Tag Archives: Interpretive Panels

The Marmots of Hurricane Hill

A local project this week. Olympic National Park is just to the southwest of us, we see the snow shining on the peaks just a few miles away. The Olympic Peninsula is a biological island, with water on three sides and lowland on the fourth, so Olympic’s alpine is really isolated from the rest of the continent. Because of this, there are at least twenty-three plants and animals that are only found here – although a couple are on Vancouver Island peaks too. Take a walk in the alpine and you’ll see nature you can’t see anywhere else. One of these is the Olympic marmot, a big meadow-living woodchuck that spends its summers eating sedges and grasses as it prepares for the next 8 months of underground sleeping. We often see these guys hanging out on their den “front porches”, watching for preditors. But recently, their meadows have been changing – and not for the better. One might say the neighborhood has been going to the dogs (coyotes).

So this bit of art will alert visitors as they climb the Hurricane Hill trail to watch for a rare critter that is in trouble. Climate Change? Well, the Park might not say this, but I see thousands of brand new little confers invading the upper meadows, where trees haven’t been before. It’s like winters aren’t as harsh, the growing season just a bit longer. More trees equal better cover for lowland coyotes to sneak through as they go after the marmots. And the coyotes are here since the wolves have been exterminated!

For me, it’s another chance to learn more about nature – and figure out how to illustrate it so you can too.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Mount St. Helens Wayside Panels

Besides all the other stuff I’ve posted here over the past few months, I’ve been working on paintings for some outside panels at Mount St. Helens National Monument. Here’s the first one. Mount St. Helens is about half a day’s drive south of us, and last fall we were up there to have a look. The eruption happened 31 years ago, and the changes since the initial devastation are pretty amazing. Nature is back in a big way, and my paintings will help explain that. When we were here at this overlook at Meta Lake, there was a toad hatch-out, and what appeared to be squirming mud soon defined itself as a bunch of little amphibians. This species, and lots of others, survived the May 1980 blast because they were either in their dens under the snow, under the lake ice, or buried in mud.

I’ll show you the other panels in weeks to come. Learning about and then illustrating the giant eruption and its aftermath has been a fun project. I feel like we know that mountain in a much better way. It’s one of the reasons I continue to do this stuff. And if you’re on the north side Spirit Lake road, look for a little Eifert art gallery as you go – and you’ll learn about it too. Maybe I should put out a map and guide to all these waysides around the country where you can see my work on outdoor panels. I haven’t kept good track, but I’d guess we’re up to at least 400 by now.

These panels are being designed and created by Sea Reach Ltd. of Sheridan, Oregon – a bunch of very nice people. In an interesting twist, I also bid on this project, which Sea Reach won. Not to be left out, I contacted them and pleaded to be involved – and so here I am. No one ever said I was shy and retiring – but you already know that.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Three Blind Mice

I’ve been working on three projects at once, some of them fairly large, so keeping it all straight has been interesting. Oh yeah, then there’s this blog-thing.

Here’s the setup: Imagine you’re a little mouse family living on the north side of Mount St Helens 30 years ago. Meta Lake is just downhill, still snow covered even though it’s May. Life is good, you’ve been asleep all winter, waking occasionally but certainly not leaving your cozy little mouse den. Your little clan found this neat little hole a mole had dug, and in a little side room you set up shop for the winter. It’s May, still a month from being able to leave for a brief summer of munching and gaining back the weight you lost over winter, when you awake to hear what sounds like a 1000 jet planes landing right on top of you. Well, whatever it was, it passes by.

Well, whatever it was – turned out to be the eruption of Mount St. Helens, and because this little family was underground, it survived the almost supersonic blast. After the snow melts, rich ash and a destroyed forest will make for a rich succession of plants with lots of seeds and grasses. And, unlike the elk and deer in the blast zone, the mouse family will survive.

Such is the job of a naturalist-artist. This little painting will be an inset to a much larger painting showing the snow-covered forest and that big ugly blast cloud just arriving. Fun stuff to figure out.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

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New Mural – Exploring the Nearshore

Nearshore of the Elwha River

For the past few months I’ve been working on some projects centering around the dam removals on the Olympic Peninsula’s Elwha River – located about an hour west of here. This painting has just been finished, so I thought I’d pass it around. You and the clients are both seeing it for the first time! It shows the shoreline, Olympic National Park behind, the Elwha River delta on the right – and of course the critters and plants that call this place home.

This is a collaboration between Olympic National Park and Feiro Marine Life Center in Port Angeles, just to the east of where this scene is. One of the big beneficiaries of freeing the Elwha will be the unrestricted flow of nutrients, sediments and drift material from the river into the ocean and then along this shoreline. The river has been blocked for almost a century and this beach is pretty starved, not only because of the dams but also because the shore is ‘armored’ with boulders (read: very bad for critters). In this scene, I’ve hopefully given you an idea of how dynamic and complex this place should be. The painting is destined for the Feiro Center, along with other panels that will tell the story of this, the largest dam removal project in our history. I’m pleased and proud to be part of this forward-thinking environmental project.

These big paintings are always fun for me. I just never get tired of figuring out how to somehow ‘build’ all these 3-D plants and critters into a somewhat realistic and complex world of only two dimensions. It’s a real puzzle. If I continued working on this painting, it would become a very tight and almost photographic work, but I’ve always thought they should be more an “impression” of a scene, and so I try to paint them that way – in an impressionistic style. While it might look realistic on your screen, it’s actually fairly loose in technique.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to. If you know others that might enjoy my musings, they can sign up on the blog page – or by sending me an email.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Paintings for Mount St Helens

I haven’t posted anything for a few weeks because this has been a stretch of sketching and preparing for lots of new paintings – but they’re all in progress. Then we took a week to drive down to San Diego, but now I’m finally back in the thick of it and wanted to pass along some of the sketches I’m doing.

This is a first-round draft of one of the wayside paintings I’m doing for Mount St Helens Volcanic National Monument. It’s going to show something that no photographer could show (or wouldn’t want to have tried 30 years ago). Meta Lake is a few miles north of the volcano, and this shows the eruption blast cloud just coming over the hill on the left – wind hundreds of miles an hour cutting down this old-growth forest like it was dried grass. The lake was still frozen then as it was May, and critters were still asleep in their burrows below the snow. It was this cover that helped nature return very quickly here, and that’s what this piece of art will hopefully show. We came here for field research back in October, and the scene is now very forested like the photo at the lower right. It’s a lovely place that is difficult to imagine as a wrecked volcanic blast zone.

I love doing these projects, because we get to learn all this new stuff – and that’s what life is all about – it’s it?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Big Ink – Big Deer

 We’ve been getting around. Bishop last week, this week it’s finishing up some art for Mt. Diablo State Park in California. This is one of eight for a wall collage for the historic WPA visitor center high atop the mountain. I did a bunch of art here over a decade ago, which is now completely worn out, so here I go again. Thanks, Karen, for believing I should continue (and even expand on) this legacy for another couple of decades. Last time around, I did the ink sketches, then hand-painted the outside illustrations using airplane model paint. It lasted better than a decade, and if it weren’t for the ADA requirements forcing new exhibits, I think they’d have lasted another few years. This time it’s a bit more modern in its presentation and technology.

As I said, this deer image is one of a group, and it’s not a small painting either – 24″ square. Ink and watercolor at large size takes some time to create. There are about a million lines here, and it’s not for the faint at heart to create, that’s for sure. One slip and it’s in the trash! But if I’ve learned one thing in 40+ years of doing this stuff it’s that good craftsmanship takes time. Lots of time. And today there seems to be a real lack of understanding this. Everyone seems to love reaching the finish line, but no one like getting to it.

Well, I like getting there more than finishing. I like the process.

Thanks for reading about my stuff this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Pulse of the River Wayside Panel

(image should enlarge with a click)

We’ve been away on a field trip to the Shulman Bristlecone Pine Grove near Bishop, CA for some new paintings soon to come – so I don’t have a fresh painting this week. But it’s glorious Fall here now, with the maples and alders loosing their leaves – so here’s a wayside panel I just received the digital file for. It’s already installed, but I had never seen this in its final digital form.

This one is installed at the same location it was modeled after, right along the river. As you can see in the photo, snow was still on the ground when I did the field research, but along the way the painting turned into a Fall scene with bronzed vine maple and returning salmon. Paintings can do that, while photography has a more difficult time – which means I still have a great job because of it.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

An Eifert Look to the Marine Life Center

Feiro Marine Life Center gets a dozen Eifert exhibit panels and new “look”.

 (Click the image and it should enlarge)

The Feiro Marine Life Center in Port Angeles Washington. We’ve been working on this for a seven months now, and it’ll be probably another year before it’s completed, but I thought I’d pass some of it around here today.

The place needed some freshening up, so they asked us to help. Much of this is centered around the ‘big deal’ that’s coming down locally in Olympic National Park – the removal of the Elwha River dams, largest dam removal in the US to date – and it really is a big deal, at least around here and at least for me. I’ve been involved with the dams project for several years now as a provider of art showing what the river will look like post-dams, so it was logical I also help create some exhibits about it at the Feiro. Here’s a link to some of that other Elwha River work.

The image above is only the quickie-watercolor concept sketch, but I thought it interesting enough to pass around. Everyone sees the finished products – complex paintings or big visitor center exhibits – but few see where it starts, the basic skin and bones of ideas. And while it may (read: probably) not end up this way at all, it’s a good view into the creative process. So here goes: This wall is actually three times longer than this. It goes off to the left where there are also windows, so to keep it simple, I just focused on this area for a concept sketch. The sign is all they really requested, which includes a changing banner up top for programs. I’ll do all that here in the studio, but the rest will likely be done on-site. We went to the big Seattle Aquarium for some field research into how kelp and fish look underwater, how fish circle, and how light filters down into the ocean. The two herring balls – thousands of little fish circling for protection, will mimic the oval sign, and the octopus encircling the sign shows a popular critter they have in their tanks. There will be more and larger fish, likely salmon, and more extensive bull kelp, but this shows the basic idea.

Stay tuned, I’ll send more as this goes along.

For local readers: Nancy is opening a show of her photography at Gallery Nine in Port Townsend Saturday night, 5:30 to 8pm. Come on down and see her new work.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Visiting My Old-growth Friend

Ohanapecosh Visitor Center – Mount Rainier National Park (click photo to enlarge)

Last week we were over at Mount Rainier and Mt St Helens for a field trip and stopped by the Rainier visitor center where one of my old-growth murals is installed. We hadn’t been there since the Great Flood of 2006 that closed the park for 6 months, and while there remains evidence everywhere of the 18″ of rain in 36 hours, the v.c. looks great. I have never taken good photos of this installation, so Nancy spent some time there doing just that while I filled out some paperwork on annual mural maintenance for the NPS Rangers.

This mural was painted in the Spring of 1995, making it over fifteen years old now. I’m happy to say it looks just as vibrant as when it was installed. It’s acrylic on MDO plywood, and while it was for Ohanapecosh, the forest itself was modeled after the wetter Carbon River Forest over on the opposite side of the mountain. I involved interpretive staff from the other two ‘big’ parks nearby, Olympic and North Cascades, because we wanted to make sure it fit all three. We also planned to create posters, puzzles and cards to sell at all these parks, so species had to fit for all of them. One park has lots of elk, another none, so no elk. Grouse or not? It wasn’t until one guy saw one on the way to work that the grouse was IN. It went that way with about 30 species until everyone was happy – except the painter who didn’t get to paint any elk.

And me? I’m now happy that after 15 years those posters and puzzles are still selling well in all three parks (and many others, including the major redwood parks in California). I’m sure the Rainier non-profit that funded the original painting (and sells the products) has, by now, actually made a profit off the painting they commissioned. And the Chief of Interpretation that originally gave me the commission? He’s retired and lives here in Port Townsend – and has crewed for me in a few sailboat races. It’s a small world that is endlessly big.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff. You can find this poster and puzzle here if you dig.

Click here to check out what Nancy’s currently working on with her photography.

Art in the Old-growth

(Click to enlarge so you can read the text by Janet Scharf, Olympic NP)

‘An art gallery in the woods,’ that’s what I like to call these paintings.

Thanks to the kind folks at the park, I now have 24 paintings, well, reproductions of them, scattered along the road in Olympic National Park’s Sol Duc Valley. This one was one of the first, and until recently I didn’t have a digital file of it for my portfolio. The fabricator finally sent it to me, so now I’m passing it along to all of you. It tells the story of the unseen-by-us happenings in the old-growth when the sun goes down, how all sorts of critters appear and carry on their lives when we’ve all gone home for the day. In the foreground, a flying squirrel is diggin’ ‘shrooms and upon hearing the rustle of forest duff, a northern spotted owl begins its predatory plunge from a high perch. The black-tailed deer is browsing oxalis and isn’t aware of the mountain lion’s stealthy approach. And the marbled murrelet is coming home on the last flight of the day, returning to it’s mossy nest with a load of herring for it’s chick from the distant Pacific 20 miles away.

I’ve always liked the idea of using my paintings to present an interpretive idea or story about nature. I learn about it. I paint it. I pass it along to the next guy. Outdoor fabrication technology is pretty good these days, so this panel will last for decades unless a 500,000-pound tree falls on it (which has happened). I love the thought of a car full of visitors driving up this beautiful road, eyes open in wonder at the scenery and pulling off to read this wayside panel – and suddenly they’re immersed in a painting telling a story about nature they never knew about. I think art should teach and inspire – and then move the viewer to positive future actions. Is this art? I’d say it is.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was posted to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. She has new work up of her garden after a morning rain.