Tag Archives: Wildlife

River World – a new book by Virginia Eifert

“River World” was first published in 1959, and was called “an ambitious book – and – a thrilling kaleidoscope of nature.” I agree! This is the fourth of my mom’s 20+ books that I’ve scanned and is now available on Amazon Kindle (and soon to be on Barnes and Noble and Itunes as well). It took me awhile for this one, simply because I had so much fun reading it. I think Nancy got a bit tired of me saying things like “wow, listen to this! A possum sky!” It’s a book about the Mississippi River, written as if there were no people living along it – a pure nature book, and I could easily see she really relished writing this one. There’s a joy there that’s infectious. All chapter headings are Virginia’s ink drawings, too, and there’s a freshness in them that I think is very nice.

 

Here’s a sample I especially liked:  “I stand on the river shore with white cliffs behind me—the haze bridging the far distances across the Dardennes marshes of Missouri and up and down the river for endless miles—and I try to discover what creates this mystic, hushed atmosphere of the willow-goldened river. But the spell of autumn makes even such slight mental effort quite unnecessary. It is enough to live and feel the magic of the river.”

 

“For now the river world knows a breathless, timeless moment, a windless waiting for winter, until the violent breath of a north wind finally sweeps away these last remnants of Indian summer, sending willow leaves sailing away on the surging brown water. But today even the river seems slow, a smooth and shining lake with no visible current; the willows are very still, each leaf poised in a transient permanence against the sky.”

 


AND: SOUTH TO THE SEA

Most of Virginia’s personal notebooks and manuscripts are now in Western Illinois University or the Illinois State Museum, but in my own collection I found a binder that I had never read. It’s the basis for “River World”, I think, and so I scanned the pages and photos, and added this as a 56-page bonus. It’s quite amazing to read. In April of 1956, Virginia somehow talked her way aboard a towboat transporting over 2,000,000 gallons of gasoline (see photo below) and traveled 2100 miles down and back on the Mississippi. 17 days of living on a 1000-foot-long gas-bomb – and they allowed her to do it! The binder is filled with the nature she saw, food she ate,  people she met, life aboard this boat with engines the size of buses. There’s a tour of a giant oil refinery down in the Gulf, and at one point the tow looses steerage and plows into a willow bank, dropping tons of dirt and plants on the deck (a sample of which was still taped in the binder). It’s quite some story in its self, and I’m thinking of published just this part as a separate book.

 

The Cape Zephyr – a real Mississippi working boat that women just didn’t travel on.

 

And so many thanks to all of you who have already bought some of Virginia’s other books. River World is now available at Amazon.com here. Or just search for book # ASIN: B00CBM5TQA

Email us if you want to know more. The is my legacy, and I see more and more of my own journey through these books. They’re like mirrors – she did the Mississippi, I did Alaska and Mexico.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Old Buck

“Old Buck” is the fourth of my “Meadow Herd” paintings. This old guy has been here the longest of all our current dozen Columbian black-tailed deer. In fact, as I write this he’s here right below the back deck. This was painted from a reference photo I took last summer when he had his  horn-hat on, since currently there are only little knobs showing where this year’s antlers will be. I took the photo when he was all excited about a female prospect (who denied him and ran off into the forest seeming either laughing or in a panic to get away, or so it seemed) and I thought he had this look of pure softness, like he was pleading with her for acceptance. I’ve practiced this pose myself, by the way, but rarely need to resort to it!

These deer, Columbian black-tailed, are a subspecies of the more common western mule deer, and are smaller by far – but you’d never know it standing next to one. When a male puts his mule-shaped Roman nose out, he becomes a fairly daunting creature. That ‘look’ doesn’t happen until they’re a couple of years old, and when it does you can really see the genetic closeness to the ‘mulies’.

This ORIGINAL painting is varnished acrylic on linen canvas, 8″ x 10″ and $120 unframed.

The custom wood frame makes it a total of $140 and shipping adds just a bit more depending on your zone or if you take the frame. This is the original painting, NOT a print.
Email us for details.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

More Paintings of Our Black-tails

Last week I posted a painting of one of our backyard Columbian Black-tailed Deer. Remember: Apple Please? This week I’m showing two more. (Sorry, but the little fawn above was taken quickly and isn’t available.)  A year ago we had two does that birthed three fawns. There was another mom that showed up occasionally with twins too, and one afternoon they were all here at once: three moms with FIVE fawns! It was crowded, but everyone seemed to get along Okay – but what do we know. The more I watch them, the more I see the social life of these guys seems very complex.

 

This painting is of the dominant doe that’s been here for years – the mother of the fawn above.  She has this look! See the way she just pierces you with that blank stare? She’s checks out the house, circles around it to find out where we are – which room we’re in, then comes right up to one of our big windows where she gives us the ‘stink eye’ for a handout. No movement, no blinking, no acting coy or cute, she just stares until you give in. Cats do this, we know (boy, do we know), but a 160 lb deer doing it is something else again. And Nancy gives in pretty quickly: “okay, okay, meet me at the back door” and it’s as if the deer understands completely. Back door it is!

This ORIGINAL painting is acrylic on canvas, 9″ x 12″ and $140 unframed.

I have a nice gold frame on it for an upcoming  gallery show, which makes it a total of $160 and shipping adds just a bit more depending on your zone or if you want to take the frame. This is the original painting, NOT a print.
Email us for details.

 

Thanks to everyone who have been buying my new Virginia Eifert Kindle books. Amazon doesn’t give me a list of buyers, but lots of people are rediscovering her work – including me. Three up, seventeen to go.

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

An Apple Please!

“Meadow Herd #2 – Second-year Buck”
8″ x 10″ acrylic on canvas. 

I’m currently working on a painting series of our “Meadow Herd” of 12 Columbian black-tailed deer – that’s right – 12! This one is of the sweet but persistent velvet-antlered buck that was birthed two years ago. He’s still here, along with a total of 11 others that seem to never stray far from the house. The other morning 9 were in the meadow at once. When we moved into the ‘Lodge’ back in the 90’s, hunting was still allowed in the ‘neighborhood’. The deer were here, too, but always moving, passing through, edgy. Early mornings, we’d sometimes hear gunshots down in the estuary and figure it was probably out-of-work ex-logger-types in a desperate situation and in need of protein for their families. Now there are no shooting zones here and in Port Townsend, and the deer are everywhere, calm, friendly, stopping traffic, creating gawking tourists who, at first, think they are mechanical yard ornaments (well, maybe they are).
Oh, and then there’s Nancy, happily feeding them apples, pears, buckets of oats mixed with molasses – right out the back door of the barn! The local feed store-guy told her that he sells dozens of 40 lb bags of the stuff each WEEK  to Port Townsend deer-feeders, and she’s one of them. What, you say? You’re FEEDING them? But she doesn’t see any difference between the chickadee feeder and a deer bowl – and I get models for paintings. (The photo below was taken a couple of days ago from the office window.)

 

It takes patience to live with wildlife on the Olympic Peninsula. We sometimes forget that this isn’t just a normal American suburban place – we forget that wildlife is more plentiful here than people. I mean, there are only 9,000 people living in Port Townsend – but there are over 5,000 elk on the peninsula.

 

We have bats in the shingles (I washed the roof and 7 flew off of just one pitch) and we hear them come and go each night. Squirrels continually prob any weak spot to get into the attic or crawlspace. I’ve counted almost 90 different species of birds and critters either on the ground or flying over the property. If you count the deer, snakes, chipmunks, weasels, bobcats, raccoon and the rest, I’m sure I see many more critters than people in my daily life – and for a life-long painter of nature, I wouldn’t have it any other way. Sure the roses get eaten, the bulbs are chewed on, the flowers chomped down to nubs, but we also have 200-lb. deer going nose-to-nose with our freaked-out cat on the inside of the window. It takes Nancy’s breath away when a full-blown bucks just stands there as she brings him a bucket of oats – as he snorts at her from 24″ away. It’s a very high Quality-of-Life thing that I can’t imagine NOT having.

And so, this ORIGINAL painting of “Meadow Herd #2 – Second-year Buck” is an acrylic on canvas, 8″ x 10″ and $125 unframed. The custom wood frame makes it a total of $145 and shipping for either adds just a bit more depending on your zone. This is the original painting, NOT a print. And I’ll bet that one of you starts a collection of these – especially if you’re from Port Townsend. I have four finished with a fifth almost there.
Email us for details – and I can send you a photo of the frame.

 

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Click here to go to Virginia Eifert’s website. We now have three of her books available as Amazon Kindle books.

Another book from Larry Eifert’s Mom – “Journeys in Green Places”

I have two more of Virginia Eifert’s books available on Amazon.com now, plus the author page at Amazon and on her own website. Sure takes some time to proof these books carefully – I’m hoping that I hear from you if there are any errors.

Journeys In Green Places was first published in 1963 and is illustrated with 40 photographs and 78 drawings and maps by Virginia. It’s nature writing at its best by one of the Midwest’s finest! Set in the Door Peninsula of Wisconsin—that narrow, tapering, ninety miles long finger of rock, sand and forest thrusting northward between Lake Michigan and Green Bay. Here are rugged bluffs, dunes, ridges, beaches, woods, and cherry orchards. It is a magical area for the naturalist, then and now, varied and unique, particularly in the Ridges sanctuary where the splendid wildflowers have drawn botanists from many parts of the world. The book is a vivid and passionate exploration of a beautiful landscape that was still entrusted to some of the original homesteaders and fishermen in the 60’s – and before tourists found this singular place.

I’ve added a lot of other stuff to the book, including some photos; above at the Clearing in the late 1950’s, and below she’s lecturing to a packed class (as usual). There’s a large section with a published diary of her first Clearing week (it’s an adult school in the woods on the peninsula) that shows a direct spark of creativity that finished a few years later in the Journeys book itself.

Yes, that’s me with the deer!

And on page 112 in the photo section of the original book, there’s a photo of me and a yearling white-tail. The caption reads: “Larry and the fawn, like the natural world around them, are prepared for winter and its challenges”. And here I am exactly 50 years later doing the same darned things – including pitching her books.

When I was a little older than the photo with the deer, I began to go with her when she gave Audubon programs, lectures or book signings. She’s sign – I’d handle the cash box. Checks and cash was all I did back then, but I’m sure it sunk in that this was a pretty fun way to make a living. She eventually traveled 6000 miles on river boats – mostly working tows and barges, poked around in muskeg bogs, hired guys to take her to Canadian bird rookeries and taught me to do the same.

You can see more – or buy Journeys in Green Places at Amazon by clicking here. And see her new author page  here. And see her website (not completely finished but it’s getting close) here at virginia.larryeifert.com. (There are currently almost 100 copies of Virginia’s books for sale on Amazon – 50 years after they’re out of print. Not a bad legacy for someone who has been gone since 1966.)

[AND, no, you don’t have to have a Kindle to read these, just an Amazon account to get it on your PC or Smartphone. Reading on your phone is pretty nice since you always have it.]

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

It’s Not a Seagull – It’s a Gull

You heard it here first!. Due to random and across the board federal cuts by Tea Party conservatives who were sent to Congress to shake things up and shut the country down, the word Seagull now no longer exists and has been shortened to the word ‘gull’, therefore saving three letters or 42% of the name. Read it and weep.

What a sad state of affairs, but I’m just saying I saw this coming, and, so, wrote and illustrated a story about this tragedy for my monthly 48-North magazine page. This seems to fit into the current scheme of America, of cutting things that didn’t need cutting just because they already existed. But you know how it goes these days. I read last week that the House of Representatives is conducting hearings to finally, I mean FINALLY determine if meteors exist or not, so this seagull-thing seems trivial when compared to that problem. Just to let you know, there was no solid decision on the meteor-thing.

One the other hand, it is Nancy’s birthday week and yesterday we went on a delightful 5-mile old-growth forest hike in 50+ degree weather and both felt joyful to be alive and healthy (I mean, let the gulls sort out their own issues). She wrote a really nice blog about photographing owls (backyard and otherwise) that you can see here.  (nancycherryeifert.com/wordpress)

This week: I finally have the Point Reyes mural finished and two more of Virginia’s book up, but the gulls were far more important – don’t you agree?

Thanks for reading this week.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Closing In – Point Reyes National Seashore

I’m about 80% finished with my current painting for Point Reyes National Seashore. I blogged about the start two weeks ago, and now I’m closing in on completion. There are still many details that need tightening up, filling in, straightening out, smoothing over, brightened or softened, fixed, repainted, moved – but I still call that ‘closing in.’ You can see it’s not finished by the black holes, unpainted treetops, critters just blocked out.

The original painting is going in the Bear Valley Visitor Center at the park, northwest of San Francisco, but it’s also going to be used on their new park map. One entire side of it is the park map, I get the other side. I needed to see how it’s all going to fit that critical space, so Jane at Harper’s Ferry Center in West Virginia (the National Park Service’s interpretive center) popped my painting into the design. The red lines are fold lines.

And here’s that first post so you can see how it’s been developing. The painting is 48″ x 63″. I sort of hit it all over the place to develop a ‘feeling’, which is much different than getting it just ‘painted’. When I look at this progress photo today, I think it’s a bit of history – something no one will ever see again (because it’s painted over). We were at Point Reyes last October for the field research, and it was really flat, dried-up and burnt out colors of nature was getting ready for winter. But Point Reyes has a singular lush greenness that I find very rare and beautiful, and that I’ve brought into the distance. I can’t use the word “unique” because that would mean that no other place on the planet is like it, but let’s just say it’s a ‘singular’ place. It’s a very beautiful landscape to paint.

Thanks for reading this week. I have one more of Virginia’s books up, and a third is almost there. I’ll tell you about them next week unless another painting gets in the way.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Feather Dusters – A Worm’s Tale

This is my monthly page in 48 North magazine for February, 2013. You can browse the entire magazine online at the link.

So, we were at the Seattle Aquarium recently and Nancy was photographing the young sea otter, Sequi (she’s shot an entire sequence of the baby for over a year now). I was down in the tide pool room, poking around at the shrubbery in the open tanks – a real crowd of critters. I was reminded of some paintings I did for Glacier Bay National Park in Alaska last year. A ranger at the park, Chad Soiseth (hope I remembered how to spell your last name, Chad), sent me some reference shots of tube worms to paint from, and they were amazingly larger than the 4-6″ locals here in the Salish Sea. At the aquarium,  most people were looking at the star fish and anemones, but there I was, of course, sticking my finger in the tube worms. It just seemed to be a painting waiting to happen, and so it did. The sequence was: kids poking starfish, then poking anemones, but no one cares about these cool worms. So, maybe I should paint THOSE guys for my monthly page – and so it went.

I truly believe, and thanks to my family,  have always believed, that the job of an artist or writer is to not only to create good, competent and skillful work, but to push the viewer to a sense of wonder about something bigger, something larger than just the thing you made. Viewers should be taken to someplace that expands their world, not just ends at the viewing process. It’s not enough to just express myself on paper or canvas, but I try to figure out a way to make people say “wow, I never realized THAT, and maybe I should begin to care and wonder more than I do.”

And the subject doesn’t have to be physically ‘big’. Even a 6″ tube worm will do if the viewer has either never seen it before or seen it in quiet this way – or for that matter, even realized they didn’t care to even look. I sometimes reach too far in my complexity and forget most Americans are pretty clueless about nature, and so I have to reel myself in and go back to some basics. It would have been easy to paint and write about starfish, which everyone knows something about. But a feather duster tube worm?

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

Point Reyes National Seashore mural progress

I spent the week working away on this large painting for Point Reyes National Seashore near San Francisco. Back in October, I posted the field trip and concept here, and the final sketch here, and now I’m working on the final painting. This isn’t a huge one this time, 48″ x 63″, but it’s big enough that I had to move it to my downtown Port Townsend studio above Union Bank.

So you don’t have to go back into the old posts (unless you want the real details), here’s the concept sketch again.

You can see the basic idea is there but it’s sure refined into another thing completely.

This is a very fun painting for me, not only because Point Reyes is a singularly beautiful and rare place, but because I have work installed in many other parks in that San Francisco North Bay area – and this is just about my last non-Eifert-art location. Muir Woods (9), Sam Taylor State Park (36), Angel Island, Muir Beach, Muir Headlands, Golden Gate National Recreation Area and some others all have Eifertst for interpretive exhibits and installations, and it’s fun for me to imagine all those little art galleries in the woods and ocean overlooks. Sam Taylor State Park has two trails that have a dozen or so panels each, so a walk in the woods is like hiking through a little art exhibit.

It’s also a real honor to be commissioned, yet again, by my favorite bunch of people, the National Park Service. Best to work with, highest standards of excellence, working for a noble cause and I just plain love going to these amazing places over and over for decades. I hope it never ends.

Thanks for reading this week. I’ve now had this weekly blog going for over 250 posts – that’s a lot of art in over 5 years.
Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.

The Amazing Giant Pacific Octopus

Click the illustration and it should enlarge in your browser so you can read it better.

This is my January 2013 sketchbook page in 48-North magazine. A diver in Seattle recently hauled one of these critters ashore and it caused a big uproar, mainly because it happened right at a seaside city park. There are two much-beloved octopi-adults in the Seattle Aquarium, and the fact this diver-guy took one home for dinner didn’t sit very well with always-nice and extremely liberal Seattle.

So, with that swirling around the local news, I thought I’d do a little illustration and essay about these critters that I THOUGHT I knew about. Little did I know! It was a pity I only had 200 words of text because the giant Pacific octopus is about the craziest animal I’ve ever read about – and that’s saying a lot because I’ve spent my life doing this stuff. To me, it’s enough that they only have two bones in their entire body, but their sex life appears to be the stuff of legends.

As if the essay and sketch page above isn’t interesting enough, like the 14-FOOT arm span or shark and clam dinners, there was even better stuff I had to leave out. Such as: during mating, the male releases a ‘sperm bag’ that’s 3 FEET long, which he then approaches the female with and using one of its 7-foot long arms gently inserts it into her. He gets to do this several times with multiple partners if he’s lucky, but basically that’s it for him – and he dies soon after. When the female gives birth to the 100,000 little octos, they’re all attached to a long ‘rope’ that she ‘hangs up’ in her den. She then fastidiously and constantly grooms this until the kids hatch, where upon she dies as well. Oh, and I could go on, but as my editor said, “I can hardly wait to see the illustration … or not!”

I’m telling you, I never get tired of learning about this stuff, but this time it left my mouth slightly slacked.

Thanks for reading this week.

Larry Eifert

Click here to go to the online blog this was to.

Click here to go to our main website – packed with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Click here to check out what Nancy’s currently working on with her photography.