Tag Archives: Wildlife

Interpretive Art, Nature Art, New Painting Post, Waysides, Wildlife

MacKay Landing – Lopez Island

This is one of three paintings for MacKaye Landing on Lopez Island – in the San Juan Islands of Washington State. It’s another restoration project to enhance altered shorelines and make them healthier for forage fish, salmon’s main food source. I THINK, these three a total of 38 waysides in the San Juan Islands, a place I called a summer home in the 1980’s, so they all have good meaning for me.

They were commissioned by the County, another project like the Orcas Landing panels a few years ago. Katie and Frankie wrangled me into submission (in good ways) to produce these. I’ll show the others in the next post.

This photo below is from the boat ramp area where the panels will go, a peaceful and beautiful place, Canada’s Vancouver Island in the far distance, the Cattle Point Lighthouse just peeking out – where I have two murals (one is the 37′ Indian wall). This is a prime launch for kayakers and fishermen aiming for the archipelago of islands near Cattle Pass. A truly beautiful place.

As I was deciding what this habitat panel would look like, I happened to view a YouTube video of two Canadians doing a kayak trip here, with lots of underwater photography showing the amazing variety of aquatic life along these south-facing rocks, which I love to paint – so it was easy to focus on that. Below is the concept sketch I made just after watching that video.

I anchored here several times in the 1980’s, and as I remember, it was a rolling anchorage with swells coming in at 90 degrees from the boat’s angle – not good for sleeping. And here I am, back with some art that will live here for decades – and be seen long after I’m gone – my favorite public art. For me, it’s a small world in hopefully a long life of art – and I’m just trying to remain relevant while I’m still here.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Interpretive Art, New Painting Post, Washington State Parks, Waysides, Wildlife

Hoypus Landing Wayside Panels

Recently finished some new art for wayside panels at Deception Pass State Park here in Washington State. I’ve lost count of the number of installations I have at this park, a dozen maybe, with a couple even having been washed out to sea in a storm last year.

These three are for a salmon habitat restoration project, which I’ve sure been painting a lot of recently. Washington is betting big on salmon restoration, spending billions (yes) removing road culverts, rock walls on the beaches, fixing it so young salmon and forage fish can have places to live. I seem to be THE guy for interpreting this, and have made dozens in the past few years. Here are three.

So, this place was once a ferry landing. It didn’t last long before the state built the nearby bridge, but in the process, the ferry landing really messed up the beach, making it difficult for fish to feel at home. So, fast forward a century, and Northwest Straits Foundation managed the removal of the mess, putting it back to as natural as possible. It was my job to show this.

This panel went to a similar messed-up beach just to the north of Hoypus Point, same reasons, same fish, but along a neighborhood of houses.

Here’s the result at Hoypus, the ferry landing road is now a trail, the beach put back to gravel and forest duff. The only man-made installation here now is going to be my panels.

Thanks to Lisa Kaufman from Northwest Straits Foundation (on the right of Nancy), and Joy Sullivan at the state park, for allowing me to paint yet more forage fish and my other favorite critters.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Hiking, National Park Service, New Painting Post, Wildlife

North Fork Nooksack River – a new painting

This painting is 16″ x 20″ acrylic on canvas, and is available. Email me if you’re interested at larryeifert@gmail.com.  It’s also available with the nice Taos school inspired frame (like you see here) and I already have a shipping crate ready to go. The offering price framed as you see it here is $950 – shipping cost is extra but it will go double boxed UPS.

The Nooksack River, just south of the Canadian border in Washington State. It’s one of our favorite Northwest rivers because it drains water from two of the greatest Pacific Northwest peaks, Mt Baker and Mount Shucksan. North Cascades National Park: big mountains, big glacial power, and the river valley shows that with miles of beautifully sculptured river rock. I’ve painted this area before, but pulled this painting together after I found an unfinished canvas just waiting for me. For some reason, I started this then it just sat there. I especially liked the way the foreground goes blue at the bottom, showing the sky overhead, the water tinted with glacier flour that always makes these river more aquamarine than cobalt.

Someone already asked me about the ducks in the painting, a pair of common mergansers, male has the green head. In the Northwest, these guys spend winters out in salt water. Then in spring, mated pairs head back up rivers to nest in tree cavities beside their grocery stores – the rivers. Their routine is to float leisurely downstream from pool to pool, diving for fish, sometimes resting on a rock in midstream. Then they fly back upstream and start the routine all over again.

This, believe it or not, this was my model for the painting. I like to take an idea and just make it up into a painting that’s far beyond what I originally saw. Let’s see, bigger rocks, add the birds, make the thing glow with Hudson River School late afternoon light.

Again: This painting is 16″ x 20″ acrylic on canvas, and is available. Email me if you’re interested at larryeifert@gmail.com.  It’s also available with the nice Taos school inspired frame and I already have a shipping crate ready to go. The offering price framed as you see it here is $950 – shipping cost is extra but it will go double boxed UPS.

Thanks for reading this week.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Hiking, National Park Service, New Painting Post, Wildlife

North Fork Sol Duc River – a new painting

This painting is 16″ x 20″ acrylic on canvas, and is available. Email me if you’re interested at larryeifert@gmail.com.  It’s available with the nice Taos school inspired frame and I already have a shipping crate ready to go. Shipping would be extra but we usually ship UPS so it won’t be much.

This painting was inspired by a day hike up the North Fork of the Sol Duc River in nearby Olympic National Park. Not many hikers get here, as it requires a breathe-taking thigh-deep river crossing, but it’s worth every icy step. Once on the east side of the river, the trail goes for miles along the banks, from pool to pool and finally turns into a vague rambling through streamside brush. In places there are sandstone-scoured potholes, meadows beneath huge big-leaf maple groves, just a glorious Olympic ramble. This place has produced several paintings from me, all similar, all emotional light studies of this pristine river’s journey from alpine down into the main stem of the Sol Duc.

Where does this trail start and end? On Olympic National Park’s Sol Duc River Road there’s a parking area just a quarter mile upstream from Salmon Cascades. The trail heads upslope on the east side of the road, the drops to the North Fork in half a mile past the ford. It’s about eight miles upslope to an old CCC shelter, then a few more miles to Mount Appleton and Blue Lake. While the main Sol Duc trail system is mobbed in summer, almost no one makes it this pristine place, just a raven’s flight of a couple of minutes.

This painting is 16″ x 20″ acrylic on canvas, and is available. Email me if you’re interested at larryeifert@gmail.com.  It’s also available with the nice Taos school inspired frame (like you see here) and I already have a shipping crate ready to go. The offering price framed as you see it here is $950 – shipping cost is extra but it will go double boxed UPS.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Murals, New Painting Post, Washington State Parks, Wildlife

More New Mount St. Helens Paintings

These are some of the other new paintings for the Mount St Helens Visitor Center at Silver Lake, Washington. Commissioned by Washington State Parks, they are part of the interior exhibit plan and it’s complicated enough that I’ll just let the art speak for itself. There’s more than this, and the last post I published, but you’ll get the idea.

I wanted to explain the newspaper at the top. When I started painting these a few months ago, I opened one of my file cabinets to find maybe a map of the park, and this thing jumped out at me. It’s been sitting here now for 43 years, as I bought it for $2 right after the eruption – and I imagined it saying “me, me, I’m finally here to help”. And it did, as several of these paintings are direct results of the photos in this yellowing magazine. Serendipity, I think the word is.

This painting deserves a bit of explanation. Left side, immediately after the blast, right side might be today, 43 years after the blast. The elk returned immediately, and in their footsteps in the ash, water gathered and supported many critters as they expanded back into the ash zone.

And below is the mountain today (or, two summers ago when we hiked there). It’s recovering nicely and it’s always fun to see how nature finds a way to cover every inch of ground, even after it’s been blown to smithereens.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

Commissioned paintings, Jigsaw Puzzles, Murals, Nancy Cherry Eifert, New Painting Post, Washington State Parks, Wildlife

The Mount St Helens project

I’ve been working on this project since May, but the painting didn’t really start until August. I’ll bet over a million brush strokes! I’m close to finishing painting 24 images for the big revamping of the Washington State Park’s visitor center at Mt St Helens National Monument. I’m told it’s one of the biggest interpretive projects ever for Washington State Parks.

I’ve already made some art for this fantastic park before, but that was a series of outside wayside panels for the US Forest Service placed around the mountain, plus a big painting that we eventually made into a puzzle. This current effort is at Silver Lake on the park’s west side, a big visitor center built right after the eruption in 1980. I’m working with EDX in Seattle who did the designs and asked me to do the art. Sure glad they did – it’s been interesting.

For this post, I’ll focus on just the wetlands tabletop, 17 feet long and 4 feet wide, it’s one of the most complex visitor center exhibits I’ve painted. Other parts of the project will be posted soon.

I have few finished photos of this, but I did get the tabletop main painting scanned – a whopping 4.5 gigabits of data that will be printed on aluminum (I think).

Drawing and the beginnings of the painted art.
Final painting for the tabletop, about 17′ wide.
Part of the left side of the tabletop.

The tabletop has all sorts of lift lids showing hidden critters beneath them. There are spinners that show the eruption, another with the evolution of Silver Lake. It’s a very busy thing and I’m hoping kids will love it.

On my next post, I’ll get into the smaller pieces of art, then the second wall (an entirely different theme and painting 14′ long).

Nancy on the boardwalk at Silver Lake. Enough wood here to build several houses, and it’s in good shape – goes on for half a mile. The volcano is straight ahead but still 25m away.

In case you don’t remember what the mountain looks like, here’s a puzzle we did some years ago for it.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

New Painting Post, Wildlife

Owls in The Alder

This painting is for sale, so drop me a note at larryeifert@gmail.com if you’re interested. Click the image and it should enlarge in your browser.

This is an original acrylic painting on canvas, 18″ x 24″.  A Certificate of Authentication is included. Outside dimensions with the frame is about 25″ x 31″ The framed painting is $1300. Frame options are available. We have a double-boxed professional box for this to ship in, and it has moulded styroform forms inside for protection.

This painting is about the barred owls that have moved into our little patch of forest. We used to have great-horned owls, saw-whet and western screech owls, but these interlopers have run them off. I’m not sure where the nest is, but it’s close, and we occasionally have these guys on our tray feeder, or attacking our windows when they see their reflections. They can’t seem to get along with anyone, even themselves.

Here’s the presketch I did for the design. You can see my idea of lining up the heads in the upper center-of-interest area, then bringing the alder trunk down into the foreground.

This is a very old alder and it’s right outside the window, so my model is close. I very picturesque tree, don’t you think?

I put together my usual video talking about the painting on YouTube, which is here on my channel. If you want to listen to me yack about this painting, just click:

And below is a previous version. Close – I didn’t feel it was quite right yet. I’ll  leave  it to you to figure out what’s changed.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

Commissioned paintings, Murals, National Park Service, New Painting Post

Glacier Park sloppy mural details

I posted about this painting of Glacier National Park recently, and now I’ve scanned it for the next step in becoming the back of the park map. As I was scanning and then cleaning up the file in Photoshop, I was struck with how loose and abstract my stuff gets when you zoom in on it. Brush strokes, smudges, finger prints, cat hair, my hair (what’s left of it) is all in here, stuck down forever. I think it’s a good view of my painting process, so here are some samples I screen-grabbed as I went.

This first one is the ptarmigan chicks in the center foreground. Notice the while lines around the heads to help bring that out from the background. And the vague indication of the rocks that are only a few brush strokes building from dark to light.  Not detailed at all, none of it, but it still suffices to tell the story. Click on all these to see larger versions in your browser. It helps understand what I’m showing.

And here is the ram’s head on the painting’s right. In the closeup details on the second image, you can see it’s really just a gauzy overlay of white that makes for the final presentation, and you can see again that this entire animal was initially painted dark umber to begin with.

Lower left corner with the snowshoe hare and butterfly, it all works pretty well at this resolution, but blow it up so you can actually see the brush strokes and it’s pretty darned abstract.

And finally, the area around the elk, flowers and sedges, alpine landscape with the stream. It looks okay at this normal resolution.

But as I zoom in on it, the thing falls apart fairly quickly.

If I presented this in a gallery situation, would it work? Probably, because people will buy anything = witness the last presidency. But there’s not much fine detail here except some dabs and dashes of paint. What I’m trying to get across here is that big paintings are really just that, dabs and dashes. I get questions about my process and I’d have to say here that it’s all just dabbing and dashing, splashing paint on a flat surface and standing back every few minutes to see how it’s going. In the end, it’s a huge finished thing that looks okay, but every moment is just abstract art in each very tiny area – then repeat over and over.

What IS this, anyway? What an abstract or maybe even non-objective piece of art.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

New Painting Post

The 100th Sculpin and Bobcat

This is my 48 North magazine page for the month about the Pacific Northwest. It occurred to me that I haven’t posted a single issue this year, what with all the other art flowing out of my studio!

This was the 100th story I’ve written for this magazine! I’ll say that again, the 100th monthly story, 8 1/2 years worth!! And there were lots of other stories they took before this caught on. Anyway, here’s the text that goes with number 100.

No other Northwest fish can match the amazing color changes of the Irish Lord. This bottomfish simply (well, simple for them, evidently) looks at their surroundings and immediately changes skin color AND pattern to match. Red coral, no problem – gray mud, they’ll turn gray – green seaweed and it’s a blotchy green fish. The eyes even change color and add texture and patterns, and that seems to be something few other camouflage creatures can do. It’s the shine of the eye that gives away the deer fawn’s existence, but for the Irish Lord – it will just float, frozen in place and looking like a mass of tube worms or anemones. This sit-and-wait trait also works well for their hunting skills, since even their prey can’t see them until it’s too late.

Irish Lords are large fish for sculpins and can reach 20” in length. They have unusually large eyes relative to their bodies and like most other sculpins, they’re only partially scaled. They live along all the coastal Pacific from Russia to Monterey, Ca in shallow water but down as deep as 1500 feet. Irish Lords gather in spawning areas once a year and it’s possible the same pairs return to the same spawning rocks season after season. The male builds the nest. These would be in places of high current and both parents guard the pinkish eggs until they hatch. The current might aid in dispersal when they’re most vulnerable and give the young a fin-up on success. These are beautiful fish and thanks to their spiny array aren’t sought after for food. Lucky for them, and lucky us when we can appreciate them alive.

Larry Eifert paints and writes about the Pacific Northwest from Port Townsend. His large-scale murals can be seen in many national parks across America, and at larryeifert.com.

Then this amazing photo of a friend, by a friend:
Nancy took this photo out our window recently. This bobcat comes around fairly often, goes after our squirrels but judging by the number still here, it’s not a great little hunter. Check out the size of that front paw in relation to its head. To have this sort of wildlife experience right here at home never ceases to make me appreciate the Olympic Peninsula. And, it makes me want to continue to express myself with paintings about it – as well as all the other places we go. I’m going to write more about this going forward. It’s a passion for life I’d like to share.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

And Instagram is here.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.

People Paintings, US Fish Wildlife Service, Waysides, Wildlife

Malheur – Swans and the Wadatika

This could be Malheur National Wildlife Refuge – possibly 1000 years ago when the Waditiki Indians lived here, fishing and hunting the marshes during high water periods. It’s from the perspective of the Trumpeter Swans, Canada geese and ducks the Indians hunted. Looking down through the birds you see the tule and cattail houses and boats, and people going about their daily lives. I like the feeling of a gigantic landscape with a very few humans touching the land lightly. How things have changed!

I finished this painting a few days ago for Malheur National Wildlife Refuge in eastern Oregon. This is one more of that series I’ve been working on seemingly forever, but this one I truly enjoyed, because there was so little guidance from anyone involved. This is another fairly big wayside, 60″ wide, that will be part of 3 at the Buena Vista Overlook south of Burns, Oregon. Here it is in the final form.

And here’s the original sketch of the main painting. Getting the feel of a made-up place, because who knows what it really looked  like then, what the Indians looked like, what they did or how many there were. I think I got it.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings

And here to go to Virginia Eifert’s website.