Tag Archives: El Malpais National Monument

El Malpais mural

January 6, 2019 Brush Man

El Malpais National Monument mural painting completed

I finished my El Malpais National Monument mural a few days ago. Of course they don’t know about it yet because the park staff is shutdown, but I thought I’d post it here to let everyone else know that artists don’t get sent home – we ARE home. Park staff isn’t getting paid, and neither am I.

Enough of that! The progressive steps of this painting are shown below, from the concept sketch created on location in Grants New Mexico, to the refined sketch and finally the painted version on top. Scroll to the bottom to see the chronological progression in reverse.

This painting shows the rather amazing and pristine high desert plateau landscape right on the Continental Divide in central New Mexico. This giant park has over 400 lava caves, ancient pueblo ruins, sandstone cliffs, vast lava flows, cinder cones and some of the oldest Douglas-fir trees on the planet. The painting shows most of these components, and also several cave entrances, bats emerging for the evening, a ringtail watching them pass. There are two tinajas, or waterpockets with frogs and others coming to drink after a hot day in the desert. This part is on sandstone, like the background cliffs. There are ancient junipers that were probably here 1000 years ago when the pueblo was occupied, and lots of pot shards are littering the ground. We saw all this, and much more I couldn’t get in while on our site visit last spring.

This painting will be going to the main visitor center in Grants, but a larger copy with also be produced for an exhibit there. The real reason for this, however, is that it’s going on the back of the new park map brochure, so each year over 100,000 people get to take it home with them – along with this painting of mine. This part of the project is being produced by the excellent staff at the National Park Service’s Harpers Ferry Center in West Virginia. They always do great things with my paintings. I know the production will be top-notch.

Super-refined sketch prior to painting. This one was drawn in the studio here in Port Townsend and was the final draft before painting.

Refined sketch number seven, also drawn on location.

Above is the initial sketch photographed for big screen presentation at the park. I did this on the pavement at the hotel in Grants New Mexico, then loaded into my laptop and piped it onto the big screen for the park to see and comment on while I listened and wrote comments. This is sketch #7, the final one attempted and it was heartily approved. Even the superintendent was there, which is a rarity for me.

This was drawn on location, along with half a dozen others, but wasn’t a specific place. It has all the ‘elements of El Malpais, but doesn’t hold faithful to any ‘stand here and see this’ location. I think I nailed it pretty well.

El Malpais means Badlands – they sure are.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

New Painting Post

El Malpais National Monument sketch #2

October 8, 2018 Brush Man

Revision time – stay with me on this. I know this isn’t in color, but pencil drawing is almost a lost skill, and I’m still fairly good with it. Lots of people ask me how it is to work for the National Park Service. Well, it’s like a bunch of bananas, there’s good and bad, sometimes in the same bunch. So far, this project has been all good!

A few posts ago, I showed the first detailed sketch for this New Mexico painting, the one below. Now the park has made requests for changes, with plenty of ‘please’s. An entirely new sketch was called for. No complaints, all their thoughts were valid, and some things I just plain forgot to add. The top sketch was submitted this week for a second review. What’s the difference? Bigger cave, straightened the right tree, removed the left tree, cliff bigger, and most of all, an aspen – Douglas-fir grove on the left with plenty of a’a lava. That’s the lava that looks impossible to walk on, and is (see the photo below). At El Malpais National Monument, it’s mixed with lots of pahoehoe, the ropy lava that flows like water in its molten form. This place, west of Albuquerque, has 400 lava caves, so it was important to show more of that, too.Below, our guide-ranger in a mass of a’a lava. Impossible to walk on, impossible to paint! Somewhere in this mess is my phone, still sitting where it fell out of my pack and, for me, gone forever! And below a pot shard from one of the almost-invisible pueblo ruins. They wanted more of these, which is shown in the new sketch along the foreground. This piece was just sitting on the ground and is probably over 1000 years old. The hand-painted lines are far more skilled than modern pots from the same tribe that are made for tourists.

Soon, I’ll get either a go-ahead on the final art, or a request for some additional changes – not likely anything imposing. Too many pronghorn, a smaller peregrine falcon, stuff like that. I’m eager to paint this because, as usual, I’ll get a chance to relive the very tasty experience of going there this past summer.

Thanks for reading my stuff this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

New Painting Post

El Malpais National Monument painting sketch

August 10, 2018 Brush Man

(click to enlarge it in your browser) I’m presenting this sketch tomorrow to the National Park Service and El Malpais National Monument as we proceed through the process of developing this painting. The final painting will be used on the back of the park map, the handout you get when you visit. I’ve done these before for other parks and talk about putting art in the hands of the many, this is sure a way to do that.

Just to remind you, here’s the original concept sketch. Comparing the two is a great way to show the ‘process’ of making art like this.

Few wildflowers are here, at least obvious ones. This is a very arid and high-deserty place very near the Continental Divide in New Mexico, so, I focused on the critters – and there are a bunch of them. It’s fun to develop these projects, to start with a white piece of paper and bring in one element at a time. Of all these birds and animals, I think there were only a couple that needed to be resized to fit their neighbor’s size. This is the most difficult thing to pull off, because you can’t put a coyote next to, say, a mouse, or an elk next to a bobcat and call it even somewhat realistic.