Tag Archives: Larry Eifert

Dipper and Misty Waterfall Painting

This painting has been a work in progress for long enough, so  I thought I should offer it here to end my fussing with it.

These little seasonal streams are everywhere in the Northwest, and you can’t hike too far without seeing a few. I like them, each one different, and American Dippers also like them possibly because they’re less dangerous than big and more powerful waterfalls that can crush little birds. I read that harlequin ducks who share these same habitats have been found to have many healed broken bones from crashing about underwater in these streams. It’s probably the same for smaller dippers.

I like the textures in this painting, so maybe that’s why I kept it around, making it more textural, then less, then – oh just sell it. Like the painting process, nature is messy, until you understand it, and in this case the way ferns and saxifrige leaves all jumble together, each staking claim on a momentary bit of sunlight streaming through the canopy. When the light finally does penetrate all the way to the forest floor, it’s like a brilliant spotlight is highlighting an actor in a play.

This painting is acrylic on board and is 11″ x 14″.

I have a scan that can make a high-quality print up to 32″ x 42″ on canvas. 

And currently, it’s framed as you see it here under glass in a wood frame. Outside dimensions are 20″ x 24″. It’s acrylic on board, so it might not need the glass.

Dipper-Misty-Waterfal-framed

Price for this painting FRAMED as you see it is $295, about 40% less than gallery price. Shipping would add a bit more. 

Email us at larry@larryeifert.com

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com, down the right side of the home page.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

A Yellow-billed Loon Story

This was published in 48 North magazine last month. I thought the watercolor finished up nicely. This is the illustration part, below is the text that went with it. It was sort of a personal story for me.

“Growing up deep in ‘civilization’, I spent much time wishing to be in a wilderness somewhere, anywhere, and hearing the sounds of loons, owls and ravens. I still do that, but at least now I can get out there on a regular schedule. It’s important to me, and as life continues, the thrill of immersing myself in wildness is heightened by learning about it – and painting it. For me, loons are the embodiment of wild places, even if they aren’t exactly there when I see them. I saw one of these yellow-billed beauties recently off Port Townsend and was mentally transported, instantly, to a deep cove in Northern British Columbia, complete with grizzly tracks along the shoreline as they were being filled by a rising tide. I breathed the salt-saturated air, heard the peepers along the shore in a marsh, heard the loon’s mate calling out their ‘crazy laugh’, a tremolo no one never forgets. “

“Yellow-billed loons are the largest and heaviest loon, and difficult to identify in winter. Don’t use my painting to decide if what you’re seeing is a common loon or not. None are here in summer, but during winter and spring, these birds come to escape the harsh winters before returning in April to nest in the high arctic. There, both parents build a floating nest mound of muddy tundra vegetation along a lake’s shoreline and both incubate the eggs. The two chicks sometimes ride on their parent’s backs, even while diving for fish. Summer plumage changes them to dramatic black and white patterns that look like a broken diamond necklace that has been tossed at the bird, scattering all over its neck and back. They can be seen around the Salish Sea during April as they prepare to fly north for the summer.”

Just a few days ago I saw one of these birds on our daily 3-miles on the Pacific Northwest Trail. That’s right, I was hiking on a National Scenic Trail, except this one runs right through town and is only a mile away!

And here’s the original pencil drawing, pushed up just a bit with more contrast to make it pop better in a printed magazine. The watercolor was laid over it later.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com, down the right side of the home page.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Sheltering in Place, a Painting Campout

Down through the ’33’, a piece of forest that’s like a park. The name came from how much it cost.

Nancy and I are truly fortunate to have our own bit of nature here that’s big enough to actually camp in. Through the years, we’ve added to it, strategically bought chunks here and there, and now it’s a very tasty place to walk. So, since we’re supposed to stay home, how about a little backpack with Nancy as the supporting photographer and me as painter!

This patch of trilliums come up each spring, getting bigger each time and is at the start of a little loop that is really a complex bunch of deer trails. I have some new equipment, so, out we went with that new Six Moon Designs pack on to try out their new tent, a Lunar Duo. If I can’t do it up a mountain somewhere, I can try it out here.

Along the way, I tried to get a couple of small paintings going, just jestures  of how it felt here on a warm spring day in a forest I know better than any.  This huge big-leaf maple is a favorite of mine, a giant sprawling mass of life that changes each year as branches fall off in winter storms. A couple of years ago, a fawn was born here.

A little way down the deer trail this little scene unfolds. I made the trail a bit wider in the painting, hopefully the deer won’t notice.
My new Lunar Duo tent from 6 Moon Designs – a perfect tent for an old guy.

Here’s a little tent review for the Lunar Duo, a perfect ultralight two-person tent:

This tent is already a hit with me. Less than half the weight of my old standby, yet much bigger in size. For decades I’ve carried a free-standing tent, one with enough complicated poles that you wouldn’t want to put it together in the dark. The Lunar Duo comes in at 2.5lbs and uses one carbon fiber pole and my hiking stick, that’s it. (my old tent was about 6lbs. and had about 30 little poles all stuck together with bungies)

I’ve read this one takes some fiddling and adjusting to put it up, and requires ground soft enough for the titanium stakes, but that’s the same as the other one – I never camp on rocks and still had to connect it to the ground. With a floating floor, this was up in minutes and I was set for the night. The floating floor means it just floats around under you like a little water tight boat under a waterproof cover.

Thanks for reading this week. Stay well out there so you can join me in the next addition of this little journey. Art and nature, they go together well, even if you’re still at home.

All photos by Nancy Cherry Eifert using the old Nikon backpacking camera without post processing.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Hiking in my Head – And Painting It

3rd Beach South End

A couple of new watercolors to help me, and maybe you, too. Frustrating times, aren’t they, but the point here is that I’m doing some remembering that these beautiful places are still there, still lovely and only a few miles away. They’ll be there when we return to whatever is the new normal after this pandemic. In the meantime, I’m hunkered down, waiting for time to pass so Nancy and I can get out there and hike beaches that make me understand what’s really important. These places will be here, even if we’re not, and even long after I’m gone. For me, it’s a measure of comfort to remember this.

Shore Crab

As I get older, I seem to be regaining an understanding that this stuff really means a lot to me. Don’t get me wrong, it always has, it’s just that I realize I can still get out there and I damned well should. And making a little bit of art of my experiences makes me enjoy it twice. One experience when I was there, and a second time when I make a little painting about it. The painting can come from a location sketch, or a photo, but the main thing is that painting gets me to actually LOOK at the place, to see how the beach curves around the shore, how the colors reflect in the water, how the sunset brightens it all up to a warm orange instead of just blue and green.

Ruby Beach, extreme low tide

I also don’t think these need to be full-blown paintings you might frame and hang. Just putting it here on my website and blog means more eyeballs will see these than if they were framed and sold to a private buyer. It’s almost public art here – and I sure know a thing or two about that, don’t I, and here’s the difference: public art means committees – and these paintings were created by a committee of one. Me.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week. Stay well out there so you can join me in the next addition of this little journey.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Jr Rangers Art at Deception Pass

The Junior Ranger program is nationwide and in most National Parks. I’ve contributed to a few in the past, providing art for the activity books. If you don’t know, it works like this: your kiddo asks at the visitor center for the book, they fill out the fun pages of puzzles and questions, many requiring getting out in the park – then get the Junior Ranger badge when you turn it back in before you leave. It’s a big deal, with millions of kids involved. Now, a few of the bigger state parks are getting into the action, and I just finished some art for Deception Pass State Park here in Puget Sound. Here’s a link to the national program. https://www.nps.gov/kids/parks-with-junior-ranger-programs.htm

Deception Pass has many habitats, beach, dunes, old-growth forest, cliffs and freshwater lakes.
This page is about soil and the bacteria and fungi that live in it.
Cliffs near the bay have distinctive plants, like this gumweed.
Oystercatcher, orchre stars, clams and crabs are around the rocky tidepools.
Sandy dunes are shown here, with the San Juan Islands offshore.

This is the sixth project I’ve done for this park, a small place packed with beauty. It’s suffering from too many people and too much noise from Navy jets training right over the park, but I still like to make art about these places. It helps me connect to them. Good nature doesn’t always have to be wilderness.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Backpacks and Art

Catchy happy dance! That’s because of this new yellow device clamped to me – filled with paint brushes and watercolor paper. My new gear from Six Moon Designs arrived and I’m beginning to try some of it out. (top photo of the Elwha River last week with winter water.)

For 2020 I’m being sponsored by Six Moon Designs in Oregon, a family company that makes award-winning ultralight camping equipment. Here’s the pack they sent me recently and this is the first try-out. What better place than where the Pacific Northwest National Scenic Trail crosses Port Townsend on it’s way between Glacier National Park in Montana and Olympic NP to the west of us. It’s 1200 miles of some of the best scenery in America and it goes right through town. 

I’d have to say, this appears to be the best pack I’ve ever had on my back. How many I’ve had total, I cannot say, but this one is the most comfortable and much of the time it didn’t even feel like it was back there at all. I loaded it up with all the dry gear I’ll be carrying this summer, which means everything except fluids and food, and it came in at about 15 lbs. That’s FIFTEEN pounds for the pack, sleeping bag, cook kit, sleeping pad, TENT and all the rest of the stuff it takes to travel comfortably in the backcountry for a few days.

A decade ago, my fully-loaded pack was about 40 lbs.  I’m in my 70’s now, and the only way I can stay ‘out there’ is by traveling light. Thankfully, the camping industry has stayed with us older people and ultralight equipment is making my life easier each year. I wish I had this stuff decades ago.

This pack is their Fusion 65,  a big pack for me but it’s still just a tad over 3 lbs, or about half of my former ones. It has a variety of shoulder harnesses and attachments to make it fit perfectly – and it does! It also has some thoughtful features, a roll top on the main bag to make it compress and be waterproof no matter how much you cram into it. It has 7 other pockets, enough to divide up your goodies, and four on the front I can get to while walking. Cue the snacks.

So, why is all this about art? For me, a painter or nature, it’s about getting out and staying out in wilderness as late into my life as possible. Day hikes are great, but nothing hits it for me than sleeping in a mountain meadow with the marmots and deer. It’s clearly a spiritual-thing, going to these untrammeled places. We may build churches to go inside where we close our eyes and try to find spiritual meaning, but isn’t it better to find the same thing with eyes open? For me, as it was with Muir and Thoreau, it’s sitting in a mountain meadow. I take my paints or at least a sketch pad, of course, because by running my hand around a page it heightens the experience about 10 fold. I see, really see what’s there – a real meditative pleasure I never get tired of. These days, I don’t believe anyone is too ‘old’ to do this, it’s simply a matter of getting passionate about it – and the rest will happen. 71 years ago, I got that passion right away and it simply hasn’t left. Questions about how a 73 year-old guy does this, just ask.

First solo camp at 2 years. Mom slept in the car but I didn’t know it.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Crater Lake Institute

Second large painting for Crater Lake Institute of the lake, 2010. It features whitebark pines, an endangered tree most know as beautiful and iconic to this place.

Just an update about a side project of mine. Oregon’s Crater Lake National Park has held a fascination for me for a very long time. I first came over the Rim in the early 1970’s and saw that stunning view of the lake – and have returned many times since. Then in 1998 Nancy and I  produced a nature guide of the park and I got the chance to get to know the place on a deeper level. There’s a simple clean beauty here that stays with me. If you’ve been there, you know what I mean!

Then in 2016, I became the website guy for Crater Lake Institute, a group dedicated to the back story of the park. With decades of collective history, these guys had a website that needed help, and I had the skills to fix it.  Today, CLI averages almost a million hits a month in summer, has 5000 images and 4000 pages of anything you’d ever want to know about the park. It’s a handful to maintain, I’m telling you, but it’s also taught me a lot about the place. We’ve partnered with REI’s hiking Hiking Project to share our trail knowledge and we hear the park staff regularly stops in to find stuff. It’s been a fun project.

Commissioned Paintings
Below are some other paintings commissioned by Crater Lake Institute and their president, Ron Mastrogiuseppe. All these feature stressed environments caused by human interference. All enlarge with a click.

Yellowstone National Park, Grand Prismatic Hot Springs
Electric Peak in Yellowstone with a stand of Whitebark Pines in trouble.
Whitebark Pines in the Rocky Mountains

Check out the website when you have a few minutes. You’ll want to visit, I just know it.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Eifert Painting on the Ferry

Yesterday we were coming home to Port Townsend on our little ferry. Parked on the car deck and walked up to confront one of my paintings in jigsaw puzzle form right on the table in front of us. Perfect, said Nancy and proceeded to put the thing together.  I mostly watched a gloriously calm sunset after a big blow in the morning that shut the boat down, but still added a few pieces to the effort. This is a painting I did for Mount Rainier National  Park years ago and is still installed there, the main attraction to the Ohanapecosh Visitor Center. It’s also still a puzzle – and who knows how many of these things are floating around the world. Thousands.

Now, I know it’s a bit of a stretch to say this is actually ‘public art’, but bear with me. I first figured out how to put my better National Park art on puzzles in the 1990’s, first with a company from Germany, then we did it ourselves through a great group called Impact Photographics. It takes a pile of doubt or at least a credit score. Various others have made puzzles, too, and I’m guessing we’ve published over 80 different images. Currently, Nautilus Puzzles from California is actually making them out of real laser-cut wood that cost as much as some of my early paintings did!

These days, we’re not as aggressive with this, but still supply them to parks and stores. We once found one in Hawaii at the Pahoa Farmer’s Market under a pile of used clothes and books.

I’m not here to advertise buying puzzles, but instead to just say that this sure has been a wide and complex life. I have painting projects going on right now about restoring Northwest salmon, a bison mural in South Dakota, a Florida project involving dolphins and octopus, nesting terns and sharks. I’m proud to say I’m sponsored by a great backpacking equipment company called Six Moon Designs that help get me out there in comfort, and by a truly wonderful partner. Nancy keeps it all running behind the scenes as well as on the road – or on the ferry.

I guess what this post is all about is for me to just say thanks to everyone for all of this. It takes an amazing number of consistently interested people to keep our little lifestyle going for all these decades. I wish I could give back, but with the next paintings in progress, maybe I am.

You can also see this post and all the rest coming up by simply adding your email to our list here – right side, down a bit.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Wind Cave National Park

I submitted this painting a few days ago – I think it’s close to finished and thought I’d show it off here. Wind Cave National Park is in the Black Hills of South Dakota, a fantastic place with patches of prairie, rolling tree-covered hills and an amazing cave network. Somehow it all had to be jammed into one painting, along with the bison, prairie dogs and all the rest of the amazing wildlife most see there when they visit. This bit of art is going on the back of the new park map, meaning an Eifert painting gets to go home with most of the 650,000 people who come each year.

This is the map publication with art in place. I like the way the critters overflow the black NPS band on the left. And below is the original first draft concept sketch I did on location, one of seven. Quite a difference from the final art.

So, how does this all happen? While there on the site visit, I tend to take photos while drawing, LOTS of photos. I don’t really know how the painting is going to evolve, so I take ground shots, close-up details like the two below. That little dung beetle was working hard and eventually made it into the final art. These little guys roll up the bison poo and then just continue on to who-knows-where, rolling their little ball along. The ponderosa was the one I used for the main feature on the entire right side of the painting, as well as the foreground reference to the forest duff.

There may be more small changes as the park takes a look, but I think I’m about there on this effort. I have art is many nearby parks near here, Badlands and Devils Tower, but this one beautiful place has eluded me until now. Yahhh.

If you would like to sign up for my periodic blogs as emails, you can do it here.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Starry Flounder in 48 North

Yesterday I received my copy of 48 North magazine in the mail, and here is my page. Always amazed when the greens print nicely, and they did this time, subtle shades that aren’t easy to reproduce. For some reason, that color hates me in print. Flounders, flatfish, are always favorites of mine to paint. These fish begin life swimming upright like normal fish, eyes on both sides, then later they get lazy and settle onto the seafloor to await food that swims by. Since predators need good vision to catch prey, the eye that faces downward migrates around to the other side. I’m not kidding, but if you’re a flatfish fisherman, you will have seen this most every time you catch one. I find them fascinating.

So here’s my story that went with the art:

A face only a mother could love. Starry flounders are just one species of 23 local ‘flatfish’. Flat because they tend to spend their time lying flat on the bottom, on either their right or left sides. Beginning life, they’re just a ‘normal’ fish that swim upright, an eye on each side of a vertical body. As they age, they spend more time laying sideways on the bottom, lying prone and just waiting for pry to swim close enough to grab. Soon, strange things happen with the growing juveniles, and it’s not just hormones. It’s a major anatomical change. One of their eyes actually migrates around their head to the other side, stopping just short of the other one. Now, the upside view has a pair of eyes looking for the next meal. These are hunters, after all, and they need binocular vision to assess distance. So, the flounder then has its same two eyes, but now they’re on the upper side of the body, like two little periscopes.

Starry flounders can grow to 36” long, or bigger than the size of a garbage can lid. At this size, they’re approaching 20 lbs and they can live upwards of 20 years. They’re often found near shore in bays or even fresh water and throughout the coastal North Pacific. They sport namesake star-like scales on both the lighter downside and darker upper side. The distinctive black bands on outer fins make it an easy flatfish to identify, and they can alter their colors to match surroundings. As predators, they often settle on a sandy bottom and wiggle their fins to cover themselves with sand and debris to hide. With only eyes showing as they move independently gazing about, and a mouth just waiting to go to work, they wait for a hapless crab or small fish to wander by, and then ‘wham’. Look for these fish as you bring your skiff through shallow water towards the beach. The fish’s outline is usually obvious from above.

I’m going to be expanding this blog a bit, adding more art from my partner in crime, Nancy Cherry Eifert, and essays on hiking and seeking wildness. This blog seems to be growing into something bigger than just art and it’s evolving. So I should too.

This next hiking season, I’m being sponsored by Six Moon Designs, an ultra-light backpacking gear company from Oregon. After hiking for decades in heavy old gear, and trying desperately to lighten my load, here’s an example of what they’re letting me try out. My tent weight just went from 6 lbs to less then 2! This is the Six Moon Lunar Solo tent. Check it out here. Or, I’ll see  you on the trail in a couple of months with a smile on my face.

If you want to sign up for my periodic blogs as emails, you can do it here.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.