and guide to all these waysides around the country where you can see my work on outdoor panels. I haven’t kept good track, but I’d guess we’re up to at least 400 by now.

These panels are being designed and created by Sea Reach Ltd. of Sheridan, Oregon – a bunch of very nice people. In an interesting twist, I also bid on this project, which Sea Reach won. Not to be left out, I contacted them and pleaded to be involved – and so here I am. No one ever said I was shy and retiring – but you already know that.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Three Blind Mice

I’ve been working on three projects at once, some of them fairly large, so keeping it all straight has been interesting. Oh yeah, then there’s this blog-thing.

Here’s the setup: Imagine you’re a little mouse family living on the north side of Mount St Helens 30 years ago. Meta Lake is just downhill, still snow covered even though it’s May. Life is good, you’ve been asleep all winter, waking occasionally but certainly not leaving your cozy little mouse den. Your little clan found this neat little hole a mole had dug, and in a little side room you set up shop for the winter. It’s May, still a month from being able to leave for a brief summer of munching and gaining back the weight you lost over winter, when you awake to hear what sounds like a 1000 jet planes landing right on top of you. Well, whatever it was, it passes by.

Well, whatever it was – turned out to be the eruption of Mount St. Helens, and because this little family was underground, it survived the almost supersonic blast. After the snow melts, rich ash and a destroyed forest will make for a rich succession of plants with lots of seeds and grasses. And, unlike the elk and deer in the blast zone, the mouse family will survive.

Such is the job of a naturalist-artist. This little painting will be an inset to a much larger painting showing the snow-covered forest and that big ugly blast cloud just arriving. Fun stuff to figure out.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Don’t want this stuff anymore? Email me and just say Unsubscribe.

New Mural – Exploring the Nearshore

Nearshore of the Elwha River

For the past few months I’ve been working on some projects centering around the dam removals on the Olympic Peninsula’s Elwha River – located about an hour west of here. This painting has just been finished, so I thought I’d pass it around. You and the clients are both seeing it for the first time! It shows the shoreline, Olympic National Park behind, the Elwha River delta on the right – and of course the critters and plants that call this place home.

This is a collaboration between Olympic National Park and Feiro Marine Life Center in Port Angeles, just to the east of where this scene is. One of the big beneficiaries of freeing the Elwha will be the unrestricted flow of nutrients, sediments and drift material from the river into the ocean and then along this shoreline. The river has been blocked for almost a century and this beach is pretty starved, not only because of the dams but also because the shore is ‘armored’ with boulders (read: very bad for critters). In this scene, I’ve hopefully given you an idea of how dynamic and complex this place should be. The painting is destined for the Feiro Center, along with other panels that will tell the story of this, the largest dam removal project in our history. I’m pleased and proud to be part of this forward-thinking environmental project.

These big paintings are always fun for me. I just never get tired of figuring out how to somehow ‘build’ all these 3-D plants and critters into a somewhat realistic and complex world of only two dimensions. It’s a real puzzle. If I continued working on this painting, it would become a very tight and almost photographic work, but I’ve always thought they should be more an “impression” of a scene, and so I try to paint them that way – in an impressionistic style. While it might look realistic on your screen, it’s actually fairly loose in technique.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to. If you know others that might enjoy my musings, they can sign up on the blog page – or by sending me an email.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Paintings for Mount St Helens

I haven’t posted anything for a few weeks because this has been a stretch of sketching and preparing for lots of new paintings – but they’re all in progress. Then we took a week to drive down to San Diego, but now I’m finally back in the thick of it and wanted to pass along some of the sketches I’m doing.

This is a first-round draft of one of the wayside paintings I’m doing for Mount St Helens Volcanic National Monument. It’s going to show something that no photographer could show (or wouldn’t want to have tried 30 years ago). Meta Lake is a few miles north of the volcano, and this shows the eruption blast cloud just coming over the hill on the left – wind hundreds of miles an hour cutting down this old-growth forest like it was dried grass. The lake was still frozen then as it was May, and critters were still asleep in their burrows below the snow. It was this cover that helped nature return very quickly here, and that’s what this piece of art will hopefully show. We came here for field research back in October, and the scene is now very forested like the photo at the lower right. It’s a lovely place that is difficult to imagine as a wrecked volcanic blast zone.

I love doing these projects, because we get to learn all this new stuff – and that’s what life is all about – it’s it?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Big Ink – Big Deer

 We’ve been getting around. Bishop last week, this week it’s finishing up some art for Mt. Diablo State Park in California. This is one of eight for a wall collage for the historic WPA visitor center high atop the mountain. I did a bunch of art here over a decade ago, which is now completely worn out, so here I go again. Thanks, Karen, for believing I should continue (and even expand on) this legacy for another couple of decades. Last time around, I did the ink sketches, then hand-painted the outside illustrations using airplane model paint. It lasted better than a decade, and if it weren’t for the ADA requirements forcing new exhibits, I think they’d have lasted another few years. This time it’s a bit more modern in its presentation and technology.

As I said, this deer image is one of a group, and it’s not a small painting either – 24″ square. Ink and watercolor at large size takes some time to create. There are about a million lines here, and it’s not for the faint at heart to create, that’s for sure. One slip and it’s in the trash! But if I’ve learned one thing in 40+ years of doing this stuff it’s that good craftsmanship takes time. Lots of time. And today there seems to be a real lack of understanding this. Everyone seems to love reaching the finish line, but no one like getting to it.

Well, I like getting there more than finishing. I like the process.

Thanks for reading about my stuff this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.