Tag Archives: Exhibits

Glacier Park sloppy mural details

I posted about this painting of Glacier National Park recently, and now I’ve scanned it for the next step in becoming the back of the park map. As I was scanning and then cleaning up the file in Photoshop, I was struck with how loose and abstract my stuff gets when you zoom in on it. Brush strokes, smudges, finger prints, cat hair, my hair (what’s left of it) is all in here, stuck down forever. I think it’s a good view of my painting process, so here are some samples I screen-grabbed as I went.

This first one is the ptarmigan chicks in the center foreground. Notice the while lines around the heads to help bring that out from the background. And the vague indication of the rocks that are only a few brush strokes building from dark to light.  Not detailed at all, none of it, but it still suffices to tell the story. Click on all these to see larger versions in your browser. It helps understand what I’m showing.

And here is the ram’s head on the painting’s right. In the closeup details on the second image, you can see it’s really just a gauzy overlay of white that makes for the final presentation, and you can see again that this entire animal was initially painted dark umber to begin with.

Lower left corner with the snowshoe hare and butterfly, it all works pretty well at this resolution, but blow it up so you can actually see the brush strokes and it’s pretty darned abstract.

And finally, the area around the elk, flowers and sedges, alpine landscape with the stream. It looks okay at this normal resolution.

But as I zoom in on it, the thing falls apart fairly quickly.

If I presented this in a gallery situation, would it work? Probably, because people will buy anything = witness the last presidency. But there’s not much fine detail here except some dabs and dashes of paint. What I’m trying to get across here is that big paintings are really just that, dabs and dashes. I get questions about my process and I’d have to say here that it’s all just dabbing and dashing, splashing paint on a flat surface and standing back every few minutes to see how it’s going. In the end, it’s a huge finished thing that looks okay, but every moment is just abstract art in each very tiny area – then repeat over and over.

What IS this, anyway? What an abstract or maybe even non-objective piece of art.

Thanks for reading this week. You can sign up for emails for these posts on my website at larryeifert.com.

Larry Eifert

Here’s my Facebook fan page. I post lots of other stuff there.

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Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography and paintings.

And here to go to Virginia Eifert’s website.

A New Puzzle for the North Olympic Salmon Coalition

A new puzzle arrived for our local salmon restoration group and we high-jacked a few of them for us. I guess you could call it a ‘Limited Edition’. This non-profit puts restoration projects together with partners with funds to help Olympic Peninsula watersheds, and they’re just about the best bunch of folks we know around here.

Last year I did some art and designs for a series of wayside panels that completed a major habitat restoration in the estuary of Discovery Bay on the Olympic Peninsula (that’s the bay in the background of the puzzle). They decided that a jigsaw puzzle might be a perfect way to spread the word about this and raise some money. Very progressive attitude, and a perfect way to showcase some of this art.  I did the design, and below is the box back – learn about salmon and restoration, all in one.

Here’s the box front. I used three paintings, melded them together and I think it’s a fairly difficult puzzle. 

And below is one of the paintings installed. Thousands of salmon migration barriers are on streams and rivers in the Northwest. This project opened up two streams and help these fish return to spawn a next generation.  NOSC removed 1900 tons of rock, 425 tons of contaminated soils,  added 3200 feet of a community waterline and lots more. It was a big project – and I was proud to be a small part of it by providing some interpretive art. We also handled the fabrication and printing, all in a day’s work for me.

If you’d like a puzzle, you can order it here on our website. Or, call Nicole O’Hara at NOSC, (360) 379-8051 and get one as a donation to this great group. Then, if you’re local, get out here and have a look at all this.

Thanks for reading my stuff this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

El Malpais National Monument sketch #2

Revision time – stay with me on this. I know this isn’t in color, but pencil drawing is almost a lost skill, and I’m still fairly good with it. Lots of people ask me how it is to work for the National Park Service. Well, it’s like a bunch of bananas, there’s good and bad, sometimes in the same bunch. So far, this project has been all good!

A few posts ago, I showed the first detailed sketch for this New Mexico painting, the one below. Now the park has made requests for changes, with plenty of ‘please’s. An entirely new sketch was called for.  No complaints, all their thoughts were valid, and some things I just plain forgot to add. The top sketch was submitted this week for a second review. What’s the difference? Bigger cave, straightened the right tree, removed the left tree, cliff bigger, and most of all, an aspen – Douglas-fir grove on the left with plenty of a’a lava. That’s the lava that looks impossible to walk on, and is (see the photo below). At El Malpais National Monument, it’s mixed with lots of pahoehoe, the ropy lava that flows like water in its molten form. This place, west of Albuquerque, has 400 lava caves, so it was important to show more of that, too.Below, our guide-ranger in a mass of a’a lava. Impossible to walk on, impossible to paint! Somewhere in this mess is my phone, still sitting where it fell out of my pack and, for me, gone forever! And below a pot shard from one of the almost-invisible pueblo ruins. They wanted more of these, which is shown in the new sketch along the foreground. This piece was just sitting on the ground and is probably over 1000 years old. The hand-painted lines are far more skilled than modern pots from the same tribe that are made for tourists.

Soon, I’ll get either a go-ahead on the final art, or a request for some additional changes – not likely anything imposing. Too many pronghorn, a smaller peregrine falcon, stuff like that. I’m eager to paint this because, as usual, I’ll get a chance to relive the very tasty experience of going there this past summer.

Thanks for reading my stuff this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Orcas Landing – Wayside Art at the Ferry Landing

More paintings! Last year we spent some time in the San Juan Islands doing a site visit for this old hangout, the Orcas Island Ferry Landing. Lots of history here for me as I lived aboard my boat in Friday Harbor in the 80’s. I know every anchorage and headland, and spent the night several times tied to the old wooden dock that was once here (sloppy chop from boats in the channel). Now it’s steel and concrete, the old fuel tanks on shore are gone – and soon some Eifert art will be installed here for the next generation to ponder this place, rich with nature and history. ‘Orcas Landing’ is the concrete overlook in the photo’s center.

Here’s the design for the overlook, a series of my paintings along the railing. Visitors look over the rail and directly at the ferry landing.  

This one is the final panel, all approved by San Juan County and awaiting installation. 

And this image is a similar shoreline installation I did for the City of Anacortes, a rich ecosystem here, too, with eel grass meadows and rocky shorelines. This will be the 12th public piece of art about Salish Sea ecosystems. It seems to be a trend.

Stay tuned. There are many more paintings coming for this beautiful place. After spending much of my life here in the 80’s, I’m proud to be contributing to it.

Thanks for reading this week.

Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Snow Creek Wayside Panel Installed

I think I probably posted this painting as it was happening a few months ago, but a couple of weeks ago, the good folks with the North Olympic Salmon Coalition finally installed the last panel in this project. This one tells the story of restoring Snow Creek as it meanders down into Discovery Bay,  just a few miles from our studio, and how this valley is on the way to becoming a healthy stream for salmon. Lots of money, lots of time and people power, and a very beautiful place.

Here’s the best part for me: this is right beside Highway 20, the main road from our home to Olympic National Park and the big box town of Sequim. We leave home, drive over the pass beside Discovery Bay, down this hill and there this is, just waiting for me to hate it. (I hate all of them, no big deal). So, I get to drive right by my own stuff on the way to enjoying the pizza bite samples at Costco. What a kick!

In case you want to see how it looks without the frame, here’s the final fabricated panel on aluminum by Gopher in Minnesota. Great job – the best in the country.

Snow Creek Restoration, NOSC

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Hoh Rainforest Visitor Center Installation Complete

A two-year project finally gets across the finish line for Olympic National Park. Not the easiest thing to capture, but Nancy did a pretty good job of it photographing the final installation. A four-sided room with old-growth canopy, four other paintings on a tabletop with intricate details like swimming salmon, an otter, a fantasy image of Mount Olympus. There are hidden critters, pileated woodpeckers, spotted owls, snails, slugs, snakes, salamanders and more. There were times I truly wondered how this was all coming together, but it did – and I think it works pretty well.

Below, here’s a progress shot of some of the wall paintings (the original art) laid out in the old Superintendent’s house at Olympic NP.

And below: this part was too big to see all in one piece in the studio, so we tacked it up outside the barn occasionally to see how it was working. Nancy painted lots of the trees.

Installation with the guys from Virginia, Rob from Color-ad and Mike who did the 3-d stuff. I think we felt like family by the time with was finished.

Highly interactive tabletop was a pain to figure out, Often we all just made it up.

This is now installed and open for viewing at the Hoh Rainforest Visitor Center on the west side of Olympic National Park. The first new exhibits since construction of the building in 1968, I was first here in about 1978 for a backpack up the valley. That entry into the Hoh had a profound effect on me and it’s probably a big reason I have now spent my last two decades in Port Townsend – on the othe side of the peninsula. It’s a rare and spiritual place for both Nancy and I –  and now I feel we’re a part of it.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Watercolors for Kennesaw Mountain NP in Georgia

I’ve haven’t posted here for awhile. Someone even emailed me to ask if I was Okay – yes, just busy with, wait for it, 9 projects and 54 paintings! No, I’m not the least bit freaked – it’s just life. These two paintings came along this past week and I thought they were nice. It’s not nature as usual, but these are two images that I might have painted in those Northern California years of the 80’s. 

Both these are paintings are watercolor and pencil and show two former homesteads at Kennesaw Mountain NP in Georgia. I’m painting 18 images for new wayside panels there. The log house was researched using one from New Salem State Park in Illinois where I grew up and the references were provided by Delaney Shriner, a childhood chum who still lives there. It’s a ‘dog-trot cabin, two separate houses with a porch connecting them, probably one of the first condos. I like this feeling of ‘oldness’ in how the pencil blends with the paint.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Dismal Nitch on the Columbia River – new wayside paintings

Click to enlarge in your browser.

Not exactly nature art, but still meaningful to me. Lewis and Clark National Park is at the mouth of the  Columbia River. Part of the park sticks out into the river and was the location (maybe) where the Corp of Discovery stayed for a week, wet, hungry and in a dangerous situation. My task here is to show the event in six paintings that will be placed along this walkway. Somewhat serendipitously, we were here a year ago goofing around and a couple of weeks later this bid to fill up these empty panels appears. I was the only one involved that had actually been to the site.

The most meaningful thing, at least to me is that for part of the research, I used my mom’s book “George Shannon, Young Explorer with Lewis and Clark”, Virginia S. Eifert, Dodd Mead, New York, 1963. What a kick, painting the exact same thing she wrote about 55  years ago, and using her research for my paintings. Keeping it in the family!

Panel bases are already in and waiting. Below is an amazing bronze, probably worth more than our house, that sits right at the end of the loop trail.

Nancy beside the big Corps of Discovery bronze with Dismal Nitch cove in the background.
A section of the bronze, a lost wax casting of the highest quality. I know, I’ve helped do this stuff.

My paintings will be scattered along the shore and tell the story of salmon, Indians, Lewis and Clark and Jefferson’s vision of westward expansion. Of course, I’m sprinkling nature into all of them.

I like to compare Lewis and Clark and the Corps of Discovery with the moon landings of the 60’s. It was the same, really, for these guys to head off into nowhere, without maps, and find a way across the continent in a government-sponsored expedition.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

Aztec Ruins National Monument – Along the Animas River

This week I moved on from this completed painting for Aztec Ruins National Monument in New Mexico. Projects are piling up here. Below is the sketch I posted some weeks back, and it’s a great example of things changing as they go along. The Park Service, of course, hates change, but, I don’t know, it just happened. The entire thing got reversed, river got bigger (like it is), cottonwoods got smaller (like they are), the chickadee changed into a turkey. It’s just the process of creating something from nothing but a blank piece of paper.

Some things remained, especially this little desert cottontail that I followed around the native plant garden near the visitor center. I could have petted it if I’d had a Cheeto to use as a bribe.

And here’s the river in summer when I was there. A green ribbon of life. Amazingly, even though the bottomland is packed with people, the original ecosystem is almost perfectly intact, right down to the cougars and bobcats. This will become a wayside exhibit panel with some text added to explain all this. It turned out pretty well, I think.

Again, here’s the link to the NEW new puzzle I talked about last week.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.

A Vibrant Pueblo at Aztec Ruins New Mexico

Click the image to enlarge it.

Quite an interesting project here.  This is one of the half dozen paintings for the National Park Service at Aztec Ruins, New Mexico. Photos I took like the one below of the real ruins today were about all I had to go by – that and Google Earth. The task was to paint this place 1000 years ago when the Indians had migrated from Chaco Canyon and set up a real economy on the banks of the Animas River. I asked the Chief of Interpretation at the park just how much of the land would have been under cultivation: “all of it, every foot”. That sketch didn’t make the grade ‘too jumbled’, and I couldn’t put the many irrigation ditches in because ‘we don’t know where they were’. So, I just made it all up! And tossed in a red-tailed hawk to keep my heart alive.

Here’s a section view of the pueblo painting, today a World Heritage Site. Yes, there are tiny people down there; yes, it’s pretty much the same layout as today but the photo below shows how much it’s changed.  I really love working out these challenges. I was surprised the NPS really doesn’t have a good grasp of what it was really like. Yes, COULD be, yes, it might have been like that – but in the end it was just a big cloud of not much to go on.

Probably the best set of reference photos I took were of the native plant garden just outside the ruins. It had the same native species that would have been in all those gardens, and how they think it was grown. Flooded occasionally, it’s all grown on mounds.

This painting will be made into an outdoor wayside exhibit with some text added. The original art will hang in the visitor center with the others I’m doing. Only one more big one to go. Thanks to Rosene Creative in Jasper Georgia for putting up with me on this one. It’s been fun.

Again, here’s the link to the NEW new puzzle I talked about last week.

Thanks for reading this week.
Larry Eifert

Here’s the blog on the web. And here’s my Facebook fan page. I post lots of other stuff there.

Click here to go to our main website – with jigsaw puzzles, prints, interpretive portfolios and lots of other stuff.

Nancy’s web portfolio of stunning photography

And here to go to Virginia Eifert’s website. Her books are now becoming available as Amazon Kindle books.