Tag Archives: New Mexico

El Malpais mural

January 6, 2019 Brush Man

El Malpais National Monument mural painting completed

I finished my El Malpais National Monument mural a few days ago. Of course they don’t know about it yet because the park staff is shutdown, but I thought I’d post it here to let everyone else know that artists don’t get sent home – we ARE home. Park staff isn’t getting paid, and neither am I.

Enough of that! The progressive steps of this painting are shown below, from the concept sketch created on location in Grants New Mexico, to the refined sketch and finally the painted version on top. Scroll to the bottom to see the chronological progression in reverse.

This painting shows the rather amazing and pristine high desert plateau landscape right on the Continental Divide in central New Mexico. This giant park has over 400 lava caves, ancient pueblo ruins, sandstone cliffs, vast lava flows, cinder cones and some of the oldest Douglas-fir trees on the planet. The painting shows most of these components, and also several cave entrances, bats emerging for the evening, a ringtail watching them pass. There are two tinajas, or waterpockets with frogs and others coming to drink after a hot day in the desert. This part is on sandstone, like the background cliffs. There are ancient junipers that were probably here 1000 years ago when the pueblo was occupied, and lots of pot shards are littering the ground. We saw all this, and much more I couldn’t get in while on our site visit last spring.

This painting will be going to the main visitor center in Grants, but a larger copy with also be produced for an exhibit there. The real reason for this, however, is that it’s going on the back of the new park map brochure, so each year over 100,000 people get to take it home with them – along with this painting of mine. This part of the project is being produced by the excellent staff at the National Park Service’s Harpers Ferry Center in West Virginia. They always do great things with my paintings. I know the production will be top-notch.

Super-refined sketch prior to painting. This one was drawn in the studio here in Port Townsend and was the final draft before painting.

Refined sketch number seven, also drawn on location.

Above is the initial sketch photographed for big screen presentation at the park. I did this on the pavement at the hotel in Grants New Mexico, then loaded into my laptop and piped it onto the big screen for the park to see and comment on while I listened and wrote comments. This is sketch #7, the final one attempted and it was heartily approved. Even the superintendent was there, which is a rarity for me.

This was drawn on location, along with half a dozen others, but wasn’t a specific place. It has all the ‘elements of El Malpais, but doesn’t hold faithful to any ‘stand here and see this’ location. I think I nailed it pretty well.

El Malpais means Badlands – they sure are.

Thanks for reading this week.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

New Painting Post

A Vibrant Pueblo at Aztec Ruins New Mexico

November 13, 2017 Brush Man

Click the image to enlarge it.

Quite an interesting project here. This is one of the half dozen paintings for the National Park Service at Aztec Ruins, New Mexico. Photos I took like the one below of the real ruins today were about all I had to go by – that and Google Earth. The task was to paint this place 1000 years ago when the Indians had migrated from Chaco Canyon and set up a real economy on the banks of the Animas River. I asked the Chief of Interpretation at the park just how much of the land would have been under cultivation: “all of it, every foot”. That sketch didn’t make the grade ‘too jumbled’, and I couldn’t put the many irrigation ditches in because ‘we don’t know where they were’. So, I just made it all up! And tossed in a red-tailed hawk to keep my heart alive.

Here’s a section view of the pueblo painting, today a World Heritage Site. Yes, there are tiny people down there; yes, it’s pretty much the same layout as today but the photo below shows how much it’s changed. I really love working out these challenges. I was surprised the NPS really doesn’t have a good grasp of what it was really like. Yes, COULD be, yes, it might have been like that – but in the end it was just a big cloud of not much to go on.

Probably the best set of reference photos I took were of the native plant garden just outside the ruins. It had the same native species that would have been in all those gardens, and how they think it was grown. Flooded occasionally, it’s all grown on mounds.

This painting will be made into an outdoor wayside exhibit with some text added. The original art will hang in the visitor center with the others I’m doing. Only one more big one to go. Thanks to Rosene Creative in Jasper Georgia for putting up with me on this one. It’s been fun.

Again, here’s the link to the NEW new puzzle I talked about last week.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.