Tag Archives: Parks

New Painting Post

Hole-In-The-Wall at Rialto Beach

We were on the road to Moab, Utah for some business and sunny hiking on the slick-rock. Then – the updated weather report said it was going to be in the mid-90’s, and, not wanting to just be normal people, we turned right instead and went out to the cool, wild and always delightful Olympic Coast. Saved a grand in camping and gas, and how could this be any less amazing than where we were originally going? We’ll get to Utah sooner or later, just not this week. And being able to do these things really is what being an artist is all about.

While sitting on the beach between hikes I did a couple of watercolors. This one was on a partially overcast day, so I kept it to only two colors. This is low tide at Hole-In-the-Wall at Rialto Beach – rated #2 in Olympic National Park sights to see. There were only two other people on the beach!

We continued past this area, past the shipwreck stuff, the eagle’s nest and possible Quileute werewolves left over from the Twilight movies that were filmed here, and in about a mile we came to an amazing place. Most hikers on Rialto Beach only go as far as where the painting was created – a couple of miles through often very soft gravel. But if you go another mile around the next point (low tide only and you’d better plan your escape accordingly), you’ll come to a rocky flat tideland “meadow.” I can only call it a meadow because that’s what it appeared to be, like an absolutely flat (not inclining like a beach) alpine meadow below the high-tide line. (click the photo, it should enlarge so you can see it better) This place was an acre at least, and so full of sea life you couldn’t move without squashing a turban shell, or a turban filled with hermit crab. Eel grass and rockweed covered almost every surface which was interesting because eel grass is normally a sand-thing, certainly not on a rocky headland. We couldn’t count the number of seastars, limpets and mussels. Why this area is so rich we could only imagine. At high tide, it has to be only be a few feet deep, so maybe it’s the extra light, slightly warmer water, who knows – but it was hard Olympic bedrock that was flat. From Cabo to Homer, we’ve never seen anything like it in all our tramping around West Coast beaches.

The original watercolor and ink painting of Hole-in-the-Wall is 8″ x 10″ and $100 unframed.
The double mat with custom wood frame makes it a total of $125 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print – and you get the saltwater smudge on the bottom of the paper (not on the painting) for free.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Migrating Dunlin – Taking a Break

 

 

We were out on one of the West End Olympic beaches the other day – Beach #2 maybe, and up in the wrack I spotted this little dunlin. It seemed okay, probably just taking a well-deserved rest. What was unusual for us was that it was in the finest breeding form, a suit of clothes we don’t normally get to see over on Puget Sound around Port Townsend – over there we see Fall southbound birds in dull-gray clothes. I’m guessing that it was about half way on the north-bound migratory journey from Mexico to the North Slope of Alaska. There were a couple other dunlin also on the beach, so we assumed this one was with that bunch, and the fact it wasn’t alone felt good to us.

I was struck by the enormity of the scene. Visualize giant and endless sets of waves on a rugged shoreline, piles of drift trees all the way up into the forest where winter storms had easily tossed them, millions upon millions of polished stones and bits of driftwood stretching into the distance in both directions – and this tiny 2-ounce hemispheric traveller that weighs the same as two first class letters was on its way from Mexico to the Arctic. Worthy of a painting? I thought so?

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $125 unframed.
We have nice custom wood frames for $25 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Clickhere to check out what Nancy’s currently working on with her photography. She has some current posts of the same trip (ours, not the dunlin’s).

New Painting Post

Barnes Creek Trail – an Ageless Moment

Another sweet old-growth trail painting today. How many of these trails have I been on? I think it’s some genetic throwback to a distant past that compels me to hike just one more of these trails, and then paint the darned thing later (it’s two for one – first the trail experience and then reliving that pleasure in a painting). This one starts on Lake Crescent in Olympic National Park, goes gently upslope following the creek past Merrymere Falls (pretty cool in itself) and onto the flanks of Mount Storm King. About two miles out, the trail goes over a little hump past some pretty impressive trees – which is where the inspiration for this painting occurred. Don’t go up there looking for it – these things are never even close to what they actually look like. There I was, waiting for Nancy to photograph some spring flowers – knees in the dirt, head in the ferns as usual. And while I stood there soaking in the forest, I just fell in love with the place – the gentle flow of the trail, the glow of light on a few leaves, the agelessness of it all.

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $320 unframed.
A custom wood frame is about $25 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Demise of a Favorite Bridge

Bark Shanty Bridge – Big Quilcene River: If you’ve been reading these posts for a few years, you might recognize this painting. Recently we hiked the same trail under those same giant trees, the Lower Big Quil a few miles south of us. At just under the three mile mark, first one beautiful old bridge, then Bark Shanty Flat with giant cedars and Doug-firs, and around the bend to a very disheartening sight. Bark Shanty Bridge has been hit by not one, but two giant trees, and the far end is crushed to pieces. It’s cleared away and open to hikers only, but the deed is done and the bridge will soon be history. The Forest Service says it’s letting a contract this summer for a replacement, and if the new bridge on the nearby Dungeness Trail is any example, they’ll do a good job of carefully replacing it with another hand-carved log span. BUT, OUR bridge is soon to be gone – the one I used as the model for this painting. It had real character – a fish net nailed across the tread to improve traction, mossy handrails, notched logs for the cross beams. The Forest Service isn’t sure how old it is, but I’m guessing 1950’s at least – probably not WPA-age because wood just doesn’t last all that long up in those wet forests. As my painterly-life has gone on, this has happened more times than I can count, and I’m beginning to think it’s bad luck – or good luck, maybe, to recognize something beautiful and interesting – and instill some sort of painterly immortality upon it before it’s gone.

The Bark Shanty Bridge the other day. You can see where the trees hit it on the far side, and the splintered spire of the second tree’s base. Evidently during a winter’s high water, the upper sections of both trees then washed back downstream and lodged under the bridge.

We still have prints available of this painting. Here they are on the main website.
Or, you can Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography. I think she’s cooking up a blog post of this too.

New Painting Post

The Marmots of Hurricane Hill

A local project this week. Olympic National Park is just to the southwest of us, we see the snow shining on the peaks just a few miles away. The Olympic Peninsula is a biological island, with water on three sides and lowland on the fourth, so Olympic’s alpine is really isolated from the rest of the continent. Because of this, there are at least twenty-three plants and animals that are only found here – although a couple are on Vancouver Island peaks too. Take a walk in the alpine and you’ll see nature you can’t see anywhere else. One of these is the Olympic marmot, a big meadow-living woodchuck that spends its summers eating sedges and grasses as it prepares for the next 8 months of underground sleeping. We often see these guys hanging out on their den “front porches”, watching for preditors. But recently, their meadows have been changing – and not for the better. One might say the neighborhood has been going to the dogs (coyotes).

So this bit of art will alert visitors as they climb the Hurricane Hill trail to watch for a rare critter that is in trouble. Climate Change? Well, the Park might not say this, but I see thousands of brand new little confers invading the upper meadows, where trees haven’t been before. It’s like winters aren’t as harsh, the growing season just a bit longer. More trees equal better cover for lowland coyotes to sneak through as they go after the marmots. And the coyotes are here since the wolves have been exterminated!

For me, it’s another chance to learn more about nature – and figure out how to illustrate it so you can too.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Mount St. Helens Wayside Panels

Besides all the other stuff I’ve posted here over the past few months, I’ve been working on paintings for some outside panels at Mount St. Helens National Monument. Here’s the first one. Mount St. Helens is about half a day’s drive south of us, and last fall we were up there to have a look. The eruption happened 31 years ago, and the changes since the initial devastation are pretty amazing. Nature is back in a big way, and my paintings will help explain that. When we were here at this overlook at Meta Lake, there was a toad hatch-out, and what appeared to be squirming mud soon defined itself as a bunch of little amphibians. This species, and lots of others, survived the May 1980 blast because they were either in their dens under the snow, under the lake ice, or buried in mud.

I’ll show you the other panels in weeks to come. Learning about and then illustrating the giant eruption and its aftermath has been a fun project. I feel like we know that mountain in a much better way. It’s one of the reasons I continue to do this stuff. And if you’re on the north side Spirit Lake road, look for a little Eifert art gallery as you go – and you’ll learn about it too. Maybe I should put out a map and guide to all these waysides around the country where you can see my work on outdoor panels. I haven’t kept good track, but I’d guess we’re up to at least 400 by now.

These panels are being designed and created by Sea Reach Ltd. of Sheridan, Oregon – a bunch of very nice people. In an interesting twist, I also bid on this project, which Sea Reach won. Not to be left out, I contacted them and pleaded to be involved – and so here I am. No one ever said I was shy and retiring – but you already know that.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post

Three Blind Mice

I’ve been working on three projects at once, some of them fairly large, so keeping it all straight has been interesting. Oh yeah, then there’s this blog-thing.

Here’s the setup: Imagine you’re a little mouse family living on the north side of Mount St Helens 30 years ago. Meta Lake is just downhill, still snow covered even though it’s May. Life is good, you’ve been asleep all winter, waking occasionally but certainly not leaving your cozy little mouse den. Your little clan found this neat little hole a mole had dug, and in a little side room you set up shop for the winter. It’s May, still a month from being able to leave for a brief summer of munching and gaining back the weight you lost over winter, when you awake to hear what sounds like a 1000 jet planes landing right on top of you. Well, whatever it was, it passes by.

Well, whatever it was – turned out to be the eruption of Mount St. Helens, and because this little family was underground, it survived the almost supersonic blast. After the snow melts, rich ash and a destroyed forest will make for a rich succession of plants with lots of seeds and grasses. And, unlike the elk and deer in the blast zone, the mouse family will survive.

Such is the job of a naturalist-artist. This little painting will be an inset to a much larger painting showing the snow-covered forest and that big ugly blast cloud just arriving. Fun stuff to figure out.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

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New Painting Post, Uncategorized

Calm Corner of the Hoh

Forgot to post this when I painted it – but it’s never too late for new art, right? This little painting was created with me in the camp chair, paints balanced on my knee – glass of wine nearby. Life was good.

On the Olympic’s west side, the Hoh River is a pretty messy place. Just below our campsite was this little backwater. Big water from the rainiest mountains in the United States tear out enormous trees and drag them along, crashing into the shore and causing all sorts of mayhem. A tree could be dragged along in periodic storms for decades until they finally come to rest in places like this, backwaters that stack up the 8′ diameter trees like cordwood. For the next hundred years or more they’ll slowly decompose, create rich habitat for all sorts of birds and animals, and shelter young salmon. Without these big trees in this wild river, the Hoh wouldn’t be as ecologically healthy as it is. It’s quite a place – to put it mildly.

This original painting is watercolor and ink on paper, 9″ x 12″ and $125 unframed.
If you’re interested in a frame, we can do that too. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post, Uncategorized

Pulse of the River Wayside Panel

(image should enlarge with a click)

We’ve been away on a field trip to the Shulman Bristlecone Pine Grove near Bishop, CA for some new paintings soon to come – so I don’t have a fresh painting this week. But it’s glorious Fall here now, with the maples and alders loosing their leaves – so here’s a wayside panel I just received the digital file for. It’s already installed, but I had never seen this in its final digital form.

This one is installed at the same location it was modeled after, right along the river. As you can see in the photo, snow was still on the ground when I did the field research, but along the way the painting turned into a Fall scene with bronzed vine maple and returning salmon. Paintings can do that, while photography has a more difficult time – which means I still have a great job because of it.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

New Painting Post, Uncategorized

An Eifert Look to the Marine Life Center

Feiro Marine Life Center gets a dozen Eifert exhibit panels and new “look”.

 (Click the image and it should enlarge)

The Feiro Marine Life Center in Port Angeles Washington. We’ve been working on this for a seven months now, and it’ll be probably another year before it’s completed, but I thought I’d pass some of it around here today.

The place needed some freshening up, so they asked us to help. Much of this is centered around the ‘big deal’ that’s coming down locally in Olympic National Park – the removal of the Elwha River dams, largest dam removal in the US to date – and it really is a big deal, at least around here and at least for me. I’ve been involved with the dams project for several years now as a provider of art showing what the river will look like post-dams, so it was logical I also help create some exhibits about it at the Feiro. Here’s a link to some of that other Elwha River work.

The image above is only the quickie-watercolor concept sketch, but I thought it interesting enough to pass around. Everyone sees the finished products – complex paintings or big visitor center exhibits – but few see where it starts, the basic skin and bones of ideas. And while it may (read: probably) not end up this way at all, it’s a good view into the creative process. So here goes: This wall is actually three times longer than this. It goes off to the left where there are also windows, so to keep it simple, I just focused on this area for a concept sketch. The sign is all they really requested, which includes a changing banner up top for programs. I’ll do all that here in the studio, but the rest will likely be done on-site. We went to the big Seattle Aquarium for some field research into how kelp and fish look underwater, how fish circle, and how light filters down into the ocean. The two herring balls – thousands of little fish circling for protection, will mimic the oval sign, and the octopus encircling the sign shows a popular critter they have in their tanks. There will be more and larger fish, likely salmon, and more extensive bull kelp, but this shows the basic idea.

Stay tuned, I’ll send more as this goes along.

For local readers: Nancy is opening a show of her photography at Gallery Nine in Port Townsend Saturday night, 5:30 to 8pm. Come on down and see her new work.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.