Tag Archives: Larry Eifert

New Painting Post

Backpacks and Art

Catchy happy dance! That’s because of this new yellow device clamped to me – filled with paint brushes and watercolor paper. My new gear from Six Moon Designs arrived and I’m beginning to try some of it out. (top photo of the Elwha River last week with winter water.)

For 2020 I’m being sponsored by Six Moon Designs in Oregon, a family company that makes award-winning ultralight camping equipment. Here’s the pack they sent me recently and this is the first try-out. What better place than where the Pacific Northwest National Scenic Trail crosses Port Townsend on it’s way between Glacier National Park in Montana and Olympic NP to the west of us. It’s 1200 miles of some of the best scenery in America and it goes right through town. 

I’d have to say, this appears to be the best pack I’ve ever had on my back. How many I’ve had total, I cannot say, but this one is the most comfortable and much of the time it didn’t even feel like it was back there at all. I loaded it up with all the dry gear I’ll be carrying this summer, which means everything except fluids and food, and it came in at about 15 lbs. That’s FIFTEEN pounds for the pack, sleeping bag, cook kit, sleeping pad, TENT and all the rest of the stuff it takes to travel comfortably in the backcountry for a few days.

A decade ago, my fully-loaded pack was about 40 lbs.  I’m in my 70’s now, and the only way I can stay ‘out there’ is by traveling light. Thankfully, the camping industry has stayed with us older people and ultralight equipment is making my life easier each year. I wish I had this stuff decades ago.

This pack is their Fusion 65,  a big pack for me but it’s still just a tad over 3 lbs, or about half of my former ones. It has a variety of shoulder harnesses and attachments to make it fit perfectly – and it does! It also has some thoughtful features, a roll top on the main bag to make it compress and be waterproof no matter how much you cram into it. It has 7 other pockets, enough to divide up your goodies, and four on the front I can get to while walking. Cue the snacks.

So, why is all this about art? For me, a painter or nature, it’s about getting out and staying out in wilderness as late into my life as possible. Day hikes are great, but nothing hits it for me than sleeping in a mountain meadow with the marmots and deer. It’s clearly a spiritual-thing, going to these untrammeled places. We may build churches to go inside where we close our eyes and try to find spiritual meaning, but isn’t it better to find the same thing with eyes open? For me, as it was with Muir and Thoreau, it’s sitting in a mountain meadow. I take my paints or at least a sketch pad, of course, because by running my hand around a page it heightens the experience about 10 fold. I see, really see what’s there – a real meditative pleasure I never get tired of. These days, I don’t believe anyone is too ‘old’ to do this, it’s simply a matter of getting passionate about it – and the rest will happen. 71 years ago, I got that passion right away and it simply hasn’t left. Questions about how a 73 year-old guy does this, just ask.

First solo camp at 2 years. Mom slept in the car but I didn’t know it.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, New Painting Post

Crater Lake Institute

Second large painting for Crater Lake Institute of the lake, 2010. It features whitebark pines, an endangered tree most know as beautiful and iconic to this place.

Just an update about a side project of mine. Oregon’s Crater Lake National Park has held a fascination for me for a very long time. I first came over the Rim in the early 1970’s and saw that stunning view of the lake – and have returned many times since. Then in 1998 Nancy and I  produced a nature guide of the park and I got the chance to get to know the place on a deeper level. There’s a simple clean beauty here that stays with me. If you’ve been there, you know what I mean!

Then in 2016, I became the website guy for Crater Lake Institute, a group dedicated to the back story of the park. With decades of collective history, these guys had a website that needed help, and I had the skills to fix it.  Today, CLI averages almost a million hits a month in summer, has 5000 images and 4000 pages of anything you’d ever want to know about the park. It’s a handful to maintain, I’m telling you, but it’s also taught me a lot about the place. We’ve partnered with REI’s hiking Hiking Project to share our trail knowledge and we hear the park staff regularly stops in to find stuff. It’s been a fun project.

Commissioned Paintings
Below are some other paintings commissioned by Crater Lake Institute and their president, Ron Mastrogiuseppe. All these feature stressed environments caused by human interference. All enlarge with a click.

Yellowstone National Park, Grand Prismatic Hot Springs
Electric Peak in Yellowstone with a stand of Whitebark Pines in trouble.
Whitebark Pines in the Rocky Mountains

Check out the website when you have a few minutes. You’ll want to visit, I just know it.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Jigsaw Puzzles, Murals, Nancy Cherry Eifert, National Park Service, New Painting Post, Posts about other stuff, Wildlife

Eifert Painting on the Ferry

Yesterday we were coming home to Port Townsend on our little ferry. Parked on the car deck and walked up to confront one of my paintings in jigsaw puzzle form right on the table in front of us. Perfect, said Nancy and proceeded to put the thing together.  I mostly watched a gloriously calm sunset after a big blow in the morning that shut the boat down, but still added a few pieces to the effort. This is a painting I did for Mount Rainier National  Park years ago and is still installed there, the main attraction to the Ohanapecosh Visitor Center. It’s also still a puzzle – and who knows how many of these things are floating around the world. Thousands.

Now, I know it’s a bit of a stretch to say this is actually ‘public art’, but bear with me. I first figured out how to put my better National Park art on puzzles in the 1990’s, first with a company from Germany, then we did it ourselves through a great group called Impact Photographics. It takes a pile of doubt or at least a credit score. Various others have made puzzles, too, and I’m guessing we’ve published over 80 different images. Currently, Nautilus Puzzles from California is actually making them out of real laser-cut wood that cost as much as some of my early paintings did!

These days, we’re not as aggressive with this, but still supply them to parks and stores. We once found one in Hawaii at the Pahoa Farmer’s Market under a pile of used clothes and books.

I’m not here to advertise buying puzzles, but instead to just say that this sure has been a wide and complex life. I have painting projects going on right now about restoring Northwest salmon, a bison mural in South Dakota, a Florida project involving dolphins and octopus, nesting terns and sharks. I’m proud to say I’m sponsored by a great backpacking equipment company called Six Moon Designs that help get me out there in comfort, and by a truly wonderful partner. Nancy keeps it all running behind the scenes as well as on the road – or on the ferry.

I guess what this post is all about is for me to just say thanks to everyone for all of this. It takes an amazing number of consistently interested people to keep our little lifestyle going for all these decades. I wish I could give back, but with the next paintings in progress, maybe I am.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service, New Painting Post, Wildlife

Wind Cave National Park

I submitted this painting a few days ago – I think it’s close to finished and thought I’d show it off here. Wind Cave National Park is in the Black Hills of South Dakota, a fantastic place with patches of prairie, rolling tree-covered hills and an amazing cave network. Somehow it all had to be jammed into one painting, along with the bison, prairie dogs and all the rest of the amazing wildlife most see there when they visit. This bit of art is going on the back of the new park map, meaning an Eifert painting gets to go home with most of the 650,000 people who come each year.

This is the map publication with art in place. I like the way the critters overflow the black NPS band on the left. And below is the original first draft concept sketch I did on location, one of seven. Quite a difference from the final art.

So, how does this all happen? While there on the site visit, I tend to take photos while drawing, LOTS of photos. I don’t really know how the painting is going to evolve, so I take ground shots, close-up details like the two below. That little dung beetle was working hard and eventually made it into the final art. These little guys roll up the bison poo and then just continue on to who-knows-where, rolling their little ball along. The ponderosa was the one I used for the main feature on the entire right side of the painting, as well as the foreground reference to the forest duff.

There may be more small changes as the park takes a look, but I think I’m about there on this effort. I have art is many nearby parks near here, Badlands and Devils Tower, but this one beautiful place has eluded me until now. Yahhh.

If you would like to sign up for my periodic blogs as emails, you can do it here.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Hiking, New Painting Post, New Published Story, Wildlife

Starry Flounder in 48 North

Yesterday I received my copy of 48 North magazine in the mail, and here is my page. Always amazed when the greens print nicely, and they did this time, subtle shades that aren’t easy to reproduce. For some reason, that color hates me in print. Flounders, flatfish, are always favorites of mine to paint. These fish begin life swimming upright like normal fish, eyes on both sides, then later they get lazy and settle onto the seafloor to await food that swims by. Since predators need good vision to catch prey, the eye that faces downward migrates around to the other side. I’m not kidding, but if you’re a flatfish fisherman, you will have seen this most every time you catch one. I find them fascinating.

So here’s my story that went with the art:

A face only a mother could love. Starry flounders are just one species of 23 local ‘flatfish’. Flat because they tend to spend their time lying flat on the bottom, on either their right or left sides. Beginning life, they’re just a ‘normal’ fish that swim upright, an eye on each side of a vertical body. As they age, they spend more time laying sideways on the bottom, lying prone and just waiting for pry to swim close enough to grab. Soon, strange things happen with the growing juveniles, and it’s not just hormones. It’s a major anatomical change. One of their eyes actually migrates around their head to the other side, stopping just short of the other one. Now, the upside view has a pair of eyes looking for the next meal. These are hunters, after all, and they need binocular vision to assess distance. So, the flounder then has its same two eyes, but now they’re on the upper side of the body, like two little periscopes.

Starry flounders can grow to 36” long, or bigger than the size of a garbage can lid. At this size, they’re approaching 20 lbs and they can live upwards of 20 years. They’re often found near shore in bays or even fresh water and throughout the coastal North Pacific. They sport namesake star-like scales on both the lighter downside and darker upper side. The distinctive black bands on outer fins make it an easy flatfish to identify, and they can alter their colors to match surroundings. As predators, they often settle on a sandy bottom and wiggle their fins to cover themselves with sand and debris to hide. With only eyes showing as they move independently gazing about, and a mouth just waiting to go to work, they wait for a hapless crab or small fish to wander by, and then ‘wham’. Look for these fish as you bring your skiff through shallow water towards the beach. The fish’s outline is usually obvious from above.

I’m going to be expanding this blog a bit, adding more art from my partner in crime, Nancy Cherry Eifert, and essays on hiking and seeking wildness. This blog seems to be growing into something bigger than just art and it’s evolving. So I should too.

This next hiking season, I’m being sponsored by Six Moon Designs, an ultra-light backpacking gear company from Oregon. After hiking for decades in heavy old gear, and trying desperately to lighten my load, here’s an example of what they’re letting me try out. My tent weight just went from 6 lbs to less then 2! This is the Six Moon Lunar Solo tent. Check it out here. Or, I’ll see  you on the trail in a couple of months with a smile on my face.

If you want to sign up for my periodic blogs as emails, you can do it here.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Nancy Cherry Eifert, New Painting Post

A Chickadee and Blueberries – From Nancy

A new painting from Nancy, a tasty study of a chickadee and blueberries after an early frost. We have both the bird and berries right here in our meadow (along with an occasional frost), and the copper leaves this time of year make a nice painting. These little birds don’t eat the berries, instead, they hop around gleaning the insects and spiders that live among them.

This is new: We’re expanding the blog to also show Nancy’s paintings and photographs, as well as some other things going on here. Over the years, I’ve posted upwards of 500 of these pages. My new paintings will still be here as usual. Nancy’s painting style is reminiscent of mine, probably because we share a studio and she paints on some of my big paintings from time to time. Or, maybe it’s the other way around, I paint like Nancy.  While she has her own website at NancyCherryEifert.com, this blog has a nice readership – so I thought it would be meaningful to share what we do. This chickadee seems a good start. we both hope you like it.

Here’s the framed painting, photographed not 50 feet from the blueberry model it was painted from. These mountain blueberry leaves go from green to a pale yellow in fall, then immediately turn these bronze colors in a real show of color

This painting is available for sale. It’s framed like it shows here and the outside measurements are about 12″ x 15″. The acrylic painting is on board and is 6″x 9″.  It’s matted and framed under glass. Framed just as it looks here, it’s $175 plus some Priority Mail shipping. Just let us know if you’re interested by emailing us at either nancy@nancycherryeifert.com, or larry@larryeifert.com.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Murals, Nancy Cherry Eifert, US Fish Wildlife Service, Waysides, Wildlife

Malheur Refuge Wildlife Painting

This is another painting I did for Malheur National Wildlife Refuge in eastern Oregon – remember the hostile take-over by the Bundy Clan? This was that place!

I was given some nice leeway on these efforts, so I could add some mental candy, a soft sunset coming to mind here. They were fun paintings to do, because I just plan likw painting wildlife. Below is a detailed version of a section.

It can get very crowded at Malheur, as you can see below. This is one of Nancy’s photos, an amazing mass of wildlife that proves, yes, you still CAN see this sort of thing in America, but only if we pay taxes to keep it this way. Want to see this? Go to Malheur in March or April, get a room in the one-and-only decent motel – and go geese watching. You won’t forget it easily. By the way, these birds are ALL talking while they’re doing this!

Below is the reference painting I worked from, certainly not copying it, but just a ‘feeling’ reference. I did this one for The Nature Conservancy a couple of years ago at the Carson River Project in Nevada. I always liked the softness of this landscape, backed up against the High Sierra. Lake Tahoe is just over the ridge. I think the painting holds together nicely.

And below is the original refined sketch, after the rough concept drawing. This is the step before painting begins, and while it’s certainly not like the final, it comes close enough to call it good at this stage.

I’m going to be expanding this blog in the next few weeks, adding more art from my partner in crime, Nancy Cherry Eifert, and essays on hiking and seeking wilderness. This blog seems to be growing into something bigger than just art and it’s evolving. So I should too.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Commissioned paintings, New Painting Post, Waysides, Wildlife

Art for Orcas – A Trail for the Mind

A second painting of the current five, funded by the Orca Recovery Plan for Washington State. This one is about the same watershed in Everett, WA as the last painting, but focuses on the way this little forest cleaned the water that runs through it. Just a 100 yards west from this location, the creek flows into Puget Sound, cleaner than when it was up in the urban city above it. Clean water helps orcas, salmon and the entire ecosystem, the the forest does this naturally, no help from us except to leave it alone.

And here’s the initial sketch, showing some of the areas where text will go. It’s simply a way to get started. I’ll show you the other three soon.

Change of pace: Fall  hiking and finding wildness.

While painting is my passion, so is hiking wild places. Always has been, all the way back to when I had to hold someone else’s hand to stay upright. So, that’s 70 years of looking for wild nature, and it’s still as important as it’s always been for my life, spirituality and sense of being who I am. We hiked a 5-mile out and back yesterday and returned feeling refreshed and with memories that stayed with me through the night – and right here on this page.

This collection of big-leaf maple leaves and probably one of the Psilocybe mushrooms is, for me, what a wild place is all about. It doesn’t have to be way out there (but that helps), alpine scree or giant mountains, but it’s more about finding places that haven’t been recently altered by humans. Just a small place will do, where leaves and the fall crop of fungi can make the place very special for me.

I may be in my 70’s, but these places just don’t get stale, don’t loose their thrill of absorbing the peace and well-being that nature brings. I’d like it very much if this short little essay resulted in a few more people out there, but if the trail is lonely, so much the better for us!

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

New Painting Post

The 100th Sculpin and Bobcat

This is my 48 North magazine page for the month about the Pacific Northwest. It occurred to me that I haven’t posted a single issue this year, what with all the other art flowing out of my studio!

This was the 100th story I’ve written for this magazine! I’ll say that again, the 100th monthly story, 8 1/2 years worth!! And there were lots of other stories they took before this caught on. Anyway, here’s the text that goes with number 100.

No other Northwest fish can match the amazing color changes of the Irish Lord. This bottomfish simply (well, simple for them, evidently) looks at their surroundings and immediately changes skin color AND pattern to match. Red coral, no problem – gray mud, they’ll turn gray – green seaweed and it’s a blotchy green fish. The eyes even change color and add texture and patterns, and that seems to be something few other camouflage creatures can do. It’s the shine of the eye that gives away the deer fawn’s existence, but for the Irish Lord – it will just float, frozen in place and looking like a mass of tube worms or anemones. This sit-and-wait trait also works well for their hunting skills, since even their prey can’t see them until it’s too late.

Irish Lords are large fish for sculpins and can reach 20” in length. They have unusually large eyes relative to their bodies and like most other sculpins, they’re only partially scaled. They live along all the coastal Pacific from Russia to Monterey, Ca in shallow water but down as deep as 1500 feet. Irish Lords gather in spawning areas once a year and it’s possible the same pairs return to the same spawning rocks season after season. The male builds the nest. These would be in places of high current and both parents guard the pinkish eggs until they hatch. The current might aid in dispersal when they’re most vulnerable and give the young a fin-up on success. These are beautiful fish and thanks to their spiny array aren’t sought after for food. Lucky for them, and lucky us when we can appreciate them alive.

Larry Eifert paints and writes about the Pacific Northwest from Port Townsend. His large-scale murals can be seen in many national parks across America, and at larryeifert.com.

Then this amazing photo of a friend, by a friend:
Nancy took this photo out our window recently. This bobcat comes around fairly often, goes after our squirrels but judging by the number still here, it’s not a great little hunter. Check out the size of that front paw in relation to its head. To have this sort of wildlife experience right here at home never ceases to make me appreciate the Olympic Peninsula. And, it makes me want to continue to express myself with paintings about it – as well as all the other places we go. I’m going to write more about this going forward. It’s a passion for life I’d like to share.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

National Park Service, Waysides, Wildlife

Sol Duc Falls art and salmon

Each Fall, lots of people come here to Salmon Cascades on the Sol Duc River to see salmon jump. They take a million pictures, some paint. I can now say I’m the only one that did both (with an underwater camera, too), and my art stayed behind. Here we were just out for a look at salmon, and of course saw some, but we hadn’t been here since this wayside panel was installed. Fun to see my stuff here and I thought it turned out pretty well.

Below is one of my  underwater shots, much different than what I’d imagined it would look like down there. Colorful rocks, some organic color on the big stones. This is what the salmon see as they circle preparing to make the jump.

Below is the original sketch, the third design that the park eventually approved. That bottom fish is about life-sized in the final panel.

And here’s a little backstory about all this. In the 80’s, I was visiting parks to paint them for my gallery and others I was represented by, sold all I could produce, and then one day a collector of mine who also ran Redwood National Park told me in casual conversation: “Listen, you come to my park, you paint her, and then you take the art away. Why not keep the art in the park for others to enjoy?” It changed my life and was one of those few life-moments I can point to as a turning point. I did what he suggested, and it’s been a meaningful ride for me ever since doing just that. On the Sol Duc Road alone you can see 25 of my paintings along the way in the 17 miles up to Sol Duc Trailhead. 300 in the California redwoods. And it’s an amazing bunch of memories of working for and with people who only want to do what’s best for nature, not their own pocketbook. From Alaska to Florida – it’s a legacy I don’t take lightly.

Here’s the salmon cascades, but without the salmon. Just didn’t time the photo at the right time. It’s a good jump, but they all seem to make it eventually.

And at the end of the road and a short hike to the falls, but here’s the rebuilt cabin, the 1939 Canyon Creek Shelter at Sol Duc Falls. It’s on the National Register of Historic Places.  And the falls that stop all fish from getting to the upper reaches of the Sol Duc River.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.